Mixed Race Studies

Opinion: ‘In the Heights’ is just more of the same whitewashed Hollywood

The Washington Post
2021-06-21

Julissa Contreras and Dash Harris Machado

Producer Lin-Manuel Miranda attends the 2021 Tribeca Film Festival opening-night premiere of “In the Heights” on June 9 in New York. (Evan Agostini/Invision/AP)

Julissa Contreras is a Dominican writer, poet, actor and creator of the “Ladies Who Bronché” podcast. Dash Harris Machado is co-founder of AfroLatino Travel, producer and facilitator of the “Radio Caña Negra” podcast and producer of “NEGRO: A Docu-series About Latinx Identity.”

The recent controversy surrounding “In the Heights,” the big-budget film based on the musical created by Lin-Manuel Miranda, came as no surprise for Black Latin American and Caribbean people. With its White and light-skinned leading roles, the film became part of a long tradition in the Americas of Black erasure.

When moviegoers and journalists, including the Root’s Felice León, started highlighting the lack of Black leading cast members in the film, many prominent figures rushed to defend it. “We shouldn’t burden Lin-Manuel with the responsibility of representing every Latino,” commentator Ana Navarro said. “You can never do right, it seems,” actress Rita Moreno said in defense of Miranda. “This is the man who literally has brought Latino-ness and Puerto Rican-ness to America.” Both accounts are inaccurate.

Read the entire article here.

White Like Me

The New Yorker
1996-06-10

Henry Louis Gates, Jr.

Anatole Broyard, date unknown. Photograph courtesy The New School Archives and Special Collections / The New School

Anatole Broyard wanted to be a writer, not a black writer. So he chose to live a lie rather than be trapped by the truth.

In 1982, an investment banker named Richard Grand-Jean took a summer’s lease on an eighteenth-century farmhouse in Fairfield, Connecticut; its owner, Anatole Broyard, spent his summers in Martha’s Vineyard. The house was handsomely furnished with period antiques, and the surrounding acreage included a swimming pool and a pond. But the property had another attraction, too. Grand-Jean, a managing director of Salomon Brothers, was an avid reader, and he took satisfaction in renting from so illustrious a figure. Anatole Broyard had by then been a daily book reviewer for the Times for more than a decade, and that meant that he was one of literary America’s foremost gatekeepers. Grand-Jean might turn to the business pages of the Times first, out of professional obligation, but he turned to the book page next, out of a sense of self. In his Walter Mittyish moments, he sometimes imagined what it might be like to be someone who read and wrote about books for a living—someone to whom millions of readers looked for guidance.

Broyard’s columns were suffused with both worldliness and high culture. Wry, mandarin, even self-amused at times, he wrote like a man about town, but one who just happened to have all of Western literature at his fingertips. Always, he radiated an air of soigné self-confidence: he could be amiable in his opinions or waspish, but he never betrayed a flicker of doubt about what he thought. This was a man who knew that his judgment would never falter and his sentences never fail him.

Grand-Jean knew little about Broyard’s earlier career, but as he rummaged through Broyard’s bookshelves he came across old copies of intellectual journals like Partisan Review and Commentary, to which Broyard had contributed a few pieces in the late forties and early fifties. One day, Grand-Jean found himself leafing through a magazine that contained an early article by Broyard. What caught his eye, though, was the contributor’s note for the article—or, rather, its absence. It had been neatly cut out, as if with a razor…

Read the entire article here.

The accusation of colorism in the light-skinned casting choices illuminates a problem regarding whom Hollywood presents as “Latino,” and whom it excludes, according to Tanya K. Hernández, author of Multiracials and Civil Rights: Mixed-Race Stories of Discrimination. “There is often a complete erasure of Afro-Latinos, and a frozen, overly romanticized picture of indigenous peoples as only historical figures from a Mayan past,” she says. Any viewer of American TV or movies can observe that mainstream media typically highlights light-skinned Latinos, even though a 2014 Pew Research Center survey showed nearly one in four Latinos identifies as Afro-Latino.

Andrea Marks, “How ‘In the Heights’ Casting Focused a Wider Problem of Afro-Latino Representation,” Rolling Stone, June 16, 2021. https://www.rollingstone.com/culture/culture-news/in-the-heights-casting-colorism-afro-latino-1184945/.

How ‘In the Heights’ Casting Focused a Wider Problem of Afro-Latino Representation

Rolling Stone
2021-06-16

Andrea Marks, Research Editor

MELISSA BARRERA (center) as Vanessa in Warner Bros. Pictures’ “IN THE HEIGHTS” Macall Polay/Warner Bros

A prevalence of light-skinned actors demonstrates Hollywood’s — and Latin America’s — history of colorism

When the musical In the Heights debuted in 2008, it was considered a triumph of Latin American story-telling. Written by Lin-Manuel Miranda, who is of Puerto Rican and Mexican descent, it brought the barrio to Broadway and centered Latino immigrants building a community in New York “north of 96th street” so their children could chase the American Dream. The plot is centered around Usnavi (originally played by Miranda himself), the son of Dominican immigrants, who runs the family bodega but dreams of something bigger.

