Mixed Race Studies

Clean comic standing

The Asian Age
2014-12-07

Vishav

Having performed for some well-known names including US President Barack Obama, Indian-Japanese comedian Dan Nainan comes to India with some clean comedy

He has performed for the US President Barack Obama, Hillary Clinton, Donald Trump, Steve Wozniak and many others. He has made them all roll with laughter. And now, the Indian-Japanese comedian Dan Nainan will be performing for the Delhiites on December 13 at Trident, Gurgaon.

Being half Indian, half Japanese and doing comedy in USA, that’s ought to be quite a journey. “Indeeed, it has been,” says Dan. “When I took my first comedy class, I asked my teacher if it would be a disadvantage to be Indian and Japanese. She said that it would turn out to be my greatest advantage. And she turned out to be 100 per cent right.”…

Read the entire article here.

Letters To a Mixed Race Son

CreateSpace
2012-01-06
152 pages
5.5 x 0.4 x 8.5 inches
Paperback ISBN-10: 1468184024; ISBN-13: 978-1468184020

Frank E. Robinson, Jr.

Foreword by Bishop Charles E. Blake

In a world that continues to grapple with notions of race, a loving father writes a series of letters that speak into the life of his biracial son. In the book’s foreword, Bishop Charles Blake introduces us to Frank Robinson and these Letters To a Mixed Race Son. In 1984, Frank Robinson was a young minister serving in southern Alabama, when word got out that he was engaged. It would be an interracial marriage, which quickly became a local controversy, both scandalous and dangerous. This marriage was announced not long after a lynching in one of the neighboring areas. For safety, their first child was born across the state line. Frank began to understand that if he did not survive, his wife would be left a widow and his son without a father. With this in mind, he began to write letters that would survive in a book. He intended to say the things a father should say and to equip his son to live a meaningful life. Further, even when this son was so young, the letters were written as to a man, so that when the boy became a man, he could have this book. This father writes about identity, character and the timeless responsibility of men and fathers. He speaks of courage as one faces life, hardship and injustice. He tells his son of perseverance, humility and faith, of how to deal with disappointment, criticism, and so much more. These letters were written over years and through seasons of difficulty. The author reminds his son to never forget what struggle is like. These are love letters and wisdom writings, powerful, profound, and infused with a sense of eternity and mortality, of hope and purpose. There is a moment of humor and insight when the little boy came home from kindergarten and earnestly asked, “Is someone in our family white?” Responded to in the affirmative, he demanded, “Who is it?” This book tells of a unique and interesting journey. The mixed race son has grown up, is now married, a new father and a military officer, who serves his country during a time of war. In 2011, about twenty five years after the project started, Frank Robinson gave the hand written original book of letters to his son, who has already begun to write letters to his own child. The author has read a few of these letters to some scarred and damaged people. He found the words he wrote to his own son, were medicating to the sons and daughters of others. Further, these letters may help the reader to see the world a little differently and possibly to find a better self. This work is heartfelt, moving and refreshing, ultimately a rich, deep and encouraging piece of literature.

‘Who We Be,’ by Jeff Chang

Sunday Book Review
The New York Times
2014-12-12

Tricia Rose, Director
Center for the Study of Race and Ethnicity in America
Brown ­University, Providence, Rhode Island

Who We Be: The Colorization of America. By Jeff Chang. Illustrated. 403 pp. St. Martin’s Press. $32.99.

The dramatic changes spurred by the civil rights ­movement and other 1960s social upheavals are often chronicled as a time line of catalytic legal victories that ended anti-black segregation. Jeff Chang’s “Who We Be: The Colorization of America” claims that cultural changes were equally important in transforming American society, and that both the legal and cultural forms of desegregation faced a sustained hostile response that continues today.

