Mixed Race Studies

African Heritage and Memories of Slavery in Brazil and the South Atlantic World

Cambria Press
428 pages
2015-02-06
6 x 9 in or 229 x 152 mm Case Laminate
ISBN: 9781604978926

Edited by:

Ana Lucia Araujo, Professor of History
Howard University, Washington, D.C.

This book explores the history of African tangible and intangible heritages and its links with the public memory of slavery in Brazil and Angola. The two countries are deeply connected, given how most enslaved Africans, forcibly brought to Brazil during the era of the Atlantic slave trade, were from West Central Africa. Brazil imported the largest number of enslaved Africans during the Atlantic slave trade and was the last country in the western hemisphere to abolish slavery in 1888. Today, other than Nigeria, the largest population of African descent is in Brazil. Yet it was only in the last twenty years that Brazil’s African heritage and its slave past have gained greater visibility. Prior to this, Brazil’s African heritage and its slave past were completely neglected.

Even after the abolition of slavery in Brazil, African culture continued to be marginalized. Carnival, religious festivals, as well as Candomblé ceremonies, and capoeira (an Afro-Brazilian martial art) created important spaces of black assertion and insurgency. These cultural traditions were contested by white elites and public authorities, but starting in the 1930s, capoeira became a national symbol and Candomblé temples were gradually officially added to Brazil’s list of heritage sites.

In spite of these developments, the Atlantic slave past has remained absent from the public landscape of Brazilian and Angolan former slave ports, suggesting how difficult it is for these countries to address the painful legacies of slavery. African art and material culture also continued to be excluded from museums and other official institutions. In the rare instances that African artifacts were shown, they would be confined to only certain places dedicated to popular culture and associated with the religious sphere.

Even though public attention on slavery was growing internationally through national and international initiatives (e.g., The Slave Route Project by UNESCO), Brazil and Angola developed very few initiatives for the memorialization of slavery and the Atlantic slave trade. This has started to change slowly in the last decade as Brazil has begun engaging in more initiatives to memorialize slavery and underscore the importance of its African heritage.

Brazil’s slave past and African heritage are emerging gradually in urban and rural areas through different kinds of initiatives led not only by activists but also by scholars in association with black communities. Although in their early stages, most of these projects are permanent programs supported by official agencies. This new configuration suggests that––unlike the case in Angola––in Brazil, slavery and the Atlantic the slave trade are becoming recognized as foundational chapters of the country’s history.

This is the first book in English to focus on African heritage and public memory of slavery in Brazil and Angola. This interdisciplinary study examines visual images, dance, music, oral accounts, museum exhibitions, artifacts, monuments, festivals, and others forms of commemoration to illuminate the social and cultural dynamics that over the last twenty years have propelled––or prevented––the visibility of African heritage (and its Atlantic slave trade legacy) in the South Atlantic region.

The book makes a very important contribution to the understanding of the place of African heritage and slavery in the official history and public memory of Brazil and Angola, topics that remain understudied. The study’s focus on the South Atlantic world, a zone which is sparsely covered in the scholarly corpus on Atlantic history, will further research on other post-slave societies.

African Heritage and Memories of Slavery in Brazil and the South Atlantic World is an important book for African studies and Latin American studies. It is especially valuable for African Diaspora studies, African history, Atlantic history, history of Brazil, history of slavery, and Caribbean history.

Table of Contents

• List of Figures
• Introduction: Wounded Pasts: Memory of Slavery and African Heritage in Brazil (Ana Lucia Araujo)
• Chapter 1: Collectionism and Colonialism: The Africana Collection at Brazil’s National Museum (Rio de Janeiro) (Mariza de Carvalho Soares)
• Chapter 2: Race and Visual Representation: Louis Agassiz and Hermann Burmeister (Maria Helena Machado)
• Chapter 3: Counter-Witnessing the Visual Culture of Brazilian Slavery (Matthew Francis Rarey)
• Chapter 4: Angola in Brazil: The Formation of Angoleiro identity in Bahia (Matthias Röhrig Assunção)
• Chapter 5: Memories of Captivity and Freedom in São José da Serra Jongo Festivals: Cultural Heritage and Black Identity (1888–2011) (Martha Abreu and Hebe Mattos)
• Chapter 6: From Public Amnesia to Public Memory: Re-Discovering Slavery Heritage in Rio de Janeiro (André Cicalo)
• Chapter 7: Uncomfortable Pasts: Talking About Slavery in Angola (Marcia C. Schenck and Mariana P. Candido)
• Chapter 8: “Bahia is a Closer Africa”: Brazilian Slavery and Heritage in African American Roots Tourism (Patricia de Santana Pinho)
• Chapter 9: Preserving African Art, History, and Memory: The AfroBrazil Museum (Kimberly Cleveland)
• Chapter 10: The Legacy of Slavery in Contemporary Brazil (Myrian Sepúlveda dos Santos)
• Bibliography
• Index
• About the Contributors

