Tag: Nella Larsen

  • Skin, race and space: the clash of bodily schemas in Frantz Fanon’s Black Skins, White Masks and Nella Larsen’s Passing Cultural Geographies Volume 18, Number 1 (2011-01-06) pages 25-41 DOI: 10.1177/1474474010379953 Steve Pile, Professor of Human Geography The Open University, United Kingdom Nella Larsen’s novel Passing offers the opportunity to reconsider the relationship between race…

  • “Death by Misadventure”: Teaching Transgression in/through Larsen’s “Passing” College Literature Volume 37, Number 4, Fall 2010 pages 120-144 E-ISSN: 1542-4286 Print ISSN: 0093-3139 DOI: 10.1353/lit.2010.0013 Jessica Labbé, Assistant Professor of English and Director of Writing Across the Curriculum Greensboro College, Greensboro, North Carolina This article provides college literature teachers with a detailed historical, theoretical, and…

  • Nella Larsen and the Veil of Race American Literary History Volume 9, Number 2 (Summer, 1997) pages 329-349 George Hutchinson People see what they want to see, and then they’ll claim you.  Not claim you, but label you. Because it’s not really about claiming you.  The white people don’t want you around.  You’re not really…

  • The Veils of the Law: Race and Sexuality in Nella Larsen’s Passing College Literature Volume 22, Number 3 (October 1995) Race and Politics: The Experience of African-American Literature pages 50-67 Corinne E. Blackmer, Associate Professor of English Southern Connecticut State University When Nella Larsen, then a prominent young writer of the Harlem Renaissance, published her…

  • Racial Etiquette: Nella Larsen’s Passing and the Rhinelander Case Meridians: feminism, race, transnationalism Volume 5, Number 2, 2005 pages 1-29 E-ISSN: 1547-8424 Print ISSN: 1536-6936 DOI: 10.1353/mer.2005.0013 Miriam Thaggert, Associate Professor of English and African-American Studies University of Iowa In Passing Nella Larsen seems to suggest that identity is a hazy fiction one tells that…

  • Women-Loving Women: Queering Black Urban Space during the Harlem Renaissance Women’s Studies 197: Senior Seminar 2010-06-07 Professor Lilith Mahmud Samantha Tenorio The experience of black “women-loving-women” during the Harlem Renaissance is directly influenced by what Kimberlé Crenshaw terms intersectional identity, or their positioning in the social hierarchies of race, gender, class, and sexual orientation that…

  • Born to a Danish seamstress and a black West Indian cook in one of the Western Hemisphere’s most infamous vice districts, Nella Larsen (1891-1964) lived her life in the shadows of America’s racial divide. She wrote about that life, was briefly celebrated in her time, then was lost to later generations–only to be rediscovered and…

  • ‘Passing’ Across The Color Line In The Jazz Age National Public Radio All Things Considered: You Must Read This 2010-04-07 Heidi W. Durrow Heidi W. Durrow is a graduate of Columbia University’s Graduate School of Journalism and Yale Law School. Her debut novel is “The Girl Who Fell From The Sky.” There are novels that…

  • Unnatural Selections: Eugenics in American Modernism and the Harlem Renaissance University of North Carolina Press April 2004 288 pages 6.125 x 9.25, 19 illus., 2 charts, notes, bibl., index Cloth ISBN: 978-0-8078-2868-7 Paper ISBN: 978-0-8078-5531-7 Daylanne K. English, Associate Professor of English & Chair Macalester College Challenging conventional constructions of the Harlem Renaissance and American…

  • As W. E. B. DuBois famously prophesied in “The Souls of Black Folk,” the fiction of the color line has been of urgent concern in defining a certain twentieth-century U.S. racial “order.” Yet the very arbitrariness of this line also gives rise to opportunities for racial “passing,” a practice through which subjects appropriate the terms…