The Material Gene: Gender, Race, and Heredity after the Human Genome Project

Posted in Books, Health/Medicine/Genetics, Media Archive, Monographs on 2013-05-08 14:51Z by Steven

The Material Gene: Gender, Race, and Heredity after the Human Genome Project

New York University Press
May 2013
303 pages
Cloth ISBN: 9780814790687

Kelly E. Happe, Assistant Professor of Communication Studies and Women’s Studies
University of Georgia

In 2000, the National Human Genome Research Institute announced the completion of a “draft” of the human genome, the sequence information of nearly all 3 billion base pairs of DNA. Since then, interest in the hereditary basis of disease has increased considerably. In The Material Gene, Kelly E. Happe considers the broad implications of this development by treating “heredity” as both a scientific and political concept. Beginning with the argument that eugenics was an ideological project that recast the problems of industrialization as pathologies of gender, race, and class, the book traces the legacy of this ideology in contemporary practices of genomics. Delving into the discrete and often obscure epistemologies and discursive practices of genomic scientists, Happe maps the ways in which the hereditarian body, one that is also normatively gendered and racialized, is the new site whereby economic injustice, environmental pollution, racism, and sexism are implicitly reinterpreted as pathologies of genes and by extension, the bodies they inhabit. Comparing genomic approaches to medicine and public health with discourses of epidemiology, social movements, and humanistic theories of the body and society, The Material Gene reworks our common assumption of what might count as effective, just, and socially transformative notions of health and disease.

Contents

  • Acknowledgments
  • Preface
  • 1. Ideology and the New Rhetoric of Genomics
  • 2. Heredity as Ideology: Situating Genomics Historically
  • 3. Genomics and the Reproductive Body
  • 4. Genomics and the Racial Body
  • 5. Genomics and the Polluted Body
  • 6. Toward a Biosociality without Genes
  • Notes
  • Bibliography
  • Index
  • About the Author
Tags: , ,

The Color of Fascism: Lawrence Dennis, Racial Passing, and the Rise of Right-Wing Extremism in the United States

Posted in Biography, Books, History, Media Archive, Monographs, Passing, Politics/Public Policy, United States on 2013-05-03 18:42Z by Steven

The Color of Fascism: Lawrence Dennis, Racial Passing, and the Rise of Right-Wing Extremism in the United States

New York University Press
2006-11-20
256 pages
4 illustrations
ISBN: 9780814736869

Gerald Horne, John and Rebecca Moores Professor of History
University of Houston

What does it mean that Lawrence Dennis—arguably the “brains” behind U.S. fascism—was born black but spent his entire adult life passing for white? Born in Atlanta in 1893, Dennis began life as a highly touted African American child preacher, touring nationally and arousing audiences with his dark-skinned mother as his escort. However, at some point between leaving prep school and entering Harvard University, he chose to abandon his family and his former life as an African American in order to pass for white. Dennis went on to work for the State Department and on Wall Street, and ultimately became the public face of U.S. fascism, meeting with Mussolini and other fascist leaders in Europe. He underwent trial for sedition during World War II, almost landing in prison, and ultimately became a Cold War critic before dying in obscurity in 1977.

Based on extensive archival research, The Color of Fascism blends biography, social history, and critical race theory to illuminate the fascinating life of this complex and enigmatic man. Gerald Horne links passing and fascism, the two main poles of Dennis’s life, suggesting that Dennis’s anger with the U.S. as a result of his upbringing in Jim Crow Georgia led him to alliances with the antagonists of the U.S. and that his personal isolation which resulted in his decision to pass dovetailed with his ultimate isolationism.

Dennis’s life is a lasting testament to the resilience of right-wing thought in the U.S. The first full-scale biographical portrait of this intriguing figure, The Color of Fascism also links the strange career of a prominent American who chose to pass.

Read the preface here.

Table of Contents

  • Preface
  • Introduction: More Than Passing Strange
  • 1. Passing Fancy?
  • 2. Passing Through
  • 3. Fascism
  • 4. The Face—of Fascism
  • 5. Fascism and Betrayal
  • 6. Approaching Disaster
  • 7. Framing a Guilty Man?
  • 8. Fascism on Trial
  • 9. A Trial on Trial
  • 10. After the Fall
  • 11. An Isolationist Isolated?
  • 12. Passing On
  • Notes
  • Index
  • About the Author
Tags: , , ,

AfroAsian Encounters: Culture, History, Politics

Posted in Anthologies, Anthropology, Asian Diaspora, Books, Communications/Media Studies, History, Literary/Artistic Criticism, Media Archive, Politics/Public Policy, Social Science on 2013-04-21 14:44Z by Steven

