Footprints of my other

Posted in Africa, Europe, Identity Development/Psychology, Videos on 2014-09-15 02:00Z by Steven

Footprints of my other

2012
52 minutes

Claude Haffner

Born to a mixed race couple in the DRC, then Zaire, in the 1970s, Claude Haffner is part Congolese, part French.

From her family home in France, Claude Haffner embarks on a journey in search of her African identity. She is of mixed race, born in 1976 to a French father and a Congolese mother in Zaïre (today’s Democratic Republic of the Congo). Pierre Haffner, her father, passed away in 2000, and having become a specialist on African art and cinema, he left behind a collection of African art together with photos and taped accounts about Congo and Africa. This is the starting point of Claude’s investigation. She delves into their shared material, intellectual and psychological heritage. She interviews her mother who still lives in France about her country, her family and her history. In the search of answers to her questions she returns, alone this time, to Mbuji-Mayi, the capital of Kasaï and the centre of the diamond trade. Michou, her cousin travels with her to the heart of the diamond fields. Despite unemployment, poverty and lack of activity the inhabitants of Mbuji-Mayi remain hopeful owing to the new governor’s development policies.

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Argentina Rediscovers Its African Roots

Posted in Anthropology, Caribbean/Latin America, History, Media Archive, Religion, Slavery on 2014-09-15 01:47Z by Steven

Argentina Rediscovers Its African Roots

The New York Times
2014-09-12

Michael T. Luongo

The chapel in the small lakeside resort community of Chascomús is at best underwhelming. Its whitewashed brick exterior is partly obstructed by a tangle of vines and bushes, and its dim, one-room interior is no more majestic than its facade. Wooden pews and an uneven dirt floor are scarcely illuminated by sunlight from a single window. The gray, cracked, dusty walls are adorned with crosses, photos, icons — things people leave to mark their pilgrimage. A low front altar is layered with thick candle wax, flowers and a pantheon of black saints, Madonnas and African deities like the sea goddess Yemanja of the Yoruba religion.

Despite its unkempt state, this chapel, the Capilla de los Negros, attracts a little over 11,000 tourists each year who come to see a church named for the freed slaves who built it in 1861.

The chapel is “where we can locate ourselves and point out the truth that we are here,” said Soledad Luis, an Afro-Argentine from the tourism office who led me through the space. She knows it well. It sits on a plot her great-grandfather helped secure, and her family still gathers there weekly for a meal.

Capilla de los Negros feels off the beaten path, but it is part of a list of slave sites in Argentina created in 2009 by Unesco. Its inclusion signals the growing consciousness of African heritage in Argentina, seemingly the most Europeanized country in South America.

Argentina at one time had a robust African presence because of the slaves who were brought there, but its black population was decimated by myriad factors including heavy casualties on the front lines in the War of the Triple Alliance against Paraguay in the 1860s; a yellow fever epidemic that rich, white Argentines largely escaped; and interracial offspring who, after successive generations, shed their African culture along with their features. And European immigration swelled the white population — 2.27 million Italians came between 1861 and 1914.

The demographic shift has been sharp. In 1800, on the eve of revolution with Spain, blacks made up more than a third of the country, 69,000 of a total population of 187,000, according to George Reid Andrews’s 2004 book “Afro-Latin America.” In 2010, 150,000 identified themselves as Afro-Argentine, or a mere 0.365 percent of a population of 41 million people, according to the census, the first in the country’s history that counted race.

But the culture the slaves brought with them remained. And in recent years, Argentina has gone from underselling its African roots to rediscovering them, as academics, archaeologists, immigrants and a nascent civil rights movement have challenged the idea that African and Argentine are mutually exclusive terms…

Read the entire article here.

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Juxta: A film by Hiroko Yamazaki

Posted in Asian Diaspora, Media Archive, United States, Videos, Women on 2014-09-15 00:57Z by Steven

Juxta: A film by Hiroko Yamazaki

Women Make Movies
1989
29 minutes
BW, 16mm/DVD
Order No. W99356

Hiroko Yamazaki

This beautiful drama observes the psychological effects of racism on two children of Japanese women and American servicemen. Thirty-one year old Kate, the daughter of a Japanese/white mixed marriage visits her childhood friend, Ted, a Japanese-Black American. Together they confront the memory of her mother’s tragic story in this telling, emotionally nuanced journey into the complexity of US racism.

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