Mixed Race Studies

‘The Other Windrush’: the hidden history of Afro-Chinese families in 1950s London

gal-dem
2021-06-30

Tao Leigh Goffe, Assistant Professor of Literary Theory and Cultural History
Cornell University, Ithaca, New York

image credit: Tao Leigh Goffe/Canva

In this extract from ‘The Other Windrush‘, writer Tao Leigh Goffe explores the history of relative Hyacinth Lee, who migrated to the UK from Jamaica.

Family history is colonial history. How, then, to understand the vernacular photographic record and what is missing about the Windrush era, itself already an omission from British history? Since the inception of the technology of photography in the 1840s, the family photo album as an heirloom to be passed down, vertically, has formed the flesh of blood relation. The family album is also a literary surface inscribed with multiple meanings about race, gender, sexuality, class and who does not belong in the family tree. The visuality of collected images forms the fleshy proof of a seemingly biological argument for bourgeois belonging and familial intimacy. Blood is proof of kinship; the family portrait is flesh, and often colonial belonging.

Because family history is inevitably colonial history, I am invested in what and who is left out of the family album and outside of colonial history. Of particular (and selfish) interest to me is the impossibility of subjects of African and Chinese heritage. Photographs of Afro-Chinese families pose a challenge to the British colonial Trinidad experiment that wished to introduce Chinese labour to the Caribbean plantation to replace Africans in the early nineteenth century.

The ‘experiment’ documented in a secret Parliamentary Papers memorandum predicted the races would not mix. African and Asian people did, of course, ‘mix’; and many subsequent channels of migration were formed from Africa meeting Asia (both China and India) in the Caribbean. Where do we see these descendants present in the routes of the Windrush generation?…

Read the entire article here.

Social Representations of Art in Public Places: A Study of Everyday Explanations of the Statue of ‘A Real Birmingham Family’

Genealogy
Volume 5, Issue 3
pages 59-74
First Published 2021-06-22
DOI: 10.3390/genealogy5030059

Peter J. Aspinall, Emeritus Reader
Centre for Health Services Studies
University of Kent, Canterbury, United Kingdom

Figure 1. ‘A Real Birmingham Family’, 2014. Source: https://upload.wikimedia.org/wikipedia/ commons/2/27/Real_Birmingham_Family_statue_-_Library_of_Birmingham_(15119604114).jpg, accessed on 1 May 2021.

This article focuses on the social/cultural representations of the statue of A Real Birmingham Family cast in bronze and unveiled in Britain’s second city in October 2014. It reveals a family comprising two local mixed-race sisters, both single mothers, and their sons, unanimously chosen from 372 families. Three of the four families shortlisted for the statue were ‘mixed-race’ families. The artwork came about through a partnership between the sculptress, Gillian Wearing, and the city’s Ikon Gallery. A number of different lay representations of the artwork have been identified, notably, that it is a ‘normal family with no fathers’ and that it is not a ‘typical family’. These are at variance with a representation based on an interpretation of the artwork and materials associated with its creation: that a nuclear family is one reality amongst many and that what constitutes a family should not be fixed. This representation destabilizes our notion of the family and redefines it as empirical, experiential, and first-hand, families being brought into recognition by those in the wider society who choose to nominate themselves as such. The work of Ian Hacking, Richard Jenkins, and others is drawn upon to contest the concept of ‘normality’. Further, statistical data are presented that show that there is now a plurality of family types with no one type dominating or meriting the title of ‘normal’. Finally, Wearing’s statues of families in Trentino and Copenhagen comprise an evolving body of cross-national public art that provides further context and meaning for this representation.

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Raceless: In Search of Family, Identity, and the Truth About Where I Belong

Harper Perennial (an imprint of Harper Collins)
2021-02-23
304 pages
5x8in
Trade Paperback ISBN: 9780063009486
E-book ISBN: 9780063009493
Audiobook ISBN: 9780063009509

Georgina Lawton

Raised in sleepy English suburbia, Georgina Lawton was no stranger to homogeneity. Her parents were white; her friends were white; there was no reason for her to think she was any different. But over time her brown skin and dark, kinky hair frequently made her a target of prejudice. In Georgina’s insistently color-blind household, with no acknowledgement of her difference or access to black culture, she lacked the coordinates to make sense of who she was.

It was only after her father’s death that Georgina began to unravel the truth about her parentage—and the racial identity that she had been denied. She fled from England and the turmoil of her home-life to live in black communities around the globe—the US, the UK, Nicaragua, Cuba, the Dominican Republic, Vietnam, and Morocco—and to explore her identity and what it meant to live in and navigate the world as a black woman. She spoke with psychologists, sociologists, experts in genetic testing, and other individuals whose experiences of racial identity have been fraught or questioned in the hopes of understanding how, exactly, we identify ourselves.

Raceless is an exploration of a fundamental question: what constitutes our sense of self? Drawing on her personal experiences and the stories of others, Lawton grapples with difficult questions about love, shame, grief, and prejudice, and reveals the nuanced and emotional journey of forming one’s identity.

