Mixed Race Studies

How do you become “white” in America?

The Correspondent
September 2016

Sarah Kendzior, Flyover Country Correspondent

An immigrant family looks out over the New York skyline as they arrive in the U.S. from Germany aboard the S.S. Nieuw Amsterdam. Photo by Getty

Trump has retweeted white supremacist groups and has the backing of the Ku Klux Klan. He uses whiteness as a weapon, and his candidacy on a major party ticket threatens to put the country back some 200 years. What does Trump’s vision of whiteness mean for a diverse country like the U.S.?

Since 1790, the U.S. has taken a census that divides citizens into racial categories. These categories have transformed dramatically over the past 220 years along with U.S. demography. In 1790, there were three categories: “free whites”, “other free people”, and “slaves.” Over the next few centuries, new groups were added ranging from broad racial categories (“Asian”) to subsets (“Korean”, for example, was added as its own race in 1920, removed in 1950, re-added in 1970, and subsumed into “Asian” in 2000.)

The most recent census, taken in 2010, divided Americans as follows: White, Black or African American, American Indian or Alaska Native, Asian, Native Hawaiian or Other Pacific Islander, or Some Other Race. In 1980, as a result of a huge increase in the Hispanic population, ‘Hispanic’ (or Latino, often the preferred term) was added as its own category, with a note that it is an ethnicity, not a race…

…Being white in the U.S. has long meant better jobs and opportunities, and an escape from persecution based on appearance and culture. Although these structural advantages remain, the meaning of whiteness is still hotly debated – particularly during this election season…

Read the entire article here.

The Dominican Racial Imaginary: Surveying the Landscape of Race and Nation in Hispaniola

Rutgers University Press
November 2016
200 pages
9 photographs, 2 figures, 2 maps, 8 tables
6 x 9
Cloth ISBN: 978-0-8135-8448-5
Paper ISBN: 978-0-8135-8447-8
Web PDF ISBN: 978-0-8135-8450-8
epub ISBN: 978-0-8135-8449-2

Milagros Ricourt, Associate Professor of Latin American and Puerto Rican Studies
Lehman College, The City University of New York

This book begins with a simple question: why do so many Dominicans deny the African components of their DNA, culture, and history?

Seeking answers, Milagros Ricourt uncovers a complex and often contradictory Dominican racial imaginary. Observing how Dominicans have traditionally identified in opposition to their neighbors on the island of Hispaniola—Haitians of African descent—she finds that the Dominican Republic’s social elite has long propagated a national creation myth that conceives of the Dominican as a perfect hybrid of native islanders and Spanish settlers. Yet as she pores through rare historical documents, interviews contemporary Dominicans, and recalls her own childhood memories of life on the island, Ricourt encounters persistent challenges to this myth. Through fieldwork at the Dominican-Haitian border, she gives a firsthand look at how Dominicans are resisting the official account of their national identity and instead embracing the African influence that has always been part of their cultural heritage.

Building on the work of theorists ranging from Edward Said to Édouard Glissant, this book expands our understanding of how national and racial imaginaries develop, why they persist, and how they might be subverted. As it confronts Hispaniola’s dark legacies of slavery and colonial oppression, The Dominican Racial Imaginary also delivers an inspiring message on how multicultural communities might cooperate to disrupt the enduring power of white supremacy.

Table Of Contents

• Preface
• Chapter 1 Introduction
• Chapter 2 Border at the Crossroad
• Chapter 3 The Creolization of Race
• Chapter 4 Cimarrones: The Seed of Subversion
• Chapter 5 Criollismo Religioso
• Chapter 6 Race, Identity, and Nation
• Notes
• Bibliography
• Index

The reality of being black in today’s Britain

The Guardian
2016-10-29

David Olusoga

David Olusoga at El Mina, a Portuguese-built fort in Ghana. ‘Many black British people, and their white and mixed-race family members, slipped into a siege mentality.’ Photograph: BBC

David Olusoga grew up amid racism in Britain in the 70s and 80s. Now, in a groundbreaking new book and TV series, he argues that the story of black Britons, from Afro-Roman times to the present, is key to showing the depth of their Britishness. And, while we exult in black Britons’ success in culture, fashion and sport, discrimination still blights their lives

When I was a child, growing up on a council estate in the northeast of England, I imbibed enough of the background racial tensions of the late 1970s and 1980s to feel profoundly unwelcome in Britain.

