Mixed Race Studies

I urge anyone who has a mixed-race family member to check in on them. If you are a parent to a mixed-race child, please acknowledge the responsibility you have. Understand the different experiences your child will have due to their intersectional identity. Their experiences will not mirror those of either parent. Just as it is your responsibility to keep them fed, clothed and healthy, it is your responsibility to educate yourselves on how the issues of race embed themselves deep within the history of the either parents’ lives, experiences, and mentalities. If you are the white parent, you must first learn to acknowledge your white privilege and know your child will never have the same experiences as you. Learn to recognise the racist language and beliefs within your own family, and most importantly yourself, because they do exist. It’s not about people uttering racial slurs, it is the misconceptions you and the people around you have about what it means to be black as well as recognising the flaws in the system which disadvantage those who are not white.

Daniella Brookes, “We Need To Stop Leaving Mixed-Race People Out Of The Race Conversation,” Words of Integrity: Celebrating positivity and embracing the peaks and falls of life. November 25, 2021. https://wordsofintegrity.com/2021/11/25/we-need-to-stop-leaving-mixed-race-people-out-of-the-race-conversation/.

The initial move across the country to change the formula was initially sparked about five years ago by medical students who raised questions about using race in medical tests and the influence it can have on a patient’s treatment.

Paul Palevsky, president of the National Kidney Foundation, said the inclusion of race sends a “wrong message.”

“Race is a social construct; it is not a biological determinant of health or disease,” he said.

Ovetta Wiggins, “University of Maryland Medical System drops race-based algorithm officials say harms Black patients,” The Washington Post, November 17, 2021. https://www.washingtonpost.com/local/md-politics/maryland-hospital-black-diagnostic-test-kidneys/2021/11/17/e69edcfc-4711-11ec-b05d-3cb9d96eb495_story.html.

Like all social constructs, race is real because we have made it so, and it seems immutable because we wish it to be. It’s no less powerful because humans invented it as a means of control. In fact, that may make it even more powerful. In the name of this deeply silly idea, my people have been plundered and enslaved and tortured, raped, incarcerated, shot, and starved. This deeply silly idea is, in fact, the only reason that my people are my people or why I exist in the first place. Race, although it may be a delusion, is one that has entranced the entire world and changed the course of human history forever.

Nylah Burton, “The Passing Trailer Highlights That Race Is A Delusion,” Refinery29, September 24, 2021. https://www.refinery29.com/en-us/2021/09/10686104/passing-trailer-reaction-ruth-negga-tessa-thompson-race.

Paula [Patton] knows what it’s like to be misunderstood. Growing up in L.A., the daughter of a white teacher and an African-American defense attorney, it wasn’t easy to fit in. “People judged me because I was light-skinned. [They’d assume] I didn’t want to be part of the black race,” she says. In fact, Paula, who has been referred to as biracial, says it’s a word she doesn’t care for. “I find it offensive. It’s a way for people to separate themselves from African-Americans…a way of saying ‘I’m better than that.’ I’m black because that’s the way the world sees me. People aren’t calling Barack Obama biracial. Most people think there’s a black president.”

Rory Evans, “Paula Patton’s Precious Moments,” Women’s Health, January 27, 2010. https://www.womenshealthmag.com/health/a19985167/precious-movie/.

That the sharp rise in multiracial Latinos in 2020 is due to an accounting change, rather than a real demographic or social trend, is clear when we look at the 2019 American Community Survey, run annually by the Census Bureau. The ACS collected and classified race in the same way that the 2010 census had throughout the prior decade. The last of the 2019 ACS data were gathered just a few months before the census, and the reported results showed that the percentage of Latinos categorized as single-race white was unchanged since the ACS survey of 2011.

Morris Levy, Richard Alba, and Dowell Myers, “The Truth About White America,” The Atlantic, October 25, 2021. https://www.theatlantic.com/ideas/archive/2021/10/2020-census-white-population-decline/620470/.