The movie version of the Tony Award–winning show hit theaters and HBO Max last week to largely positive reviews and praise for its three-dimensional portrayals of Latin-American characters, not to mention its ambitious full-cast musical numbers. A majority-Latino cast carries the film, starring actors like Anthony Ramos, a star of Miranda’s other Broadway blockbuster, Hamilton, who is of Puerto Rican descent, playing Usnavi; Mexican TV actress Melissa Barrera; and Bronx-born bachata singer Leslie Grace, who is of Dominican descent. At the same time, many viewers have expressed disappointment at a lack of Afro-Latino representation in the cast, especially among lead characters…

Read the entire article here.

Queer Memory and Black Germans

The New Fascism Syllabus: Exploring the New Right through Scholarship and Civic Engagement
2021-06-08

Tiffany N. Florvil, Associate Professor of European History
University of New Mexico

Memorial plaque, May-Ayim-Ufer, Berlin. OTFW CC BY-SA 3.0.

In “The German Catechism,” Dirk Moses offers an interesting intervention by challenging the idea of the Holocaust’s uniqueness as well as current debates about the Holocaust and its connection to German colonialism, especially the Namibian genocide (1904-08). He also addresses the stifled debates surrounding antisemitism, Israel, and Palestine. In making his argument, Moses uses five points to explore Germans’ abilities to come to terms with their genocidal past and how that past has shaped subsequent postwar efforts at state (re)building, national identity, belonging, and restitution. Postcolonial scholars such as Paul Gilroy, Frantz Fanon, and Aimé Césaire have long acknowledged the interconnections among colonialism, antisemitism, racism, and the Holocaust. Moses even references the latter two theorists in his piece. I applaud some of his intellectual provocations as well as the other contributors in this exciting forum (i.e. Frank Biess, Alon Confino, Bill Niven, Zoe Samudzi, Helmut Walser Smith, Johannes von Moltke, etc.). Together, they not only force us to grapple with these histories and our own positionalities, but they affirm how subjective (and not value-free) the production and dissemination of knowledge really is.

As much as I welcome debate, I am left pondering what is exactly new about Moses’s claims given that Black (queer) women in Germany examined the Holocaust and memory politics since the 1980s often outside of academic institutions and mainstream debates; sadly, a dynamic that is still common today. There were (and remain) racialized communities in Germany who used the Holocaust as a point of reference for opening up public dialogues about discrimination and systemic racism. They did so in their community and in their own publications, constructing a new public sphere. This was not taken up in the mainstream; it still isn’t today. Where are the voices of those individuals in these German debates past and present? This is also striking considering that those same communities demonstrated in their cultural and political work how “Memories are not owned by groups—nor are groups owned by memories. Rather, the borders of memory and identity are jagged”—a point stressed in Michael Rothberg’s Multidirectional Memory (2009), which is encountering criticism in today’s Germany, but which has propelled analysis of the complex, overlapping layers of memory at play in the postwar years. If Vergangenheitsaufarbeitung is such a fundamental feature of postwar German society, where are the perspectives from Black German, Turkish German, and Romani communities? Why don’t we know them and why aren’t they shaping the debate? The latter group was not officially recognized as victims of the Third Reich until 1982. It is the first group I will focus on in further detail below…

Read the entire article here.

Loving a Black person isn’t the same as fighting for Black lives

Mic
2020-06-12

Kim Kelly

My boyfriend and I have a game we play whenever we’re out in public. Whenever one of us spots another interracial couple passing by, we’ll give the other a little nudge and whisper, “Look, an us!” Sometimes it’s an older us; sometimes it’s a more stylish version, or a queer version, or a rebellious teen version. Every time, though, we share a smile, because it’s nice to be reminded that we aren’t alone. While interracial couples now make up more than 10 percent of all new marriages in the U.S., partnerships like ours are still uncommon enough — or taboo enough — to garner stares when we’re out in public. I’ve noticed that police tend to stare the hardest, and whenever I catch them looking, my stomach drops.

As a white cisgender woman from a rural community, my early interactions with police barely left an impression. My boyfriend, on the other hand, vividly remembers each time he was stopped and frisked on his way home from his South Brooklyn high school, and all the times he’s been arrested just because he happened to be Black in public. They see him as a threat, and me as a potential victim. I may be safe around them, but he isn’t, and even my whiteness can only offer so much protection…

Read the entire article here.

Don’t let the politics of BLM define mixed-race Americans

The New York Daily News
2021-06-19

Charles Byrd

Mixed-race Americans (Shutterstock/Shutterstock)

Prior to June 12, 1967, anti-miscegenation laws still existed in the southern United States. The U.S. Supreme Court overturned those remaining statutes of segregationist race-consciousness with its landmark “Loving v. Virginia” decision. That case did not magically eradicate racist attitudes towards interracial couples and their progeny, but it did signal yet another milestone in our country’s continuing evolution from a slaveholding society to one that extends the same civil rights and freedoms to all.

