Mixed Race Studies

Jared Sexton, Amalgamation Schemes: Antiblackness and the Critique of Multiracialism [Comer Review]

Black Diaspora Review
Volume 3, Number 1 (2012)
pages 52-53

Nandi Comer
Indiana University, Bloomington

Amalgamation Schemes: Antiblackness and the Critique of Multiracialism. By Jared Sexton. Minneapolis: University of Minnesota Press, 2008. 345 pp.

“It’s proud to be able to say that… The first black president… That’s unless you screw up. And then it’s going to be what’s up with the half white guy?”
—Wanda Sykes, 2009 White House Correspondents Dinner

Shortly after the 2008 presidential election, Wanda Sykes stood in front of a banquet hall of the most prominent journalists in the United States and celebrated Barack Obama for being the “first black president.” During her comments she also acknowledged his biracial identity, but her emphasis on his Black identity represented the frame of mind of millions of Americans who acknowledge Obama as the first Black president. Still, Sykes’s remarks about Obama’s racial identity indicates the choice people of mixed race have—to accept traditional notions about race and hypodescent, which determines anyone with African blood Black, or to claim a multiracial identity. Although this choice is a personal one, since the 1980s multiracial communities have mobilized to construct a politicized identity in the pursuit of racial equality.

In Amalgamation Schemes, author Jared Sexton examines the political history and current discourse of multiracialism in order to uncover the negative ramifications of its political agenda. Through his critical analysis, Sexton argues that in its attempt to gain political recognition as a progressive movement committed to racial equality and the elimination of sexual racism, multiracialism has positioned itself in opposition to notions of hypodescent and antimiscegenation, while simultaneously adapting a morally conservative identity. For Sexton the multiracial political agenda are dangerous breeding grounds for antiblackness, heteronormativity, desexualization of race, and deracialization of sex. In other words, Jared Sexton argues that multiracialism is a mechanism for further reinforcement of “global white supremacy”.

In his work Sexton’s primary aim is to “address the problematic of multiracial discourse” (154). What was originally a movement dedicated to furthering the goals of the Civil Right Movement, seeking acknowledgement and representation in the census, Sexton argues, was actually a misinterpretation of the original policy meant to “track the progress towards racial equality.” Ironically, Sexton argues, the very Black civil rights leaders from whom multiracialism draws are the same individuals from whom multiracialism seeks to distance itself…

Read the entire review here.

A Classic Study of the History of Caribbean Women

H-Caribbean Reviews, H-Net Reviews
December 2008

Barbara Bush

Lucille Mathurin Mair. A Historical Study of Women in Jamaica, 1655-1844. Kingston: University of the West Indies Press, 2006. 496 pp. $60.00 (cloth), ISBN 978-976-640-166-5; (paper), ISBN 978-976-640-178-8.

I first encountered Lucille Mathurin Mair’s work during the 1970s when I read her seminal article, “The Arrivals of Black Women,” published in Jamaica Journal in 1975. Her work, which influenced me and a number of other pioneering historians in the field, was seminal in developing research in gender and slavery. Mair’s research, however, went beyond Jamaican slave women of African origin; it also embraced white and mulatto, or “brown,” women, slave and free. Her doctoral thesis, supervised by Elsa Goveia, the first woman professor of history at the University of the West Indies, Mona Campus, Jamaica, was awarded in 1974. Mair (née Waldrond) went on to become a well-known Jamaican historian, author, teacher, activist, and diplomat, but her dissertation remained unpublished. Verene A. Shepherd and Hilary McD. Beckles, both professors of history at the University of West Indies who have made a significant contribution to gendered perspectives on Caribbean history, are thus to be commended for transforming this monumental study into a published monograph.

