Chi-Chi tells Tubridy about her Mum’s heartbreaking story

Posted in Articles, Arts, Audio, Biography, Interviews, Media Archive, United Kingdom on 2019-02-20 19:06Z by Steven

Chi-Chi tells Tubridy about her Mum’s heartbreaking story

The Ryan Tubridy Show
RTÉ Radio 1
2018-03-12

Chi Chi
Chi-Chi Nwanoku

Acclaimed double bass player and professor at the Royal Academy of Music in London, Chi-Chi Nwanoku OBE spoke to Ryan Tubridy about the extraordinary and poignant story of how her Irish mother met her Nigerian father in the 1950’s.

“Theirs was an unconventional coupling… My mother was white, my father was black. Society was not in favour of this kind of union.

“As soon as my mother let her parents know that she’d met the man of her dreams, they said never darken our doorstep again.”

Chi-Chi’s mum did as she was told but received a surprise visit when her own mother showed up on their doorstep in London three months after Chi-Chi’s birth. She secretly stayed for a week and that was the last the family ever saw of her…

Listen to the interview (00:21:11) here.

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Jhené Aiko and the Problem of Multiracial Self-Representation

Posted in Anthropology, Articles, Arts, Asian Diaspora, Latino Studies, Literary/Artistic Criticism, Media Archive, United States, Women on 2019-02-02 03:53Z by Steven

Jhené Aiko and the Problem of Multiracial Self-Representation

Hapa Music is Black and Brown
Discover Nikkei
2019-01-29

Sonia C. Gomez, Postdoctoral Fellow
Mahindra Humanities Center
Harvard University


Jhené Aiko. Photo courtesy of The come Up Show.

At the 2018 VH1 Mother’s Day music tribute concert titled, Dear Mama: A Love Letter to Moms, Grammy nominated singer and songwriter Jhené Aiko recited this poem she wrote for her mother, Christina Yamamoto, a woman of African American and Japanese ancestry:

“I found another grey hair today but I was not bothered at all. I feel like I earned it. I’m better, I’m wiser, I’m leveling up overall. I am becoming my mother, my beautiful mother, who taught me with age, comes might. I’m becoming my mother, my beautiful mother, she is love in the flesh, what a sight.”

Afterwards, Aiko and her young daughter, Namiko Love, serenaded the audience with an original song Aiko wrote titled, Sing to Me. The performance was a touching display of affection between three generations of women, and as such, offers an opportunity to reflect on the role Aiko’s mother’s racial heritage has played in Aiko’s musical career. After all, she is her mother’s daughter.

Jhené Aiko Chilombo was born in 1988 in Los Angeles to Christina Yamamoto, a woman who is African American and Japanese, and Karamo Chilombo, a man of mixed-Black and Native American ancestry. Aiko is one of five siblings who grew up in a multiracial and tight-knit family from Ladera Heights, a Black middle-class enclave in south Los Angeles. Aiko’s sister, Mila J, is a singer, songwriter, and dancer herself…

Read the entire article here.

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Mike Reed’s Flesh & Bone

Posted in Articles, Literary/Artistic Criticism, Media Archive, United States on 2018-11-13 03:54Z by Steven

Mike Reed’s Flesh & Bone

BIMHUIS
2018-02-03


©Adrienne-Thomas

Influential bandleader from Chicago presents an evocative mix of music, spoken word and video. ‘With its historical depth and vigorous performance, the music satisfies on its own terms’ (Downbeat).

Mike Reed’s compositions for Flesh & Bone are both deeply personal and brimming with hope, and represent his expressions of feeling about social unrest, racism and resurgent nationalism. On the eponymous album, the Chicago-based musician recollects harrowing memories of a confrontation with far-right protesters on a train journey with his band through Eastern Europe. For this project, this same four-piece band has been expanded to include a cornet player and a bass clarinet player. Poet and performer Marvin Tate plays an important role on the album as well as on stage, where dramatic tales come together with music and moving images.