AfroAsian Encounters: Culture, History, Politics

New York University Press
November 2006
342 pages
Cloth ISBN: 9780814775806
Paper ISBN: 9780814775813

Edited by:

Heike Raphael-Hernandez, Professor of English
University of Maryland in Europe

Shannon Steen, Associate Professor of Theater, Dance, and Performance Studies
University of California, Berkeley

With a Foreword by Vijay Prashad and an Afterword by Gary Okihiro

How might we understand yellowface performances by African Americans in 1930s swing adaptations of Gilbert and Sullivan’s The Mikado, Paul Robeson’s support of Asian and Asian American struggles, or the absorption of hip hop by Asian American youth culture?

AfroAsian Encounters is the first anthology to look at the mutual influence of and relationships between members of the African and Asian diasporas. While these two groups have often been thought of as occupying incommensurate, if not opposing, cultural and political positions, scholars from history, literature, media, and the visual arts here trace their interconnections and interactions, as well as the tensions between the two groups that sometimes arise. AfroAsian Encounters probes beyond popular culture to trace the historical lineage of these coalitions from the late nineteenth century to the present.

A foreword by Vijay Prashad sets the volume in the context of the Bandung conference half a century ago, and an afterword by Gary Okihiro charts the contours of a “Black Pacific.” From the history of Japanese jazz composers to the current popularity of black/Asian “buddy films” like Rush Hour, AfroAsian Encounters is a groundbreaking intervention into studies of race and ethnicity and a crucial look at the shifting meaning of race in the twenty-first century.

Contents

  • Acknowledgments
  • Foreword: “Bandung Is Done”—Passages in AfroAsian Epistemology / Vijay Prashad
  • Introduction: AfroAsian Encounters—Culture, History, Politics / Heike Raphael-Hernandez and Shannon Steen
  • Part I Positioning AfroAsian Racial Identities
    • 1. “A Race So Different from Our Own”: Segregation, Exclusion, and the Myth of Mobility / Sanda Mayzaw Lwin
    • 2. Crossings in Prose: Jade Snow Wong and the Demand for a New Kind of Expert / Cynthia Tolentino
    • 3. Complicating Racial Binaries: Asian Canadians and African Canadians as Visible Minorities / Eleanor Ty
    • 4. One People, One Nation? Creolization and Its Tensions in Trinidadian and Guyanese Fiction / Lourdes López Ropero
    • 5. Black-and-Tan Fantasies: Interracial Contact between Blacks and South Asians in Film / Samir Dayal
  • Part II Confronting the Color Hierarchy
    • 6. “It Takes Some Time to Learn the Right Words”: The Vietnam War in African American Novels / Heike Raphael-Hernandez
    • 7. Chutney, Métissage, and Other Mixed Metaphors: Reading Indo Caribbean Art in Afro Caribbean Contexts / Gita Rajan
    • 8. These Are the Breaks: Hip-Hop and AfroAsian Cultural (Dis)Connections / Oliver Wang
  • Part III Performing AfroAsian Identities
    • 9. Racing American Modernity: Black Atlantic Negotiations of Asia and the “Swing” Mikados / Shannon Steen
    • 10. Black Bodies/Yellow Masks: The Orientalist Aesthetic in Hip-Hop and Black Visual Culture / Deborah Elizabeth Whaley
    • 11. The Rush Hour of Black/Asian Coalitions? Jackie Chan and Blackface Minstrelsy / Mita Banerjee
    • 12. Performing Postmodernist Passing: Nikki S. Lee, Tuff, and Ghost Dog in Yellowface/Blackface / Cathy Covell Waegner
  • Part IV Celebrating Unity
    • 13. Persisting Solidarities: Tracing the AfroAsian Thread in U.S. Literature and Culture / Bill V. Mullen
    • 14. Internationalism and Justice: Paul Robeson, Asia, and Asian Americans / Greg Robinson
    • 15. “Jazz That Eats Rice”: Toshiko Akiyoshi’s Roots Music / David W. Stowe
    • 16. Kickin’ the White Man’s Ass: Black Power, Aesthetics, and the Asian Martial Arts Fred Ho Afterword: Toward a Black Pacific / Gary Y. Okihiro
  • About the Contributors
  • Index

Introduction: AfroAsian Encounters Culture, History, Politics / Heike Raphael-Hernandez and Shannon Steen

For a long time, many critics understood W. E. B. Du Bois’s famous diagnosis of the twentieth century as plagued by the problem of the color line as a description of white/nonwhite antagonisms. However, in the aftermath of identity movements on the part of a variety of racial and ethnic groups, as well as saddening clashes between them, it has become impossible to construe the twentieth century as riven by a single color line. Instead, we now conceive of the modern world as having been fractured by a network of lines dividing a range of racial and ethnic groups. How else can we comprehend the identity struggles of South Asian visual artists in the Caribbean, the treatment of the Vietnam War by African American novelists, or the absorption of hip-hop by Asian American youth culture?

