Rose Parade 2015: Woman to ride float 60 years after she was denied because of African-American heritage

Posted in Articles, Arts, Media Archive, United States, Women on 2014-12-28 18:49Z by Steven

Rose Parade 2015: Woman to ride float 60 years after she was denied because of African-American heritage

Pasadena Star-News
Pasadena, California
2014-12-27

Sarah Favot, Pasadena Star-News


Joan Williams, 82, of Pasadena, holding a portrait of herself wearing a crown from when she was selected as “Miss Crown City” by her colleagues in City Hall in 1958 and was supposed to ride on the city-sponsored Rose Parade float. When city officials found out she was black, they took that honor away saying, the city couldn’t afford a float that year. Now nearly 60 years later, Williams will ride on the opening banner float during the 2015 Rose Parade. Walt Mancini/Staff Photographer

PASADENA >> Nearly 60 years after she was promised a seat on a Rose Parade float, only to have that honor taken away when city officials found out she was African-American, Joan Williams will be seated at the head of the Rose Parade on New Year’s Day as it cruises down Colorado Boulevard.

Williams, 82, was named “Miss Crown City” in 1957, an honor bestowed upon one City Hall employee who would ride on a city-sponsored float during the Rose Parade on Jan. 1, 1958. The honor was like the Rose Queen title — Miss Crown City would attend numerous events leading up to the parade, representing the city.

Williams, then 27 years old and a mother of two young children, was thrilled.

“I was young and it was exciting,” Williams said.

A couple of months later, however, she experienced a grave disappointment, according to Jet Magazine.


Source: Jet Magazine

“For when word spread that light-complexioned Mrs. Williams was a Negro, fellow employees in the municipal office where she works as an accountant-clerk suddenly stopped speaking to her,” the magazine reported in January 1959. “And Mrs. Williams did not ride on a float, because the City of Pasadena neglected to include one in its own parade. Too many others were already entered, explained an official,” the article continued.

Williams said she never bought that reasoning. If the city didn’t have enough money, it wouldn’t have named a Miss Crown City months before the parade, she said. The city had even paid for a portrait of Williams in a gown, corsage and tiara.

Williams attended a city employees picnic at Brookside Park where a photographer from Jet wanted to take her picture with the mayor at the time. The mayor refused, she said.

“It was one of the first times, as an adult, I began to grow up and realize what racism is,” she said…

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Ophelia DeVore-Mitchell, 92, Dies; Redefined Beauty

Posted in Articles, Arts, Biography, Media Archive, Passing, United States, Women on 2014-12-28 18:28Z by Steven

Ophelia DeVore-Mitchell, 92, Dies; Redefined Beauty

The New York Times
2014-03-13

Margalit Fox


Ophelia DeVore-Mitchell
Credit MARBL/Emory University, via Associated Press

Ophelia DeVore-Mitchell, a former model, agent, charm-school director and newspaper publisher who almost single-handedly opened the modeling profession to African-Americans, and in so doing expanded public understanding of what American beauty looks like, died on Feb. 28 in Manhattan. She was 92.

Her death was announced on March 6 on the floor of the House of Representatives by Sanford D. Bishop Jr., Democrat of Georgia. At her death, Mrs. DeVore-Mitchell was the publisher emeritus of The Columbus Times, a black newspaper in Columbus, Ga., which she ran from the 1970s until her retirement about five years ago.

Long before the phrase “Black is beautiful” gained currency in the 1960s, Mrs. DeVore-Mitchell was preaching that ethos by example.

In New York in the 1940s — an age when modeling schools, and modeling jobs, were overwhelmingly closed to blacks — she helped start the Grace del Marco Modeling Agency and later founded the Ophelia DeVore School of Self-Development and Modeling. The enterprises, which served minorities, endured for six decades…

…“Black has always been beautiful,” Mrs. DeVore-Mitchell once said. “But you had to hide it to be a model.”

In the late 1930s, when Mrs. DeVore-Mitchell began her career as one of the first black models in the United States, she found work partly by hiding her own heritage. But in her case, the hiding was done entirely through inadvertence.

Emma Ophelia DeVore was born on Aug. 12, 1921, in Edgefield, S.C., one of 10 children of John Walter DeVore, a building contractor, and the former Mary Emma Strother, a schoolteacher.

As a girl, Mrs. DeVore-Mitchell, whose family was of African, Cherokee, French and German descent, was educated in segregated Southern schools; she received additional instruction “in dancing, piano and all the other things in the arts that parents gave you to make you a lady,” as she told Ebony magazine in 2012

…A beauty with wide-set eyes, Ophelia DeVore had begun modeling casually as a teenager. A few years later, seeking professional training, she enrolled in the Vogue School of Modeling in New York.

