Mixed Race Studies

Toni Morrison and the Burden of the Passing Narrative

African American Review
Volume 35, Number 2 (Summer, 2001)
pages 205-217

Juda Bennett, Associate Professor of English
The College of New Jersey

Passing for white, a phenomenon that once captivated writers as diverse as Charles Chesnutt, Sinclair Lewis, Nella Larsen, and Mark Twain, no longer seems to engage contemporary novelists. The long list of authors from the first half of the twentieth century, which includes canonical writers like William Faulkner and forgotten stars like Edna Ferber, is hardly balanced by the short list of contemporary writers who have addressed this figure of racial ambiguity. In considering the relative disappearance of the passing figure from contemporary literature, this essay begins with neither a clear and substantial presence nor a complete absence of passing in the work of one of our most important novelists, Toni Morrison.

In each of her seven novels and in her sole short story, Toni Morrison invokes the passing myth, sometimes in only one or two paragraphs and often with indirection. The Bluest Eye, for example, features a dark-skinned child who cannot possibly pass for white, yet Pecola ignores biology and becomes (if only to herself) a blue-eyed Shirley Temple. Although some might consider Pecola’s delusion a weak or perhaps specious representation of passing for white, The Bluest Eye artfully reinforces its interest in racial passing by alluding to Peola, the passing figure in Imitation of Life. This intertextual play effectively evokes the myth without actually representing the phenomenon of passing, and in this way
Morrison decenters and deforms the traditional passing figure. Why?

It is my hope that this overview, although focused on Morrison, will be suggestive of larger shifts in culture, politics, and aesthetics. Why, for example, has the passing figure, after holding a central place in the imaginations of early-twentieth-century writers, been consigned to the margins of late-twentieth-century novels concerned with race? Why did Nella Larsen and Langston Hughes address the subject directly, even entitling works Passing and “Who’s Passing for Who?” while Morrison approaches the subject indirectly and often in a subplot or through an allusion? Are there certain stories that are considered embarrassing, passe, or even dangerous? Are there stories, furthermore, that simply cannot be told or, rather, cannot be told simply?…

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‘Stretching out the categories’: Chinese/European narratives of mixedness, belonging and home in Singapore

Ethnicities
Volume 14, Number 2 (April 2014)
pages 279-302
DOI: 10.1177/1468796813505554

Zarine L. Rocha, Research Scholar
Department of Sociology
National University of Singapore

Racial categorization is important in everyday interactions and state organization in Singapore. Increasingly, the idea of ‘mixed race’ and new conceptions of mixedness are challenging such classification along racial lines. Although contemporary Singapore is extremely diverse, the underlying ideology of multiracialism remains grounded in distinctly racialized groups, leaving little space for more complex individual identities. This paper explores the identifications of individuals of mixed Chinese and European descent in the Singaporean context, looking at how complexity is lived within firmly racialized structures. Drawing on a series of 20 narrative interviews, this research examines the relationship between categorization and identity, focusing on the identities of individuals with multiple national, cultural and ethnic ties. The practical impacts of racial categorization shape many aspects of life in Singapore, and individuals of mixed descent illustrated a constant tension between official categorization and personal mixedness, seen in the frustrations experienced and strategies developed by individuals around race and belonging. Individuals negotiated their connections around race and nationality both in practical terms around language, social policies and culture, and personally in terms of symbolic feelings of connection.

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U.S. Census looking at big changes in how it asks about race and ethnicity

Pew Research Center
2014-03-14

Jens Manuel Krogstad, Writer/Editor at the Pew Research Center’s Hispanic Trends Project

D’Vera Cohn, Senior Writer at the Pew Research Center’s Social & Demographic Trends Project

The Census Bureau has embarked on a years-long research project intended to improve the accuracy and reliability of its race and ethnicity data. A problem is that a growing percentage of Americans don’t select a race category provided on the form: As many as 6.2% of census respondents selected only “some other race” in the 2010 census, the vast majority of whom were Hispanic.

Six percent may seem small, but for an agency trying to capture the entire U.S. population (nearly 309 million in 2010) every 10 years, that number results in millions of people unaccounted for. This pattern of response led to the bureau’s “most comprehensive effort in history to study race and ethnic categories,” according to Census officials Nicholas Jones and Roberto Ramirez. “Increasingly, Americans are saying they cannot find themselves” on census forms, Jones said.