AfroAsian Encounters addresses an important connection that until recently has received only scant attention: the mutual influence of and relationships between members of the African and Asian diasporas in the Americas. Across the Americas, these two groups have often been thought of as occupying radically incommensurable cultural and political positions. In this collection, we examine AfroAsian interconnections across a variety of cultural, political, and historical contexts in order to examine how the two groups have interacted, and have construed one another, as well as how they have been set in opposition to each other by white systems of racial domination. We build here on the burgeoning interest in AfroAsian cultural histories reflected in a number of venues. From the conferences hosted by Boston University’s African American studies department (2002, 2003, 2004), to special editions on AfroAsian studies in Souls: A Critical Journal of Black Politics, Culture, and Society (2002) and positions: East Asia cultures critique (2003), to the numerous essays and books generated by scholars across a number of disciplines from Gary Okihiro and Vijay Prashad to Claire Jean Kim and Frank Wu, as well as work by contributors we include here, research on black-Asian racial interactions and formations has expanded at a rapid pace during the last decade. We seek to widen the energetic investigations that AfroAsian studies have provided relative to histories of diasporic and racial formations and globalization across a variety of fields, and with this book we hope to offer an important contribution to the ongoing scholarly debate. We have framed our treatment of black-Asian interactions within a neologism—rather, we have altered the typography for the term: AfroAsian. While there have been references to the “Afro-Asian” century and the “Afro-Asian” world, we have decided to drop the hyphen from the term in order to denote a unique, singular set of cultural dynamics that our authors analyze.

This collection constitutes the first interdisciplinary anthology to treat AfroAsian encounters. In keeping with the systems of intellectual inquiry established within African American and Asian American studies, we have gathered here essays that reflect a wide disciplinary range, including literary studies, musicology, history, and performance and visual studies.With this array we follow the recent move in the scholarly academy to allow interdisciplinary analysis to bridge the traditional divides that reflect the specialization of academic knowledge to the detriment of actual cultural and social processes. These essays provide rich, progressive, innovative directions in AfroAsian studies and invigorate the status of current thought on interracial encounters across multiple disciplines. This work does not just present a medley of essays with AfroAsian encounters in the Americas as their only common denominator; rather, we have taken Claire Jean Kim’s discussion of “racial triangulation” in Asian American studies as an invitation to further the discourse of AfroAsian encounters. Moving beyond the traditional black/white binary, the essays claim that to understand historical and contemporary AfroAsian encounters, the third, white, signifier, cannot be separated from a discussion as this signifier has informed or influenced AfroAsian binary encounters in the Americas, often without being visibly or literarily present.

Race in the past century and a half has not functioned within national or ethnic boundaries. The cultural and racial groupings examined by our contributors indicate the ways in which these groups do not exist in isolation but within complicated interactions, and they ask us to reevaluate how we define the category “race” itself. Perhaps the most important contribution of AfroAsian studies lies in its potential ability to disrupt the black/white binary that has so persistently characterized race and ethnic studies.Within the last ten years or so, the stability of the term “race” has come under growing scrutiny. Increasingly, race is considered to be not an ontological, coherent category but a dynamic system of affiliation, exclusion, and disavowal that is constantly being reinvented. This sense of “performing” race, of its contingent, assumed nature, has come to be understood in relation to processes of national self-conception, such that “race” is seen as a category produced by the nation itself. As Paul Gilroy, Lisa Lowe, and Etienne Balibar have pointed out in different ways, national and racial boundaries are concomitant; race subtends dominant nationalist discourses—it extends underneath or functions in opposition to definitions of the nation. While the strategic, tactical fluidity of terms like race and nation in this formula are crucial to our understanding of their unstable, changing processes, the logic of opposition that has underwritten this conception of race has also had the unfortunate effect of reinscribing its terms within binary relations and has somewhat perniciously limited our understanding of “race” to dichotomous models largely cast in terms of black and white. To this point, the great intervention in this binary system has been the assertion by postcolonial theorists of an “interstitial” position that occupies the spaces between these oppositions. But this is not our only option.

