Mixed Race Studies

Finding Myself in Nella Larsen

Paris Theater
4 West 58th Street
New York, New York
2021-10-28

Rebecca Hall

Rebecca Hall’s directorial and screenwriting debut Passing is playing at the Paris theater through November 4. The film has been nominated for five Gotham awards, including Breakthrough Director and Best Screenplay for Rebecca Hall.

The elucidation of a family’s history, like the history of a nation, is never straightforward or simple. History after all is a site of struggle and even a mode of obfuscation-memories are revised, edited, doled out in fragments. The truth is stated baldly and then denied, hedged, or partially retracted. The same stories somehow become less and less clear with each repetition. Clarity is elusive, and perhaps its pursuit is even unkind-why probe something so delicate as the past? And when it comes to questions of race, what answers could ever be satisfying?

From the moment that this script I’d written in a kind of fever dream started to become something that might turn into an actual film, the first question was always: Why me? Why this story? I have been circling around the answer to that question for nearly 15 years. The shock of recognition that I felt upon reading Nella Larsen’s novella was deeply confusing to me, enough so that I sat down and wrote my adaptation almost immediately after finishing it, as a way of trying to find out why its hooks were in me so deeply. That encounter with Passing not only produced this film, it also set me off on a journey through my family’s collective memory, its history, and the long story of black people in America…

Read the entire article here.

The Fearlessness of Passing

Dissent
2021-10-27

Charles Taylor

Rebecca Hall’s adaptation of Nella Larsen’s 1929 novel continues the author’s exploration of the suffocating strictures of the color line.

Making a movie of Nella Larsen’s 1929 novel Passing, one of the great works of the Harlem Renaissance—and, I’d argue, a great American novel—would be tricky in any era. That the actress Rebecca Hall, making her directing debut, has done a close-to-devastating job of it in this era is a remarkable achievement.

The novel is the story of two girlhood friends who reencounter each other as young, married women, one passing for white and the other firmly settled into the life of Harlem’s black bourgeoisie. Larsen practically invites the careless reader to fall into well-intentioned sociological clichés—in other words, to believe that this is a novel about the tragedy that befalls those who, driven by racist persecution, cross the color line and betray their own.

Actually, the novel is about the absurdity of the color line as a concept, about race as “the thing that bound and suffocated.” For Larsen, the idea that you could betray your race was another way of saying that people should stick to their own kind. It’s the passing Clare, a slim, pale-skinned, heedless beauty, who is Larsen’s heroine. Clare, taken in as a maid by her poor white aunts when her alcoholic father dies, doesn’t decide to pass because she’s oppressed but because she’s shunned by the well-heeled black people among whom she grew up. (In one stinging scene, Clare, already passing, approaches an old school friend whom she recognizes while shopping in Marshall Field’s, only to have the woman cut her dead.) Clare is hungry for life and for pleasure, which she takes as it comes to her. The way in which she crosses back and forth between black and white, between the thrill of a Negro Welfare League dance and white upper-middle-class society, makes a hash of the polite segregation—of both race and class—to which the novel’s other protagonist, Irene, pays obeisance…

Read the entire article here.

Colin In Black and White (or For Colored Boys Who Considered Suicide After Cutting Their Braids)

Black Power Media
2021-11-01

Jared A. Ball, Ph.D., Professor of Africana and Communication
Morgan State University, Baltimore

At 00:36:02, Dr. Ball discusses the new Netflix series “Colin in Black and White” about the early life of Colin Kaepernick.

Health scientist Carrie Bourassa on immediate leave after scrutiny of her claim she’s Indigenous

CBC News
2021-11-02

Geoff Leo, Senior Investigative Journalist

University of Saskatchewan, CIHR place Bourassa on leave over lack of evidence

Carrie Bourassa, a University of Saskatchewan professor and the scientific director of the Indigenous health arm of the Canadian Institutes of Health Research (CIHR), is on leave from both institutions following a weekend of online outrage stemming from CBC’s investigation into her claims to Indigeneity.

Bourassa, who has headed up an Indigenous research lab at the U of S and the CIHR’s Institute of Indigenous Peoples’ Health, has publicly claimed to be Métis, Anishnaabe and Tlingit.

CBC found there was no evidence she was Indigenous, despite her claims many times over the past 20 years. When asked, Bourassa hasn’t offered any genealogical evidence to back up her claims, but in a statement she said two years ago she hired a genealogist to help her investigate her ancestry, and that work continues.

Just last week, after publication of the CBC story, the CIHR issued a statement supporting Bourassa, saying it “values the work of the Institute of Indigenous Peoples’ Health under Dr. Carrie Bourassa’s leadership.” And the U of S also backed her, stating, “The quality of Professor Bourassa’s scholarly work speaks for itself and has greatly benefited the health of communities across Canada.”

However, on Monday, both institutions announced Bourassa was on immediate leave…

Read the entire article here.

