Scholarly perspectives on the mixed race experience.
A focus on Sui Sin Far’s depiction of Eurasian characters and on the subject of interracial marriage illustrates her multifaceted understanding of the crisis in US race relations. Through the treatment of these subjects, she enacts a revolutionary revisioning of race differences. The stories found in Mrs. Spring Fragrance and Other Writings, including “Pat and Pan,” “Its Wavering Image,” along with excerpts from “The Story of One White Woman who Married a Chinese,” “Her Loving Husband,” and Sui Sin Far’s autobiographical essay, “Leaves from the Mental Portfolio of an Eurasian,” exemplify the artistic and psychological complexity of Sui Sin Far’s treatment of the biracial character and of interracial marriage. In particular, by addressing these themes, Sui Sin Far deconstructs Orientalism by dramatizing the destructive ways in which North American culture defines the Chinese as inhuman “Other” in order to prevent interracial understanding and maintain profitable power structures. Sui Sin Far’s fiction and essays illustrate the lengths to which members of the dominant culture will go to preserve a notion of racial purity based on hatred and ignorance, and she explores the terrible effects that racism has on its victims.
Like all social constructs, race is real because we have made it so, and it seems immutable because we wish it to be. It’s no less powerful because humans invented it as a means of control. In fact, that may make it even more powerful. In the name of this deeply silly idea, my people have been plundered and enslaved and tortured, raped, incarcerated, shot, and starved. This deeply silly idea is, in fact, the only reason that my people are my people or why I exist in the first place. Race, although it may be a delusion, is one that has entranced the entire world and changed the course of human history forever.
Comments Off on Like all social constructs, race is real because we have made it so, and it seems immutable because we wish it to be. It’s no less powerful because humans invented it as a means of control. In fact, that may make it even more powerful.
Paula [Patton] knows what it’s like to be misunderstood. Growing up in L.A., the daughter of a white teacher and an African-American defense attorney, it wasn’t easy to fit in. “People judged me because I was light-skinned. [They’d assume] I didn’t want to be part of the black race,” she says. In fact, Paula, who has been referred to as biracial, says it’s a word she doesn’t care for. “I find it offensive. It’s a way for people to separate themselves from African-Americans…a way of saying ‘I’m better than that.’ I’m black because that’s the way the world sees me. People aren’t calling Barack Obama biracial. Most people think there’s a black president.”
Comments Off on “I find it offensive. It’s a way for people to separate themselves from African-Americans…a way of saying ‘I’m better than that.’ I’m black because that’s the way the world sees me.”
Halfway through Nella Larsen’s 1929 novel Passing, the book’s protagonist, Irene Redfield, is feeling uneasy. She has just had a tense argument with her husband. Now, watching him fiddle with his hat, Irene is worrying: “Was she never to be free of it, that fear which crouched, always, deep down within her, stealing away the sense of security, the feeling of permanence, from the life which she had so admirably arranged for them all, and desired so ardently to have remain as it was?”
Larsen’s book is suffused with that sense of unease, the feeling that one wrong move might undo a life entirely, that the structures on which our families, routines, and even identities rest are precarious. And the new Netflix movie based on Larsen’s book, adapted for the screen by Rebecca Hall and starring Tessa Thompson and Ruth Negga, brings Larsen’s prose — unease and all — to vibrant, visual life.
The story transitions seamlessly to the screen in part because the “passing” of the title refers primarily (though not exclusively) to its main characters’ ability, in a segregated society, to “pass” as white. The story centers on Irene (Thompson) and a childhood friend, Clare Kendry (Negga), with whom Irene unexpectedly reconnects one day at a whites-only hotel. Both women are Black, having parents or grandparents who were Black, but both are also light-skinned enough for white people of similar social class to assume otherwise…
Keith Plessy and Phoebe Ferguson, descendants of the principals in the Plessy v. Ferguson court case, in front of a historical marker in New Orleans on June 7, 2011. (Bill Haber/AP)
In the annals of the Supreme Court, the Plessy v. Ferguson case has little competition for the title of Worst Decision in History. Now, 125 years after the shameful decision that codified the Jim Crow-era “separate but equal” fiction, the namesake of that famous case, Homer Plessy, may be pardoned. The Louisiana Board of Pardons unanimously approved a pardon Friday, according to the Associated Press, sending it to Gov. John Bel Edwards (D) for final approval.
Edwards’s press office said the governor was traveling “but looks forward to receiving and reviewing the recommendation of the Board upon his return.”
When Keith Plessy, a descendant of Homer Plessy, heard the news, he felt like his feet “weren’t touching the ground.” He and his friend Phoebe Ferguson, a descendant of the judge in the case, hopped in the car and were driving across New Orleans to the house of another friend — Homer Plessy biographer Keith Weldon Medley — to share the news when they spoke with The Washington Post…
Many people are familiar with Loving v Virginia the Supreme Court case that made interracial relationships legal in the United States. However, there is a much lesser-known court case that dealt with interracial marriage many years before in New York City: Rhinelander v Rhinelander.
