Mixed Race Studies

Mixed Family Life in the UK: An Ethnographic Study of Japanese-British Families

Palgrave Macmillan
2017-09-08
158 Pages
Hardcover ISBN: ISBN-13: 978-3319577555
eBook ISBN: 978-3-319-57756-2
DOI: 10.1007/978-3-319-57756-2

M. Nakamura Lopez, Sociologist and Freelance writer

• Explores the challenges and rewards associated with the intergenerational transmission of culture in mixed families
• Covers a range of topics including food, language and friendship
• Captures mixed families’ everyday experiences

This book offers a nuanced picture of mixed family life in the UK. Specifically, the book explores how parents from different backgrounds create a place of belonging for their children, while also negotiating difference and attempting to transmit various aspects of their cultures, including religion, hobbies, language and food to their mixed children. Based on data collected from 26 months of fieldwork, the author concludes that the intergenerational transmission of culture, instead of being tied to the idea of “national culture”, is actually more organic and fluid, allowing individuals to share their “cultures”, from traditions and customs to preferences and habits, with the next generation.

As mixedness increasingly becomes the norm in our global society, the book will be of interest to students and scholars of race, ethnicity and family studies, as well as social workers, school teachers, counsellors, and parents and kin of mixed children.

Half Breed, theatre review: Funny, gripping show packs a punch

London Evening Standard
2017-08-14

Veronica Lee

Impassioned: Natasha Marshall performs in Half Breed Rebecca Need-Menear

Natasha Marshall gives an impassioned performance in a semi-autobiographical show, writes Veronica Lee

“I am that mixed-race kid, 50/50. I’m about as black as it goes round here,” 17-year-old Jaz says in Natasha Marshall’s semi-autobiographical piece about being the only non-white girl growing up in a small English village.

Jaz, who lives with her white grandmother in the West Country, dreams of going to drama school while her best friend, Brogan, whose main ambition in life is to have a baby, talks of London as if it were Mars.

But they’re tight, these two, kindred spirits brought together by both having spent time in the care system, and Brogan, despite not being able to fathom why her friend is doing it, is as determined as Jaz that her Shakespeare audition speech will be perfect…

Read the entire review here.

Shedding my whiteness is a work in progress

The Guardian
2017-09-16

Georgina Lawton

Georgina Lawton … ‘In my family, whiteness has been assumed as default.’ Photograph: Alicia Canter for the Guardian

A white identity was constructed for me 25 years ago and unravelling it feels like a Sisyphean task

My black side and my Irish side compete for recognition within me, like two separate flames of a fire, dancing around each other, fighting to shine the brightest. Take the other night in London; I was out for a drink with a friend from school when we heard the melody of Irish accents from a group of guys close by, and chimed in to chat. Later, a British-African guy overheard part of the exchange and bemusedly declared that “the Irish men love black women!” Looking decidedly sheepish, the Irish lads asserted that I was Irish, to which the black guy replied, “No – she’s black.” I pretended not to hear and went to the toilet, leaving the projected shadows of who I am and who others think I am, dancing on the walls behind me.

Outside my immediate family, my blackness has been obvious and non-negotiable, but among some of my Irish family, it is up for debate or ignored entirely. A white identity was constructed for me 25 years ago and now unravelling this construct – and asking some of my Irish family to unravel it with me – feels like a Sisyphean task. Shedding my own psychology of whiteness is a work in progress, but when I am back in Ireland it’s easy to revert to default because that’s all we know…

Read the entire article here.

Living on the borderline: how I embraced my mixed-race status after years of denial

The Guardian
2017-08-26

Georgina Lawton

Solomon Glave as Heathcliff in Andrea Arnold’s 2011 adaptation of Wuthering Heights Photograph: Artificial Eye

I still have yet to uncover the full truth behind my heritage, but now feel that living in a racial no man’s land can actually be fun

Wuthering Heights has been one of my favourite books since I studied it for A-level seven years ago. I was fascinated by the tumultuous (and oddly asexual) relationship between Cathy and Heathcliff, but mostly with the theme of liminality that runs through the book, and many other works of gothic literature. Liminality refers to something – or someone – that sits on the boundary between two things; it’s a middle ground between polar opposites. Kind of like being mixed race.

I didn’t realise it at the time, but I identified with Heathcliff (he’s a dark-skinned Gypsy anti-hero) because I have been straddling the borders of race liminality my whole life. Growing up brown-skinned in a white family and facing questions as to why that was, I have had to navigate many different racial identities depending on who I was with, never quite owning one…

Read the entire article here.

