Mixed Race Studies

White Skin, White Masks: The Creole Woman and the Narrative of Racial Passing in Martinique and Louisiana

University of North Carolina, Chapel Hill
2006
83 pages

Michael James Rulon

A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Curriculum of Comparative Literature

Through an examination of two Creole passing subjects from literary passing narratives of the twentieth century, this thesis simultaneously treats two problems that have been largely overlooked by contemporary scholarship: the role of the Creole racial identity in the genre of the passing narrative, as well as the possibility of racial passing within the context of a Creole society. In Walter White’s 1926 novel, Flight, and Mayotte Capécia’s 1950 novel, La négresse blanche, the protagonists’ difficulties in negotiating a stable racial identity reveal the inherent weakness of the racial binary that is essential to the very notion of racial passing, and they also show that Creoleness has failed to establish itself as a stable racial identity in the societies represented in both novels.

Table of Contents

• 1. Pawòl Douvan/Some Opening Words
• 2. Nwè, Blan èk Kréyòl/Black, White, and Creole
• 3. Mimi èk Isaure/Mimi and Isaur
• 4. Pasé pou Blan, Pasé pou Nwè/Passing for White, Passing for Black
• 5. Ovwè tè kréyòl/Goodbye, Creole Land
• 6. Conclusion: Èk alòs… /And so
• WORKS CITED

Read the entire dissertation here.

Les Cenelles

Centenary College of Louisiana Press / Editions Tintamarre
January 2003
208 pages
ISBN: 0-9723258-9-1

Armand Lanusse

The text is in French.

With few exceptions, the poets of Les Cenelles–the very first collection of poetry by Creoles of color–do not directly address their precarious situation in a South that was ever increasingly hostile to the racial caste to which they belonged. On the contrary, a naive reader might only discover the most pedestrian sorts of romantic subjects in these poems written by seventeen free men of color. However , why would Valcour B… refer to himself as an “unrecognized son of New Orleans?” What “cruel fate” might have forced P. Dalcour into exile? What is the source of the regret, the preoccupation with departure and the fear of betrayal that seeps from every line of these works?

However gifted and diligent they might have been, free people of color were forced to live within the constraints of their fate as second class citizens. May the modern reader delve into these “modest Cenelles” conscience of the troubling context that underpins their creation. Without this awareness, the profound depths of their melancholy spirit will escape him completely.

Plessy and Ferguson unveil plaque today marking their ancestors’ actions

New Orleans Times-Picayune
2009-02-11

Katy Reckdahl

Today, Plessy versus Ferguson becomes Plessy and Ferguson, when descendants of opposing parties in the landmark U.S. Supreme Court segregation case stand together to unveil a plaque at the former site of the Press Street Railroad Yards.

Standing behind Keith Plessy and Phoebe Ferguson will be a large group of students, scholars, officials and activists who worked for years to honor the site where in 1892, Tremé shoemaker Homer Plessy, a light-skinned black man, was arrested for sitting in a railway car reserved for white people.

People often think that his ancestor held some responsibility for the legalized segregation known as “separate but equal, ” said Keith Plessy, 52, a longtime New Orleans hotel bellman whose great-grandfather was Homer Plessy’s first cousin. In actuality, Homer Plessy boarded that train as part of a carefully orchestrated effort to create a civil-rights test case, to fight the proliferation of segregationist laws in the South…

…Plessy, born in 1863 on St. Patrick’s Day, grew up at a time when black people in New Orleans could marry whomever they chose, sit in any streetcar seat, and attend integrated schools, Medley said. But as an adult, those gains from the Reconstruction era eroded.
 
On any other day in 1892, Plessy could have ridden in the car restricted to white passengers without notice. According to the parlance of the time, he was classified “7/8 white.”
 
In order to pose a clear test to the state’s 1890 separate-car law, the Citizens’ Committee in advance notified the railroad—which had opposed the law because it required adding more cars to its trains.
 
On June 7, 1892, Plessy bought a first-class ticket for the commuter train that ran to Covington, sat down in the car for white riders only and the conductor asked whether he was a colored man, Medley said. The committee also hired a private detective with arrest powers to take Plessy off the train at Press and Royal streets, to ensure that he was charged with violating the state’s separate-car law.
 
