Mixed Race Studies
Scholarly perspectives on the mixed race experience.
recent posts
- The Routledge International Handbook of Interracial and Intercultural Relationships and Mental Health
- Loving Across Racial and Cultural Boundaries: Interracial and Intercultural Relationships and Mental Health Conference
- Call for Proposals: 2026 Critical Mixed Race Studies Conference at UCLA
- Participants Needed for a Paid Research Study: Up to $100
- You were either Black or white. To claim whiteness as a mixed child was to deny and hide Blackness. Our families understood that the world we were growing into would seek to denigrate this part of us and we would need a community that was made up, always and already, of all shades of Blackness.
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Tag: dance
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Artificial snow falls gently from the top of the stage of the Boston Opera House, encasing the space in an ethereal glittering glow. Beneath it dances Chyrstyn Fentroy as the Snow Queen, entwined in an elegant flow of limbs and carefully choreographed steps with the Snow King.
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She thinks ballet’s broken – and has a plan to fix it. The star of Disney’s Nutcracker reboot talks about racism, nude shoes and growing up bendy
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“Dougla” is a rather old-fashioned work. The title is a word used, especially in Mr. Holder’s native Trinidad, to label people of mixed South Asian and African descent.
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Wilkinson’s passion for ballet began at an early age and would take her around the nation with the Ballet Russe de Monte Carlo. As the first African American ballerina to dance with a major touring troupe, she performed the coveted solo waltz in “Les Sylphides.”
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What started as a technique class — focused on turnout of the legs, placement of the arms, straightness of the back — became a larger kind of learning experience, when Ms. Copeland, 35, was joined for an after-class discussion by a trailblazing African-American dancer of another generation, the 86-year-old Carmen de Lavallade. The two spoke…
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Misty Copeland, a Ballerina With Real Acting Chops The New York Times 2017-05-09 Gia Kourlas As Misty Copeland gets older, she seeks even more depth in her acting. Credit Dolly Faibyshev for The New York Times Misty Copeland isn’t one of those principals who step onstage a few times a season. She dances. A lot.…
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She was caught between her impoverished mother and the ballet mistress who offered her a way out. Aaron Hicklin meets Misty Copeland, the first black principal at the American Ballet Theatre
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Call For Papers: Spaniards, Natives, Africans, and Gypsies: Transatlantic Malagueñas and Zapateados in Music, Song, and Dance 2016-10-16 K. Meira Goldberg, Visiting Research Scholar Foundation for Iberian Music The Graduate Center The City University of New York 365 Fifth Avenue New York, New York 10016 Prof. Walter Clark, Director The Center for Iberian and Latin…
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In the world of American ballet, Misty Copeland is the exception. As the first black woman to become a principal dancer for the American Ballet Theatre, Copeland knows what it’s like to be one of the few women of color to break through.
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Misty Copeland En Pointe The Undefeated 2016-12-14 Kelley L. Carter, Senior Culture Writer Photographs by Brent Lewis Videos by Lois Nam, Senior Digital Producer America’s most famous prima ballerina heads to Cuba to represent female athleticism. (Yes, athleticism.) HAVANA, Cuba Misty Copeland is at the barre. She’s demonstrating a battement tendu to a group of…