Wedding of Arthur and Kyoko Brina, Elizabeth’s parents, in Okinawa, 1974
Speak, Okinawa is a book I needed to write for a long time, long before I knew I needed to write it. The book is essentially about healing the relationship between me and my mother, me and my heritage. Both felt very strange and foreign to me, distant from me, for most of my life.
My mother was born and raised in Okinawa. She was born in 1948, three years after the Battle of Okinawa, which destroyed and devastated the entire island, killing one third of the population and leaving those who survived to wander and scavenge amidst the ash and wreckage. My mother was born into poverty and chaos and grief. As she grew up, she witnessed the militarization of the island, the countless crimes that were committed, the injustice. She became a waitress at a nightclub where soldiers, marines, and sailors came from nearby bases to drink, flirt, and forget about the war. She met and married my father, who was a U.S. soldier stationed on the island after fighting in Vietnam.
I had not learned this history, my mother’s history, my history, until I was thirty-four years old.
Perhaps the most direct impetus for writing my book was attending my mother’s baptism. She had recently joined the Rochester Japanese Christian Congregation. The forty or so members were all Japanese, almost all women, almost all middle-aged or older, almost all married to white American men who had served in the military. Seeing all these women together was a revelation. That was when I realized that my family was not utterly unique, not an isolated incident. I began asking questions. I began searching for answers. I wanted to capture this revelation, but in order to render the full impact I had to explain the history that brought these women together, brought my mother and father together. I had to explain my experience of growing up as the only child of two people from such vastly different cultural backgrounds.
Speak, Okinawa is my attempt to explain myself. Not just my own shame and internalized racism, but the long-standing systems and imperialistic origins that caused me to reject my mother and deny my heritage. Speak, Okinawa is my attempt at reconciliation…
“Race is a delusion,” my friend sighed. We had been discussing passing, the act of someone from one race being accepted or perceived as a member of another, usually a marginalized race to white. After numerous anecdotes about the ridiculous race science-y tactics — gauging the slope of a nose is a popular one — that people employed to categorize others, this was our conclusion.
Still, no matter how good their acting is, Negga and Thompson are not Clare and Irene. They’re not “dark-white” or “olive-skinned” characters on a page onto which we can project our own individual images. They’re flesh and bone people that the public solidly recognizes as Black women. There’s no real chance of delusion because we already feel in the know. Because of that, Twitter debated whether these two women could actually be white-passing. For many, the idea was ridiculous. They pointed out the features of Negga and Thompson’s flesh and bone — their skin, the shape of their noses, the curl of their baby hairs — to say it was impossible that these two women could have passed for white in the 1920s…
Taunya Lovell Banks, Jacob A. France Professor Emeritus of Equality Jurisprudence Francis King Carey School of Law University of Maryland
Tanya K. Hernández in her book, Multiracials and Civil Rights, responds to arguments by multiracial legal identity scholars. According to Professor Hernández, these legal scholars who argue that anti-discrimination law fails to protect their right to racial personal identity equality. Specifically, the gravamen of their harm is the misrecognition or non-recognition by law and society of a multiracial person’s chosen identity. Professor Hernández’s book provides an opportunity to consider the extent and degree to which the multiracial identity movement undercuts, not only the right of multiracial individuals to seek legal remedies for race discrimination in various aspects of their lives, but more importantly, the larger project, namely the dismantling of an American hierarchy grounded in an ideology of white dominance. This review essay explores the problems with the multiracial legal identity scholars’ arguments and Hernández’s suggestions for remediation.
Comments Off on Personal Identity Equality and Racial Misrecognition: Review Essay of Multiracials and Civil Rights: Mixed-Race Stories of Discrimination
Trina Jones, Jerome M. Culp Professor of Law Duke University School of Law
Jessica L. Roberts, Leonard H. Childs Professor of Law and Director of the Health Law & Policy Institute, University of Houston Law Center; Professor of Medicine, University of Houston College of Medicine
Can genetic tests determine race? Americans are fascinated with DNA ancestry testing services like 23andMe and AncestryDNA. Indeed, in recent years, some people have changed their racial identity based upon DNA ancestry tests and have sought to use test results in lawsuits and for other strategic purposes. Courts may be similarly tempted to use genetic ancestry in determining race. In this Essay, we examine the ways in which DNA ancestry tests may affect contemporary understandings of racial identity. We argue that these tests are poor proxies for race because they fail to reflect the social, cultural, relational, and experiential norms that shape identity. We consider three separate legal contexts in which these issues arise: (1) employment discrimination, (2) race-conscious initiatives, and (3) immigration. Based on this analysis, we strongly caution against defining race in predominantly genetic terms.
:format(webp)/cdn.vox-cdn.com/uploads/chorus_image/image/70122454/passing7.0.jpeg)
