Mixed Race Studies

National Colors: Racial Classification and the State in Latin America [Review]

Sociology of Race and Ethnicity
Volume 3, Issue 1, (January 2017)
pages 141-145
DOI: 10.1177/2332649216676789

Mark Q. Sawyer, Associate Professor of Political Science
University of California, Los Angeles

Mara Loveman, National Colors: Racial Classification and the State in Latin America. Oxford, UK: Oxford University Press, 2014. 376 pp. $26.95. ISBN 978-0-19-933736-1

States, and in particular Latin American states, have been classified by race. National Colors: Racial Classification and the State in Latin America by Mara Loveman seeks to answer how and why states do so. The book is remarkable for its depth and scope, analyzing several countries essentially from some of the earliest colonial attempts at measurement driven by central authorities to contemporary census policies that may follow the dictates of social movements and international organizations.

Loveman rightly argues that states do not make race out of nothing but rather pick recognizable signs of human variation and endow them with characteristics and also use these axes as a means of allocating social value, either formally or informally. Loveman notes there can be slippage between state, personal, and socially recognized categorization, given all parties have different ideologies and incentives with regard to categorization. However, out of the cacophony emerge dominant discourses and ideas that define race for groups of people that come to be defined as discrete populations. But the Latin American story is not without complications at various historical points. Different logics have driven state categorization, and the state may not formally categorize at all.

Mara Loveman argues that the census first reflected colonial issues and concerns. It buttressed national projects developed by state elites. Colonial administrators saw populations as “key resources” to be enumerated. Racial categories imposed by colonial authorities identified the civilized and the uncivilized and in many cases outlined castes and detailed racial-ethnic mixtures and hierarchies that in different forms have remained part of the racial lexicon in Latin America. Loveman follows what has become the growing orthodoxy applied to historical and contemporary race in Latin America. She correctly finds that colonial authorities constructed and maintained elaborate racial hierarchies, which related to forced labor, land dispossession, and social and economic discrimination. Categories thus had material and symbolic consequences.

Loveman joins scholars like Michael Hanchard, Edward Telles, Peter Wade, Melissa Nobles, Tianna Paschel, Christina Sue, and Tanya Golash-Boza, who document both the ways in which white elites maintained racial hierarchies using the state, and how blacks, Indians, and mixed-raced individuals resisted categorization and racial discrimination in big and small ways…

Read the entire review here.

Ruth Negga: ‘Stories about race and identity pique my interest… I have always felt like a fish out of water’

The Belfast Telegraph
2016-12-31

Patricia Danaher

Starring role: Ruth Negga’s career is going from strength to strength

Nominated for a Golden Globe, tipped for an Oscar and on the cover of Vogue, Ruth Negga is the woman of the moment. Here, the actress tells Patricia Danaher how growing up mixed race in the Republic helped her inhabit the role that’s made her a star

It seems somewhat fitting that, as the cover star of US Vogue’s January edition, Ruth Negga wears an Alexander Wang blouse covered in red roses. After all, back home in Ireland it’s for her role as Rosie in Love/Hate that Ruth is perhaps best known.

That part, as the star-crossed lover of the show’s original protagonist Darren (played by Robert Sheehan) was, of course, just one of the many times the Limerick woman has graced TV screens in recent years. The chameleon-like actress has also featured in such diverse productions as Neil Jordan’s Breakfast on Pluto, edgy Channel 4 show Misfits, and big-budget US series Agents of Shield and Preacher.

In the UK, she works almost continuously on video games, in theatre and on TV – winning critical acclaim for her portrayal of Ophelia at the National Theatre and of Shirley Bassey in a BBC biopic about the singer. Despite these numerous prominent roles, however, 35-year-old Ruth has managed to stay mostly under the radar in her long career.

Until now, that is. Nominated earlier this month for a Golden Globe and hotly tipped for an Oscar, she’s gone from jobbing actor to Vogue cover girl in the blink of an eye. In Hollywood, those who have just discovered Ruth through her role in new movie Loving are calling her “an overnight success, 10 years in the making”…

Read the entire article here.

The Other California: Land, Identity, and Politics on the Mexican Borderlands

University of California Press
January 2017
188 pages
Hardcover ISBN: 9780520291638

Verónica Castillo-Muñoz, Assistant Professor of History
University of California, Santa Barbara

The Other California is the story of working-class communities and how they constituted the racially and ethnically diverse social landscape of Baja California. Packed with new and transformative stories, the book examines the interplay of land reform and migratory labor on the peninsula from 1850 to 1954, as governments, foreign investors, and local communities shaped a vibrant and dynamic borderland alongside the booming cities of Tijuana, Mexicali, and Santa Rosalia. Migration and intermarriage between Mexican women and men from Asia, Europe, and the United States transformed Baja California into a multicultural society. Mixed-race families extended across national borders, forging new local communities, labor relations, and border politics.