Everything the committee plotted went as planned—except for the final court decision, in 1896. By then the composition of the U.S. Supreme Court had gained a more segregationist tilt, and the committee knew it would likely lose. But it chose to press the cause anyway, Medley said. “It was a matter of honor for them, that they fight this to the very end.”…

…”You don’t know American history until you know Louisiana history, ” Plessy said…

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“Lost Boundaries”: Racial Passing and Poverty in Segregated New Orleans

The Journal of the Louisiana Historical Association
Volume 36, Number 3 (Summer, 1995)
pages 291-312

Arthé A. Anthony, Professor of American Studies, Emeritus
Occidental College, Los Angeles

On sunny summer Sunday afternoons in Harlem
when the air is one interminable ball game
and grandma cannot get her gospel hymns
from the Saints of God in Christ
on account of the Dodgers on the radio,
on sunny Sunday afternoons
when the kids look all new
and far too clean to stay that way,
and Harlem has its
washed-and-ironed-and-cleaned-best out,
the ones who’ve crossed the line
to live downtown
miss you,
Harlem of the bitter dream,
since their dream has
come true.

—Langston Hughes, 1951

Racial passing is a well-known theme in pre-World War II African-American literature. Adrian Piper’s recent essay, “Passing for White, Passing for Black,” is an example of continued interest in the topic. In addition, “passing” is used in cultural studies as a metaphor for masking the real-and most often marginalized-self. This article examines racial passing, with an emphasis on the lives of black Creole women, in relation to the economic impact of racial repression and segregation on black life in New Orleans. My conclusions are drawn, in large part, from an analysis of thirty extensive oral history interviews that I conducted with eighteen women and twelve men born between 1885 and 1905, and living in downtown New Orleans in 1977. Each of the men and women that I interviewed thought of themselves as “Creole,” and participated in the familial and social networks of the city’s black Creole community.

Their occupations and educations were representative of the choices then available in New Orleans. All of them worked, although the kind of work that they did changed over the life cycle; they were primarily cigar makers, seamstresses, skilled craftsmen in the building trades, postal carriers, printers, and school teachers. A few of them attended the city’s private high schools and normal schools, an accomplishment that has to be understood within the context of the limited availability of an education-private or public-for African-Americans at the turn of the century. Many others were forced to terminate their educations, in more than one instance as early as the third grade, to begin working, whereas others finished apprenticeships. Their personal lives were equally varied as reflected in the extended, nuclear and augmented households in which they lived, and their individual experiences with parenting, divorce and remarriage, as well as widowhood and desertion. Most, but not all of them, were Catholics. Despite their individual differences, as a group the Creoles of color that I interviewed shared first-hand experiences with hard work and racial discrimination. The women-a group that has been overlooked in New Orleans historiography-experienced both racial and sexual discrimination.

Each of the men and women I interviewed offered insightful interpretations of the worlds in which they lived. They were all very familiar with the myriad practices of racial passing; although they were not all light-skinned, they all knew of individuals-often a parent, spouse or friend-who had passed. More important than examples of the intricate mechanics of passing were their observations about the reasons individuals did so. Lillian Gelbart Simonet, for example, born in 1904, identified a relationship between passing for white and poverty when she remarked:

There are whole families of these people in New Orleans, (who are not necessarily Creoles), who have just been absorbed and gone to various parts of the country and they’re white. Sometimes you just can’t blame them because they have had a hard time. Creole people, with all of the airs, had a hard time to get along [because] they [the young women] would not be domestics. Some were fortunate enough to get work at El Trelles, a cigar factory . . . and Wallace Marine had a cigar factory . . . they weren’t prepared to do any kind of work that required any kind of education at all because half of them hadn’t finished high school.”

The observations of Mrs. Simonet, a retired public school teacher, call attention to the limited opportunities available to the majority of black Creoles who were poor and uneducated, unlike herself.

