Mixed Race Studies

Press Release for That Daughter’s Crazy

Paradox Smoke Productions
2014

Some apples don’t fall far from the tree. Paradox Smoke Productions is proud to announce the launch of their new documentary, That Daughter’s Crazy, starring Rain Pryor. That Daughter’s Crazy is directed by Elzbieta Szoka, and produced by Sam Adelman and Daryl Sledge, and will be ready for film festivals in early 2014.

Carrying on a career as an actor/singer/comedian, beyond the shadow of her legendary father, Rain Pryor is an original, bold, and energetic voice, who brings us influences of her upbringing with a deep love and respect for her father. Her quest for individuality is exemplified in her award-winning one-woman show, Fried Chicken and Latkes, which dramatizes growing up in Beverly Hills in a bi-racial, half Jewish/half black household.

The film features footage, photos, press clippings of Rain’s life and career, as well as various interviews. A social commentary, the film explores themes of diversity, relationships between parents and children and a profound perspective of one entertainer’s journey.

Paradox Smoke Productions is devoted to developing unique and provocative stories; a fusion of narrative of films, documentaries, and theater pieces.  Other credits include the Academy Award nominated short documentary film, Salim Baba, as well as Screen Door Jesus, Welcome to Academia and Beautiful People.

“What attracted me to our project at first was an electrifying performance of Rain Pryor in her highly acclaimed one woman show. As an “intellectual/artistic globetrotter” from what is still called “Eastern Europe,” I was curious what hid beneath her evocative title. The religious and performance ritual at its best! Axé, Rain! Shalom, my brother,” said Elzbieta Szoka, Director.

All media inquiries in reference to That Daughter’s Crazy, please contact Sam Adelman, tel: 212.600.5920 or email: sam@paradoxsmoke.com.

Brazil’s colour bind

The Globe and Mail
Toronto, Ontario, Canada
2015-07-31

Stephanie Nolen, Latin America Correspondent

Brazil is combating many kinds of inequality. But one of the world’s most diverse nations is still just beginning to talk about race

When Daniele de Araújo found out six years ago that she was pregnant, she set out from her small house on a dirt lane in the outskirts of Rio de Janeiro and climbed a mountain. It is not a big mountain, the green slope that rises near her home, but the area is controlled by drug dealers, so she was anxious, hiking up. But she had something really important to ask of God, and she wanted to be somewhere she felt that the magnitude of her request would be clear.

She told God she wanted a girl, and she wanted her to be healthy, but one thing mattered above all: “The baby has to be white.”

Ms. de Araújo knows about the quixotic outcomes of genetics: She has a white mother and a black father, sisters who can pass for white, and a brother nearly as dark-skinned as she is – “I’m really black,” she says. Her husband, Jonatas dos Praseres, also has one black and one white parent, but he is light-skinned – when he reported for his compulsory military service, an officer wrote “white” as his race on the forms.

And so, when their baby arrived, the sight of her filled Ms. de Araújo with relief: Tiny Sarah Ashley was as pink as the sheets she was wrapped in. Best of all, as she grew, it became clear that she had straight hair, not cabelo ruim – “bad hair” – as tightly curled black hair is universally known in Brazil. These days, Sarah Ashley has tawny curls that tumble to the small of her back; they are her mother’s great joy in life. The little girl’s skin tone falls somewhere between those of her parents – but she was light enough for them to register her as “white,” just as they had hoped. (Many official documents in Brazil ask for “race and/or colour” alongside other basic identifying information.)

Ms. de Araújo and Mr. dos Praseres keep the photos from their 2005 wedding in a red velvet album on the lone shelf in their living room. The glossy pictures show family members of a dozen different skin colours, arm in arm, faces crinkled in stiff grins for the posed portraits. There are albums with similar pictures in living rooms all over this country: A full one-third of marriages in Brazil are interracial, said to be the highest rate in the world. (In Canada, despite hugely diverse cities such as Vancouver and Toronto, the rate is under five per cent.) That statistic is the most obvious evidence of how race and colour in Brazil are lived differently than they are in other parts of the world.