As a drummer, composer and founder of the Constellation club and the influential Pitchfork Music Festival, Mike Reed is a key figure in the Chicago music scene, where he engages in regular collaborations with a variety of young musicians as well as with veterans such as Roscoe Mitchell and Wadada Leo Smith. His relationship with Amsterdam is particularly special, owing to his Indonesian-Dutch ancestry. In 2013, his band People, Places and Things released the album Second Cities: Volume 1, with pieces by Dutch composers such as Guus Janssen, Sean Bergin and Eric Boeren.

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Album review: ‘Picture in Black and White’

Posted in Autobiography, Literary/Artistic Criticism, Media Archive, United States on 2018-10-08 03:16Z by Steven

Album review: ‘Picture in Black and White’

Rochester CITY Newspaper
Rochester, New York
2018-09-24

Ron Netsky

Concept albums are common in rock, but rare in the jazz realm. Tessa Souter’sPicture in Black and White“—set for release on October 5—breaks that mold. Souter, a Rochester favorite after multiple jazz festival appearances, has created an exquisite musical exploration of her identity. At the age 28, she discovered that her birth father was black and her roots reached from Africa to the Caribbean, from Celtic Britain to Andalusian Spain. Musical strains from all of these places permeate the album….

Read the entire review here.

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Picture in Black and White

Posted in Arts, Autobiography, Media Archive, United States on 2018-10-08 01:08Z by Steven

Picture in Black and White

NOA Records
2018-10-05

Tessa Souter

  1. Kothbiro
  2. Contemplation (Ancestors)
  3. A Taste of Honey
  4. Dancing girl/Where the Streets Have No Name
  5. Ana Maria’s Song (Ana Maria)
  6. Child of Love
  7. Picture in Black and White
  8. You Don’t Have To Believe
  9. Reynardine
  10. Siren Song
  11. Lonely Woman
  12. Nothing Will Be As It Was

with Yotam Silberstein (guitar), Yasushi Nakamura (bass), Keita Ogawa (percussion), Adam Platt (piano), Dana Leong (cello), Billy Drummond (cymbals and drums)

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Interview: ‘White people are so fragile, bless ’em’ … meet Rhiannon Giddens, banjo warrior

Posted in Articles, Arts, History, Interviews, Media Archive, Slavery, United States on 2018-07-29 01:04Z by Steven

Interview: ‘White people are so fragile, bless ’em’ … meet Rhiannon Giddens, banjo warrior

The Guardian
2018-07-23

Emma John

‘I’m not here to be famous’ … Rhiannon Giddens, who is curating the Cambridge folk festival.
‘I’m not here to be famous’ … Rhiannon Giddens, who is curating the Cambridge folk festival. Photograph: Tanya Rosen-Jones

She pours fire and fury into powerful songs that target everything from police shootings to slavery. The musician reveals all about her mission to put the black back into bluegrass – and Shakespeare

‘We’re all racist to some degree,” says Rhiannon Giddens. “Just like we’re all privileged to some degree. I have privilege in my system because I’m light-skinned. I hear people say, ‘I didn’t have it easy growing up either.’ But when did it become a competition?”

As someone on a mission to bridge such divides, Giddens thinks about this stuff a lot. The Grammy-winning singer and songwriter was born to a white father and a black mother in Greensboro, North Carolina, in the late 1970s. Her parents married only three years after the landmark Loving v Virginia decision, which reversed the anti-miscegenation laws that had made interracial marriage illegal. Their union was still shocking enough that her father was disinherited.

While much has changed in the 40 years that Giddens has been alive, her latest album, Freedom Highway, is a powerful testament to the inequality and injustice that remain. It opens with At the Purchaser’s Option, a devastating track inspired by an 1830s advert for a female slave whose nine-month-old baby could also be included in the sale. “It was kind of a statement to put that one first,” says Giddens. “If you can get past that, you’ll probably survive the rest.”…

Read the entire interview here.