In the larger scheme of twentieth-century American race categorization, individuals were either black or white. Individual whites may have had preferences for light-skinned or dark-skinned African-Americans in their employ.  But overall the ethnic and cultural nuances and phenotypical differences that were critical to the intraracial dynamics of the black community were disregarded by whites in the segregated economy of New Orleans in the 1900s-1920s. Many Creoles of Color consequently were willing to accept the risks of passing for white rather than suffer the deteriorating material and social conditions endured by persons living and working as “colored.”…

…Although the history of racial passing does not evoke the clearcut ethical responses that we have to slavery it is an important part of the larger story of racism and racial repression in this country. The frequency of passing is further evidence of the fraudulence of race as a meaningful construct for other than divisive exploitation. The experiences of the black Creole men and women that I have focused on are examples of the extreme risks African-Americans born at the turn-of-the-century often felt forced to take to circumvent a poverty that was socially engineered by white supremacists who wanted to preserve decent paying jobs for whites. Therefore, to read the history of “passing” as a tragic mulatto story of self-hatred, or as evidence of a “devil may care,” Caribbean-style multiracial identity in South Louisiana is to misread the history of American race relations…

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The Slave Trader, the White Slave, and the Politics of Racial Determination in the 1850s

Journal of American History
Volume 87, Issue 1 (June 2000)
pages 43-56
DOI: 10.2307/2567914

Walter Johnson, Winthrop Professor of History and Professor of African and African American Studies
Harvard University

In January of 1857 Jane Morrison was sold in the slave market in New Orleans. The man who bought her was James White, a longtime New Orleans slave trader, who had recently sold his slave pen and bought land just up the river from New Orleans, in Jefferson Parish, Louisiana. Morrison, apparently, was to be one of his last speculations as a trader or one of his first investments as a planter. Sometime shortly after her sale, however, Morrison ran away. By the time White saw her again, in October 1857, they were in a courtroom in Jefferson Parish where Morrison had filed suit against him. Before it was settled, that suit would be considered by three different juries, be put before the Louisiana Supreme Court twice, and leave a lasting record of the complicated politics of race and slavery in the South of the 1850s. The reason for the stir would have been obvious to anyone who saw Morrison sitting in court that day: the fifteen-year-old girl whom White claimed as his slave had blond hair and blue eyes.

Morrison began her petition to the Third District Court by asking that William Dennison, the Jefferson Parish jailer, be appointed her legal representative and that she be sequestered in the parish prison to keep White from seizing and selling her. In her petition, Morrison asked that she be declared legally free and white and added a request that the court award her ten thousand dollars damages for the wrong that White had done her by holding her as a slave. She based her case on the claim that her real name was Alexina, not Jane, that she was from Arkansas, and that she had “been born free and of white parentage,” or, as she put it in a later affidavit, “that she is of white blood and free and entitled to her freedom and that on view this is manifest.” Essentially, Alexina Morrison claimed that she was white because she looked that way.

In his response, White claimed that he had purchased Morrison (he still called her Jane) from a man named J. A. Halliburton, a resident of Arkansas. White exhibited an unnotarized bill of sale for Morrison (which would have been legal proof of title in Arkansas, but was not in Louisiana) and offered an alternative explanation of how the young woman had made her way into the courtroom that day. Morrison, he alleged, was a runaway slave. Indeed, he said, he had it on good authority that Morrison had been “induced” to run away from him by a group of self-styled “philanthropists” who were “in reality acting the part of abolitionists.” In particular, White blamed Dennison, whom he accused of having used his position to “incourage” Morrison to run away and of having “afterwards harboured her, well knowing that she was a runaway.” White was drawing his terminology from the criminal laws of the state of Louisiana and accusing Dennison and his shadowy “abolitionist” supporters of committing a crime: stealing and harboring his slave.

The record of the contest that followed is largely contained in the transcription that was made of the records from the lower court hearings of the case when the state supreme court considered Morrison v. White for the final time in 1862. As codified in the statutes of the state of Louisiana and generally interpreted by the Louisiana Supreme Court, the legal issues posed by the case were simple enough: If Alexina Morrison could prove she was white, she was entitled to freedom and perhaps to damages; if James White could prove that her mother had been a slave at the time of Morrison’s birth or that Morrison herself had been a slave (and had not been emancipated), he was entitled to her service; if she was not proved to be either white or enslaved, her fate would be decided by the court on the basis of a legal presumption of “mulattoes’” freedom under Louisiana law. Captured in the neat hand of the legal clerk who prepared the record of the lower court hearings of the case, however, are circumstances that were apparently considerably more complicated than the ones envisioned by those who had made the laws.