In Black and White: A Young Barrister’s Story of Race and Class in a Broken Justice System

Endeavour (an imprint of Octopus Publishing Group)
2020-08-13
272 pages
5.67 x 1.18 x 8.58 inches
Paperback ISBN-13: 9781913068301
Hardback ISBN-13 9781913068288

Alexandra Wilson

Alexandra Wilson was a teenager when her dear family friend Ayo was stabbed on his way home from football. Ayo’s death changed Alexandra. She felt compelled to enter the legal profession in search of answers.

As a junior criminal and family law barrister, Alexandra finds herself navigating a world and a set of rules designed by a privileged few. A world in which fellow barristers sigh with relief when a racist judge retires: ‘I’ve got a black kid today and he would have had no hope’.

In her debut book, In Black and White, Alexandra re-creates the tense courtroom scenes, the heart-breaking meetings with teenage clients, and the moments of frustration and triumph that make up a young barrister’s life.

Alexandra shows us how it feels to defend someone who hates the colour of your skin, or someone you suspect is guilty. We see what it is like for children coerced into county line drug deals and the damage that can be caused when we criminalise teenagers.

Alexandra’s account of what she has witnessed as a young mixed-race barrister is in equal parts shocking, compelling, confounding and powerful.

Are We Home Yet?

Jacaranda Books
2020-09-10
Paperback ISBN13: 9781913090197

Katy Massey

One of Jacaranda’s #TwentyIn2020, Are We Home Yet? is a moving memoir of a mixed-race woman from a working class community in Leeds and her outspoken French-Canadian mother. Exploring issues of shame, immigration and class, the pair share their stories but struggle to understand each other’s choices in a fast-changing world.

Spanning the years from 1935 to 2010, Are We Home Yet? is the moving and funny story of a girl and her mother.

As a girl, Katy accidentally discovers her mother is earning money as a sex worker at the family home, rupturing their bond. As an adult, Katy contends with grief and mental health challenges before she and her mother attempt to heal their relationship. From Canada, to Leeds and Jamaica, and exploring shame, immigration and class, the pair share their stories but struggle to understand each other’s choices in a fast-changing world.

By revealing their truths, can these two strong women call a truce on their hostilities and overcome the oppressive ghosts of the past?

‘My mum calls me the N-word’ – the reality of growing up mixed race with a racist parent

gal-dem
2020-09-05

Emma

Being a person of colour with a white parent who holds racist views is more common than you might think. Emma explores the emotional trauma of being brought up in a racist home.

A few days after the tragic death of George Floyd, when Americans took to the streets in righteous anger, my dad condemned the protests, remarking that Black people should be less afraid of the police and more so of “blacks with guns in inner cities”. Unsurprisingly, this unsavoury conversation escalated. My dad, as you might guess, is white, but I am not. Not for the first time, I was left wondering how, as a mixed race Black woman with a socially conservative white father, I reconcile with the fact that my dad might be racist?

The current racial climate has led to many people having difficult conversations about race with their families, often for the first time. Social media has been awash with handy tips and tricks for instigating conversations with uninformed family members. Instagram swipe-through posts with titles like “How to tell someone you love that they’re being racist” and “Nine counter-arguments to use against your conservative parents” ad infinitum have proliferated.

This is all well and good for white people. But what happens when the white parent in question has a Black child? Mixed race families are sometimes heralded as the ultimate antidote to racism, and a signifier of racial progress – but the reality is often far more complex. Family setups like mine are often difficult to navigate and can produce emotionally challenging situations. While the sense of urgency and pressure to educate friends and family generated by the Black Lives Matter movement is incredibly important, it can put mixed race people in an uncomfortable position. How do you balance the obligation to educate a white parent who holds racist views while protecting your own mental health?…

Read the entire article here.

“Who Inherits?”: A Conversation Between Tao Leigh Goffe and Hazel V. Carby

Public Books
2020-02-03

Tao Leigh Goffe, Assistant Professor of Literary Theory and Cultural History
Cornell University, Ithaca, New York

Over the decades of her transatlantic career, distinguished Yale University professor emerita of American and African American studies Hazel V. Carby has considered how one negotiates ancestral ties to two islands intimately entangled by empire, Britain and Jamaica. Her new book, Imperial Intimacies: A Tale of Two Islands, is her answer to that question.

As Hazel explains in Imperial Intimacies, hers was an unlikely path to academia. She started out training as a ballerina and went on to teach at a secondary school in East London. When she moved to the West Midlands to pursue a master’s degree and then a PhD at the University of Birmingham, her life was altered forever by the influence of a mentor—Stuart Hall, esteemed professor and cofounder of the university’s Centre for Contemporary Cultural Studies—who also negotiated a family history strung between Britain and Jamaica.

Hazel and I sat down to speak about the publication of Imperial Intimacies, a book that, she realized, she had been writing her whole life. We discussed the influence of books such as Jane Austen’s Mansfield Park and Octavia Butler’s Kindred. Like Dana, the main character in Butler’s Afrofuturist novel—who finds herself teleported into the plantations of the antebellum past, meeting her black and white ancestors—Hazel traces her African and European Carby lineage. She does so through meticulous research on her ancestors in England, Wales, and Jamaica.