According to Chang, the author of “Can’t Stop Won’t Stop: A History of the Hip-Hop Generation,” multiculturalism challenged who and what defined America, going straight to the heart of who “we” thought we were and who “we” aspired to be. Attacks on exclusions by multicultural scholars and artists were taking place everywhere. University battles raged over whether the Western literature canon should continue to be elevated, or imagined ­outside the politics of racial hierarchies. Artists confronted the nearly all-white and all-male elite art world. Chang even ­describes Coca-Cola’s influential 1971 “I’d like to teach the world to sing” advertisement as a signal of how profitable a “harmonious” multicultural marketing plan could be. But over the next several decades, all the way through Obama’s elections, powerful counterattacks were launched, increasingly in racially oblique language. “Both sides understood that battles over culture were high-stakes,” Chang writes. “The struggle between restoration and transformation, retrenchment and change, began in culture.”…

…Surely our national fabric is more racially diverse than ever before, and a few more people of color have access to powerful cultural institutions. At the same time, “Who We Be” left me wondering about the resilience of power. It is possible but not inevitable that multiculturalism will fuel the creation of an anti-racist and fully inclusive society. But it is also possible that we could ­become the kind of multiracial society that keeps its darker-skinned people at the bottom to provide cultural raw material to a powerful white elite that celebrates the diversity on which it depends…

Read the entire review here.

‘Pelo Malo’ Is A Rare Look Into Latin American Race Relations

Morning Edition
National Public Radio
2014-12-10

Jasmine Garsd, Reporter and Host
NPR Music’s Alt.Latino

Actor Samuel Lange Zambrano plays Junior, a boy who becomes obsessed with relaxing his hair. Courtesy of the artist

“Pelo Malo” means “bad hair” in Spanish. It’s a term that is commonly used in Latin America, and it’s also the title of a new Venezuelan film that tackles racism and homophobia.

Junior is a 9-year-old living in a poor neighborhood in Caracas. School is about to start, and he has to have his picture taken. Junior, like many Venezuelans, has European, indigenous and African ancestry, which gives him thick, tightly curled hair. He becomes obsessed with straightening it, trying everything from blow-drying to applying gobs of mayonnaise. That last attempt drives his mother, a struggling widow, insane; she threatens to “cortarle el pelo,” just cut all his hair off.

Pelo Malo is a rare look into identity politics among Latin Americans, where racism is often a taboo topic. Despite the taboo, director Mariana Rondón says, the term “pelo malo” is common currency. “The origin of the term is very offensive. It’s very racist. But it’s also true that in Venezuela, we are so mixed, that in every single family there is someone with … ‘bad hair.’ We joke that the second most profitable industry, after oil, is hair straightening. Because everyone here wants to have straight hair.”…

…The film is very Venezuelan, but many Latin Americans can relate to it. Bianca Laureano is the founder of The LatiNegr@s Project, a virtual space that aims to discuss history and current events in the Afro-Latino community. She says the battles over hair are very much present in her own life: “I have family members who I have never even met. And I meet them, and part of the conversation will be, ‘I don’t like your hair the way that it is.’ ”

Laureano says while she wishes the movie had dealt with its issues in more depth, she thinks it’s representative of a sea change in the way Latinos discuss race. “What I definitely see an increase of is people who identify as Afro-Latino. This is who I am, this is my story. We take part in this as well.”…

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Who We Be: The Colorization of America

St. Martin’s Press (an imprint of Macmillan)
October 2014
416 pages
7.81 x 9.33 inches
Hardcover ISBN: 9780312571290; ISBN10: 0312571291

Jeff Chang, Executive Director
Institute for Diversity in the Arts
Stanford University, Palo Alto, California

Race. A four-letter word. The greatest social divide in American life, a half-century ago and today.During that time, the U.S. has seen the most dramatic demographic and cultural shifts in its history, what can be called the colorization of America. But the same nation that elected its first Black president on a wave of hope—another four-letter word—is still plunged into endless culture wars. How do Americans see race now? How has that changed—and not changed—over the half-century? After eras framed by words like “multicultural” and “post-racial,” do we see each other any more clearly? Who We Be remixes comic strips and contemporary art, campus protests and corporate marketing campaigns, Martin Luther King, Jr. and Trayvon Martin into a powerful, unusual, and timely cultural history of the idea of racial progress. In this follow-up to the award-winning classic Can’t Stop Won’t Stop: A History of the Hip-Hop Generation, Jeff Chang brings fresh energy, style, and sweep to the essential American story.