Testimony from the lower court hearings of Morrison v. White provides a pathway into the complex history of slavery, class, race, and sexuality in the changing South of the 1850s: particularly into slaveholders’ fantasies about their light-skinned and female slaves; the role of performance in the racial identities of both slaves and slaveholders; the ways anxieties about class and capitalist transformation in the South were experienced and expressed as questions about racial identity; the babel of confusion surrounding the racial ideal on which the antebellum social structure was supposedly grounded; the relationship of the law of slavery as made by legislators and appellate judges to its everyday life in the district courtrooms of the antebellum South; and the disruptive effects of one woman’s effort to make her way to freedom through the tangle of ideology that enslaved her body. In the South of the 1850s, Alexina Morrison’s bid for freedom posed a troubling double question: Could slaves become white? And could white people become slaves?

Whiteness and Slavery

By the time Morrison v. White went to trial, Alexina Morrison would claim that her whiteness made her free, but when Morrison and White first met, in the slave market, it might simply have made her more valuable. It is well known that slaveholders favored light-skinned women such as Morrison to serve in their houses and that those light-skinned women sold at a price premium. What is less often realized is that in the slave market apparent differences in skin tone were daily formalized into racial categories—the traders were not only marketing race but also making it. In the slave market, the whiteness that Alexina Morrison would eventually try to turn against her slavery was daily measured, packaged, and sold at a very high price.

The alchemy by which skin tone and slavery were synthesized into race and profit happened so quickly that it has often gone unnoticed. When people such as Morrison were sold, they were generally advertised by the slave traders with a racial category. Ninety percent of the slaves sold in the New Orleans market were described on the Acts of Sale that transferred their ownership with a word describing their lineage in terms of an imagined blood quantum—such as “Negro,” “Griffe,” “Mulatto,” or “Quadroon.” Those words described pasts that were not visible in the slave pens by referring to parents and grandparents who had been left behind with old owners. In using them, however, the traders depended upon something that was visible in the pens, skin color. When buyers described their slave market choices they often made the same move from the visible to the biological. When, for example, they described slaves as “a griff colored boy,” or “not black, nor Mulatto, but what I believe is usually called a griff color, that is a Brownish Black, or a bright Mulatto,” buyers were seeing color, but they were looking for lineage.6 The words the buyers used—griffe, mulatto, quadroon—preserved a constantly shifting tension between the “blackness” favored by those who bought slaves to till their fields, harvest their crops, and renew their labor forces and the “whiteness” desired by those who went to the slave market in search of people to serve their meals, mend their clothes, and embody their fantasies. They sectioned the restless hybridity, the infinite variety of skin tone that was visible all over the South, into imagined degrees of black and white that, once measured, could be priced and sold…

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“Quadroon” Balls in the Spanish Period

Louisiana History: The Journal of the Louisiana Historical Association
Volume 14, Number 3 (Summer, 1973)
pages 310-315

Translated and Edited by

Ronald R. Morazan, Assistant Professor of History
Southern University, Baton Rouge, Louisiana

With the influx of free blacks into Spanish Louisiana from the island of Santo Domingo, the Spanish authorities provided them with special privileges to hold public dances which eventually became known as “quadroon balls.” Soon after the public dance hall for whites was established in 1792, Governor Carondelct granted Santiago Bernardo Coquet the privilege of giving weekly a public dance for the blacks. Preferring black women, as they were “less demanding,” the white men began patronaing the dance hall for blacks. To correct this situation, Gabriel Fonvergne, the Attorney General (Sindico Procurador General) of the Cabildo, asked the City Council to petition Governor Carondelet to prohibit slaves from entering the dance hall. The governor, because of numerous complaints and objections from slave owners, refused the request of the Cabildo and the attorney general but decided instead to prohibit white people from going into the dances for blacks. Permission to continue the dances was given by the following administration, which was that of Don Manuel Gayoso de Lcmos, but after his death, the new Attorney General of the Cabildo, Don Pedro Dulcido Barran, asked the City Council to petition Acting Civil Governor Don Nicolas Maria Vidal to abolish the dances once and for all; however, Governor Vidal refused…