Hazel speculates on the subjectivity of one of her white forbears: an English man named Lilly Carby, who arrived in Jamaica in 1788 as a member of the British Army. What can Hazel possibly inherit from him, when her other ancestors were his property? Her experimental rendering in Imperial Intimacies presents the reader with a kaleidoscopic view of the ongoing coloniality of the present…

Read the entire interview here.

An Intimate History of the British Empire

The New Yorker
2019-10-09

Maya Binyam

Hazel Carby as a child. Photograph Courtesy Hazel Carby

In “Imperial Intimacies,” Hazel Carby weaves together the story of colonialism and the story of her family.

After Carl Carby arrived in England from Jamaica, in 1943, he wore starched shirts, polished dress shoes, and neatly knotted ties. He was from the colonies, but his mannerisms evinced a restrained, British sensibility. Like most early immigrants from the Caribbean, he was expected to provide a service: his entrance to England was predicated on his employment as a bomber pilot in the Royal Air Force, which recruited around six thousand people from England’s “black colonies” to fight in the Second World War. At a dance in Worcester, he met Iris Leaworthy, a young, white Welsh woman who worked as a civil servant in the Air Ministry, and the two bonded over the surprising similarities of their upbringings. Both had grown up in poverty. As schoolchildren, each donned a starched uniform and, on Empire Day, a holiday designed to instill in children a feeling of belonging to a great nation, waved the Union Jack. When England went to war, both of them enthusiastically offered their service. The pair soon married, and had a daughter named Hazel. To her, Carl spoke little of Jamaica. “It was as if he had been born an airman in the Royal Air Force,” Hazel Carby writes in “Imperial Intimacies,” her new book of political history, which came out last month…

Read the entire review here.

Archive Fever

Bookforum
2019-10-03

Tiana Reid, Ph.D. Candidate
Department of English and Comparative Literature
Columbia University, New York, New York

Autobiography and archival research collide in Hazel Carby’s memoir

Imperial Intimacies: A Tale of Two Islands by Hazel V. Carby. Verso. 416 pages. $29.

“Are we going to burn it?” A question about the fate of the future concludes Hazel Carby’s Race Men (1998), a powerful academic book about suffocating representations of black American masculinities based on a lecture the author delivered at Harvard. In her newest book, Carby is already burnt, the result of a smoldered past. “Imperial Intimacies is a very British story,” she writes in the preface. It is also her story: about growing up after World War II, about her childhood in the area now known as South London, about the family histories of her white Welsh mother and black Jamaican father, about, in all, the public and private agonies of imperialism and colonialism.

Probing the auto-historical, Carby studies her parents’ experiences in Jamaica and the United Kingdom, the “two islands” of the book’s subtitle. Her parents’ islands are connected not only by biological reproduction or a chance romance but also by the entanglement of ideologies. Her familial research at the National Archives of Jamaica and the United Kingdom offers at the same time a glimpse into the machinery of colonialism: the vexing racial iconography of postwar Britain, the psychic drains of poverty, the endlessness of wartime…

Read the entire review here.

Imperial Intimacies: A Tale of Two Islands

Verso Books
2019-09-24
416 pages
6 x 9-1/4
Hardcover ISBN: 9781788735094
Ebook ISBN: 9781788735124

Hazel V. Carby, Charles C. and Dorothea S. Dilley Professor of African American Studies; Professor of American Studies
Yale University

A haunting and evocative history of British empire, told through one woman’s search through her family’s story

“Where are you from?” was the question hounding Hazel Carby as a girl in post–World War II London. One of the so-called brown babies of the Windrush generation, born to a Jamaican father and Welsh mother, Carby’s place in her home, her neighbourhood, and her country of birth was always in doubt.

Emerging from this setting, Carby untangles the threads connecting members of her family to each other in a web woven by the British Empire across the Atlantic. We meet Carby’s working-class grandmother Beatrice, a seamstress challenged by poverty and disease. In England, she was thrilled by the cosmopolitan fantasies of empire, by cities built with slave-trade profits, and by street peddlers selling fashionable Jamaican delicacies. In Jamaica, we follow the lives of both the “white Carbys” and the “black Carbys,” as Mary Ivey, a free woman of colour, whose children are fathered by Lilly Carby, a British soldier who arrived in Jamaica in 1789 to be absorbed into the plantation aristocracy. And we discover the hidden stories of Bridget and Nancy, two women owned by Lilly who survived the Middle Passage from Africa to the Caribbean.

Moving between the Jamaican plantations, the hills of Devon, the port cities of Bristol, Cardiff, and Kingston, and the working-class estates of South London, Carby’s family story is at once an intimate personal history and a sweeping summation of the violent entanglement of two islands. In charting British empire’s interweaving of capital and bodies, public language and private feeling, Carby will find herself reckoning with what she can tell, what she can remember, and what she can bear to know.