Mixed Race Studies

But in the past year, off the track [Lewis] Hamilton has started to find a voice about his racial identity. He has been taking a knee; raising a clenched fist. Long dormant concerns about racism and discrimination have been rudely awakened following the Black Lives Matter uprisings. In the process, Hamilton has transformed the way he sees himself: from a compliant go-with-the-flow character to a change agent who is determined to make waves. He has shaped the way others see him too, going from an inoffensive, if gaffe-prone, socialite focused only on his sport, to a politically aware role model conscious of his wider cultural significance. Now, he is about to take on the sport that brought him fortune and fame, with a commission demanding racial diversity and meaningful outreach to underrepresented groups – as well as more racial equality in general.

Gary Younge, “Lewis Hamilton: ‘Everything I’d suppressed came up – I had to speak out’,” The Guardian, July 10, 2021. https://www.theguardian.com/sport/2021/jul/10/lewis-hamilton-everything-id-suppressed-came-up-i-had-to-speak-out.

Study: Let’s Replace ‘Ancestry’ in Forensics With Something More Accurate

North Carolina State University News
Raleigh, North Carolina
2021-07-14

Matt Shipman, Research Communications Lead

A new study finds forensics researchers use terms related to ancestry and race in inconsistent ways, and calls for the discipline to adopt a new approach to better account for both the fluidity of populations and how historical events have shaped our skeletal characteristics.

“Forensic anthropology is a science, and we need to use terms consistently,” says Ann Ross, corresponding author of the study and a professor of biological sciences at North Carolina State University. “Our study both highlights our discipline’s challenges in discussing issues of ancestral origin consistently, and suggests that focusing on population affinity would be a way forward.”

Race is a social construct – there’s no scientific basis for it. Population affinity, in the context of forensic anthropology, is determined by the skeletal characteristics associated with groups of people. Those characteristics are shaped by historic events and forces such as gene flow, migration, and so on. What’s more, these population groups can be very fluid…

Read the entire news release here.

Ancestry Studies in Forensic Anthropology: Back on the Frontier of Racism

Biology
Volume 10, Issue 7 (2021)
pages 602-613
Published: 2021-06-29
DOI: 10.3390/biology10070602

Ann H. Ross, Professor
Department of Biological Sciences,
North Carolina State University, Raleigh, North Carolina

Shanna E. Williams, Clinical Associate Professor
University of South Carolina School of Medicine Greenville, Greenville

Figure 1 Anatomical landmark location and associated landmark number from Table 1.

Simple Summary

Within the practice of forensic anthropology ancestry is oftentimes used as a proxy for social race. This concept and its implications were explored via a content analysis (2009–2019) of the Journal of Forensic Sciences. Our findings revealed antiquated views of race based on the trifecta of continental populations (Asia, Europe, and Africa) continue to be pervasive in the field despite scientific invalidation of the concept of race decades earlier. Moreover, our employment of modern geometric morphometric and spatial analysis methods on craniofacial coordinate anatomical landmarks from several Latin American samples produced results in which the groups were not patterned by ancestry trifecta. Based on our findings we propose replacing the assumption of continental ancestry with a population structure approach that combines microevolutionary and cultural factors with historical events in the examination of population affinity.

Abstract

One of the parameters forensic anthropologists have traditionally estimated is ancestry, which is used in the United States as a proxy for social race. Its use is controversial because the biological race concept was debunked by scientists decades ago. However, many forensic anthropologists contend, in part, that because social race categories used by law enforcement can be predicted by cranial variation, ancestry remains a necessary parameter for estimation. Here, we use content analysis of the Journal of Forensic Sciences for the period 2009–2019 to demonstrate the use of various nomenclature and resultant confusion in ancestry estimation studies, and as a mechanism to discuss how forensic anthropologists have eschewed a human variation approach to studying human morphological differences in favor of a simplistic and debunked typological one. Further, we employ modern geometric morphometric and spatial analysis methods on craniofacial coordinate anatomical landmarks from several Latin American samples to test the validity of applying the antiquated tri-continental approach to ancestry (i.e., African, Asian, European). Our results indicate groups are not patterned by the ancestry trifecta. These findings illustrate the benefit and necessity of embracing studies that employ population structure models to better understand human variation and the historical factors that have influenced it.

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Lewis Hamilton: ‘Everything I’d suppressed came up – I had to speak out’

The Guardian
2021-07-10

Gary Younge, Professor of Sociology
University of Manchester, Manchester, United Kingdom

Lewis Hamilton: ‘I don’t just want to be remembered as a driver.’ Styling: Law Roach. Photograph: Ike Edeani/The Guardian

He’s the most successful driver Formula One has ever seen, and its only Black star. Now Lewis Hamilton has a new mission: to change the sport that made him.