Remapping Race on the Human Genome: Commercial Exploits in a Racialized America

Praeger
January 2017
310 pages
6.125 x 9.25
Hardcover ISBN: 978-1-4408-3063-1
eBook ISBN: 978-1-4408-3064-8

Judith Ann Warner, Professor of Sociology
Texas A&M International University, Laredo, Texas

Do the commercial applications of the human genome in ancestry tracing, medicine, and forensics serve to further racialize and stereotype groups?

This book explores the ethical debates at the intersection of race, ethnicity, national origin, and DNA analysis, enabling readers to gain a better understanding of the human genome project and its impact on the biological sciences, medicine, and criminal justice.

Genome and genealogical research has become a subject of interest outside of science, as evidenced by the popularity of the genealogy research website Ancestry.com that helps individuals discover their genetic past and television shows such as the celebrity-focused Who Do You Think You Are? and Finding Your Roots with Henry Louis Gates, Jr.. Applications of DNA analysis in the area of criminal justice and the law have major consequences for social control from birth to death. This book explores the role of DNA research and analysis within the framework of race, ethnicity, and national origin—and provides a warning about the potential dangers of a racialized America.

Synthesizing the work of sociologists, criminologists, anthropologists, and biologists, author Judith Ann Warner, PhD, examines how the human genome is being interpreted and commonly used to affirm—rather than dissolve—racial and ethnic boundaries. The individual, corporate, and government use of DNA is controversial, and international comparisons indicate that regulation of genome applications is a global concern. With analysis of ancestry mapping business practices, medical DNA applications, and forensic uses of DNA in the criminal justice system, the book sheds light on the sociological results of “remapping race on the human genome.”

Features

• Provides historical background on the human genome in the modern context of the social construction of race and ethnicity
• Examines the use of overlapping racial-ethnic and geographical origin categories to situate ancestry, health risk, and criminal profiles in a stereotyped or discriminatory manner
• Argues for a re-examination of genome research to avoid racialization

In the Name of the Mother: Italian Americans, African Americans, and Modernity from Booker T. Washington to Bruce Springsteen

Dartmouth College Press
2017-01-03
296 pages
10 illus.
6 1/8 x 9 1/4″
Paperback ISBN: 978-1-5126-0019-3
Hardcover ISBN: 978-1-5126-0018-6
Ebook ISBN: 978-1-5126-0020-9

Samuele F. S. Pardini, Associate Professor of Italian
Department of World Languages and Cultures
Elon University, Elon, North Carolina

A bracingly original dialogue on modernity, class, and difference in the 20th century

In the Name of the Mother examines the cultural relationship between African American intellectuals and Italian American writers and artists, and how it relates to American blackness in the twentieth century. Samuele Pardini links African American literature to the Mediterranean tradition of the Italian immigrants and examines both against the white intellectual discourse that defines modernism in the West. This previously unexamined encounter offers a hybrid, transnational model of modernity capable of producing democratic forms of aesthetics, social consciousness, and political economy. This volume emphasizes the racial “in-betweenness” of Italian Americans rearticulated as “invisible blackness,” a view that enlarges and complicates the color-based dimensions of American racial discourse. This strikingly original work will interest a wide spectrum of scholars in American Studies and the humanities.

Table of Contents

• Acknowledgments
• Introduction
• New World, Old Woman: Or, Modernity Upside Down
• Rochester, Sicily: The Political Economy of Italian American Life and the Encounter with Blackness
• Structures of Invisible Blackness: Racial Difference, (Homo)Sexuality, and Italian American Identity in African American Literature during Jim Crow
• In the Name of the Father, the Son, and the Holy Gun: Modernity as the Gangster
• In the Name of the Mother: The Other Italian American Modernity
• The Dago and the Darky: Staging Subversion
• Notes
• Bibliography
• Index

Kamala Harris sworn in as first Indian American senator and California’s first black senator

The Los Angeles Times
2017-01-03

Sara D. Wire, Congressional Delegation Reporter

Before friends and family in a packed chamber, Kamala Harris was sworn in as California’s newest U.S. senator Tuesday morning. She became the first black woman the Golden State has sent to the Senate and the first Indian American to ever serve in the body.

Harris, 52, a Democrat from Los Angeles, was sworn in by Vice President Joe Biden shortly after 9 a.m. PT as Sen. Dianne Feinstein (D-Calif.) and her new Senate colleagues looked on. Harris’ husband, Los Angeles attorney Doug Emhoff, her stepchildren, brother-in-law Tony West, sister Maya Harris, extended family as well as several state officials from across the country who traveled to celebrate with the now former state attorney general watched from the gallery.

“Whatever advice she wants, all she has to do is ask,” Feinstein said. “I have said to her that I would like to have a close relationship.”

Feinstein and Harris met repeatedly in the weeks since the election, with Feinstein sharing advice on how to set up the largest Senate office in the country, including how to deal with the up to 100,000 emails, letters and phone calls that can come into a California senator’s office in a given week.

Harris, one of seven new senators, replaces Democratic Sen. Barbara Boxer, who retired after 24 years in the Senate…

Read the entire article here.