Empathetic eye

Agência FAPESP: News Agency of the Sao Paulo Research Foundation
2011-06-08

Fábio de Castro

Agência FAPESP – In 1865, an expedition led by Swiss natural scientist Louis Agassiz (1807-1873) of Harvard University travelled around Brazil for 15 months to study the country. Among the voluntary collectors that participated in the expedition was a 23 year old medical student, William James (1842-1910), who would later become one of the most influential American thinkers, known mainly as one of the creators of pragmatic philosophy. 

Organized by professor Maria Helena Toledo Machado of the History Department of Universidade de São Paulo’s (USP) Philosophy, Letters and Human Sciences School (FFLCH), the book Brazil through the eyes of William James covers  the large volume of writing and drawings produced by the young James during the expedition. Unlike the travel logs typical of the period, the material left by James reveals a sensitive and empathetic traveler with unique perspectives on the nature and society of Brazil.

The book was launched on April 7 at the USP’s Maria Antônia University Center, during the opening of the exhibition Rastros e raças de Louis Agassiz: fotografia, corpo e ciência (Traces of Louis Agassiz: photography, body and science), a collection of a series of photographs obtained during the expedition on Brazilian racial types…

…James’ perspective also significantly contrasts with the bias expressed by the expedition. Agassiz, founder of Harvard’s Museum of Comparative Zoology, intended to collect fish specimen and data on their geographic distribution in Brazil, with a view to contesting Charles Darwin’s theory of evolution, which he opposed.

During the trip – known as the Thayer Expedition because it was financed by magnate Nathaniel Thayer-, Agassiz became interested in studying the population, taking the initiative to document Brazilian racial types through photography with a view evaluating the results of miscegenation. The work is one of the main photographic registers of Brazil in the 19th century.

“Agassiz was a creationist and the scientific and racial focus of the expedition is a bit backwards. But this did not affect James’ perspective. Highly sensitive, he developed what I would characterize as empathy, which would be manifested throughout his work. He shows a great capacity to understand the world from the other’s perspective. Instead of the paternalistic and pious approach common among other travelers of the time, he got involved with people and managed to understand the profound differences of this unfamiliar society,” affirms Machado.

Miscegenation

According to the historian, the position James exhibited in his expedition diaries are reflected throughout the life of the thinker. Later, he would fight against imperialism, defend Darwinism, become a follower of relativism – which garnered much criticism – and would develop the notion of stream of consciousness.

“All these ideas are coherent to his manner of approaching reality, manifested during his time in Brazil. In his writings, he deconstructs the exotic perspective, the incomprehensible other, the foreigner alienated from the codes of local social life,” says Machado…

Read the entire article here.

Brazil through the Eyes of William James: Diaries, Letters, and Drawings, 1865-1866

Harvard University Press
November 2006
230 pages
6-1/8 x 9-1/4 inches
38 line drawings; 10 black and white halftones
Hardcover ISBN: 9780674021334

Maria Helena P.T. Machado, Professor of History
University of São Paulo

In 1865, twenty-three-year-old William James began his studies at the Harvard Medical School. When he learned that one of his most esteemed professors, Louis Agassiz, then director of the recently established Museum of Comparative Zoology, was preparing a research expedition to Brazil, James offered his services as a voluntary collector. Over the course of a year, James kept a diary, wrote letters to his family, and sketched the plants, animals, and people he observed. During this journey, James spent time primarily in Rio de Janeiro, Belém, and Manaus, and along the rivers and tributaries of the Amazon Basin.

This volume is a critical, bilingual (English-Portuguese) edition of William James’s diaries and letters and also includes reproductions of his drawings. This original material belongs to the Houghton Archives at Harvard University and is of great interest to both William James scholars and Brazilian studies experts.