It was only toward the end of her studies there, when the school refused admission to another black candidate, that she realized it had mistaken her, with her light skin, for white.

“I didn’t know that they didn’t know,” Mrs. DeVore-Mitchell said in the Ebony interview. “I thought they knew what I was.”…

Read the entire obituary here.

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WATCH: Jesse Williams of ‘Grey’s Anatomy’ on Race

Posted in Articles, History, Law, Media Archive, Politics/Public Policy, United States, Videos on 2014-12-28 03:43Z by Steven

WATCH: Jesse Williams of ‘Grey’s Anatomy’ on Race

Heavy
2014-12-22

Paul Farrell, Breaking News Editor

Actor Jesse Williams appears in a viral video that was published on December 17. The Grey’s Anatomy star take aim at racism and double standards in America, including public housing discrimination, specifically in Chicago.

The star goes on to discuss the logic behind the argument that Michael Brown robbed a store and therefore deserved to be shot, versus the argument about whether corrupt Goldman Sachs bankers also deserve violence.

Williams is mixed-race, the son of an African-American father and a Swedish-American mother. In the video, he states, “Half of my family is white.” He also says, “I’m as white as you can get as a black person.”…

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Multiracial College Students and Institutions of Higher Education

Posted in Articles, Campus Life, Media Archive, United States on 2014-12-28 03:13Z by Steven

Multiracial College Students and Institutions of Higher Education

Engaged Learning Collection
2013-04-15
Paper 20
18 pages

Jacqueline V. Ross
Southern Methodist University, Dallas, Texas

The multiracial student population is one of the fastest growing populations in the United States. The growth in students of two or more racial backgrounds is grounds for recognizing and acceptance of campuses of higher education. The purpose of this study was to look at the experiences of multiracial students and what it means for institutions of higher education through an integrated communication framework (theorists, year; theorist, year; theorist, year). This study employed a phenomenological approach and used a semi-structured interview style with 10 self-identified multiracial students from Southern Methodist University (SMU). SMU is a middle sized, private, conservative, liberal arts, Greek life driven and predominately White institution in the South.

The primary research questions was: what does the increase of the multiracial student population mean for institutions of higher education in regards to student inclusion, exclusion, academic success, social life, retention and future alumni relations. In particular to students at a middle sized, private, conservative, liberal arts, Greek life driven and predominately White institution in the South.

Overall four key findings emerged: (1) Students felt like SMU had not recognized their multiracial backgrounds, (2) students flourished when they had a supportive group or community, (3) there is ignorance on SMU’s campus of racial diversity within single individuals, and (4) the climate of SMU’s campus contributed to being excluded from the general student population or from one of their own racial groups.

This study found that students had positive and negative experiences in relations to being multiracial. These experiences have shaped them an in turn have affected their academic success, social life, retention and future alumni relations. Because of these findings, institutions of higher education must proactively support multiracial students and help to change campus climates for more inclusion and acceptance of multiracial students.

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Outspoken about Ferguson, Jesse Williams may be this generation’s Harry Belafonte

Posted in Articles, Arts, Media Archive, Politics/Public Policy, United States on 2014-12-28 03:01Z by Steven

Outspoken about Ferguson, Jesse Williams may be this generation’s Harry Belafonte

The Washington Post
2014-08-20

Soraya Nadia McDonald


Harry Belafonte, left. (NBC via AP) Jesse Williams, right. (Christian Alminana/AP)

There are many ways to get celebrity activism wrong when it comes to a situation like the one that has emerged in Ferguson, Mo.

Appearing to be uninformed is a huge no-no, as is calling for a plan when you don’t have one — sorry Nelly. But if one can offer fiery rhetoric absent sanctimony and full of razor-sharp opinions, well, people take notice.

Enter Jesse Williams, the actor who plays the hunky Dr. Jackson Avery on ABC’s “Grey’s Anatomy.” Williams appeared on CNN’s “State of the Union” Sunday. Clad in a hoodie, he may have looked like Facebook founder Mark Zuckerberg, but once he opened his mouth, he sounded like Harry Belafonte.

Yes, radical, Occupy Wall Street protester-supporting, Fidel Castro-befriending, Colin Powell and Condoleezza Rice-shunning Harry Belafonte.

“Police have been beating the hell out of black people for a very, very, very long time, before the advent of the video camera,” said Williams, who also spoke out after the deaths of Trayvon Martin and Jordan Davis. “And despite the advent of the video camera, there’s still an incredible trend of police brutality and killing in the street.”

So far, Williams, 33, seems best suited to continue the legacy of black Hollywood activism associated with Belafonte. In his memoir, “My Song,” Belafonte wrote, “I wasn’t an artist who’d become an activist. I was an activist who’d become an artist.”…

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