Mixed Race Studies

IN THE WHITE FRAME : An interview with mixed-race dancers Angel Langley & Jasmmine Ramgotra

Multiracial Asian Families: thinking about race, families, children, and the intersection of mixed ID/Asian
2016-08-30

Sharon H. Chang

STRANGE COUPLING is an annual juried exhibition of collaborations between University of Washington (UW) student artists and local professional artists. Over a decade old, the School of Art + Art History + Design program aims to connect campus and community through teamwork and direct engagement. This year I was entirely captivated by one of twelve projects, a performance piece entitled In The White Frame by mixed-race student dancers Angel Langley and Jasmmine Ramgotra with local sound artist/composer/teacher Byron Au Yong. The piece is a stunning work of art and innovative look at the experience of multiraciality within our white dominant culture.

Performed Friday June 10 at Seattle’s King Street Station, In the White Frame is a 20-minute structured improvisation that utilizes movement, materials, sound and space. The audience — who does not sit — is invited to participate but also come and go at will. “We wanted to create something that was structured and improvisational,” said Jasmmine, “And we had an intention to do it about identity.”

Over coffee with me at Columbia City Bakery in Seattle, Angel and Jasmmine sit down to tell more about creating this beautiful piece. They recall at their first meeting with Byron months ago talking about the prevalence of racial dichotomies in society right now. “We knew we wanted to do [something] about our own experience,” reflects Jasmmine. At the same time the three artists had discussed how art is often presented in white-framed gallery spaces. That was when Angel had an epiphany. She had been reading Raising Mixed Race: Multiracial Asian Children In a Post-Racial World and learning about Joe R. Feagin’s theory of the white racial frame for the first time. “I remember giving [the book] to Jasmmine like you need to read this chapter on white framing cause this is what we’re doing,” says Angel. But also “what does that mean being our identities in a high art space, a white-framed gallery?” Jasmmine can’t hide her enthusiasm, “I was like oh my god that makes so much sense.”

To give form to their improvisation they brainstormed a wordlist with Byron. “Ideas of what mixed race peoples are,” explained Angel, “like superhuman, mixed.” Mutt was one of them says Jasmmine “because someone called me that before and I was like wow. Really?” The dancers nod to themselves about such contradictions. Mixed race identity is supposed to be fluid so fluidity was also on their wordlist. But the reality is that being multiracial is often a polarized, painful experience via other peoples perceptions. The truth of this dichotomy compelled them to add stuck to their list too. “Like more ugly or more beautiful,” Angel gives another example. “Just this idea you’re either a superhuman, or you’re a piece of shit.”…

Read the entire interview here.

What Colin Kaepernick’s National Anthem Protest Tells Us About America

Rolling Stone
2016-08-29

Morgan Jerkins

When black athletes choose to point their aggression towards larger, systematic inequalities, there’s always backlash

The role of the famous black athlete has been a polarizing one for as long as sports have dominated American headlines, going all the way back a century to when Jack Johnson beat white boxer Jim Jeffries in 1910. During Johnson’s time, he was regarded as a “bad nigger,” not only because he was articulate and handsome, but also because he beat his white rivals. It was a direct representation of black masculinity as a threat to white supremacy. In recent times, however, this kind of resistance has evolved. From track and field medal winners Tommie Smith and John Carlos raising their fists as a Black Power salute at the 1968 Olympics to WNBA players wearing Black Lives Matter T-shirts, black athletes are expanding their sportsmanship into political activism.

Last Friday, San Francisco 49ers quarterback Colin Kaepernick refused to stand for the National Anthem during a preseason game against the Green Bay Packers. By Saturday morning, what should have been a meaningless football game was dominating the national news…

Read the entire article here.

Mr Colin Kaepernick: The Look

The Journal
Mr Porter (London/New York)
Issue 237, 2015-10-07

Andrew Corsello

Photography by Mr Blair Getz Mezibov; Styling by Mr Dan May, Style Director

The San Francisco 49ers quarterback on bucking expectations, riding out the haters and how he does it all with a healthy dose of style

It’s a heck of a day to meet up with Mr Colin Kaepernick, the outlandishly gifted quarterback and a man who many in the San Francisco Bay Area hoped would bring a Super Bowl win to the city. The reason? Just recently (the last Sunday in September), he turned in a performance that was – how to say it politely – the ugliest outing of his career, a 40-point beat-down at the hands of the Arizona Cardinals. Still, he is a gentleman – a man who on most days is as elegant off the field as he is on it – who greets me warmly and willingly talks about, um… style. Even though this will undoubtedly set off the “talking heads” on AM sports radio.

To him, style is not simply about clothing. It is about how one faces the world – good day or bad. Or as he puts it: “From a young age, my dad, being a businessman, constantly talked to me about carrying myself in a certain way and treating people with respect. And I think that’s something that’s carried over throughout my life. It’s how I deal with certain situations.”…

Read the entire article here.