Many communities, including Hispanics, Arabs and people of mixed race, have said they’re unsure of how to identify themselves on census forms…

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The Strange History of the American Quadroon: Free Women of Color in the Revolutionary Atlantic World by Emily Clark (review) [Wright]

Early American Literature
Volume 49, Number 1, 2014
page 257-262
DOI: 10.1353/eal.2014.0015

Nazera Sadiq Wright, Assistant Professor of English
University of Kentucky

The Strange History of the American Quadroon: Free Women of Color in the Revolutionary Atlantic World unveils the historical genealogy of the American quadroon from its invention as a by-product of the Haitian Revolution and evolution as an alluring figure of sexual desire in New Orleans to its contemporary representation in film and media. Emily Clark tells a masterful story of the quadroon’s migration from the Caribbean to the United States, surfacing in Philadelphia, and settling in New Orleans. She begins with the revolution in the French colony of Saint-Domingue, a revolt that resulted in the establishment of Haiti in 1804. The American quadroon was a socially constructed formula created after the Haitian Revolution to reduce anxiety over race revolts in the Caribbean that threatened to reach American soil. The fictional quadroon, argues Clark, aided in the imaginative construction of New Orleans as a foreign city apart from the American polity. As with Sally Hemings, Thomas Jefferson’s black, female mistress kept hidden away like a secret, so too did Americans create “a complex symbolic strategy that kept the quadroon at an imaginative distance from the nation’s heart and heartland” (6). Clark insists that scholars consider New Orleans as a foundational scene of American history, arguing that “the presumption that the history of New Orleans and its quadroons is unique diverts the gaze of the rest of the nation away from its own unattractive Atlantic past, allowing it to remain firmly fixed on less-troubling founding scenes played out on the Mayflower and in Independence Hall” (9). The Strange History of the American Quadroon corrects this sanitization by examining the “intertwined stories” of the quadroon’s evolution as a cultural symbol, the actual people whom this racial classification represents, and the myth that New Orleans is the only home of the quadroon (10).

Using a dazzling array of materials carefully gleaned from archives and historical repositories, including collections at the Latin American Library at Tulane University, the Templeman Library at the University of Kent, and the Office of Archives and Records from the Archdiocese of New Orleans, Clark restores the quadroon to US cultural memory. The first chapter situates the quadroon in the American popular and political imagination through her appearance in the Philadelphia press in 1807. With Haitian refugees migrating to Philadelphia and other US cities after the Haitian Revolution, the image of the quadroon articulated white Philadelphians’ fear of a black republic as well as more generalized anxiety regarding the tenuous political landscape of a newly formed nation. The chapter begins with a detailed account of Haiti’s involvement in the quadroon’s migration to America and her embattled appearance in Philadelphia politics and print culture, arguing that the figure of the black woman “emerged as a charged rhetorical device” in the Philadelphia newspapers to represent the animosity between radical and conservative Democratic Republicans (35). This animosity resulted in the quadroon press war of 1807, which recounted Philadelphia’s unstable relationship with Saint Domingue as a conflict among political parties. The richness of this chapter rests in the way Clark synthesizes the history of the Haitian Revolution and its impact on Philadelphia commerce to demonstrate how this duality “conjured the quadroon as a political trope” (37). This chapter will be especially helpful to scholars invested in studying Haiti through the lens of early Philadelphian print culture.

In chapter 2, Clark reveals how American consciousness came to terms with the Haitian Revolution by displacing fear onto the body of the “menagere,” which Clark defines as a free black woman of color who engaged in sexual partnership with white men in New Orleans. This individual wielded significant economic influence, while being demonized as “an insatiable consumer who seduced white men, including American white men, tempting them away from their proper roles as faithful husbands and fathers” (53-54). In that the “menagere” was viewed as a dangerous, sexually irresistible figure who disrupted men’s natural attachments to white women, the free black woman of color threatened national consciousness as a “usurper of patriotic filiation” (54). Quadroon balls emerged in the context of this perceived threat. In these ballrooms, “men could take in the spectacle of quadroon…

Being “Nesian”: Pacific Islander Identity in Australia

The Contemporary Pacific
Volume 26, Number 1, 2014
pages 126-154
DOI: 10.1353/cp.2014.0013

Kirsten McGavin, Postdoctoral Research Fellow in Anthropology
University of Queensland, Australia

Pacific Islanders in Australia use the terms “Islander” and “Pacific Islander” in many ways and in different circumstances to define themselves and others. Through invoking discourses including these terms, Pacific Islanders both consciously draw on “panethnicity” and subconsciously strengthen and support their localized identities. In this way, Pacific Islanders blur the ethno-cultural and sociopolitical boundaries that traditionally separate groups with connections across a diverse range of countries. Indeed, diasporic settings give rise to transnationalist sentiment and actions and serve to strengthen panethnic identity. Using insider and auto-anthropology and ethnographic research techniques, I draw on my experiences as an Australian of Pacific Islander descent and use examples drawn from my involvement in formalized community groups, cultural events, and social functions. In doing so, I argue that the expression of Islander and Pacific Islander identity is entwined with ideas about “race,” place, stereotypes, and behavior that highlight the dynamic ethnogenesis of this group.