UNF professor explores the impact of skin tone on the everyday lives of African-American women

Posted in Articles, Media Archive, Social Science, United States, Women on 2016-01-20 23:01Z by Steven

UNF professor explores the impact of skin tone on the everyday lives of African-American women

The Florida Times-Union
2016-01-18

Rhema Thompson

JeffriAnne Wilder always knew African-Americans came in many shades. She saw it in her own family, from her light-skinned older sister to her two dark-skinned brothers. Her complexion fell somewhere in the middle.

“I saw the variation at home, but I didn’t place any value on it,” she recalled.

Around age 10 that began to change. She noticed the light-skinned girls in her predominantly black Cleveland elementary class seemed to be treated differently. Other students seemed enamored by their creamy complexions and wavy hair.

Decades later, that sentiment hit closer to home when she became pregnant with her daughter.

“I had lots of people just assume because my ex-husband is biracial and light-skinned with green eyes that she was going to be light-skinned, too,” she said. “ ‘Oh, you’re going to have the prettiest daughter. She’s going to be so pretty. She’s going to be light and blah, blah, blah,’ and I remember telling people ‘What happens if she’s not light-skinned? What if she ends up like me?’ ”

Now, an associate sociology professor at the University of North Florida and director of the school’s new Institute for the Study of Race and Ethnic Relations, Wilder is sharing her observations and the experiences of 66 other black women in her first published book “Color Stories.”…

Read the entire article here.

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Demonizing a President: The “Foreignization” of Barack Obama

Posted in Barack Obama, Books, Media Archive, Monographs, Politics/Public Policy, United States on 2016-01-20 22:31Z by Steven

Demonizing a President: The “Foreignization” of Barack Obama

Praeger
August 2014
253 pages
6.125 x 9.25
Hardcover ISBN: 978-1-4408-3055-6
eBook ISBN: 978-1-4408-3056-3

Martin A. Parlett

This groundbreaking political exposé scrutinizes the motivations behind the unparalleled attacks on President Barack Obama that attempt to undermine his eligibility to lead the country.

The ascendancy of the first African American president was a watershed moment in American history. In response, President Obama’s adversaries have engaged in relentless and systematic mudslinging throughout his campaign and well into his presidency, “othering” him as a foreign and dangerous political figure. Never before has a presidential candidate been so maligned, by so many, in such a variety of ways—and yet won. This provocative study investigates the unrest behind the Obama campaign and election, and the controversial political machine that causes it.

Martin A. Parlett, himself a former campaigner for Barack Obama, examines the role identity politics and racialization play in the anti-Obama movement, shows how foreignization is the latest tool for political dissent, and discusses the ways in which the president has successfully utilized the “outsider” label to his own advantage. The book questions the popular—and often contradictory—notions of Obama as illegitimate, Muslim, Marxist/Communist, socialist, Kenyan, terrorist, and angry African American. Additionally, chapters trace political marginalization and race throughout history from slavery to Reconstruction to the Civil Rights Movement, concluding with the culture of distrust in the American political psyche since the events of September 11, 2001.

Features

  • Analyzes the tactics used by political adversaries to undermine the presidency
  • Considers the mass of literature and filmography which proliferates narratives of the president’s foreignization and offers a counter-position
  • Examines the rhetorical frames and motivations of Obama’s foreignization
  • Provides insight into the motivations surrounding Obama-era conspiracy theories, such as the Birther movement
  • Underlines the post-20th century emergence and maintenance of an increasingly polarized electoral climate
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Color Stories: Black Women and Colorism in the 21st Century

Posted in Books, Media Archive, Monographs, Social Science, Women on 2016-01-20 22:16Z by Steven

Color Stories: Black Women and Colorism in the 21st Century

Praeger
October 2015
198 pages
6.125 x 9.25
Hardcover ISBN: 978-1-4408-3109-6
eBook ISBN: 978-1-4408-3110-2

JeffriAnne Wilder, Associate Professor of Sociology
University of North Florida, Jacksonville, Florida

Colorism continues to impact women of African descent in a new generation and century.

This book offers an in-depth sociological exploration of present-day colorism in the lives of black women, investigating the lived experiences of a phenomenon that continues to affect women of African descent.

Race still matters. And for black women, the related issues of skin tone are just as important today as in decades past. Part cultural commentary, part empirical analysis, this book offers a compelling study and discussion of colorism—a widely discussed but understudied issue in “post-racial” America—that demonstrates how powerful a factor skin color remains in the everyday lives of young black women. Author JeffriAnne Wilder conducted interviews with dozens of young black women about the role of colorism in their everyday lives. Collectively, these findings offer a compelling empirical and theoretical analysis of colorism in key areas of 21st-century life, including within family and school settings, in the media, and in intimate relationships.

The culmination of nearly two decades of the author’s deep entrenchment in colorism studies, Color Stories: Black Women and Colorism in the 21st Century provides a new perspective on a controversial issue that has been a part of black culture and academic study for generations by exploring how the contemporary nature of colorism—from Facebook to the First Lady to Beyoncé—impacts the ideas and experiences of black women. This work serves as essential reading for anyone interested in learning more about the historical and contemporary significance of colorism in modern-day America, regardless of the reader’s race, sex, or age.

Features

  • Presents a contemporary sociological analysis of the issue of skin-tone prejudice and discrimination and the unique social and cultural implications for black women in today’s society
  • Provides readers with a vocabulary for understanding and discussing the unique features and characteristics of colorism in the 21st century
  • Supplies scholarly analysis balanced with thought-provoking testimony from more than 60 black women between the ages of 18 and 25 on how color matters in their daily lives
  • Offers concrete strategies for change and empowerment in dismantling the paradigm of colorism
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Playwright Adrienne Dawes imagines an dystopian future — with humor

Posted in Articles, Arts, Media Archive, United States on 2016-01-20 21:17Z by Steven

Playwright Adrienne Dawes imagines an dystopian future — with humor

Austin American-Statesman
Austin, Texas
2016-01-16

Jeanne Claire van Ryzin, Arts Critic


Adrienne Dawes (Laura Skelding)

Adrienne Dawes donned denim recently when she stopped by Salvage Vanguard Theater for a rehearsal of her latest play to debut at the indie East Austin venue.

“Denim Doves” opens this weekend.

The play has been several years in development, but that the dystopian future world Dawes and her collaborators imagined is populated with people wearing all denim — well, that detail was decided on from the beginning…

…Dawes, a native Austinite, spent three years training and performing with Chicago’s famed Second City comedy troupe after college in New York. Under her “Heckle Her” production company, Dawes devises sketch comedy shows like the upcoming “Love Me Tindr,” a musical spoof of the online dating app, which opens Valentine’s Day weekend in Salvage Vanguard’s studio theater.

Dawes’ trenchant and intense drama “Am I White”, which played at Salvage Vanguard in October 2014, netted the David Mark Cohen New Play Award from the Austin Critics Table Awards.

A sharp and gutsy look at racial identity, “Am I White” is based on the real-life story of convicted felon Leo Felton, a white supremacist who hid his own biracial identity while plotting to bomb public sites.

Lauded by local critics, “Am I White” is currently being considered for production by theater companies around the country.

Dawes, who is herself of mixed race, spent years working on “Am I White,” and an early workshop version attracted the attention of the incarcerated Felton, who emailed Dawes from prison. Though Dawes exchanged a few emails with Felton during the development of “Am I White,” she declined to continue communication with him after the play’s premiere.

“The play is my creation, not his story,” she says with finality…

Read the entire article here.

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