Scholars in Asian American studies have mounted energetic campaigns to move beyond the conceptual limitations of the racial binary in the last decade or so—we might think here of Claire Jean Kim’s above-mentioned discussion of “racial triangulation,” Gary Okihiro’s question “Is Yellow Black or White?,” and Frank Wu’s assertion that Asian American identities constitute something “beyond” either. For the most part, this work has demanded that we begin to understand race in terms of a polymorphous, multifaceted, multiply-raced immigration diaspora in combination with the histories of the African slave diaspora. However, race scholars still struggle to produce a flexible model that answers calls to move “beyond the binary.” In AfroAsian Encounters we contribute to this dialogue around racial formation by moving away from the focus on black-white interactions; moreover, we do so by examining the interactions of two racial groups now set up in opposition to one another within, for example, contemporary U.S. racial systems. We hope that the essays gathered here can intervene in these binary systems—methodologically, in terms of expanding the objects of race studies and, conceptually, through the expansion of the reigning paradigm of race studies away from blackness/antiblackness and whiteness/antiwhiteness schemas.

To understand contemporary U.S. racial systems, we must step more boldly into Europe’s past, as Paul Gilroy urges us. He writes:

We must be prepared to make detours into the imperial and colonial zones where the catastrophic power of race-thinking was first institutionalized and its distinctive anthropologies put to the test, above all, in the civilizing storms of colonial war. . . . That redemptive movement must be able to pass beyond a compensatory acknowledgement of Europe’s imperial crimes and the significance of its colonies as places of governmental innovation and experiment. The empires were not simply out there—distant terminal points for trading activity where race consciousness could grow—in the torrid zones of the world at the other end of the colonial chain. Imperial mentalities were brought back home . . . and altered economic, social, and cultural relations. . . . Europe’s openness to the colonial worlds it helped to make, might then be employed to challenge fantasies of the newly embattled European region as a culturally bleached or politically fortified space, closed off to further immigration.

With this mindset, Europeans “created” their “New World,” and the Americas became their dream, their geographically locatable paradise. That their creation contained problematic cross-cultural and cross-racial encounters from the start was not problematic for white ideology and imagination; the European colonial color hierarchy was designed to regulate such problems. Racial divisions were arranged according to the white/nonwhite binary. In his Letters from an American Farmer (1782, 1793) John de Crèvecoeur provided a definition of the only true American “race”:

What, then, is the American, this new man? He is neither a European nor the descendant of a European; hence that strange mixture of blood, which you will find in no other country. I could point out to you a family whose grandfather was an Englishman, whose wife was Dutch, whose son married a French woman, and whose present four sons have now four wives of different nations. He is an American, who, leaving behind him all his ancient prejudices and manners, receives new ones from the new mode of life he has embraced . . . and the new rank he holds. . . . Here individuals of all nations are melted into a new race of men. . . . The Americans were once scattered all over Europe; here they are incorporated into one of the finest systems of population which has ever appeared…

…Key to the history of interaction between the two groups is the process by which their intermixing was made possible. The first AfroAsian contact can be traced back to antiquity through the great spice routes that we normally think of as a characteristic of the Greco-Roman cultural world. These routes also provided the conditions for cultural and economic exchange between what we now refer to as Tanzania, Somalia, Egypt, Persia, India, and China, as these empires traded precious commodities such as cinnamon and myrrh (in fact, the archeological record is unclear as to whether the AfroAsian routes preceded the Greco-Roman involvement in the spice trade). Two millennia later, the early- to mid-nineteenth-century abolition of the slave trade produced the context of AfroAsian encounters of modernity. In the wake of the British abolition of the trade in African lives, cheap labor sources were needed to fuel British colonial industries around the globe. Indians were transplanted to southern Africa to build railroads, and Chinese were taken to the Caribbean to work the sugar plantations. A similar economic necessity drove the importation of Asian labor to the United States. As the national debate over slavery grew over the course of the early nineteenth century, and more states (especially western states) were added to the “free soil” roster, the need for cheap labor did not abate. The early development of new states like California happened to coincide with the massive displacement of peoples in Guangdong province in the wake of the Opium Wars. As John Kuo Wei Tchen has pointed out, prior to the construction of the transcontinental railroad in 1869 it took two to three months to travel overland to San Francisco from Boston or New York, but only two weeks to travel from Canton by clipper ship, creating circumstances that made Chinese immigrants the perfect candidates to step into the labor shortage caused by booming industries in mining, shipping, transportation, and agriculture in California.  AfroAsian relations, then, are the issue and, potentially, the subversion of the European dream of “the new world.” Given the extraordinary richness of AfroAsian interactions of modernity, particularly those created within the shadow and against the force of this colonialist history, we have chosen to focus the volume within the period beyond emancipation. The colonial processes that created the Americas made possible the very connections our authors investigate.