Creole Angel: The Self-Identity of the Free People of Color of Antebellum New Orleans

University of North Texas
August 2006
136 pages

Ben Melvin Hobratsch

Thesis Prepared for the Degree of Masters of Arts, University of North Texas, August 2006

This thesis is about the self-identity of antebellum New Orleans’s free people of color. The emphasis of this work is that French culture, mixed Gallic and African ancestry, and freedom from slavery served as the three keys to the identity of this class of people. Taken together, these three factors separated the free people of color from the other major groups residing in New Orleans—Anglo-Americans, white Creoles and black slaves.

The introduction provides an overview of the topic and states the need for this study. Chapter 1 provides a look at New Orleans from the perspective of the free people of color. Chapter 2 investigates the slaveownership of these people. Chapter 3 examines the published literature of the free people of color. The conclusion summarizes the significance found in the preceding three chapters and puts their findings into a broader interpretive framework.

Table of Contents

• INTRODUCTION
• Chapters
  • 1. THE FREE PEOPLE OF COLOR’S ANTEBELLUM NEW ORLEANS
  • 2. THE SLAVEHOLDING OF NEW ORLEANS’S SLAVEHOLDING FREE PEOPLE OF COLOR, 1820-1840
  • 3. THE LITERATURE OF NEW ORLEANS’S FREE PEOPLE OF COLOR, 1837-1845
• CONCLUSION
• Appendices
  • A. CENSUS SLAVE SCHEDULES, 1820-1840
  • B. EMANCIPATION PETITIONS, 1814-1843
• BIBLIOGRAPHY 

Free people of color, or gens de couleur libres, were men and women of either African or mixed African and European ancestry that were legally free from slavery, yet were proscribed in their social condition by the law. These men and women had always played a significant role within New Orleans. This was due, in part, to their sheer numbers. In New Orleans in 1840, for instance, free people of color numbered 19,226 of a total population of 102,193 or 18.8% of the population. Only Baltimore, Maryland could claim relatively similar numbers of free people of color. Of Baltimore’s total population of 102,313 in 1840, 17,967 or 17.5% were free people of color. Other southern cities did not even come close to approaching such levels. In the same year, in Charleston, another southern city in which a significant population of free men and women of color resided, only 5.4% of the population or 1,588 of a total population of 29,261 were free people of color.

The important role of free men and women of color within New Orleans was also due to the fact that until the implementation of American order in Louisiana in 1803, there had existed a tripartite socioracial stratification within the city, along the Latin model. This non-Anglo socioracial stratification allowed the gens de couleur libres to enjoy more social rights than free people of color in any other area of North America, in addition to near-equality with whites in regards to legal rights. In the Anglo-dominated United States, a binary socioracial hierarchy existed that placed free people of color at the same level as enslaved men and women of color.

The tripartite socioracial stratification of colonial New Orleanian society was one of fracture and fragmentation (see Table 0.1). One’s place in society was determined by economic and racial factors. As with most societies, individuals in antebellum New Orleans were categorized based upon their economic status. Individuals were wealthy, poor, or somewhere in between.