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Bedside Books: How Half-Breed by Maria Campbell connected musician Nick Ferrio to his grandmother

Posted in Arts, Audio, Autobiography, Canada, Identity Development/Psychology, Media Archive, Native Americans/First Nation on 2018-04-25 23:50Z by Steven

Bedside Books: How Half-Breed by Maria Campbell connected musician Nick Ferrio to his grandmother

CBC Radio
Canadian Broadcasting Corporation
2018-04-16


Musician Nick Ferrio examines Maria Campbell’s autobiography, Half-Breed, and its depiction of race issues in Canada. (Jeff Bierk/Goodread Biography)

Musician Nick Ferrio is based in Peterborough, Ont., but his roots are in Saskatchewan. He recently read Maria Campbell’s memoir Half-Breed and its account of an Indigenous woman’s encounters with racism, and the book resonated with him, thanks to his own Cree ancestry.

Ferrio’s album Soothsayer also mixes several influences to create a personal style and sound.

Mapping internal conflict

“I think every Canadian should read Half-Breed. It’s an incredible story of a mixed woman whose ancestry is part Cree. She explains the racism she faced in Canada. It resonated with me as my paternal grandmother is Cree. Because of the Indian Act, her family was forced to leave the reserve. When she moved to Toronto, she had internal racism. She was ashamed of her identity. She passed as white, so she blended into white culture in Toronto. That’s a dark thing.”..

Listen to the story here. Read the story here.

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RCM Museum celebrates the life of Samuel Coleridge-Taylor

Posted in Articles, Arts, Biography, Media Archive, United Kingdom on 2018-01-30 04:38Z by Steven

RCM Museum celebrates the life of Samuel Coleridge-Taylor

Classical-music.com: The official website of BBC Music Magazine
2017-10-19

Anna Maria Barry, Museum Research Assistant
Royal College of Music’s Museum of Music


Samuel Coleridge-Taylor

The composer’s musical fight for civil rights is the focus of an intriguing new digital exhibition, explains Anna Barry

The Royal College of Music Museum has launched a new digital exhibition about composer Samuel Coleridge-Taylor (above). Released to coincide with Black History Month, the exhibition, entitled Samuel Coleridge-Taylor and the musical fight for Civil Rights celebrates the composer’s important role within civil rights movements in the UK and the US at the turn of the 20th century. Coleridge-Taylor was a student at the college and the exhibition draws on his remarkable collections which are held at its museum.

Samuel Coleridge-Taylor was born in London in 1875. His mother Alice was British, while his father hailed from Freetown in Sierra Leone. Dr Daniel Taylor had met Alice while studying in Britain, but most likely returned to West Africa without realising that she was pregnant. He never met his son. The young Coleridge-Taylor was given a violin by his maternal grandfather, and soon displayed great musical talent. He joined the Royal College of Music in 1890, studying composition under Charles Villiers Stanford. Coleridge-Taylor soon became a musical celebrity thanks to his trilogy of cantatas, known collectively as The Song of Hiawatha. Until World War II, this was one of the most performed choral pieces in Britain, rivalled only by Handel’s Messiah and Mendelssohn’s Elijah

Read the entire article here.

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Xenia Rubinos is Behind the New Theme Song for NPR’s Latino USA

Posted in Articles, Arts, Latino Studies, Media Archive, United States on 2018-01-30 02:21Z by Steven

Xenia Rubinos is Behind the New Theme Song for NPR’s Latino USA

Remezcla
2018-01-03

Julyssa Lopez
Berlin, Germany


Photo by Max Schiano. Courtesy of Xenia Rubinos

Boricua-Cuban artist and multi-instrumentalist Xenia Rubinos is no stranger to Latino USA, the longest-running Latino-focused radio program on American public media, distributed nationally by NPR. She’s a devoted listener who says she’s regularly tuned in to learn about everything from Pedro Almodóvar movies to the Puerto Rican debt crisis—and she’s also been on the show herself to discuss her music and identity with Latino USA host Maria Hinojosa.

“They are able to educate through really personal storytelling, which instantly brings you in and keeps you listening,” Rubinos told Remezcla. “I’m also a huge fan and admirer of Maria Hinojosa; she is a hero of mine. I think she will be an iconic and important voice in American journalism for many years to come…she’s a totally fierce badass journalist and woman.”