For these AfroAsian encounters in the Americas, the twentieth century invented another problematic triangulated concept—the “model minority” myth. This construct enabled white society to pit Asian Americans against many other groups, not just African Americans. Yet, for the Afro-Asian mutual perspective of each other and for their encounters, the concept has carried additional problems: while Asian Americans have been constructed as model minorities, their economic success heralded as proof of the availability of the American Dream to all, African Americans have continued to be plagued by negative associations and to be systematically excluded from the American political economy.

Read the entire Introduction here.

Tags: , , , , , , , , , , , , , , , , ,

“At This Defining Moment”: Barack Obama’s Presidential Candidacy and the New Politics of Race

Posted in Barack Obama, Books, Media Archive, Monographs, Politics/Public Policy, Social Science, United States on 2012-11-14 17:41Z by Steven

“At This Defining Moment”: Barack Obama’s Presidential Candidacy and the New Politics of Race

New York University Press
October 2011
229 pages
Hardback ISBN: 9780814752975
Paperback ISBN: 9780814752982

Enid Lynette Logan, Associate Professor of Sociology
University of Minnesota, Minneapolis

In January 2009, Barack Obama became the 44th president of the United States.  In the weeks and months following the election, as in those that preceded it, countless social observers from across the ideological spectrum commented upon the cultural, social and political significance of “the Obama phenomenon.” In “At this Defining Moment,” Enid Logan provides a nuanced analysis framed by innovative theoretical insights to explore how Barack Obama’s presidential candidacy both reflected and shaped the dynamics of race in the contemporary United States.

Using the 2008 election as a case study of U.S. race relations,  and based on a wealth of empirical data that includes an analysis of over 1,500 newspaper articles, blog postings, and other forms of public speech collected over a 3 year period, Logan claims that while race played a central role in the 2008 election, it was in several respects different from the past. Logan ultimately concludes that while the selection of an individual African American man as president does not mean that racism is dead in the contemporary United States, we must also think creatively and expansively about what the election does mean for the nation and for the evolving contours of race in the 21st century.  

Contents

  • Acknowledgments
  • 1. Introduction: The Landscape of Race in the 21st Century
  • 2. Post-race American Triumphalism and the Entrenchment of Colorblind Racial Ideology
  • 3. Rooted in the Black Community but Not Limited to It: The Perils and Promises of the New Politics of Race
  • 4. Contesting Gender and Race in the 2008 Democratic Primary
  • 5. The Trope of Race in Obama’s America
  • 6. Asian and Latino Voters in the 2008 Election: The Politics of Color in the Racial Middle
  • 7. In Defense of the White Nation: The Modern Conservative Movement and the Discourse of Exclusionary Nationalism
  • 8. Racial Politics under the First Black President
  • Notes
  • References
  • Index
  • About the Author
Tags: , , ,

Unbecoming Blackness: The Diaspora Cultures of Afro-Cuban America

Posted in Books, Caribbean/Latin America, Gay & Lesbian, Latino Studies, Literary/Artistic Criticism, Media Archive, Monographs, United States on 2012-07-18 04:15Z by Steven

Unbecoming Blackness: The Diaspora Cultures of Afro-Cuban America

New York University Press
November 2012
272 pages
10 halftones
Cloth ISBN: 9780814765463
Paper ISBN: 9780814765470

Antonio López, Assistant Professor of English
George Washington University

In Unbecoming Blackness, Antonio López uncovers an important, otherwise unrecognized century-long archive of literature and performance that reveals Cuban America as a space of overlapping Cuban and African diasporic experiences.

López shows how Afro-Cuban writers and performers in the U.S. align Cuban black and mulatto identities, often subsumed in the mixed-race and postracial Cuban national imaginaries, with the material and symbolic blackness of African Americans and other Afro-Latinas/os. In the works of Alberto O’Farrill, Eusebia Cosme, Rómulo Lachatañeré, and others, Afro-Cubanness articulates the African diasporic experience in ways that deprive negro and mulato configurations of an exclusive link with Cuban nationalism. Instead, what is invoked is an “unbecoming” relationship between Afro-Cubans in the U.S and their domestic black counterparts. The transformations in Cuban racial identity across the hemisphere, represented powerfully in the literary and performance cultures of Afro-Cubans in the U.S., provide the fullest account of a transnational Cuba, one in which the Cuban American emerges as Afro-Cuban-American, and the Latino as Afro-Latino.

