Scholarly perspectives on the mixed race experience.
For Trump, it almost seems that the fact of Obama, the fact of a black president, insulted him personally. The insult intensified when Obama and Seth Meyers publicly humiliated him at the White House Correspondents’ Dinner in 2011. But the bloody heirloom ensures the last laugh. Replacing Obama is not enough—Trump has made the negation of Obama’s legacy the foundation of his own. And this too is whiteness. “Race is an idea, not a fact,” the historian Nell Irvin Painter has written, and essential to the construct of a “white race” is the idea of not being a nigger. Before Barack Obama, niggers could be manufactured out of Sister Souljahs, Willie Hortons, and Dusky Sallys. But Donald Trump arrived in the wake of something more potent—an entire nigger presidency with nigger health care, nigger climate accords, and nigger justice reform, all of which could be targeted for destruction or redemption, thus reifying the idea of being white. Trump truly is something new—the first president whose entire political existence hinges on the fact of a black president. And so it will not suffice to say that Trump is a white man like all the others who rose to become president. He must be called by his rightful honorific—America’s first white president.
Even as a child, I balked at the stereotype of the Tragic Mulatto.
It didn’t make sense to me.
And I straight-up resented its implication: that my existence was tragic and my whole life worthless because I was “this close to” but not completely white.
Neither I nor any of the Mixed folks I grew up with seemed the least bit miserable about our ancestry or identities.
I was a young “bookworm”—today I’d be called an avid reader—regularly devouring the works of many fine poets and authors including Langston Hughes, who was one of my favorites…
Colin Kaepernick’s graphic novel memoir details his high school years before he entered professional sports, according to the publisher. Jamie McCarthy/Getty Images
Former NFL quarterback Colin Kaepernick accused his White adoptive parents of perpetuating racism in their household in an interview with CBS’ Adriana Diaz on Thursday.
“I know my parents loved me, but there were still very problematic things that I went through,” the 35-year-old said.
“I think it was important to show that, no, this can happen in your home, and how you move forward collectively while addressing the racism that is being perpetuated.”…
Colin Kaepernick: Change the Game is an inspiring high school graphic novel memoir for readers 12 and up from celebrated athlete and activist Colin Kaepernick. A high school senior at a crossroads in life and heavily scouted by colleges and Major League Baseball (MLB), Colin has a bright future ahead of him as a highly touted prospect. Everyone, from his parents to his teachers and coaches, is in agreement on his future. Everyone but him.
Colin isn’t excited about baseball. In the words of five-time all-star MLB player Adam Jones, “Baseball is a white man’s sport.” He looks up to athletes like Allen Iverson: talented, hyper-competitive, unapologetically Black, and dominating their sports while staying true to themselves. College football looks a lot more fun than sleeping on hotel room floors in the minor leagues of baseball. But Colin doesn’t have a single offer to play football. Yet. This touching YA graphic novel memoir explores the story of how a young change-maker learned to find himself, make his own way, and never compromise.
Mixed-race writers invited to share contribute to groundbreaking celebration of Mixed identity.
Militantly Mixed and Mixed Auntie Confidential announce an exciting new anthology celebrating a fresh dimension of Mixed-race identity journeys for writers at all experience levels.
The premiere issue of the Be Your Mixed Ass Self® Anthology Volume 1 welcomes original, unpublished essays and poetry by Mixed-race adults of all genders, and mixes.
“Be Your Mixed Ass Self®” is the motto of the Militantly Mixed podcast, created and hosted by Sharmane “Sir Auntie Mane” Fury. “This anthology takes that affirmation to the next level to uplift public unapologetic mixedness in ways that empower us all.”
This groundbreaking anthology will be a fundraiser for the award-winning Militantly Mixed podcast which is celebrating its fifth anniversary in 2023. The anthology submission deadline is March 15, 2023.
“We’re looking for writing that shares the experience of becoming your Mixed ass self,” says TaRessa Stovall, author and blogger at Mixed Auntie Confidential, who is co-editing the anthology with Sharmane. “Contributors don’t have to be professional or published writers. We welcome new and experienced writers to add their voices to the mix.”