As Lewis Hamilton rose through the ranks of competitive go-karting, his father, Anthony, told him: “Always do your talking on the track.” Lewis had a lot to talk about. Bullying and racial taunts were a consistent feature of his childhood in Stevenage, Hertfordshire, a new town 30 miles north of London; his dad taught him the best response was to excel at his sport.

The trouble was he didn’t have many people to talk to about what he was going through. Lewis is mixed-race, born to a white mother, Carmen Larbalestier, who raised him until he was 12, when he went to live with his Grenadian-British father, from whom she had separated. “My mum was wonderful,” he tells me. “She was so loving. But she didn’t fully understand the impact of the things I was experiencing at school. The bullying and being picked on. And my dad was quite tough, so I didn’t tell him too much about those experiences. As a kid I remember just staying quiet about it because I didn’t feel anyone really understood. I just kept it to myself.” Sport offered him an outlet. “I did boxing because I needed to channel the pain,” he says. “I did karate because I was being beaten up and I wanted to be able to defend myself.”

I understand where he’s coming from; I too grew up in Stevenage. Hamilton’s mother and I went to the same school – though not at the same time. As close to London as it was, it might as well have been in a different universe. In London the Black experience appeared authentic; in Stevenage it felt synthetic. Race in London was something you read about in the papers; race in Stevenage was something you didn’t even acknowledge. I was 22 before I found my first Black male friend…

Read the entire article here.

‘An American riddle’: the black music trailblazer who died a white man

The Guardian
2021-07-14

Ammar Kalia

Harry Pace, lawyer and cultural entrepreneur, thought by his family to have been Italian. Photograph: Courtesy of Peter Pace

A fascinating new podcast delves into the life of Harry Pace, forgotten founder of the first black-owned major record label in the US – and unlocks a shocking and prescient story about race

There are, according to the academic Emmett Price, “six degrees of Harry Pace”. He is referring to the man born in 1884 who founded America’s first black-owned major record label; desegregated part of Chicago; mentored the founder of Ebony and Jet magazines and spearheaded the career of blues singer Ethel Waters. Pace is a figure who is seemingly everywhere at once, yet his name has been suspiciously absent from the history books.

“This story encapsulates how progress comes about in America – and it is never in a straight line,” says Jad Abumrad. “It is often a cycle – one that contains hope and despair, smashed together.”

Best known for their work on Radiolab and its hit spin-off, Dolly Parton’s America, Abumrad and his co-producer Shima Oliaee are speaking from New York about their latest podcast, The Vanishing of Harry Pace. The six-part series examines the life and legacy of its titular character – the founder of Black Swan records, who had a hand in coining the term “rock ‘n’ roll”. Pace was also a civil rights lawyer, a collaborator of WEB Du Bois, and, you might think, a pioneering black American erased from history because of his race…

Read the entire article here.

Eartha & Kitt: A Daughter’s Love Story in Black and White

Pegasus Books
2021-05-04
288 pages
9 x 6 in
Hardcover ISBN: 9781643137544

Kitt Shapiro and Patricia Weiss Levy

A luminous and inspiring portrait of a Black pioneer and artistic force—Eartha Kitt—and one of the most moving mother/daughter stories in Hollywood history.

In this unique combination of memoir and cultural history, we come to know one of the greatest stars the world has ever seen—Eartha Kitt—as revealed by the person who knew her best: her daughter.

Eartha, who was a mix of Black, Cherokee, and white, is viewed by the world as Black. Kitt, her biological daughter, is blonde and light skinned. This is the story of a young girl being raised by her mother, who happened to be one of the most famous celebrities in the world. For three decades, they traveled the world together as mother and daughter. Even after Kitt got married and started a family of her own, she and Eartha were never far from each other’s sides

Eartha had a very difficult childhood growing up in extreme poverty in South Carolina. She described herself as being “just a poor cotton picker from the South.” She did not have her own familial ties to lean on after being abandoned by her own mother as a toddler and having never known who her father was. She and Kitt were each other’s whole world.

Eartha’s legacy is still felt today. Not only do we still listen to “Santa Baby” every Christmas, but many of today’s most influential artists con­sistently mention Eartha, paying tribute to her groundbreaking stances on social issues such as racial equality and women’s and LGBTQ rights. And she is still widely remembered for her defin­itive portrayal of Catwoman in the classic Batman television series, voicing the character Yzma in Disney’s The Emperor’s New Groove, and her many other movie and Broadway roles.

In these pages, Kitt brings her mother to life so vividly, you will feel as if you’d met her. You’ll embrace her love of nature, exercise, simple food, and independence, along with her lessons on the importance of treating people kindly and always being true to yourself.

Filled with love, life lessons, and poignant laughter, Eartha & Kitt captures the passion and energy of two remarkable women.