Factors of racial ancestry complicated a purely economic classification. Individuals, regardless of their economic status, were labeled white, black or “of color” (somewhere in between). In antebellum New Orleans, an individual’s racial phenotype took precedence over wealth. As a result New Orleanian society was first ordered by skin color, then, within each of the three separate racial groups, by economic condition. Within this Latin-style tripartite social stratification, the free people of color occupied the middle strata. As occupants of the middle strata, free people of color were viewed as socially “below” whites (of whatever economic condition) and “above” all black slaves…

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The Great Southern Babylon: Sex, Race, and Respectability in New Orleans, 1865–1920

Louisiana State University Press
2004
282 pages
6 x 9, 27 Halftones, 2 Maps
Paper ISBN-13: 9780807131121

Alecia P. Long, John L. Loos and Paul W. and Nancy Murrill Professor of History
Louisiana State University

With a well-earned reputation for tolerance of both prostitution and miscegenation, New Orleans became known as the Great Southern Babylon in antebellum times. Following the Civil War, a profound alteration in social and economic conditions gradually reshaped the city’s sexual culture and erotic commerce. Historian Alecia P. Long traces sex in the Crescent City over fifty years, drawing from Louisiana Supreme Court case testimony to relate intriguing tales of people both obscure and famous whose relationships and actions exemplify the era.

Long uncovers a connection between the geographical segregation of prostitution and the rising tide of racial segregation. She offers a compelling explanation of how New Orleans’s lucrative sex trade drew tourists from the Bible Belt and beyond even as a nationwide trend toward the commercialization of sex emerged. And she dispels the romanticized smoke and perfume surrounding Storyville to reveal in the reasons for its rise and fall a fascinating corner of southern history. The Great Southern Babylon portrays the complex mosaic of race, gender, sexuality, social class, and commerce in turn-of-the-twentieth-century New Orleans.

Table of Contents

• Introduction
• 1 “It’s Because You Are a Colored Woman” Sex, Race, and Concubinage after the Civil War
• 2 The Business of Pleasure: Concert Saloons and Sexual Commerce in the Economic Mainstream
• 3 “Where the Least Harm Can Result”: Sex, Race, and Respectability in a Single Neighborhood
• 4 “Unusual Situations and Remarkable People”: Mary Deubler, Respectability, and the History of Storyville
• 5 “As Rare as White Blackbirds”: Willie Piazza, Race, and Reform
• Epilogue
• Notes
• Biibliography
• Index

Problems with Plaçage: Historical Imagination and Femmes de couleurs libres in Colonial and Antebellum New Orleans

Bridges: A Journal of Student Research
Coastal Carolina University
Issue 3 (Winter 2009)

Philip Whalen, Associate Professor of History
Coastal Carolina University

This essay compares two approaches to understanding the condition of free women of color who struggled to maximize their autonomy and sustain social relations within the repressive environment of colonial and antebellum New Orleans. While recent scholarship squarely addresses how free women of color constructed and sustained a viable Creole heritage, it must reckon with a tradition of primary sources written by moralists, and itinerant observers—ranging from Fanny Trollope and Gustave de Beaumont to Amos Stoddard and Grace King—whose analysis of the daily lives of Creole women was suspect in that it drew disproportionate attentions to the sexual activities of free women of color with white men.

In Louisiana the highest position that can be held by a free woman of color is that of a prostitute… She raises herself by prostituting herself to the white man.
—Gustav de Beaumont, Marie (1835)

Free women of color, or filles de couleurs, occupied a unique and precarious social position in late-eighteenth and early-nineteenth century Louisiana. Legally defined as being of no more than ¼ African ancestry but commonly identified as belonging to a class of free persons exhibiting some degree of color (Garrigus, 1988, p. vii and Berlin, 1998), they rejected identification with black slaves and free whites in order to construct distinct identities for themselves in a racially oppressive and sexually exploitive environment (Gould, 1996, p. 193). The strategies they employed to advance and protect their interests illustrate how they tackled the circumstances and conditions that defined their struggle. These ranged from taking advantage of their slim but not inconsequential legal rights, to educating themselves, to holding and transmitting property, to developing exclusive community networks, to cornering various market activities, and engaging in a variety of legal and extra-legal personal unions.

