Mixed Race Studies

‘A Chosen Exile,’ by Allyson Hobbs [Senna Review]

The New York Times
Sunday Book Review
2014-11-21

Danzy Senna

A Chosen Exile: A History of Racial Passing in American Life By Allyson Hobbs; Illustrated. 382 pp. Harvard University Press. $29.95.

One of the best birthday presents anybody ever gave me was a “calling card” by the conceptual artist Adrian Piper. I was in college at the time, and it felt like the ultimate inside joke handed from one racially ambiguous person to another.

Slim and innocuous as a business card, it reads: “Dear Friend, I am black. I am sure you did not realize this when you made/laughed at/agreed with that racist remark. In the past I have attempted to alert people to my identity in advance. . . . I regret any discomfort my presence is causing you, just as I’m sure you regret the discomfort your racism is causing me.”

To be black but to be perceived as white is to find yourself, at times, in a racial no man’s land. It is to feel like an embodiment of W. E. B. Du Bois’s double consciousness — that sense of being in two places at the same time. It is also to be perpetually aware of both the primacy of race and the “bankruptcy of the race idea,” as Allyson Hobbs, an assistant professor of history at Stanford University, puts it in her incisive new cultural history, “A Chosen Exile.”

Hobbs is interested in the stories of individuals who chose to cross the color line — black to white — from the late 1800s up through the 1950s. It’s a story we’ve of course read and seen before in fictional accounts — numerous novels and films that have generally portrayed mixed-race characters in the sorriest of terms. Like gay characters, mulattoes always pay for their existence dearly in the end. Joe Christmas, the tormented drifter in William Faulkner’s “Light in August,” considers his blackness evidence of original sin (a.k.a. miscegenation) and ends up castrated and murdered. Sarah Jane, a character in Douglas Sirk’s 1959 remake of the film “Imitation of Life,” denies her black mother in her attempt to be seen as white. Her tragedy once again feels like mixed fate. As her long-suffering mother puts it, “How do you tell a child that she was born to be hurt?”…

Read the entire review here.

Passing For White

South Florida Sun-Sentinel
Fort Lauderdale, Florida
2003-11-01

David Crary
The Associated Press

America is more diverse than ever and racial pride is strong, yet a new movie and book are highlighting a phenomenon that seems like a relic of the segregationist past — black people passing as white.

The film, The Human Stain, is an adaptation of Philip Roth’s novel about a classics professor, played by Anthony Hopkins, who conceals his racial background.

The book, Passing: When People Can’t Be Who They Are, by Brooke Kroeger, includes a sympathetic profile of a black man who passed as a white Jew during the 1980s and ’90s.

Kroeger, a New York University journalism professor who spent four years researching her book, said passing has a profound resonance for many black Americans.

“Over and over, I’d hear personal stories about members of their family who didn’t return for reunions, who led clandestine lives,” she said.

“Traditionally, the attitude toward passing was you accepted it, you never exposed a passer. Post-1960s, when people are so proud of their racial and ethnic identities, it seems more like cultural treason, yet still people don’t give passers up.”

Paul Johnston, a retired X-ray technician, knows of passing firsthand. His parents, Albert and Thyra Johnston, passed as white along with Paul and his three older siblings while the family lived in two New Hampshire towns during the 1930s and ’40s. Albert was a physician in the community.

The truth of the Johnstons’ background came out in 1941, when Albert was rejected as a Navy officer. But despite the family’s fears, townspeople in Keene, N.H., were generally receptive to them even after the news spread, and the Johnstons’ experience was movingly depicted in a 1949 film, Lost Boundaries.

Paul Johnston, 68, is now married to a woman of Irish descent who has nine children from a previous marriage.

“Some of the kids were pretty prejudiced, but they grew to like me,” he said in a telephone interview. “They thought it was quite fascinating that something like this [his family’s passing] would happen.”

Johnston, who says some of his relatives continue to pass for white, lives in a predominantly white town on Cape Cod.

“Almost nobody knows of my background, not because I’ve kept it a secret, just because I haven’t talked about it much except to a few people in my church,” he said. “I don’t think it would make any difference to people, but you never can tell.”…

…In The Human Stain, Roth’s fictional protagonist, Coleman Silk, was loosely modeled on the late Anatole Broyard, for many years a prominent literary critic for The New York Times…

Read the entire article here.

‘A Chosen Exile’: Black People Passing In White America

Code Switch: Frontiers of Race, Culture and Ethnicity
All Things Considered
National Public Radio
2014-10-07

Karen Grigsby Bates, Correspondent
Culver City, California

Dr. Albert Johnston passed in order to practice medicine. After living as leading citizens in Keene, N.H., the Johnstons revealed their true racial identity, and became national news. (Historical Society of Cheshire County)

Several years ago, Stanford historian Allyson Hobbs was talking with a favorite aunt, who was also the family storyteller. Hobbs learned that she had a distant cousin whom she’d never met nor heard of.

Which is exactly the way the cousin wanted it.

Hobbs’ cousin had been living as white, far away in California, since she’d graduated from high school. This was at the insistence of her mother.

