Mixed Race Studies

The Poetry of Derek Walcott 1948-2013

Farrar, Straus and Giroux
2014-01-21
640 pages
Hardcover ISBN: 9780374125615

Derek Walcott (1930-2017)

Selected by Glyn Maxwell

A collection spanning the whole of Derek Walcott’s celebrated, inimitable, essential career

“He gives us more than himself or ‘a world’; he gives us a sense of infinity embodied in the language.” Alongside Joseph Brodsky’s words of praise one might mention the more concrete honors that the renowned poet Derek Walcott has received: a MacArthur Foundation Fellowship; the Queen’s Gold Medal for Poetry; the Nobel Prize in Literature.

The Poetry of Derek Walcott 1948–2013 draws from every stage of the poet’s storied career. Here are examples of his very earliest work, like “In My Eighteenth Year,” published when the poet himself was still a teenager; his first widely celebrated verse, like “A Far Cry from Africa,” which speaks of violence, of loyalties divided in one’s very blood; his mature work, like “The Schooner Flight” from The Star-Apple Kingdom; and his late masterpieces, like the tender “Sixty Years After,” from the 2010 collection White Egrets.

Across sixty-five years, Walcott grapples with the themes that have defined his work as they have defined his life: the unsolvable riddle of identity; the painful legacy of colonialism on his native Caribbean island of St. Lucia; the mysteries of faith and love and the natural world; the Western canon, celebrated and problematic; the trauma of growing old, of losing friends, family, one’s own memory. This collection, selected by Walcott’s friend the English poet Glyn Maxwell, will prove as enduring as the questions, the passions, that have driven Walcott to write for more than half a century.

Solecism

Virtual Artist Collective
2013-02-28
80 pages
Paperback ISBN: 9780944048504

Rosebud Ben-Oni

“Think the pinched aren’t polysyllabic?” You’ve never heard from Mexico in this register. Nor moved through the East Village and Jerusalem, Syria and Lebanon, with a guide who spies “what grows in broken concrete.” Ben-Oni takes us along borderlands and scenes we rarely hear of in the news – to the very fringes of places like Sal Si Puedes (“Leave if you can”) with its sandals, jellyfish, beer bottles and narcotic wires, then into the marketplaces of melons and catcalls, with the tongue of a Gypsy “incapable of candor.”  This is exploration and revelation via the road less traveled. A slice of poem glimpses girls howling against silence slammed against them, laughing through weeds overtaking ranches, and the child-guide, a Jewish-Mexican who doesn’t fit, is also a sparrow walking her wings through the ruins, choosing mosquitoes over worms, baring all to possibly “disappear / into overflowing ashtrays and / stryofoam pyramids / in ten-peso shops.”  Where she finally lands pales beside how she sees the world through her tongue.  The journey is all. As always, we too think we know things, and we do, but it is Ben-Oni’s insider-outsider grasp that dons another legitimacy, one that does not go on validation, one that can intensify our own: simply listening is enough to propel her, and us, to “Know those incurable Depths.” And if you find yourself “unborn again… twitching in sin” or ‘tasting toadstools’ and singing the ‘discordant dark’, then you too may revel in that forbidden space of Solecism, reaping poetry from “what remains of the unruly wilds.”

–Amy King, Author of I Want to Make You Safe and I’m the Man Who Loves You

The Land Baron’s Sun: The Story of Lý Loc and His Seven Wives

University of Louisiana at Lafayette Press
2014
108 pages
Paperback ISBN: 9781935754350

Genaro Kỳ Lý Smith, Professor of Creative Writing
Louisiana Tech University

The Land Baron’s Sun chronicles through poetry the life of Lý Loc, the son of an affluent Vietnamese landowner who was thought to own the sun by his children, wives, servants, and tenant farmers because it had always shone favorably upon him. Lý Loc lived just as prosperous a life, one in which he rose to the rank of major commander for the South Vietnamese Army and was attended to by seven wives who bore him twenty-seven children. On April 20, 1975, the day Saigon fell, fate took a cruel turn for Lý Loc, as the sun, a symbol of the divine love, refused to shine. His capture by the Việt Cộng and incarceration in a reeducation camp marked only the beginning of the sun recouping all that it had bestowed upon Lý Loc and his family. Smith’s poems delve into Lý Loc’s childhood and adult life, his years spent in the reeducation camp, and his wives’ and children’s fate—both in Vietnam and, for those who were fortunate enough to escape, in America. The poems expose the beauty and freedom of the human spirit and the lushness that was once Vietnam; likewise, they show the undeniable oppression of a country divided on itself and the struggle its people went through to survive.

The Verging Cities, Poetry

Center For Literary Publishing
2015
80 pages
Paperback ISBN: 978-1-885635-43-3
6.5 x 8.5 inches

Natalie Scenters-Zapico

• Poets and Writers Top Debut Poets 2015
• Great Lakes Colleges Association New Writers Award
• NACCS-Tejas Foco Best Poetry Book of 2015

Ninth in the Mountain West Poetry Series, edited by Stephanie G’Schwind & Donald Revell

From undocumented men named Angel, to angels falling from the sky, Natalie Scenters-Zapico’s gripping debut collection, The Verging Cities, is filled with explorations of immigration and marriage, narco-violence and femicide, and angels in the domestic sphere. Deeply rooted along the US-México border in the sister cities of El Paso, Texas, and Cd. Juárez, Chihuahua, these poems give a brave new voice to the ways in which international politics affect the individual. Composed in a variety of forms, from sonnet and epithalamium to endnotes and field notes, each poem distills violent stories of narcos, undocumented immigrants, border patrol agents, and the people who fall in love with each other and their traumas.

