Mixed Race Studies

Tamarind Sky, a Novel

Inanna
2020-10-15
412 pages
Paperback ISBN: 978-1-77133-733-5
ePUB ISBN: 978-1-77133-734-2
PDF ISBN: 978-1-77133-736-6

Thelma Wheatley

When British immigrant Selena Jones marries Aidan Gilmor, a Sinhalese-Eurasian — part British — from Sri Lanka in the 1960s in Toronto, a passionate clash of culture ensues. Selena’s mother in Wales is horrified when Selena brings Aidan home to Wales for the wedding. Back in Toronto, Selena faces further prejudice and disapproval of her “mixed marriage,” despite Pierre Elliott Trudeau’s new “multiculturalism,” which was being encouraged but also resented. She is shocked not only by the reaction of neighbours but by the teachers at the all-White school in Toronto where she teaches, and she pretends that Aidan is a White Canadian. When two poor West Indian and two East Indian children from a new government housing project nearby unexpectedly arrive at the school, Selena is forced to take a stand in their defence. Gradually she learns to face her fears and confront racism. She is drawn into a deeper understanding of her Sri Lankan family, and especially of her father-in-law, a former tea planter under the British, who left Ceylon after Independence in 1956. She sees the effect of colonialism on Aidan and his family, trying to be “British” while caught in the middle of the civil war conflict in Sri Lanka. The revelation of her father-in-law’s secret guilt about the past leads to an inevitable and shocking climax.

The Wig-Maker

New Star Books
2021-03-11
128 pages
6×9 inches
Paperback ISBN: 9781554201716

Janet Gallant and Sharon Thesen

A powerful tale of violence, grief, resilience, and transformation, told in the voice of Janet Gallant, transcribed and lineated as a long poem by Sharon Thesen, The Wig-Maker gathers and weaves together themes and incidents that accumulate toward “the moan” of racism, sexual abuse, maternal abandonment, suicide, mental illness, and addiction.

Though the subject-matter ranges from a lengthy first-person account of sufferings both personal and cultural, historic and current, the pulse of the telling ultimately led to healing and reconciliation. Almost by magic — certainly with the assistance of the uncanny — the 18-month long process of Gallant’s telling/Thesen’s listening-writing resulted in Gallant’s discovery of her true genetic, and social, identity. In the early part of her story Janet longs to know the reasons that her mother abandoned the family when Gallant was three years old, leaving four young children with their abusive father. She also wants to know what turned her father into “the monster” he had become. Her mother, Valerie Johnson, is Black and grew up in the Black community of Wildwood, Alberta; her Canadian serviceman father, Tom McCrate, grew up in Irish-Catholic poverty in Nova Scotia. As a biracial child, Janet was unaware until she was eleven years old that her mother was Black; nor did she know until very recently that Tom McCrate was not her biological father.

The twists and turns of the narrative gather a range of topics and incidents; the human hair industry, Black immigration to Alberta and Saskatchewan in the early 1900’s, maternal abandonment, the stresses of military life, adoption search websites, the suicide of Gallant’s teenage brother, the sudden death of her young husband, the stress-disorder of alopecia, and the loneliness of surviving all this but never finding answers. But some important answers have been given and received as a result of Gallant’s research being inspired by the mysteriously healing process of the telling itself.

“The Wig-Maker” is Janet Gallant’s song; her story comes to life in Sharon Thesen’s poem.

Revealing Britain’s Systemic Racism: The Case of Meghan Markle and the Royal Family

Routledge
2021-04-01
266 pages
Hardback ISBN: 9780367765453
Paperback ISBN: 9780367765415
eBook ISBN: 9781003167433

Kimberley Ducey, Associate Professor of Sociology
University of Winnipeg, Manitoba, Canada

Joe R. Feagin, Distinguished Professor and Ella C. McFadden Professor of Sociology
Texas A&M University, College Station, Texas

Revealing Britain’s Systemic Racism applies an existing scholarly paradigm (systemic racism and the white racial frame) to assess the implications of Markle’s entry and place in the British royal family, including an analysis that bears on visual and material culture. The white racial frame, as it manifests in the UK, represents an important lens through which to map and examine contemporary racism and related inequities. By questioning the long-held, but largely anecdotal, beliefs about racial progressiveness in the UK, the authors provide an original counter-narrative about how Markle’s experiences as a biracial member of the royal family can help illumine contemporary forms of racism in Britain. Revealing Britain’s Systemic Racism identifies and documents the plethora of ways systemic racism continues to shape ecological spaces in the UK. Kimberley Ducey and Joe R. Feagin challenge romanticized notions of racial inclusivity by applying Feagin’s long-established work, aiming to make a unique and significant contribution to literature in sociology and in various other disciplines.

Table of Contents

• Systemic Racism: Britain Now and Then
• Straight Out of the White Racial Frame
• Post-Racial Duchess or Trophy Wife of Diversity?
• White Men Ruling and the Problem with Meghan Markle
• Feminist Counter-Framer and Anti-Racist Counter-Framer: Disrupter of Elite White Dominance
• “Where Is This Racism You Keep Talking About?”: Sincere Fictions of the Virtuous White Self
• Concluding Thoughts: The Royals, British Racism, and the Coronavirus Pandemic