“She was black, but she looked white,” Hobbs said. “And her mother decided it was in her best interest to move far away from Chicago, to Los Angeles, and to assume the life of a white woman.”…

…Hobbs began writing about passing for her doctoral dissertation, and was encouraged to turn it into a book. The dissertation became A Chosen Exile: A History of Racial Passing in America. It’s a history of passing told through the lens of personal stories…

…Then there’s the sad tale of Elsie Roxborough, a beauty from a distinguished Detroit family who became the first black girl to live in a dorm at the University of Michigan. She tried acting in California, then moved to New York to live as a white woman. When her disapproving father refused to support her, Roxborough — then known as Mona Manet — committed suicide. Her grieving and equally pale sister passed as a white woman to claim the body, so Roxborough’s secret wouldn’t be given away. Her death certificate declared she was white….

Read the article here. Listen to the story (00:04:58) here. Download the story here.

Landmark ’49 Film About Family Passing for White Recalled

The Los Angeles Times
1989-07-25

Margaret Lillard
The Associated Press

KEENE, N.H. — For 12 years, Dr. Albert Johnston and his wife had a secret–a secret they kept from friends, neighbors, even their children.

But in 1941, their secret came out–each was part black. The fair-skinned Johnstons had raised four children and built a life in Keene and Gorham, N.H., while passing as white.

The whole world knew their story 8 years later when it was presented, lightly fictionalized, in “Lost Boundaries,” in which Mel Ferrer (“El Greco,” “War and Peace“) made his film debut.

The doctor is now dead, but his family and members of the movie’s cast and crew reunited in Keene last week with a screening and small reception to celebrate a revolutionary film and friendships that withstood a revelation that was, in its time, shocking.

“That was the point of the story, the fact that something positive happened, that there wasn’t any problem as a result of it,” Albert Johnston Jr. recalled.

Albert Johnston, a Chicago native, and his blue-eyed wife, Thyra Baumann, born in New Orleans, had no thought of “passing” after their 1924 marriage when he was a premed student at the University of Chicago. But things changed when he tried to find work as an intern. Hospitals that accepted black interns were full, and others would not accept him because he was part black…

Read the entire article here.

Thyra Johnston, 91, Symbol Of Racial Distinctions, Dies

The New York Times
1995-11-29

Robert McG. Thomas, Jr. (1939-2000)

Thyra Johnston, a blue-eyed fair-skinned New Hampshire homemaker who became a symbol of the silliness of racial distinctions when she and her husband announced that they were black, died on Nov. 22 at her home in Honolulu. She was 91.

She was the real-life heroine of “Lost Boundaries,” a movie that stunned the nation in 1949.

It is doubtful that Norman Rockwell could have dreamed up a family that better epitomized the small-town Depression-era American ideal than Albert and Thyra Johnston and their four children.

Dr. Johnston, who was born in Chicago, graduated with honors from the University of Chicago Medical School and studied radiology at Harvard. He was such a respected figure that in the 10 years that he practiced in Gorham, N.H., he headed the school board, was a selectman, was president of the county medical society and became chairman of the local Republican Party.

Mrs. Johnston, who was born in New Orleans, grew up in Boston and married her husband when he was a medical student, and was at once a model homemaker and mother and a civic and social leader whose well-appointed home in exclusive Prospect Hill was the scene of the annual Christmas social of the Congregational Church.

But Mrs. Johnston, described by her son Albert Jr. as looking as Irish as any of her neighbors, had a secret. In a society of such perverse attitudes that black “blood” was simultaneously scorned and regarded as so powerful that the tiniest trace was considered the defining racial characteristic, she was born one-eighth black, enough to qualify her as “Negro” on her birth certificate…

Read the entire obituary here.

Stanford historian re-examines practice of racial ‘passing’

Stanford News
The Humanities at Stanford
2013-12-18

Nate Sloan, Doctoral Candidate in Musicology
Stanford University

In the margins of historical accounts and the dusty corners of family archives, Stanford history Professor Allyson Hobbs uncovers stories long kept hidden: those of African Americans who passed as white, from the late 18th century to the present.

Dr. Albert Johnston grew up in Chicago, attended the University of Chicago Medical School in the 1920s, and went on to become a radiologist in a small town in New Hampshire. He and his wife were black – a fact they initially hid so that Johnston could secure an internship – and for 20 years, they kept this secret from their neighbors, and even their children.

After the United States entered World War II, Johnston effectively “outed” himself by applying for the Navy. He was rejected because of his racial background, and word of his mixed-race roots spread. What motivated Johnston to sacrifice his social status and job security? Was it wartime patriotism, or something else: a desire to have the truth out in the open?

Questions like these have motivated the latest research project of Stanford history Professor Allyson Hobbs. The Johnstons’ story is one of the many instances of racial “passing” – the practice in which light-skinned African Americans chose to present themselves as white – that Hobbs profiles in her upcoming book, A Chosen Exile: A History of Racial Passing (Harvard University Press, 2014)…

Read the entire article here.