My right, not just to regard myself as a British citizen, but even to be in Britain, seemed contested. Despite our mother’s careful protection, the tenor of our times seeped through the concrete walls into our home and into my mind and into my siblings’ minds. Secretly, I harboured fears that as part of the group identified by chanting neo-Nazis, hostile neighbours and even television comedians as “them” we might be sent “back”. This, in our case, presumably meant “back” to Nigeria, a country of which I had only infant memories and a land upon which my youngest siblings had never set foot..

Read the entire article here.

The Life and Times of Pío Pico, Last Governor of Mexican California

Lost LA
KCET
Burbank, California
2016-10-27

William D. Estrada, Curator of California and American History and Chair of the History Department
Natural History Museum of Los Angeles County

Pío de Jesus Pico and his wife, María Ignacia Alvarado Pico, in 1852, with two of their nieces, María Anita Alvarado (far left) and Trinidad Ortega (far right). Courtesy of the Seaver Center for Western History Research, Natural History Museum of Los Angeles County.

Pío Pico was the last governor of California under Mexican rule, serving from 1845-46, just before the U.S. military occupation. Today, the name Pico is a familiar place name. Driving or walking throughout Southern California one will encounter busy Pico Boulevard; the City of Pico Rivera; two Pío Pico elementary schools; the Pico-Union district near downtown L.A.; Pico Park; the Pío Pico Koreatown Library; the three-story Pico House building; natural landmarks such as Pico Canyon north of Los Angeles and Pico Creek near Oceanside; and Pío Pico State Historic Park in the City of Whittier, just to name a few. His name has been commercialized in several businesses from corner grocery stores, shopping malls and fast food restaurants. And yet, despite the veneration in the popular mind, much of what we know about Pío Pico remains clouded in myth. His significance as an historical figure, as well as his connection to the contemporary Latino and African-American communities, is worth remembering…

Read the entire article here.

The African American Museum chooses ‘Loving’ for its first film screening

The Washington Post
2016-10-25

Helena Andrews-Dyer

Joel Edgerton and Ruth Negga, stars of “Loving,” attend the premiere of the film on Thursday in Beverly Hills. (Chris Pizzello/Invision via Associated Press)

Just one month after opening its doors, the National Museum of African American History and Culture is establishing itself as a permanent stop on the Washington social circuit. There have been cocktail parties, galas, private dinners and now one of D.C.’s favorite after-work pastimes — the movie screening.

But not just any movie screening. On Monday, the museum hosted a sneak peek of “Loving” in the 350-seat Oprah Winfrey Theater–one of many for the new institution. The choice wasn’t coincidental, said Rhea L. Combs, the museum’s photography and film curator and head of its Earl W. and Amanda Stafford Center for African American Media Arts.

“Showing this film at the museum is important because the story is symbolic of the mission of the museum,” Combs said. “It demonstrates the link between people of all backgrounds and culture.”

“Loving” tells the true story of Mildred and Richard Loving, an interracial couple from Virginia who fought for nearly a decade to have their marriage recognized as legal. Their historic case went all the way to the U.S. Supreme Court, which eventually struck down laws against interracial marriage.

Almost 50 years later the movie’s stars, Ruth Negga and Joel Edgerton, walked the red carpet at the museum that houses artifacts from the couple they play on screen. Everyone involved bowed to the movie’s role as An Important Film…

Read the entire article here.

How America Bought and Sold Racism, and Why It Still Matters

Collectors Weekly
2015-11-10

Lisa Hix, Associated Editor

Today, very few white Americans openly celebrate the horrors of black enslavement—most refuse to recognize the brutal nature of the institution or actively seek to distance themselves from it. “The modern American sees slavery as a regrettable period when blacks worked without wages,” writes Dr. David Pilgrim, the Vice President for Diversity and Inclusion and a sociology professor at Ferris State University and the author of Understanding Jim Crow: Using Racist Memorabilia to Teach Tolerance and Promote Social Justice, who has spent his life studying the artifacts that have perpetuated racist stereotypes.

The urge to forget this stain on our nation’s history is everywhere. In Texas, McGraw-Hill recently distributed a high-school geography textbook that refers to American slaves as immigrant workers. At Southern plantation museums that romanticize the idea of genteel antebellum culture, the bleak and violent reality of enslaved plantation life is whitewashed and glossed over. Discussions about how slavery led to modern-day racism are often met with white defensiveness. How many times have black people heard this line? “Slavery happened a long time ago. You need to get over it.”