So, Rubinos was absolutely floored last July when the Latino USA team asked her to compose the program’s first-ever theme song, which will open each episode of Latino USA moving forward. Latino USA announced this week that in addition to its Rubinos-designed theme song, it is also premiering a new format. The team will focus on deep-dives into single stories and topics, dropping multiple 15- to 30-minute podcasts weekly and covering extended cuts of interviews, roundtable discussions and short “explainers” of the news. Devotees who want to stick to the original Latino USA hour can still get the whole show on terrestrial radio…

Read the entire article here.

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Corinne Bailey Rae on her nomadic lifestyle, racial identity and pregnancy

Posted in Articles, Arts, Media Archive, United Kingdom on 2017-12-27 02:32Z by Steven

Corinne Bailey Rae on her nomadic lifestyle, racial identity and pregnancy

gal-dem
2017-10-16

Charlie Brinkhurst Cuff


photography Kiran Gidda

If you’re a voracious reader, you’ll know something about being drawn into worlds that aren’t your own. It’s a tantalising prospect, especially for introverts. What I discovered earlier this year, is that singer-songwriter Corinne Bailey Rae has the same magical quality as an enchanting novel. It’s a strange idea but bear with me, because if you’re lucky enough to meet her and spend time with her, to listen to her music, you’ll understand what I mean. Her world, soundtracked by sweet, soulful vocals, a picked guitar and stretching across oceans thanks to her nomadic lifestyle, has just a pinch of magic – black girl magic. She’s created it in her image.

Bailey Rae was part of the soundtrack of my youth (her debut came out when I was 12), but thanks to her ageless looks it’s difficult to believe she’s not just a couple of years older. Growing up in Scotland as a mixed-race girl amongst a blisteringly white population, she offered something that I didn’t realise I needed. Her image was attainable and aspirational. Here was a black, mixed-race British woman making beautiful music with her hair in natural curls, and the type of expressiveness that made her immediately relatable. I sang three of Bailey Rae’s songs (‘Like a Star’, ‘Till it happens To You’ and ‘Choux Pastry Heart’) from her eponymous debut album Corinne Bailey Rae for my music exams – A*’s you know – and, like everyone else during the summer of 2006, had her huge hit ‘Put Your Records On’ playing on repeat for months…

…From earlier conversations I know that Bailey Rae is interested and articulate on the topic of race. She was enamoured by the Kerry James Marshall exhibition in LA and recommends to me a book by Nell Irvin Painter, on the history of white people. “My dad had come from the Caribbean, but he didn’t talk to me a lot about racism which I think was a deliberate thing because he wanted to protect us,” she says about her childhood. “He didn’t want to suggest this sort of inherent thing […] And then my mum was very engaged. I learnt about South Africa and apartheid.”

Although she admits that she and her sisters would “pick the peas out of our rice and peas”, and didn’t necessarily know their black Caribbean nana’s culture “as well as we should have done”, it’s clear that she is very in touch with her blackness. When she performs at AFROPUNK London a few weeks after our interview, a festival which loudly celebrates black culture, Matthew Morgan, the founder of AFROPUNK, tells me that Bailey Rae had been very keen to play. “She approached me multiple times,” he says. On stage she tells the crowd: “I wish this community had been here for me when I was 15.” I’m at the front of the audience, screaming every lyric back at her like an embarrassing “stan” (mega fan).

There are mixed race people on both sides of Bailey Rae’s family – she has “brown cousins” on her mum’s English side as well as her dad’s. When she comments on her cousin’s shades, it reminds me that I’ve read that the term she prefers to use to describe herself is “brown” too. “At first we were brown and then we were half-caste and then mixed-race and then dual-heritage and then it was ok to just be black,” says Bailey Rae, obviously aware of the debate around how mixed-race people should define themselves, but disparaging. “I feel like I don’t really have a term if I’m really honest. That’s why I say it [brown] in like an almost silly way. As it’s almost like I’ve been labelled so many different things in the past 38 years that none of them feel familiar or satisfying.”…

Read the entire article here.

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