Seaweed Soup (Miyuk Gook 미역국)

Posted in Arts, Asian Diaspora, Biography, Media Archive on 2021-11-03 16:28Z by Steven

Seaweed Soup (Miyuk Gook 미역국)

The Rumpus
2020-03-10

Maria T. Alloccoo

Ingredients:

  • A handful of miyuk (미역) seaweed

My pregnant grandmother walked through miles of man-made bombs in North Korea to reach the south. Once a wealthy woman, she now wore her remaining possessions. A local South Korean woman allowed my grandmother to enter her empty shed. There, my grandmother gave birth to my mother.

The woman made my grandmother 미역국. Fed it to her. It is tradition to serve seaweed soup to new mothers. Also, to loved ones on birthdays. Both birth and survival are miracles…

Read the entire article/recipe here.

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Famous Adopted People

Posted in Asian Diaspora, Books, Media Archive, Novels on 2021-10-28 18:31Z by Steven

Famous Adopted People

Unnamed Press
2018-10-16
331 pages
5.5 x 1.1 x 8.4 inches
12 ounces
Paperback ISBN: 9781944700744

Alice Stephens

Debut novelist Alice Stephens combines dark humor and a keen wit to examine the profound implications of not knowing where you come from; and how our perceptions of an unknown world reflect deeper truths about our own.

Lisa Pearl is an American teaching English in Japan and the situation there—thanks mostly to her spontaneous, hard-partying ways—has become problematic. Now she’s in Seoul, South Korea, with her childhood best-friend Mindy. The young women share a special bond: they are both Korean-born adoptees into white American families. Mindy is in Seoul to track down her birth mom, and wants Lisa to do the same. Trouble is, Lisa isn’t convinced she needs to know about her past, much less meet her biological mother.

She’d much rather spend time with Harrison, an almost supernaturally handsome local who works for the Motherfinder’s agency. When Lisa wakes up inside a palatial mountain compound, the captive of a glamorous, surgically-enhanced blonde named Honey, she soon realizes she is going to learn about her past whether she likes it or not. What happens next only could in one place: North Korea.

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The Forsaken: Portraits of Mixed-Race Orphans in Postwar Korea

Posted in Articles, Arts, Asian Diaspora, History, Media Archive on 2014-12-04 19:48Z by Steven

The Forsaken: Portraits of Mixed-Race Orphans in Postwar Korea

TIME Magazine
2014-12-04

David Kim
Yale Law School


Joo Myung Duck (1940-)

Pictures made in the ’60s by a young photographer, Joo Myung Duck, depict the mixed-race children of foreign servicemen and Korean women

On July 27, 1953, a ceasefire ended open hostilities in the Korean War, and the United Nations, the People’s Republic of China, and the Democratic People’s Republic of Korea (North Korea) established a border and a demilitarized zone at the 38th parallel. After three years of fighting, the border between north and south was, in effect, exactly where it had been prior to the beginning of the war. The Republic of Korea (South Korea) refused to join the armistice; and, as a formal peace treaty was never signed, South and North Korea today remain technically at war, 60 years after the guns fell silent.

Nearly three million people died or went missing in the war, in which North Korean and Chinese troops fought an international force comprised largely of Americans. Of those three million, more than half were civilians, and most were Korean. Since the mid-1950s, meanwhile, the American military has maintained a heavy presence in South Korea; this footprint is the uneasy foundation that underlies relations between the two countries.

The photos in this gallery were made in the early 1960s by Joo Myung Duck, then a young photojournalist. They depict mixed-race orphans, the children of foreign servicemen and Korean women, at the Holt orphanage in Seoul. Most of these children were born after the war, and they were abandoned by nearly everyone: by their fathers, who rarely remained in Korea; by their mothers, who endured ostracism and social stigma; and by the Korean government, which endorsed a politics of racial purity and sought to expel mixed-race children from the country.

In exploring these realities, Joo’s photographs are at-once inquisitive, undaunted, and gentle, attending carefully to variations in racial appearance while suggesting the centrality of Christian faith at Holt. His highly formal compositions revel in visual detail. And, in large part, he avoids sentimentality…

Read the entire article and view the photographs here.

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