Tags: , , , , ,

Neither White Nor Black: The Mulatto Character in American Fiction

Posted in Books, Literary/Artistic Criticism, Media Archive, Monographs, Passing, United Kingdom on 2011-09-18 04:40Z by Steven

Neither White Nor Black: The Mulatto Character in American Fiction

New York University Press
1978
280 pages
ISBN-10: 0814709966; ISBN-13: 978-0814709962
9 x 6 x 1 inches

This book is out of print.

Judith R. Berzon

The mulatto character has captured the imagination of American novelist in every period of our literature.  For American writers, the mulatto has long signified a “marginal man,” caught between two cultures and between the boundaries of the American caste system. As such, the mulatto’s biological and psychological responses to his status—attraction and repulsion to both the white an non-white castes—have frequently been fictionalized.

Neither White Nor Black is the first comprehensive study of the mulatto character in American fiction.  It is interdisciplinary in approach, drawing from literature, history, sociology, psychology and biology, and assessing the influence of racist ideology, social mythology and historical reality upon the portrayal of the mulatto character.  Dr. Berzon examines how the self-concepts of mixed-blood characters are affected by black-white mythology and explores the roles mulattoes have played in American culture.  Among the 19th an 20th-century black and white authors examined here are Mark Twain, William Faulkner, Robert Penn Warren and John A. Williams.

In Part I of the book, Dr. Berzon provides an introduction to the historical, sociological and scientific backgrounds of the fiction; an overview of the novels; and a discussion of the most prevalent sterotype—“the tragic mulatto.”  Part II defines and illustrates the forms of adjustment to marginality.  Each chapter is organized around a specific mode of adjustment—passing for white, becoming a member of the black bourgeosie, working as leader of his/her race, and failing to achieve identification with either the white or black group.  In the Postscript, Dr. Berzon examines three novels of the 1970s by important black authors—John A. Williams, Ernest J. Gaines, and John Oliver Killens.  Her study is enriched by the recently published but crucial historical scholarship such as Roll, Jordan Roll by Eguene Genovese, White Over Black by Winthrop Jordan, an The Black Image in the White Mind by George Fredrickson, as well as the earlier work by Addison Gayle Jr., The Black Aesthetic.

In Neither White Nor Black, Dr. Berzon reveals the recurring themes in the portrayal of the mulatto character throughout several periods of the 19th and 20th-century American history.  Central to the portrayal of the mulatto during all these periods is the quest for identity, and Dr. Berzon, through her illuminating analysis, provides her readers, whether students of Black studies, American studies, Southern history, literature, or intellectual history, with an essential understanding of that quest and of the role of the mulatto in American society.

Tags: , , , , , , , , , , , ,

After Whiteness: Unmaking an American Majority

Posted in Books, Census/Demographics, Media Archive, Monographs, Politics/Public Policy, Social Science, United States on 2011-05-26 03:53Z by Steven

After Whiteness: Unmaking an American Majority

New York University Press
January 2004
336 pages, 8 illustrations
Cloth ISBN: 9780814735428; Paper ISBN: 9780814735435

Mike Hill, Associate Professor of English
State University of New York, Albany

As each new census bears out, the rise of multiracialism in the United States will inevitably result in a white minority. In spite of the recent proliferation of academic studies and popular discourse on whiteness, however, there has been little discussion of the future: what comes after whiteness? On the brink of what many are now imagining as a post-white American future, it remains a matter of both popular and academic uncertainty as to what will emerge in its place.

After Whiteness aims to address just that, exploring the remnants of white identity to ask how an emergent post-white national imaginary figure into public policy issues, into the habits of sexual intimacy, and into changes within public higher education. Through discussions of the 2000 census and debates over multiracial identity, the volatile psychic investments that white heterosexual men have in men of color—as illustrated by the Christian men’s group the Promise Keepers and the neo-fascist organization the National Alliance—and the rise of identity studies and diversity within the contemporary public research university, Mike Hill surveys race among the ruins of white America. At this crucial moment, when white racial change has made its ambivalent cultural debut, Hill demonstrates that the prospect of an end to whiteness haunts progressive scholarship on race as much as it haunts the paranoid visions of racists.

Read the Introduction here.