Margo Jefferson with Jackie Kay

Edinburgh International Book Festival
Studio Theatre
13-29 Nicolson St
Edinburgh EH8 9FT, United Kingdom
Sunday, 2017-08-20, 20:45-21:45 BST (Local Time)

Feminism and Civil Rights

Pulitzer Prize and National Book Award-winning cultural critic Margo Jefferson is the author of a bold, defiant and astonishingly accomplished memoir, Negroland. Powerfully demonstrating that a ‘post-racial’ America is far from being a reality, Jefferson explores the challenge of reconciling feminism (often regarded as a white woman’s terrain) with black power (sometimes seen as a black male issue). Jefferson discusses her compelling life story with Scotland’s Makar, the poet and novelist Jackie Kay.

What kind of mixed race/ethnicity data is needed for the 2020/21 global population census round: the cases of the UK, USA, and Canada

Ethnic and Racial Studies
Published online: 2017-07-26
pages 1-19
DOI: 10.1080/01419870.2017.1346267

Peter J. Aspinall, Emeritus Reader in Population Health
Centre for Health Services Studies
University of Kent, Canterbury, United Kingdom

In western countries the mixed race/ethnicity population is experiencing a rapid increase in numbers and growing diversity, raising challenges for its capture in censuses and surveys. Methods include exact combinations of interest, multi-ticking, and open response, as exemplified by the censuses of England and Wales, the USA and Canada, and Scotland and Northern Ireland, respectively. However, investigations of question face validity, reproducibility of findings, and efficacy of capture reveal quality problems with all three approaches. The low reporting reliability of this population urgently requires research and testing to identify optimal strategies. While there is clearly no one gold standard method of capture and current approaches have developed within national contexts, it is timely to review these methods across the three countries and to make recommendations for the upcoming 2020/21 censuses.

Introduction

Throughout much of the twentieth century the salient view in ethnicity data collection was that people belonged in separate and mutually exclusive racial/ethnic categories,¹ an approach termed ethnic absolutism (Gilroy 2004). This status quo was maintained by some statistical agencies in the UK through the claim that persons of mixed race/ethnicity preferred to identify with a single group (Sillitoe and White 1992). Moreover, in the USA, the “one drop rule” privileged the minority ethnic component in a mixed person’s racial identity, requiring only one race to be assigned to a person (Davis 1991). Mixed persons who utilized “other” categories or unofficially multi-ticked went uncounted. However, as the mixed population began to increase in recent decades and respondents in censuses and surveys demonstrated their wish to self-identify their mixedness in free-text (Aspinall 2010), this approach was no longer sustainable. In consequence, census and other official organizations across the world and especially in western countries have been faced with the challenge of how to count this mixed/multiple population. This has led to the adoption of a plurality of measures (Morning 2008) that belies the complexities with respect to conceptualization and the proliferation in type of mixes or combinations. Moreover, several countries are now approaching their second or third decennial census in which the mixed population has been measured, yielding an evidence base on optimal strategies. It is therefore timely to take stock of these practices and to explore what kind of mixed race/ethnicity data is needed for the upcoming 2020/21 global population census round…

Read the entire article in HTML or PDF format.

Pakistani, white, Sindhi, Canadian, black: What do you identify as?

The Express Tribune
Karachi, Pakistan
2017-07-22

Shanel Khaliq

Jazzmine Raine mother is a third generation Canadian, with Irish, English, Scottish and Spanish bloodlines whereas her father is a second generation Canadian with an Antiguan father and St Lucian mother. PHOTO: KENDA AL YAKOB

With unprecedented levels of immigration, globalisation and the forced displacement of populations worldwide, the intermingling of races, cultures and ethnic groups may become the ‘norm’ in the decades to come. Many countries in the world are now host to a multiplicity of racial groups, particularly countries such as the US and Canada, due to their distinct historical path towards constructing a national identity.

Ironically, over the years, phenomena such as racial profiling have become even more widespread. Is this owed to the ever-changing global order, an increasingly narrow and stringent concept of national security, or is it simply age-old racism disguising itself in new clothes?

In order to protect the purity of races historically, many parts of the world had anti-miscegenation laws in place. The US is one good example where anti-miscegenation laws came under considerable heat for making interracial unions illegal. The ‘one-drop rule’ also persisted in the country for a long time whereby anyone with a single Black ancestor would be considered Black…

…In most parts of the Global North, it is speculated to be the fastest growing group. Nonetheless, scholars such as Minelle Mahtani, warn against the romanticisation of mixed race people as the dawn of a new world since the racialization of bodies continues to persist and affect their experiences even in the Global North, and in a world where even the label ‘mixed’ inevitably evokes the idea of partial ‘Whiteness’ in popular imagination.