The truth is when President Lincoln signed the Emancipation Proclamation in January 1863, the economic subjugation of African Americans, and the terrorism used to maintain it, did not come to a grinding halt. The Jim Crow racial caste system that emerged 12 years after the Civil War ended in 1865 was just as violent and oppressive as slavery—and it lasted nearly a century. Up through Martin Luther King Jr.’s assassination in 1968, black people across the country, in Northern states as well as Southern ones, were routinely humiliated, menaced, tortured and beaten to death, and blocked from participating in business and public life. Thanks to smartphone and social-media technology, we’re seeing how such violence continues in 2015, 50 years after the height of the Civil Rights Movement…

Puerto Rican actress Rita Moreno played the “tragic mulatto” in the 1960 film “This Rebel Breed.”(From Understanding Jim Crow)

…Another caricature was inflicted upon mixed-race women: the “tragic mulatto,” which is based on the “one-drop rule” that says any African American blood in your lineage makes you a black person. In this story, the mixed-race woman grows up living as a privileged white person. When her white father dies, her black heritage is revealed, and she’s enslaved and subjected to violence by white men. Rejected by both racial groups, she’s often suicidal and alcoholic, and she in particular loathes her black side.

Reality, of course, tells a different story. In Understanding Jim Crow, Pilgrim says it’s true that in the days of slavery, mixed-race slaves (usually the illegitimate sons and daughters of their owners), sometimes sold for higher prices, and masters saw these women as particularly sexually desirable, claiming their beauty drove them to rape. Enslaved mixed-race women were also frequently sold into prostitution, and freeborn mixed-race women sometimes became the mistresses of white men under the “plaçage system.” Some people with “Negro blood” worked to “pass” as whites, which helped them get better education, pay, and homes. But throughout history, mixed-race people—who had the slur “mongrels” hurled at them by whites—have been well accepted in the black community: Take for example, W.E.B. Du Bois, Booker T. Washington, Mary Church Terrell, Thurgood Marshall, Malcolm X, Louis Farrakhan, Langston Hughes, and Billie Holiday…

Read the entire article here.

TriPod Mythbusters: Quadroon Balls And Plaçage

Tripod
WWNO 89.9 FM
New Orleans, Louisiana
2016-09-22

Laine Kaplan-Levenson, Host

There is a common myth told about 19th-century New Orleans. It goes something like this: Imagine you’re in an elegant dance hall in New Orleans in the early 1800s. Looking around, you see a large group of white men and free women of color, who were at the time called quadroons, meaning they supposedly had ¼ African ancestry. The mothers play matchmakers, and introduce their daughters to these white men, who then ask their hand in a dance.

The ballroom is fancy, and the invited guests look the part. When a match is made, a contract is drawn up. The white man agrees to take care of the young woman and any children she may have with him. This arrangement was called “plaçage.”

Charles Chamberlain teaches history at the University of New Orleans. “Plaçage is defined historically as where a white man would basically have a relationship with a free woman of color where she would be kept, so that he would provide her with a house and some form of income so that she could maintain a lifestyle.”

What Chamberlain is describing is basically a common-law marriage. And those did happen. But the idea of Quadroon Balls is way sexier, which helps explain why they get talked about so much. French Quarter tour guides walk by the Bourbon Orleans hotel and talk about the famous quadroon balls that took place inside. But try to find proof of plaçage Chamberlain says, and it’s not there…

Listen to the story here.

Focus on world’s first black football star

The Voice
2016-10-16

Poppy Brady

Dr Tony Talburt decided that a book on Guyanese-born footballer Watson was seriously overdue, so he set about researching the background of this exceptional pioneer of the beautiful game

HE WAS the world’s first black football superstar, but the name Andrew Watson is not on every football fan’s lips – and that is why a book has been written about him to give him the spotlight he deserves.

Writer and education adviser Dr Tony Talburt decided that a book on Guyanese-born footballer Watson was seriously overdue, so he set about researching the background of this exceptional pioneer of the beautiful game.

As Dr Talburt so eruditely puts it in his book Andrew Watson – the World’s First Black Superstar, had Watson been born more than 100 years later in the 1980s, he would most certainly have been considered a sporting celebrity.