From the first introduction of slaves to the early twentieth century, Louisiana’s efforts to legally establish a hierarchy of racial identification—especially where Creoles and “mixed bloods” were concerned—were bedeviled by competing identity claims, a disorderly population (Spear, 1999, p. 155), and an environment in which “antimiscegenation measures were flagrantly disregarded” (Lachance, 1994, p. 214). In fact, Doris Garraway notes, “the class of free people of color was quite diverse in gender, color, and circumstance. Referred to variously… the free people of color included former slaves and the descendants of all skin tones” (2005, p. 211). It should also be remembered that early nineteenth-century accounts described white creoles in terms of ethnicity and heritage rather than skin color. Amos Stoddard, for example, described the “Creoles, or native inhabitants” in his Sketches Historical and Descriptive of Louisiana as partly the descendants of the French Canadians and partly of those who migrated “intermixed with some natives of France, Spain, Germany, and the United States, and in many instances the Aborigines” (1973, p. 323). Despite contradictory evidence provided in the narratives of novelists, historians, moralists, and other chroniclers of life in New Orleans who frequently observed that Creole women resembled “the women of Cadiz and Naples and Marseilles; with a self possession, ease, and elegance which the Americans seldom possess” (King, 1920, p. 273), considerations of ethnicity, lineage or linguistic (especially French, German, Caribbean) identity rarely, in the final analysis, inhibited them from using the preferred racial schemas to taxonomize Louisiana’s gens de couleurs. The gens de couleurs, wrote Grace King:

were a class apart, separated from and superior to the negroes, ennobled, were it by only one drop of white blood in their veins…. To the whites, all Africans who were not of pure blood were gens de couleurs. Among themselves, however, there were jealous and fiercely guarded distinctions; mulattoes, quadroons, octoroons, griffes, each term meaning one more generation’s elevation, one degree’s further transfiguration in the standard of racial perfection; white blood. (1920, p. 333)

This inferior racial identity projected onto gens de couleurs was compounded by moral and social prejudices. Assumptions hardened into received opinion—easily detected in contemporary literature, memoirs, and histories—as racial prejudices were translated into laws designed to increase the legal distinctions between different racial groups were legislated when Louisiana became part of the Unites States (including the reestablishment, by the Louisiana Legislature of the French Code Noir of 1724 as the Black Code in 1806), and New Orleans Creoles evolved into a separate and more self-conscious ethnic caste with fewer exogamous marriages by the mid nineteenth century (Spear, 1999, pp. 101-153 and Lachance, 1994, p. 213, p. 229 and pp. 233-35)…

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Brackish Bayou Blood: Weaving Mixed-Blood Indian-Creole Identity Outside the Written Record

American Indian Culture and Research Journal
Volume 32, Number 2 (2008)
Special Issue: Indigenous Locations Post-Katrina: Beyond Invisibility and Disaster
Online Date: 2008-08-22
pages 93-108
ISSN: 0161-6463

L. Rain Cranford-Gomez

As a child on the Gulf of Mexico, evacuation to higher ground for floods, hurricanes, and tornado warnings were common. At the end of August 2005, Hurricane Katrina ravaged the homelands of this author’s father and grandfather in Louisiana. Hundreds of miles of wetlands, already threatened, were turned to open water; vital brackish waters were flooded with seawater, thus damaging the delicate balance between fresh and salt that many plants and animals need for their habitats. Vital records and historic documents were flooded, damaged, besieged with mold, and lost to the ravages of wind and water. However, these records do not tell the only stories in Louisiana. In the wake of the devastation that has impacted Louisiana communities, in particular Creole and Indian communities, it makes other forms of record-keeping, such as historic oral narratives and material culture, vitally important as they seek to preserve their histories as Indians, Louisiana Creoles, and uniquely mixed-blood people in Louisiana. This article is taken from a greater conversation, a work in progress. The text presented in this article should be read as a story and a conversation that seeks to open possible dialogues and interaction, shared histories, narratives, and cooperation between Louisiana Indians and Louisiana Creoles as manifested in shared material culture practices and mixed racial-cultural inheritance. By revisiting the racial mixing of Creole identity from a metis/mestizo perspective, “reading” Indian and Creole basketry as a material culture source that speaks for a people, and sharing personal reflections, the author hopes to illustrate converging narratives and dialogues further rooting Louisiana Creoles in an indigenous history; a metis/mestizo people separate but linked to their indigenous land and kin ties. The author urges other scholars to explore further the indigenous connections between Louisiana Creoles and Louisiana Indians with a particular focus on those of both Louisiana Indian and Creole descent.

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