The border in Scenters-Zapico’s The Verging Cities exists in a visceral place where the real is (sur)real. In these poems mouths speak suspended from ceilings, numbered metal poles mark the border and lovers’ spines, and cities scream to each other at night through fences that “ooze only silt.” This bold new vision of border life between what has been named the safest city in the United States and the murder capital of the world is in deep conversation with other border poets—Benjamin Alire Saenz, Gloria Anzaldúa, Alberto Ríos, and Luis Alberto Urrea—while establishing itself as a new and haunting interpretation of the border as a verge, the beginning of one thing and the end of another in constant cycle.

Read an excerpt here.

The Dozen

Sibling Rivalry Press
2016-03-15
120 pages
6 x 0.3 x 9 inches
ISBN: 978-1-943977-10-9

Casey Rocheteau

The Dozen is the debut collection from the first winner of Write A House, Casey Rocheteau. This book of poems is intended as a game that grows outward. The idea is to reinvent the dozens and juke what is truly oppressive about the world. The Dozen is also literal: 12 poems in each of four sections, playing off of each other, scraping against each other messily, harmonizing, clowning each other and sometimes themselves. Above all, The Dozen is intended as an invitation to unwind the clocks, shake off the shame we learned as kids, stop talking about other people’s mamas, and call out the things in our culture that are so ugly they turned Medusa to stone.

Chan

Bloodaxe Books
2016-06-23
72 pages
234 x 156 mm
Paperback ISBN: 9781780372839
E-book ISBN: 9781780372846

Hannah Lowe

Chan is a mercurial name, representing the travellers and shape-shifters of the poems in this collection. It is one of the many nicknames of Hannah Lowe’s Chinese-Jamaican father, borrowed from the Polish émigré card magician Chan Canasta. It is also a name from China, where her grandfather’s story begins. Alongside these figures, there’s Joe Harriott, the Jamaican alto saxophonist, shaking up 1960s London; a cast of other long-lost family; and a ship full of dreamers sailing from Kingston to Liverpool in 1947 on the SS Ormonde.

Hannah Lowe’s second collection follows her widely acclaimed debut, Chick, which took readers on a journey round her father, a gambler who disappeared at night to play cards or dice in London’s old East End to support his family.

The Coiled Serpent: Poets Arising from the Cultural Quakes and Shifts of Los Angeles

Northwestern University Press
2016-04-15
250 pages
Paperback ISBN-13: 978-1882688524

Edited by:

Daniel A. Olivas

Neelanjana Banerjee

Ruben J. Rodriguez

This anthology features the vitality and variety of verse in the City of Angels, a city of poets. This is more about range then representation, voice more than volume. Los Angeles has close to 60 percent people of color, 225 languages spoken at home, and some of the richest and poorest persons in the country. With an expansive 502.7 square miles of city (and beyond, including the massive county of 4,752.32 square miles), the poetry draws on imagery, words, stories, and imaginations that are also vast, encompassing, a real “leaves of grass.”

Well-known poets include Holly Prado, Ruben Martinez, traci kato-kiriyama, and Lynne Thompson. Many strong new voices, however, makes this a well-rounded collection for any literary class, program, bookstore, or event.

The image of the coiled serpent appears in various forms in mythologies throughout Asia, Africa, Europe, India, and America. In pre-conquest times, Quetzalcoatl—the Precious Serpent—served as a personification of earth-bound wisdom, the arts and eldership in so-called Meso-America, one of seven “cradles of civilization” that also includes China, Nigeria, Mesopotamia, Egypt, the Indus Valley, and Peru.

The Collected Poems of Audre Lorde

W. W. Norton & Company
February 2000
512 pages
6.2 × 9.3 in
Paperback ISBN: 978-0-393-31972-9

Audre Lorde (1934-1992)

A complete collection—over 300 poems—from one of this country’s most influential poets.

Terra Incognita: Poems by Adebe DeRango-Adem

Inanna Publications
2015-05-25
80 Pages
ISBN: 978-1-77133-217-0

Adebe DeRango-Adem

Titled after the Latin term for “unknown land”—a cartographical expression referring to regions that have not yet been mapped or documented—Terra Incognita is a collection of poems that creatively explores various racial discourses and interracial crossings buried in history’s grand narratives. Set against the similarities as well as incongruities of the Canadian/American backdrop of race relations, Terra Incognita explores the cultural memory and legacy of those whose histories have been the site of erasure, and who have thus—riffing on the Heraclitus’s dictum that “geography is fate”—been forced to redraw themselves into the texts of history. Finally, Terra Incognita is a collection that delves into the malleable borders of identity and questions what it means to move physically and spiritually, for our bodies to arrive and depart, our souls to relocate and change their scope.

Braided Skin, Poems

Mother Tongue Publishing
2015-03-15
96 pages
8″ x 6″
Paperback ISBN: 978-1-896949-50-5

Chelene Knight

Braided Skin is the vibrant telling of experiences of mixed ethnicity, urban childhood, poverty and youthful dreams through various voices. Knight writes a confident rhythm of poetry, prose and erasure by using the recurring image of braiding–a different metaphor than “mixing,” our default when speaking the language of race. In the title poem “Braided Skin,” this terminology shifts, to entwining and crossing, holding together but always displaying the promise or threat of unravelling. This is just as all tellings of family, history and relationships must be–“Skin that carries stories of missing middles.” When speaking about race, Knight raises the question, then drops it, and the image becomes other objects, then abstraction, and memory–finally becoming something “she breathes in” actively.