The 2020 Census allowed multiracials to again choose multiple boxes instead of being forced to identify solely with one race, yet in the throes of the current Black Lives Matter era, there is a seeming renewed effort to compel mixed Black/white Americans to look in the mirror and acknowledge that, in the face of “relentless white supremacy” particularly on the part of law enforcement, they will always be viewed and treated as Black and nothing else. That rationale runs counter to the philosophy that how one views oneself is more important than societally imposed identities, a worldview that a growing number of mixed-race Americans embrace…

Read the entire article here.

Why This Mexican Village Celebrates Juneteenth

Texas Monthly
2019-06-19

Wes Ferguson

Descendants of the Negro Mascogo people of northern Mexico gather to celebrate Juneteenth in the village of Nacimiento de los Negros. Photograph by Wes Ferguson

Descendants of slaves who escaped across the southern border observe Texas’s emancipation holiday with their own unique traditions.

The morning before Juneteenth, Corina Harrington and her sister Miriam Torralba left San Antonio shortly after sunrise and headed south to Mexico, retracing a portion of the same route their African American ancestors followed in 1850 when they escaped slavery in the United States and fled to freedom south of the border.

The sisters arrived around midday at their father’s house in the ranching village of Nacimiento de los Negros in Coahuila, about three hours south of Eagle Pass. As afternoon drifted toward evening, the blue silhouettes of the Sierra Madres were all but obscured by clouds, as siblings, cousins, extended family members, and childhood friends kept arriving in twos, threes, or fours. They strolled over to the cool and swift Río Sabinas to swim in water as clear as any Hill Country stream. They politely tasted the dried and shredded meat of a mountain lion that one of their cousins shot on their dad’s nearby goat ranch, and they laughed and reminisced and readied for one of the most important days of the year in a village whose name literally means “Birth of the Blacks.”…

Read the entire article here.

Acquanetta

Jungle Frolics
2009-10-15

Richard Beland

Acquanetta was born Mildred Davenport on July 17, 1921, and, depending on your source, was of either black or American Indian origin. A few writers have claimed she was Cheyenne Indian; possibly they’re confusing this with reports of her being from Cheyenne, Wyoming, or having been born in Ozone, near Cheyenne. However, by most accounts she was born on an Indian reservation and raised in Norristown, Pennsylvania. These conflicting reports may be due to the possibility that she had both black and Indian blood in her. (Adding to the confusion regarding her ethnic origins, some still report that she was born in Venezuela!)…

...The Arizona Republic for August 22, 2004, reported that Acquanetta’s brother, 85-year old Horace A. Davenport, was present at her funeral. A retired judge, Horace Davenport was, according to the Pennsylvania Bar Association, “the first African-American judge in Montgomery County.” Horace said that he’d never seen any of Acquanetta’s movies.

Bill Feret, in his 1984 book, Lure of the Tropix, said of Acquanetta, “She has never clarified her ambiguous origins, which over the years have varied between being an Arapaho Indian from Wyoming, a Latin from Venezuela, or a black girl from Pennsylvania…” Certainly, her exotic and sultry beauty and the ambiguity of her past added to the mystique.

Perhaps the 1940 United States Census can clear up matters: Mildred Davenport was born in 1921 in Newberry, South Carolina and was residing in Norristown, Norristown Borough, Montgomery, Pennsylvania with her parents, William and Julia, and five siblings, including Horace and Catherine (spelled “Kathryn” in a Jet article). Each member of the family is identified as “Negro” (race) and “African American” (ethnicity)…

Read the entire article here.

Study of Multiracial Women Leading in Large Organizations

Fielding Graduate University, Santa Barbara, California
2021-06-19

Michele A. Richardson (marichardson@email.fielding.edu), Doctoral Student, Human Development
School of Leadership Studies

This study examines how multiracial women leaders see themselves and how that self-concept might influence their approach to navigating tensions and complexity at work.

Now Enrolling Research Participants

Are you a woman who:

• Identifies with two distinct racial groups, with one being a minoritized racial or ethnic group (e.g., Black/African American, Latina, Asian/Pacific Islander, Native/Indigenous, etc.), and
• Holds a supervisory position in a company of 5,000+ employees?

Then, consider amplifying the voices of multiracial women in the workplace by sharing the unique insights and perspectives you bring to your everyday leadership practice.

Click here to sign-up.

What will you be asked to do?

As a research participant, you will be asked to sign an Informed Consent form and respond to a brief questionnaire to capture some basic information about you. Then, we’ll schedule a confidential, 45-minute Zoom meeting to explore how your multiracial identity may potentially influence how you lead through complex situations. We’ll have some light email exchanges after our meeting, so you can expect to invest up to an hour of time total. There is no monetary compensation to participate.

About me:

About Me: I’m Michele Richardson, a doctoral candidate pursuing a multidisciplinary human development degree at Fielding Graduate University. This research is motivated by my Black/Japanese identity and desire to see notions of diverse leadership advance beyond simplified, binary categorizations of racial identity. I currently serve as a Director, Human Resources for a global veterinary diagnostic and software company.

For more information, click here.