Table of Contents

  • ACKNOWLEDGMENTS
  • INTRODUCTION: AFTER WHITENESS EVE
  • I: INCALCULABLE COMMUNITY: MULTIRACIALISM, U.S. CENSUS 2000, AND THE CRISIS OF THE LIBERAL STATE
    • 1.1 LABOR FORMALISM
    • 1.2 DISSENSUS 2000
    • 1.3 THE WILL TO CATEGORY
    • 1.4 REBIRTH OF A NATION?
    • 1.5 AMERICA, NOT COUNTING CLASS
  • II: A FASCISM OF BENEVOLENCE: GOD AND FAMILY IN THE FATHER-SHAPED VOID
    • 2.1 OF COMMUNISM AND CASTRATION
    • 2.2 MUSCULAR MULTICULTURALISM
    • 2.3 WHEN COLOR IS THE FATHER
    • 2.4 A CERTAIN GESTURE OF VIRILITY
    • 2.5 THE EROS OF WARFARE
  • III: RACE AMONG RUINS: WHITENESS, WORK, AND WRITING IN THE NEW UNIVERSITY
    • 3.1 BETWEEN JOBS AND WORK
    • 3.2 THE MULTIVERSITY’S DIVERSITY
    • 3.3 AFTER WHITENESS STUDIES
    • 3.4 MULTITUDE OR CULTURALISM?
    • 3.5 HOW COLOR SAVED THE CANON
  • NOTES
  • INDEX
  • ABOUT THE AUTHOR
Tags: ,

An Anthology of Interracial Literature: Black-White Contacts in the Old World and the New

Posted in Anthologies, Books, History, Literary/Artistic Criticism, Media Archive, Slavery on 2010-08-10 04:14Z by Steven

An Anthology of Interracial Literature: Black-White Contacts in the Old World and the New

New York University Press
2004-02-01
675 pages
Cloth ISBN: 9780814781432
Paperback ISBN: 9780814781449

Edited by

Werner Sollors, Henry B. and Anne M. Cabot Professor of English Literature and Professor of African and African American Studies
Harvard University

A white knight meets his half-black half-brother in battle. A black hero marries a white woman. A slave mother kills her child by a rapist-master. A white-looking person of partly African ancestry passes for white. A master and a slave change places for a single night. An interracial marriage turns sour. The birth of a child brings a crisis. Such are some of the story lines to be found within the pages of An Anthology of Interracial Literature.

This is the first anthology to explore the literary theme of black-white encounters, of love and family stories that cross—or are crossed by—what came to be considered racial boundaries. The anthology extends from Cleobolus’ ancient Greek riddle to tormented encounters in the modern United States, visiting along the way a German medieval chivalric romance, excerpts from Arabian Nights and Italian Renaissance novellas, scenes and plays from Spain, Denmark, England, and the United States, as well as essays, autobiographical sketches, and numerous poems. The authors of the selections include some of the great names of world literature interspersed with lesser-known writers. Themes of interracial love and family relations, passing, and the figure of the Mulatto are threaded through the volume.

An Anthology of Interracial Literature allows scholars, students, and general readers to grapple with the extraordinary diversity in world literature. As multi-racial identification becomes more widespread the ethnic and cultural roots of world literature takes on new meaning.

Contributors include: Hans Christian Andersen, Gwendolyn Brooks, Elizabeth Barrett Browning, Charles W. Chesnutt, Lydia Maria Child, Kate Chopin, Countee Cullen, Caroline Bond Day, Rita Dove, Alexandre Dumas, Olaudah Equiano, Langston Hughes, Victor Hugo, Charles Johnson, Adrienne Kennedy, Henry Wadsworth Longfellow, Guy de Maupassant, Claude McKay, Eugene O’Neill, Alexander Pushkin, and Jean Toomer.

Tags: , , , , , , , , , , , , , , , , , , , , , ,

Partly Colored: Asian Americans and Racial Anomaly in the Segregated South

Posted in Asian Diaspora, Books, History, Identity Development/Psychology, Law, Literary/Artistic Criticism, Media Archive, Monographs, Native Americans/First Nation, Politics/Public Policy, Social Science, United States on 2010-06-28 20:46Z by Steven

Partly Colored: Asian Americans and Racial Anomaly in the Segregated South

New York University Press
2010-04-23
304 pages
13 illustrations
Cloth ISBN: 9780814791325
Paperback ISBN: 9780814791332

Leslie Bow, Professor of English and Asian American Studies
University of Wisconsin, Madison

Arkansas, 1943. The Deep South during the heart of Jim Crow-era segregation. A Japanese-American person boards a bus, and immediately is faced with a dilemma. Not white. Not black. Where to sit?