But a range of colours cannot disguise a fundamental truth, says Ms. de Araújo: There is a hierarchy, and white is at the top.

Many things are changing in this country. Ms. de Araújo left school as a teenager to work as a maid – about the only option open to a woman with skin as dark as hers – but now she has a professional job in health care and a house of her own, things she could not have imagined 15 years ago. Still, she says, “This is Brazil.” And there is no point being precious about it. Black is beautiful, but white – white is just easier. Even middle-class life can still be a struggle here. And Sarah Ashley’s parents want her life to be easy.

Brazil’s history of colonialism, slavery and dictatorship, followed by tumultuous social change, has produced a country that is at once culturally homogenous and chromatically wildly diverse. It is a cornerstone of national identity that Brazil is racially mixed – more than any country on Earth, Brazilians say. Much less discussed, but equally visible – in every restaurant full of white patrons and black waiters, in every high rise where the black doorman points a black visitor toward the service elevator – is the pervasive racial inequality…

Read the entire article and watch the video here.

How should a dancer look? Ask Misty Copeland and Stella Abrera

The Melissa Harris-Perry Show
MSNBC
2015-07-18

Melissa Harris-Perry, Host

Dancers Misty Copeland and Stella Abrera discuss their pioneering work as, respectively, the first African American and Filipino American principal ballerinas at the American Ballet Theater.

Watch the video (00:07:46) here.

The Global African – Mexican Afro-descendants

The Global African
2014-12-03

Bill Fletcher, Host

Randal Archibold, Bureau Chief for Mexico, Central America and the Caribbean
The New York Times (Author of the article “Negro? Prieto? Moreno? A Question of Identity for Black Mexicans”)

William Loren Katz
Author of: Black Indians: A Hidden Heritage

Each week on “The Global African” host Bill Fletcher, Jr. addresses issues facing Africa and the African Diasporas.

Mexico’s Afro-descendant population for years has been virtually invisible; now, for the first time ever, the next national census will include the category of Afro-Mexican. Fletcher interviews NY Times Bureau Chief for Mexico, Central America, and the Caribbean Randal Archibold about Mexico’s Afro-descendant population. The next segment of the program deals with a fascinating yet virtually unknown chapter of US history, the biological and cultural bonds established between African slaves and Native Americans. Professor William Loren Katz, author of Black Indians-A Hidden Heritage and 40 other books on African-Americans and Native Americans, describes his research on relations between Africans and Afro-descendants and Native Americans.

Early Afro-Mexican Settlers in California

C-SPAN: Created by Cable
2015-05-20

Host: California Historical Society

Professor Carlos Manuel Salomon, author of Pio Pico: The Last Governor of Mexican California, talked about Mexicans of African descent who were some of the first non-Indian settlers in California. Many came from Sinaloa and Sonora, Mexico, with the Anza Expedition in 1775, and helped to shape the character of California, building and establishing pueblos and ranches that grew into towns such as Los Angeles, San Diego, Monterey, and San Jose. Several became wealthy landowners and politicians, including Pio Pico, the last governor of Mexican California.

Watch the video (01:21:44) here.

Art is Cool || Episode 1 || Beth Consetta Rubel

Fum Fum Ko
2015-06-27

Art is Cool is a new documentary web series centered on inspirational artists. The series builds an intimate portrayal of the artist and their work.
Directed/Produced by Fum Fum Ko.

The premiere of the first episode features visual artist, Beth Consetta Rubel. Beth Consetta Rubel uses mix media to create breathtaking projects centered on her personal narrative, race, pop culture, and stereotypes. Check out her site: http://bethconsettarubel.com.