“What Watson achieved in the 1880s was probably the equivalent of contemporary legends such as Lionel Messi of Barcelona or Cristiano Ronaldo of Real Madrid, captaining both club and country” said Dr Talburt.

“In more ways than one, Andrew Watson was truly a remarkable footballer and sporting hero.”…

Read the entire article here.

Creating the Ideal Mexican: 20th and 21st Century Racial and National Identity Discourses in Oaxaca

University of Massachusetts, Amherst
September 2015
235 pages

Savannah N. Carroll

Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of Doctor of Philosophy

This investigation intends to uncover past and contemporary socioeconomic significance of being a racial other in Oaxaca, Mexico and its relevance in shaping Mexican national identity. The project has two purposes: first, to analyze activities and observations of cultural missionaries in Oaxaca during the 1920s and 1930s, and second to relate these findings to historical and present implications of blackness in an Afro-Mexican community. Cultural missionaries were appointed by the Secretary of Public Education (SEP) to create schools throughout Mexico, focusing on the modernization of marginalized communities through formal and social education. This initiative was intended to resolve socioeconomic disparities and incorporate sectors of the population into the national framework that had been excluded prior to the Mexican Revolution in 1910. While these efforts were predominantly implemented in indigenous communities located in the northern part of Oaxaca, observations from cultural missionaries related to social and educational conditions reveal ongoing disparities between what it means to be indigenous versus mestizo. The exclusion of moreno, or Afro-descended people from this state sponsored initiative indicates that blackness along with indigenity is otherized, with the primary difference being that Afro-descended Mexicans lack visibility.

To gain a better perspective of the historical and present significance of blackness, my project moves from the general to the specific to include José Maria Morelos, Oaxaca, an Afro-descended community that is isolated, has no tourist attractions or services, dirt roads, and little access to socioeconomic resources. Morelos was established by blacks who escaped slavery and lived independently in their own community. People in the town strongly identify with this history and its relation to their present condition. After speaking with local activists, it became apparent that rights that were supposed to be gained from the Mexican Revolution, such as land rights and public education, did not happen in Morelos, which adversely affects people’s prospects for socioeconomic advancement.

Read the entire dissertation here.

Remapping Race on the Human Genome: Commercial Exploits in a Racialized America

Praeger
October 2016
645 pages
6.125 x 9.25
Hardcover ISBN: 978-1-4408-4992-3
eBook ISBN: 978-1-4408-4993-0

Edited by:

Patricia Reid-Merritt, Distinguished Professor of Social Work and Africana Studies
Stockton University, Galloway, New Jersey

Is race simply an antiquated, pseudo-scientific abstraction developed to justify the dehumanization of various categories of the human population?

Focusing on the socially explosive concept of race and how it has affected human interactions, this work examines the social and scientific definitions of race, the implementation of racialized policies and practices, the historical and contemporary manifestations of the use of race in shaping social interactions within U.S. society and elsewhere, and where our notions of race will likely lead.

More than a decade and a half into the 21st century, the term “race” remains one of the most emotionally charged words in the human language. While race can be defined as “a local geographic or global human population distinguished as a more or less distinct group by genetically transmitted physical characteristics,” the concept of race can better be understood as a socially defined construct—a system of human classification that carries tremendous weight, yet is complex, confusing, contradictory, controversial, and imprecise.

This collection of essays focuses on the socially explosive concept of race and how it has shaped human interactions across civilization. The contributed work examines the social and scientific definitions of race, the implementation of racialized policies and practices, and the historical and contemporary manifestations of the use of race in shaping social interactions (primarily) in the United States—a nation where the concept of race is further convoluted by the nation’s extensive history of miscegenation as well as the continuous flow of immigrant groups from countries whose definitions of race, ethnicity, and culture remain fluid. Readers will gain insights into subjects such as how we as individuals define ourselves through concepts of race, how race affects social privilege, “color blindness” as an obstacle to social change, legal perspectives on race, racialization of the religious experience, and how the media perpetuates racial stereotypes.

Features

• Addresses a poignant topic that is always controversial, relevant, and addressed in mainstream and social media
• Examines the various socio-historical factors that contribute to our understanding of race as a concept, enabling readers to appreciate how “definitions” of race are complex, confusing, contradictory, controversial, and imprecise
• Inspects contemporary manifestations of race in the United States with regard to specific contexts, such as the quest for U.S. citizenship, welfare services, the legislative process, capitalism, and the perpetuation of racial stereotypes in the media