By elucidating the experience of interstitial ethnic groups such as Mexican, Asian, and Native Americans—groups that are held to be neither black nor white—Leslie Bow explores how the color line accommodated—or refused to accommodate—“other” ethnicities within a binary racial system. Analyzing pre- and post-1954 American literature, film, autobiography, government documents, ethnography, photographs, and popular culture, Bow investigates the ways in which racially “in-between” people and communities were brought to heel within the South’s prevailing cultural logic, while locating the interstitial as a site of cultural anxiety and negotiation.

Spanning the pre- to the post- segregation eras, Partly Colored traces the compelling history of “third race” individuals in the U.S. South, and in the process forces us to contend with the multiracial panorama that constitutes American culture and history.

Table of Contents

Acknowledgments
Introduction: Thinking Interstitially

  1. Coloring between the Lines: Historiographies of Southern Anomaly
  2. The Interstitial Indian: The Lumbee and Segregation’s Middle Caste
  3. White Is and White Ain’t: Failed Approximation and Eruptions of Funk in Representations of the Chinese in the South
  4. Anxieties of the ‘Partly Colored’
  5. Productive Estrangement: Racial-Sexual Continuums in Asian American as Southern Literature
  6. Transracial/Transgender: Analogies of Difference in Mai’s America

Afterword: Continuums, Mobility, Places on the Train
Notes
Works Cited
Index
About the Author

Read the introduction here.

Tags: ,

Entangling Alliances: Foreign War Brides and American Soldiers in the Twentieth Century

Posted in Asian Diaspora, Books, History, Media Archive, Monographs, United States, Women on 2010-03-15 17:09Z by Steven

Entangling Alliances: Foreign War Brides and American Soldiers in the Twentieth Century

New York University Press
2010-03-22
320 pages, 8 illustrations
ISBN: 9780814797174

Susan Zeiger

Throughout the twentieth century, American male soldiers returned home from wars with foreign-born wives in tow, often from allied but at times from enemy nations, resulting in a new, official category of immigrant: the “allied” war bride. These brides began to appear en masse after World War I, peaked after World War II, and persisted through the Korean and Vietnam Wars. GIs also met and married former “enemy” women under conditions of postwar occupation, although at times the US government banned such unions.

In this comprehensive, complex history of war brides in 20th-century American history, Susan Zeiger uses relationships between American male soldiers and foreign women as a lens to view larger issues of sexuality, race, and gender in United States foreign relations. Entangling Alliances draws on a rich array of sources to trace how war and postwar anxieties about power and national identity have long been projected onto war brides, and how these anxieties translate into public policies, particularly immigration.

Table of Contents

  • Acknowledgments
  • Introduction
  • 1. “Cupid in the AEF”: U.S. Soldiers and Women abroad in World War I
  • 2. “The Worst Kind of Women”: Foreign War Brides in 1920s America
  • 3. GIs and Girls around the Globe: The Geopolitics of Sex and Marriage in World War II
  • 4. “Good Mothers”: GI Brides after World War II
  • 5. Interracialism, Pluralism, and Civil Rights: War Bride Marriage in the 1940s and 1950s
  • 6. The Demise of the War Bride: Korea, Vietnam, and Beyond
  • Notes
  • Index
  • About the Author

…One of the most important factors in the structuring of soldier marriage has been race. The state’s repression and condemnation of interracial relationships was a feature of war bride marriage for much of the century. In World War I, for instance, U.S. military and civilian authorities took a paternalistic stance toward white soldiers, determined to “protect” them from sexually promiscuous foreign women. But this attitude was reversed in the case of “colored troops,” as military officials warned allies of the sexual danger that African American servicemen allegedly posed to the white women of other nations. By World War II, racial ideology in the United States had begun to face resistance by activists of color and their white allies, who challenged racial segregation in the military and at home, as well as “oriental exclusion” in immigration policy. Yet despite the state of flux in race relations in the 1940s and 1950s, the U.S. government, with the urging of the armed services, maintained its segregationist policies in soldier marriage.  These included initially excluding Asian women from the GI Brides Act and denying the marriage requests of black and white interracial couples on the grounds that “miscegenous unions” were illegal in many U.S. states. Deeply held views about racial inferiors and superiors continued to underlie American military engagement in the Cold War. The legacy of biracial relationships in the Vietnam War, as it involved Vietnamese women, American men, and their “Amerasian” children, is one further indication of the centrality of race in analyzing gender relationships in wartime and postwar periods…

Tags: , , ,