So, behold, there is a segment of my audience that freaks out whenever I refer to being Black. To them, I must be white. Music that sounds like that must be made by people who look like them. This cognitive dissonance has haunted me throughout my career. There’s this mental discomfort triggered when their belief (“I’m a fan of Tom! Tom is white!”) clashes with the evidence (“Tom says he’s Black!”). These people don’t sleep well at night. And while I sincerely appreciate the good-hearted fans who chime in with, “I don’t see you as any color, Tom. I’m colorblind. I just enjoy the music” — thank you, but this is America, and you’re missing the whole damn point. And so over the course of 20 albums and three decades I’ve walked the tightrope of rock and race.

Tom Morello, “The Ghost of Hendrix, and Fans Who Think I’m White,” The New York Times, November 3, 2021. https://www.nytimes.com/interactive/2021/11/03/opinion/tom-morello-race-music.html.

I have three different racial identities—white, Indian, and multiracial. It is not that I present as one more than the others; they are all whole and complete, and I am all of them. I identify as white when people blame white people for racism and call for them to be better, and as the Indian person who needs them to speak up in places where they hold power, and as the multiracial person who reminds everyone that the racial structures some imagine to be rigid quickly break down under the slightest scrutiny.

Jaya Saxena, “Explaining My Multiracial Identity (So Others Don’t Do It For Me),” Catapult, January 4, 2017. https://catapult.co/stories/explaining-my-multiracial-identity-so-others-dont-do-it-for-me.

[Caroline] Tait said genealogical records show that [Carrie] Bourassa’s supposed Indigenous ancestors were of Russian, Polish and Czechoslovakian descent.

“There was nowhere in that family tree where there was any Indigenous person,” said [Winona] Wheeler.

Tait was so troubled by what she found that, with the support of Wheeler and others, she compiled the information in a document and submitted formal academic misconduct complaints against Bourassa with the U of S [(University of Saskatchewan)] and the CIHR. In her email to CBC, Bourassa said the U of S complaint was dismissed.

“She is not Métis. She is the modern-day Grey Owl,” Tait said, referring to the famous British-born conservationist from the early 1900s who fooled the world into believing he was a Native American man.

Geoff Leo, “Indigenous or pretender?” CBC News, October 27, 2021. https://www.cbc.ca/newsinteractives/features/carrie-bourassa-indigenous.

Born in Berkeley, California, to a white Jewish father with family in Elmont, Long Island, and a black Episcopalian mother with deep roots in Boston, where the family would settle when Zebulon was 3, Miletsky’s blended heritage and a pale complexion that sometimes gets him mistaken as white has informed each move of his life. That means personally — he’s now married (his wife, Karla, is Latina) with two young sons and lives in Bushwick, Brooklyn — and professionally. The ever-echoing theme: That dividing line between black and white…

…“When I walk in to teach black studies, some students aren’t sure I’m the professor,” he says. “I get it. It’s about expectations.”

Joe Dziemianowicz, “Stony Brook professor’s biracial heritage has lessons for life, classroom,” Newsday, February 26, 2020. https://www.newsday.com/long-island/stony-brook-professor-to-lead-black-history-month-panel-in-brentwood-1.41980672.

Using black and white [media] also allowed [Rebecca] Hall to cast Black actresses in the roles. She’s not trying to “fool” anyone into thinking that Negga or Thompson is white, she’s simply trying to turn the film’s deeply metaphorical ideas into a practical experience. The audience will have “very fixed ideas about Tessa Thompson and Ruth Negga’s racial identity,” Hall said, “which gives me a position from which to destabilize those ideas and point out the limits of just reducing them to that one definition.”

Kate Erbland, “‘Passing’: Rebecca Hall Made One of the Year’s Best Debuts, but for Years Nobody Would Fund It,” IndieWire, October 28, 2021. https://www.indiewire.com/2021/10/passing-rebecca-hall-interview-1234674475/.