Read the entire article here.

Through an Indian’s Looking-Glass: A Cultural Biography of William Apess, Pequot

University of Massachusetts Press
January 2017
310 pages
16 b&w illustrations
6.125 x 9.25
Paper ISBN: 978-1-62534-259-1
Cloth ISBN: 978-1-62534-258-4

Drew Lopenzina, Associate Professor of English
Old Dominion University, Norfolk, Virginia

New insights on an important Native American writer

The life of William Apess (1798–1839), a Pequot Indian, Methodist preacher, and widely celebrated writer, provides a lens through which to comprehend the complex dynamics of indigenous survival and resistance in the era of America’s early nationhood. Apess’s life intersects with multiple aspects of indigenous identity and existence in this period, including indentured servitude, slavery, service in the armed forces, syncretic engagements with Christian spirituality, and Native struggles for political and cultural autonomy. Even more, Apess offers a powerful and provocative voice for the persistence of Native presence in a time and place that was long supposed to have settled its “Indian question” in favor of extinction.

Through meticulous archival research, close readings of Apess’s key works, and informed and imaginative speculation about his largely enigmatic life, Drew Lopenzina provides a vivid portrait of this singular Native American figure. This new biography will sit alongside Apess’s own writing as vital reading for those interested in early America and indigeneity.

Electronica With A Human Heart: Meet Little Dragon Lead Singer Yukimi Nagano

Phoenix Magazine
London, United Kingdom
July 2017

Interview: Muki Kulhan
Words: Hannah Kane
Photographer: Jamie Gray at Blood & Co.
Fashion Editor: Nini Khatiblou
Hair: Shukeel Murtaza at Frank
Makeup: Ammy Drammeh
Nail Technician: Jessica Thompson at Frank

The dynamic frontwoman talks production values, the ‘ugly beautiful’, and why being in ‘the band that almost made it’ is the best thing ever

Summer in the city, and the iconic Camden Jazz Café is packed. The crowd jostles towards the front of the stage as Swedish electro-synth band Little Dragon emerges to cheers and whistles. Band members take up their positions: Erik Bodin on drums, Fredrik Källgren Wallin on bass and Håkan Wirenstrand at the keyboards. The petite frame of lead vocalist Yukimi Nagano, decked in a crystal embellished baseball cap and tulle veil, moves forward and she takes the mic. A persistent electronic beat ripples through the hall and Yukimi’s voice joins to fill the humid air. She moves deliberately and with a dancer’s expression, leading her audience as if in a shamanic trance…

…Yukimi has always been drawn to boundary-pushing musicians, from the first Jimi Hendrix records she bought to her all-time musical heroes Kate Bush, Janet Jackson, Fleetwood Mac, Prince and Grace Jones. Born and raised in Gothenburg to a Japanese father, Yusuki Nagano, and her Swedish-American mother, Joanne Brown, Yukimi had a musical childhood alongside her sister Sumie, now a respected folk musician. “My mom played piano and I used to sit on her lap and destroy her playing,” she remembers. “That’s where my love of Fleetwood Mac comes from.”…

Read the entire article here.

‘A Woman of Strange, Unfathomable Presence’: Ida Platt’s Lived Experience of Race, Gender, and Law, 1863-1939

Gwen Jordan
University of Illinois, Springfield

2017-05-08
52 pages

In 1894, Ida Platt became the first African-American woman lawyer in Illinois. She was one of only five black women lawyers in the country and the only one able to maintain a law practice. Throughout her thirty-three year career, Platt served as head of her household, providing for her mother and sisters, without marrying or having children. She accomplished these feats by employing a fluid racial identity, passing as white in her professional life, and by avoiding the dominant gender roles that excluded women from the masculine legal profession. In 1927, at the age of sixty-four, Ida Platt retired, married Walter Burke, a white man, and moved to England. Twelve years later, Ida Burke died. As is the practice in England, there was no race designation on her death certificate.

Platt’s choice to employ a fluid racial identity allowed her to pursue her career as a lawyer amidst a racist and sexist society that particularly discriminated against black women. She entered the law when Jim Crow was taking root, race lines were hardening, and elite, white, male lawyers were intensifying their opposition to women’s rise within the profession. Platt’s life and career offer insights into how law and the legal profession responded to the complexities of race and tender a new story of the lived experience of race as it intersects with gender. It suggests that Platt’s pragmatic strategy of changing her racial identity both contested and shaped the ways in which race, gender, and identity were constructed and represented in American society, as it exposed both the rigidity and permeability of these constructions.

Read the entire paper here.