From her Artist Statement:

“I draw upon my personal narrative and am highly influenced by diversity, assimilation, and stereotypes in American culture. The intersection of race and pop culture are fundamental components that invigorate my paintings. The process of rummaging thrift stores to find antique photos, yellow and curling at the edges, vintage postcards, and cast iron objects with a history are a bases for my work. Nostalgic blues music and rhythmic jazz shape the atmosphere in which I work. I explore and dissect Deep South mentality, black face minstrel shows, and the stereotypes present in all outlets of media. I aggressively approach my paintings with an expressive application. I utilize layers of chalk pastel, acrylic, gouache, fabric and found objects and assemble paper cut outs to create a pop-up effect that speculate the irony of subtle racism that shape our society. Is racism permanently embedded in our culture, or is it a learned behavior that is exploited in media and fed to the masses? The subjects of my works include both historical and mainstream imagery that evaluate these questions and embrace contradictions that are philosophical, sexual and emotional.”

Texas woman discovers she’s white after 70 years

KHOU
Houston, Texas
2015-06-22

Marvin Hurst, Reporter
KENS 5 TV, San Antonio, Texas

Byrd with her adoptive family. (Photo: (Photo: Family Photograph))

The mere mention of Rachel Dolezal’s name sets Verda Byrd off like a stick of dynamite. “She lied about her race,” Byrd said. “I didn’t lie about my race because I didn’t know.”

Dolezal’s much publicized choice to identify herself as black has been under scrutiny. The former NAACP President in Spokane, Wash. is accused of deceiving the public by insisting she was not only of black descent but black herself.

Byrd considers herself African-American. Her preference in race comes through an incredible set of circumstances. She was born to Earl and Daisy Beagle in September 1942. They named her Jeanette. She describes her parents as white transients.

Earl walked out on his family. At the time, Daisy had five children to take care of. The struggling mother had to get a job to feed her kids and keep a roof over their heads. The woman fell 30 feet to the ground in a trolley accident. The state of Missouri took her children because she was in no shape to care for them…

Read the entire article here. Watch the story here.

The problems with Rachel Dolezal and the social construction of race

Nerding Out with Dorian Warren
MSNBC
2015-06-17

Dorian Warren, Host and Associate Professor of Political Science and International and Public Affairs
Columbia University, New York, New York

Christina Greer, Assistant Professor of Political Science
Fordham University, The Jesuit University of New York

Allyson Hobbs, Assistant Professor of History
Stanford University

Joseph Lowndes, Associate Professor of Political Sciences
University of Oregon

Dorian Warren talks with professors Allyson Hobbs, Christina Greer, and Joseph Lowndes about what the social construction of race does and does not mean in the case of Rachel Dolezal. Plus, writer and advocate Parker Molloy speaks on what the media gets wrong when it compares the experiences of the transgender community to those of Rachel Dolezal.

Watch the interview (00:50:52) here.

“Empathy does not preclude accountability:” Jay Smooth on Rachel Dolezal

Fusion
2015-06-18

Jay Smooth

Last night, while I was in the midst of making a video on the Rachel Dolezal situation, the news broke of this horrific racist killing in Charleston South Carolina. After much deliberation we have decided to release the video as scheduled, and I believe its core message is still relevant to the moment. But please know my whole heart is with the people of Charleston, Emanuel AME Church, and everyone affected by this wholly unthinkable yet all too American act of terrorism.

Watch the video here.

As Rachel Dolezal Breaks Silence, a Roundtable Discussion on Race, Appropriation and Identity

Democracy Now: A Daily Independent Global News Hour
Wednesday, 2015-06-17

Amy Goodman, Host and Executive Producer

Juan González, Co-Host

Stacey Patton, Senior Enterprise Reporter
The Chronicle of Higher Education

Lacey Schwartz, Chief Executive Officer
Truth Aid (also Producer/director of the documentary film “Little White Lie”)

Linda Martín Alcoff, Professor of Philosophy
Hunter College, City University of New York

Jelani Cobb, Associate Professor of History; Director of the Africana Studies Institute
University of Connecticut

We look at the growing national debate over racial identity sparked by the story of Rachel Dolezal. A Washington state civil rights advocate and educator, Dolezal resigned her post as president of the Spokane chapter of the NAACP on Monday amid reports she falsely identified as black. The controversy began when Dolezal’s parents told reporters their daughter is white, and shared photographs of her as a child. On Tuesday, Dolezal broke her silence, saying she has identified as black since a young age.

Download the episode here.