Mixed Race Studies

“A Fascinating Interracial Experiment Station”: Remapping the Orient-Occident Divide in Hawai’i

American Studies
Volume 49, Number 3/4, Fall/Winter 2008
pages 87-109
E-ISSN: 2153-6856
Print ISSN: 0026-3079

Shelley Sang-Hee Lee, Assistant Professor of Comparative American Studies and History
Oberlin College

Rick Baldoz, Visiting Assistant Professor of Sociology
Oberlin College

Introduction

During the 1920s and 1930s, American intellectuals on the U.S. continent often described Hawai’i as a “racial frontier,” a meeting ground between East and West where “unorthodox” social relations between Native Hawaiians, Asians, and Caucasians had taken root. The frontier metaphor evoked two very different images, the “racial paradise” and the “racial nightmare,” and in both characterizations, Asians figured prominently. In 1930, of the islands’ civilian population of nearly 350,000, about 236,000 or 68 percent were classified as Japanese, Chinese, Filipino, or Korean.  Political, religious, and educational leaders in Hawai’i were the main propagators of the racial paradise image, which expressed optimism in the ability of Caucasians and Asians to live together, while also celebrating the presence of Portuguese, Spanish, Puerto Ricans, Native Hawaiians, and an array of mixed-race groups.  They touted the assimilative powers of American institutions and promoted Hawai’i as a model of colonial progress to audiences on the U.S. mainland. David Crawford, the president of the University of Hawai’i,  summarized this view during a 1929 visit to Los Angeles where he spoke before a group called the Advertising Club. Hawai’i society, explained Crawford, was “demonstrating the possibility of the meeting of Orient and Occident on terms of friendship that practically eliminate race prejudice.”

This celebration of interracial harmony and cultural assimilation contrasted with views advanced by West Coast nativists who portrayed Hawai’i and its preponderance of Asians in the population as a cautionary example of the pitfalls of American expansionism. During debates in the early 1920s over renewing the Alien Land Law in California, anti-Japanese agitators cited Hawai’i as a failed experiment where the color line had been irretrievably breached by a vanguard force of…

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Family Matters in the Fiction of Charles W. Chesnutt

The Southern Literary Journal
Volume 33, Number 2, Spring 2001
pages 30-43
E-ISSN: 1534-1461
Print ISSN: 0038-4291
DOI: 10.1353/slj.2001.0012

William M. Ramsey, Professor of English
Francis Marion University

Writing fiction one hundred years ago, Charles W. Chesnutt believed that America’s racial future was best embodied in himself, a mixed-race American. A light-skinned mulatto living on the color line, he argued that racial amalgamation, through passing and miscegenation, would slowly erode the rigid white-black dichotomy of America’s caste system. Eventually, he foresaw, America would become one race, as his stories of light-skinned protagonists on the color line seemed to predict. Unfortunately for his literary reputation, this racial prescription for a New America was premature. By the time of his death in 1932, the Harlem Renaissance had celebrated a New Negro who was no light-skinned assimilationist, but one who, like Langston Hughes, stood on the racial mountaintop of a proud, culturally distinct, dark-skinned self. It is now a century after Chesnutt’s first book publications, and America is changing. Racial amalgamation, according to federal statistics, occurs at a more rapid pace than ever before. From 1970 to 1990, marriages between blacks and whites rose from two percent of all marriages to six percent. The number jumped to over twelve percent by 1993 (“With This Ring”). Nearly ten percent of black men marry white women..

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The case of Ebony and Topaz: Racial and Sexual Hybridity in Harlem Renaissance Illustrations

American Periodicals: A Journal of History, Criticism, and Bibliography
Volume 15, Number 1, (2005)
pages 86-111
E-ISSN: 1548-4238
Print ISSN: 1054-7479
DOI: 10.1353/amp.2005.0006

Caroline Goeser, Assistant Professor of Art History
University of Houston

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University of Virginia

Ebony and Topaz was issued once in 1927 as a collection of essays, poetry, and illustrations edited by Charles S. Johnson, the African American editor of Opportunity: A Journal of Negro Life. Though the volume has received little scholarly attention, it articulated the theme of racial hybridity that not only proved an integral component of Harlem Renaissance cultural production but marked the diversity of American modernism between the wars. Significantly, Johnson’s editorial method in Ebony and Topaz, which promised minimal interference and direction, allowed his contributors freedom to broach controversial subjects shunned by the more conservative African American editors of the period, such as W. E. B. DuBois. As a result, Johnson’s compendium resisted limitation to the facile theme of racial uplift and challenged restrictive classifications of racial identity. The most culturally subversive production came from two illustrators of Ebony and Topaz, Charles Cullen and Richard Bruce Nugent. Seemingly benign at first glance, their illustrations interrogated the…

[View some of Richard Bruce Nugent’s artwork here.]

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What Can DNA Really Tell Us About Race?

UCtelevision
Unviersity of California
2007-04-25
00:54:55

Introduction by
Howard Winnant, Professor of Sociology
University of California, Santa Barbara

Troy Duster, Chancellor’s Professor of Sociology
University of California, Berkeley

and
Professor of Sociology and Director of the Institute for the History of the Production of Knowledge
New York University

One of the leading authorities on race and science, Troy Duster discusses how the understanding of race is being reshaped by the genomics revolution. Sometimes unintentionally and sometimes not so innocently, genomics may be generating a new and more sophisticated racism, not so different from the eugenics-based and criminological racism that flourished in decades gone by. Series: “Voices” [7/2007] [Public Affairs] [Humanities] [Science] [Show ID: 13008]