Passing review – Rebecca Hall’s stylish and subtle study of racial identity

The Guardian
2021-10-28

Peter Bradshaw, Guardian Film Critic

Hall’s directing debut stars Tessa Thompson and Ruth Negga as friends who are both ‘passing’ for what they are not in an adaptation of Nella Larsen’s 1929 novel

Rebecca Hall makes her directing debut with this intimately disturbing movie, adapted by her from the 1929 novel by Nella Larsen. Irene (Tessa Thompson) and Clare (Ruth Negga) are two women of colour, former school friends who run into each other by chance in an upscale Manhattan hotel in prohibition-era America. They are both light-skinned, but Irene is stunned to realise that her vivacious and now peroxide blonde friend Clare is “passing” for white these days, and that her odious, wealthy white husband John (Alexander Skarsgård) has no idea. As for sober and respectable Irene, she lives with her black doctor husband Brian (André Holland) in Harlem with their two sons and a black maid that she treats a little high-handedly.

There is an almost supernatural shiver in Irene and Clare’s meeting: as if the two women are the ghosts of each other’s alternative life choices. Irene is herself passing for middle class, passing for successful: she has an entrée into modish artistic circles through her friendship with the celebrated white novelist Hugh Wentworth (Bill Camp) who is passing for straight. But there is something else. Clare is also passing for happily married. The dangerously transgressive Clare, for whom this chance meeting has triggered a desperate homesickness for her black identity, demands access to Irene’s life and simperingly makes Brian’s acquaintance…

Read the entire review here.

Acculturation of mixed-race people and/or adoptees

MAIF Social Club
37 Rue de Turenne
75003 Paris, France
2021-11-09, 18:30 CET (Local Time)

For its 4th edition in France, the National Adoption Awareness Month, organized by the director Amandine Gay, offers a comparative view between the experience of transracial adoptees and mixed-race people.

“Acculturation of mixed-race people and/or adoptees” conference will welcome:

• Nina Daboussi (podcaster of Le cul entre deux chaises)
• Jacqueline Ogier (spokeperson for the Fédération des Enfants Déracinés des départements et régions d’outre-mer)
• Solène Brun (sociologist)
• Nora el Massioui and Sophie Rakotondrasoa for the 1 Cul 2 Chaises collective

The event is free, with subscription and in French.

The conference will be recorded and available later on, at the MAIF online channel.

For more information, click here.

Indigenous or pretender?

CBC News
2021-10-27

Geoff Leo, Senior Investigative Journalist

Carrie Bourassa, one of the country’s most-esteemed Indigenous health experts, claims to be Métis, Anishinaabe and Tlingit. Some of her colleagues say there’s no evidence of that.

With a feather in her hand and a bright blue shawl and Métis sash draped over her shoulders, Carrie Bourassa made her entrance to deliver a TEDx Talk at the University of Saskatchewan in Saskatoon in September 2019, where she detailed her personal rags-to-riches story.

“My name is Morning Star Bear,” she said, choking up. “I’m just going to say it — I’m emotional.”

The crowd applauded and cheered.

“I’m Bear Clan. I’m Anishinaabe Métis from Treaty Four Territory,” Bourassa said, explaining that she grew up in Regina’s inner city in a dysfunctional family surrounded by addiction, violence and racism…

Read the entire article here.

I Look White To Many. I’m Black. This Is What White People Say To Me.

The Huffington Post
2021-09-10

Cheryl Green Rosario, Guest Writer

I’ve been a fly on the wall when white people didn’t know anyone of color was looking or listening.

I am a Black woman who for most of my life has often been mistaken for white. And I’m here to tell you that for four decades white people have openly, even sometimes proudly, expressed their racism to me, usually with a wink and a smile, all while thinking I’m white too.

The incidents pile up, year after year — at a friend’s wedding, when I met a new roommate, at the grocery store, while riding in a taxi, and during innumerable other events from daily life.

As the nation begins, finally, to focus on the social injustice that takes place across this country — from the South where I grew up to the North where I’ve lived for the past 22 years ― I feel the collective pain. Even as a very fair-skinned Black woman with green eyes and light brown hair, I, too, have experienced racism. But I’ve also been a fly on the wall when white people didn’t know anyone of color was looking or listening…

Read the entire article here.

White Purity, Black Sexuality, and Their Roles in America’s History of Racism

Center for Brooklyn History
2020-12-18

In her new book, “White Fright: The Sexual Panic at the Heart of America’s Racist History,” historian Jane Dailey places white fear of Black sexuality and interracial sex at the center of America’s history of racism.

Dailey brings into sharp relief how white focus on safeguarding purity fueled centuries of brutality and structural racism. Historian Nell Painter looks at the nineteenth and twentieth century south through an intersecting lens. Her book “Southern History Across the Color Line” brings to the surface the many ways in which the lives of southern Blacks and whites were thoroughly entangled. Join these two thinkers as they reflect on the white American psyche, the messy tangles between races in the south, and the throughline that brings us from Emmett Till, to Loving v. Virginia, to the racism that continues today.