Scholarly perspectives on the mixed race experience.
Yet having populated North America for nearly four centuries, mixed-race people are far from being a recent phenomenon in the United States. Their early presence has been recorded to greater and lesser degrees in legal records, literature, and historical documentation. As far back as the 1630s and 1640s, colonial records attest to the punishment of interracial sexual unions and the regulation of mulattoes’ slave status (Williamson, 1980). Dictionaries chart 16th-century English usage of the word mulatow (Sollors, 2000), although the meaning of this term has varied over time (Forbes, 1993). Finally, mixed-race people have long populated American literature, particularly since the early 19th century (Sollors, 2000). In sum, the multiracial community is not a new, 20th century phenomenon but rather a long-standing element of American society.
Paul A. Kramer, Associate Professor of History Vanderbilt University, Nashville, Tennessee
This narrative piece, selected by The Best American Essays 2012 as a “notable essay,” tells the story of Rev. Jesse Routté, an African American Lutheran minister in New York who, in response to racist abuse during a 1943 trip to Mobile, Alabama, returned four years later disguised as a turbaned, Swedish-accented “foreigner.” When he reported positive treatment, it flaunted contradictions in Jim Crow’s racial definitions.
Though a means of escaping and undermining racial injustice, the practice comes with own set of costs and sacrifices.
In Nella Larsen’s 1929 novel Passing, adapted by Rebecca Hall and distributed on Netflix last fall, Clare Kendry—a light-skinned Black woman—decides to pass as white. Clare grows up poor in Chicago; after her alcoholic father dies, she is taken in by her racist white aunts. When she turns eighteen she marries a rich white man who assumes she is white. Clare makes a clean escape until, some years later, she runs into her childhood friend, Irene Redfield, at a whites-only hotel; Irene, it turns out, sometimes passes herself, in this case to escape the summer heat. The storyline traces their complex relationship after this reunion and ends in tragedy for Clare.
Hall’s film adaptation joins several other recent representations that dramatize the lived experience of passing. The protagonist of Brit Bennett’s best-selling novel The Vanishing Half (2020), for example, decides to start passing as white in the 1950s at age sixteen after responding to a listing in the newspaper for secretarial work in a New Orleans department store. Much to her surprise, after excelling at the typing test, Stella is offered the position; her boss assumes she is white. Initially Stella keeps up the ruse just to support her and her sister, but passing also becomes a way for her to escape the trauma of her father’s lynching and the prospect of her own…