“It’s the authenticity of the writing for us,” said Sharmane…
Samira K. Mehta, Assistant Professor of Women and Gender Studies and Jewish Studies University of Colorado, Boulder
An unflinching look at the challenges and misunderstandings mixed-race people face in family spaces and intimate relationships across their varying cultural backgrounds
In this emotionally powerful and intellectually provocative blend of memoir, cultural criticism, and theory, scholar and essayist Samira Mehta reflects on many facets of being multiracial.
Born to a white American and a South Asian immigrant, Mehta grew up feeling more comfortable with her mother’s family than her father’s—they never carried on conversations in languages she couldn’t understand or blamed her for finding the food was too spicy. In adulthood, she realized that some of her Indian family’s assumptions about the world had become an indelible part of her—and that her well-intentioned parents had not known how to prepare her for a world that would see her as a person of color.
Popular belief assumes that mixedness gives you the ability to feel at home in more than one culture, but the flipside shows you can feel just as alienated in those spaces. In 7 essays that dissect her own experiences with a frankness tempered by generosity, Mehta confronts questions about:
authenticity and belonging;
conscious and unconscious cultural inheritance;
appropriate mentorship;
the racism of people who love you.
The Racism of People Who Love You invites people of mixed race into the conversation on race in America and the melding of found and inherited cultures of hybrid identity.
From celebrated ballerina and New York Times bestselling author Misty Copeland, a heartfelt memoir about her friendship with trailblazer Raven Wilkinson which captures the importance of mentorship, shared history, and honoring the past to ensure a stronger future.
Misty Copeland made history as the first African-American principal ballerina at the American Ballet Theatre. Her talent, passion, and perseverance enabled her to make strides no one had accomplished before. But as she will tell you, achievement never happens in a void. Behind her, supporting her rise was her mentor Raven Wilkinson. Raven had been virtually alone in her quest to breach the all-white ballet world when she fought to be taken seriously as a Black ballerina in the 1950s and 60s. A trailblazer in the world of ballet decades before Misty’s time, Raven faced overt and casual racism, hostile crowds, and death threats for having the audacity to dance ballet.
The Wind at My Back tells the story of two unapologetically Black ballerinas, their friendship, and how they changed each other—and the dance world—forever. Misty Copeland shares her own struggles with racism and exclusion in her pursuit of this dream career and honors the women like Raven who paved the way for her but whose contributions have gone unheralded. She celebrates the connection she made with her mentor, the only teacher who could truly understand the obstacles she faced, beyond the technical or artistic demands.
A beautiful and wise memoir of intergenerational friendship and the impressive journeys of two remarkable women, The Wind at My Back captures the importance of mentorship, of shared history, and of respecting the past to ensure a stronger future.
Synopsis: This topical short documentary features interviews with multiethnic and multiracial youth living in Catalonia, Spain, who talk about their mixed heritage and its meaning for them, their identity and sense of belonging, and their experiences of discrimination and agency. Through these narratives, MIXED VOICES reveals that the positive, empowering experiences of mixedness—a growing reality in Spain as well as across the globe—can coexist with negative stereotypes and prejudices and the continued stigmatization and discrimination of racialized groups, who are more constrained in their identity options. In this way, the documentary highlights the socially transformative aspects of mixedness while alerting us to persistent social divisions that hinder social inclusion and cohesion.
MIXED VOICES was produced as part of the MIXED-YOUTH Research Project (“Social Relations and Identity Processes of Children of Mixed Unions: Mixedness—Between Inclusion and Social Constraints,” CSO2015-63962-R), for which a total of 152 Spanish-born individuals from very diverse ancestries were interviewed. More information about the results of this project can be found in the following publications:
Rodríguez-García, Dan. (2022) “The Persistence of Racial Constructs in Spain: Bringing Race and Colorblindness into the Debate on Interculturalism.” Social Sciences 11: 13. https://doi.org/10.3390/socsci11010013.
Rodríguez-García, Dan, Miguel Solana, Anna Ortiz, and Beatriz Ballestín. (2021) “Blurring of Colour Lines? Ethnoracially Mixed Youth in Spain Navigating Identity.” Journal of Ethnic and Migration Studies 47(4): 838–60. https://doi.org/10.1080/1369183X.2019.1654157.
Rodríguez-García, Dan, and Cristina Rodríguez-Reche. (2022) “Daughters of Maghrebian Muslim and Native Non-Muslim Couples in Spain: Identity Choices and Constraints.” Social Compass 69(3): 423–39. https://doi.org/10.1177/00377686221091045.
