Mixed Race Studies

The 2012 Lorraine W. Frank Lecture & Humanities Awards: Featuring Rita Dove

Arizona Humanities Council
Tempe Mission Palms
60E. 5th Street
Tempe, Arizona 85281
2012-04-12

Free & Open to the Public

In celebration of National Poetry Month, the Arizona Humanities Council is proud to present Rita Dove as the keynote speaker for the 2012 Lorraine W. Frank Lecture. Rita Dove will share poems from her most recent book, Sonata Mulattica, about a young mulatto violinist’s encounters with Beethoven.

Discussing the research that went into the book, she will reveal how she came to be uniquely suited to the task of rescuing the mixed race violinist George Augustus Polgreen Bridgetower from the shadows of history, and how history comes alive through art.

Rita Dove served as Poet Laureate of the United States from 1993 to 1995. Among her many honors are the 1987 Pulitzer Prize in poetry, the 1996 Heinz Award in the Arts and Humanities and the 2006 Common Wealth Award. In 1996, President Bill Clinton bestowed upon her the National Humanities Medal. From 1981 to 1989, Rita Dove taught creative writing at Arizona State University. She currently is Commonwealth Professor of English at the University of Virginia in Charlottesville, VA.

For more information, click here.

CCIG Forum 24: ‘Mixing’/’Non-mixing’? The in/significance of race in mixed raciality, family narratives and welfare practices

Centre for Citizenship, Identities and Governance
Open University
Walton Hall
Milton Keynes, United Kingdom
Library Seminar Rooms 1 & 2
2011-12-06, 10:00-17:00Z

Keynote speakers: Chantal Badjiie (Editorial Lead on the Mixed Race Season on the BBC, TBC), Petra Nordqvist (University of Manchester), Monica Dowling (Open University).

That Britain has one of the fastest growing mixed race population in the world, with 3% of children under 16 being classified as mixed race and 10% of children under 16 living in a family with more than one ethnicity, is an accepted fact. What is less clear is whether this should be celebrated as evidence of a long history of tolerance and mixing among ordinary people, e.g. from the port cities of Cardiff, Liverpool, London, South Shields in the interwar period right up to the contemporary moment in all the major cities and towns, or whether it represents a major challenge to politicians, policy makers and practitioners across a wide range of services and the public at large. While the MOBO awards are an example of the former approach, the claims that multiculturalism has failed and the recent changes to the Adoption Statutory Guidance by the English government indicate the anxieties that continue to surround issues of race, ethnicity and culture. Added to this, research into the physical preferences of those seeking to start a family via methods of assisted conception suggests that ideas about and discourses of race and ethnicity inform these preferences, albeit in a benign and unconscious way.

How can these contradictory patterns be understood? What are their implications for how relationships and families are conceived and researched? What dilemmas of practice arise for those working in policy development and implementation in a wide number of health and welfare areas? What light can a psychosocial approach to the issues offer? What analytical traction and theoretical development can be gained from approaching the issue of mixed-raciality through the concerns of those involved in non-traditional modes of family and household formation, such as assisted conception? What gets lost and what gets brought into the foreground when we focus on the factors that get counted in ‘the mix’?

These are pressing issues for social scientists concern with questions of citizenship, identity and governance as much as they are for those concerned with the development of policy and practice equipped for the realities of contemporary Britain. Jointly convened by the Psychosocial and Families and Relationships Research Programmes of CCIG, this Forum will explore these issues.

For more information, click here.

From Barefoot Madonna to Maggie the Ripper

Kendall Blog
Kendall College of Art and Design
Ferris State University, Grand Rapids, Michigan
2011-11-07

Pamela Patton, Editor
Kendall Portfolio

Margaret Garner or The Modern Medea (1867)

I always find lectures by visiting art historians fascinating. Looking at works of art in historical context, examining the details, and hearing the backstories leaves me hungry to learn more. Such was the case on Wednesday, November 2 when I attended a lecture by Jo-Ann Morgan describing cultural history from the 19th century…
 
…Morgan’s lecture was titled “From Barefoot Madonna to Maggie the Ripper: Mulatto Women in Nineteenth Century Visual Culture.” “Mulatto” isn’t a word heard often these days, and is defined as, “the first general offspring of a Black and White parent; or, an individual with both White and Black ancestors. Generally, Mulattoes are light-skinned, though dark enough to be excluded from the White race.”

“Maggie the Ripper” is Margaret Garner, a 23-year-old enslaved Black woman in pre-Civil War America. She and her family had escaped in January 1856 across the frozen Ohio River to Cincinnati, but were captured. When she was apprehended, she had cut the throat of her youngest daughter, and was attempting to kill her other children and presumably herself, rather than be returned to slavery. Margaret Garner’s defense attorney moved to have her tried for murder in Ohio, in order to get a trial in a free state as well as to challenge the Fugitive Slave Law as well…

Garner was described in newspapers as mulatto with “white blood,” and “delicate” and “intelligent” eyes. By the time Kentucky-born Thomas Satterwhite Noble (1835-1907), son of a slaveholder, and former Confederate soldier, chose, in 1867, to paint the famous slave fugitive, Garner’s case had all but faded from memory, but perceptions of mixed-race women had changed markedly from gentle, light-skinned madonnas, often painted cradling a babe and wearing a shawl draped about them, reminiscent of images of Mary (as shown in the painting, “The Last Slave Auction in St. Louis”). Gone were Garner’s delicate features, and instead, the frantic woman has the face of a cornered animal, teeth bared and holding a knife dripping with blood, while her dead daughter lay at her feet.

In her lecture, Morgan reminded the audience that prior to the Civil War, Black and Mulatto women were considered nothing more than breeding stock, and the children they bore, whether Black or mixed-race, were little more than property to be sold for profit. After the War, as abolition spread across the country, the same women and children were a guilty reminder of the indiscretion of slave owners, and the image of Mulatto women began to change…

Read the entire article here.