Rodríguez-García, Dan, Miguel Solana-Solana, Anna Ortiz-Guitart, and Joanna L. Freedman. (2018) “Linguistic Cultural Capital among Descendants of Mixed Couples in Catalonia, Spain.” Journal of Intercultural Studies 39(4): 429–50. https://doi.org/10.1080/07256868.2018.1487388.
The material for this documentary was recorded in 2020 in Catalonia, Spain, in the midst of a full lockdown because of the COVID-19 pandemic. Each participant self-recorded their video, which may have affected the sound and image quality in some cases. All participants have given their consent to use their recordings for the purposes of this documentary.
PRODUCTION TEAM:
INMIX-UAB Research Group on Immigration, Mixedness, and Social Cohesion: Dan Rodríguez-García, Anna Ortiz-Guitart, Cristina Rodríguez-Reche, Teresa Habimana-Jordana, Miguel Solana-Solana, Beatriz Ballestín-González, Víctor Navarro-Izquierdo, Joanna Freedman
Words are loaded with meaning. Certain ones conjure joyful memories and others remind us of less happy times.
For Nenda Neururer, the word ‘oachkatzlschwoaf‘ invokes a range of emotions. The German word is very hard to pronounce and is synonymous with the Austrian state of Tyrol where locals tease outsiders by asking them to pronounce it.
Despite growing up in Tyrol, Nenda Neururer often felt like an outsider when confronted with this word. But when she moved to London she grew nostalgic for it and it became her little secret.
Found in Translation is a series made as part of the In The Mix project, in partnership with BBC Studios TalentWorks, Black Creators Matter and the Barbican.
Author Nabil Ayers, left; his father, jazz musician Roy Ayers, right. Courtesy of Nabil Ayers (author photo and book cover); and Scott Dudelson/Getty Images (Roy Ayers photo)
Nabil Ayers’ memoir reflects on family, identity and his journey to connect with a Black father who was ‘really just DNA’
Nabil Ayers carries the surname of a famous father he barely knows, except in the ubiquitous music of Roy Ayers – most famously in the 1976 jazz-soul-funk album by that name featuring the hit “Everybody Loves the Sunshine.” For the younger Ayers, it pops up to surprise him when he least expects it.
Flashback to 1970, when Louise Braufman, a white Jewish former ballerina working as a waitress in New York took one look at the rising African American jazz composer and vibraphonist and thought she’d have a baby with him.
After a few casual dates, she asked Roy Ayers and he agreed, cautioning her that his career was his priority, and he wasn’t available for a serious relationship or any form of parenting.
Nabil Ayers was born of that union and grew up with a strong sense of self, despite his father’s absence. His new memoir, “My Life in the Sunshine: Searching for My Father and Discovering My Family,” explores his unconventional but richly diverse childhood, his own rise in the music industry and the search to connect with his father, which led to discovering paternal Black half-siblings and an enslaved ancestor…
Shirley Moody-Turner, Associate Professor of English and African American Studies Pennsylvania State University, University Park, Pennsylvania
A collection of essential writings from the iconic foremother of Black women’s intellectual history, feminism, and activism, who helped pave the way for modern social justice movements like Black Lives Matter and Say Her Name
The Portable Anna Julia Cooper brings together, for the first time, Anna Julia Cooper’s major collection of essays, A Voice from the South, along with several previously unpublished poems, plays, journalism and selected correspondences, including over thirty previously unpublished letters between Anna Julia Cooper and W. E. B. Du Bois. The Portable Anna Julia Cooper will introduce a new generation of readers to an educator, public intellectual, and community activist whose prescient insights and eloquent prose underlie some of the most important developments in modern American intellectual thought and African American social and political activism.
Recognized as the iconic foremother of Black women’s intellectual history and activism, Cooper (1858-1964) penned one of the most forceful and enduring statements of Black feminist thought to come of out of the nineteenth century. Attention to her work has grown exponentially over the years–her words have been memorialized in the US passport and, in 2009, she was commemorated with a US postal stamp. Cooper’s writings on the centrality of Black girls and women to our larger national discourse has proved especially prescient in this moment of Black Lives Matter, Say Her Name, and the recent protests that have shaken the nation.