The book is divided into three main sections that map Mair’s original structure. Part 1 addresses the origins of Jamaican society and examines female arrivals from 1655 to 1770. Part 2 focuses on creole slave society, while the final part, “Postscript, 1834-1844,” explores the beginnings of a free society. Each section weaves together the lives of white, black, and mulatto women, and explores their relationships to each other as well as to white, black, and mulatto men. Shepherd and Beckles have skilfully and sensitively edited the original text, making the minimum of changes. Their introduction effectively contextualizes Mair’s study in relation to developments in the field of women’s, gender, and feminist history since the 1970s, and its impact on the postcolonial historiography of slave and post-slave societies…

…One of Mair’s most interesting contentions is that the “original creole matriarch may not have been black but brown” (p. 292). Free brown women, she argues, tended to live in families dominated by women and looked down on black women and brown men, whom they regarded as “helpless.” These matriarchies may reflect the particular location of mulatto women in slave societies. Brown women were the cultural conduits between black and white worlds, as the mistresses of white men and as “grog house” keepers. But, observes Mair, their position in Jamaican society was ambivalent. As the object of white male desire, they could prosper but they could never match the ideal of white womanhood and achieve respectability. Religion was the other end of the spectrum of approved means of brown upward mobility, but, argues Mair, before the abolition of slavery in 1838, there does not seem to have been the same development of philanthropy and sense of civic duty as was found among the Barbadian urban free colored population. With emancipation, however, there was a decline in concubinage, a reflection of the pervasive emphasis on “respectability” in post-slavery society that separated the “civilized” and aspiring mulattos and blacks from their “primitive” African past…

Read the entire review here.

Authors Probe Roots of U.S. Far Right

Southern Poverty Law Center
Intelligence Report
Winter 2009, Issue Number: 136

Heidi Beirich

Defending the Master Race: Conservation, Eugenics, and the Legacy of Madison Grant
By Jonathan Peter Spiro
Burlington, Vt.: University of Vermont Press, 2009
$39.95 (hardback)

The Color of Fascism: Lawrence Dennis, Racial Passing, and the Rise of Right-Wing Extremism in the United States
By Gerald Horne
New York: New York University Press, 2009
$22.00 (hardback)

A bumper crop of works on influential early 20th century American racists, fascists and eugenicists has been hitting the bookshelves in 2009. Two of the most interesting are on Madison Grant (1865-1937), perhaps the most important conservationist of his time and so pernicious a racist and anti-Semite that he helped inspire Hitler’s policies, and Lawrence Dennis (1893-1977), the biggest defender of fascism in the 1930s, who was, surprisingly, a black man passing for white.

Jonathan Peter Spiro’s biography of Grant, a very rich member of the American WASP elite, is eye opening. It is astonishing to realize how many major American figures of the early 1900s were so rabidly racist and anti-Semitic — and perfectly willing to use the power of the state to sterilize those they saw as lesser beings. Spiro’s book is fundamental to understanding how profoundly our nation has been shaped by racist and anti-Semitic ideas…

…Grant’s most important work, The Passing of the Great Race, was first published in 1916 by the elite Charles Scribner’s Sons. Its basic thesis, still popular among American white supremacists today, is that miscegenation and immigration were destroying America’s superior “Nordic” race. In their time, Grant’s beliefs were popular, even meriting a mention in F. Scott Fitzgerald’s The Great Gatsby (the celebrated author and Grant shared the same Scribner editor).

Presaging Hitler’s infamous words, Grant called Nordics “the Master Race.” To protect that race, Grant was quite clear that restrictions curtailing Jewish and Southern European immigration were necessary. Eugenics, too, were required. He wrote that the effort should begin by sterilizing the “criminals,” the “insane” and the “diseased,” followed by the “weaklings” and, ultimately, all “worthless race types.”…

…American Fascist

Gerald Horne’s The Color of Fascism is a much slimmer volume on the unlikely career as an American fascist of Lawrence Dennis, a far-right thinker who passed as white and whose ideas are still prized today by radical right activists, including veteran anti-Semite Willis Carto.

Dennis was an interesting character. He was born in Atlanta of a black mother and white father in 1893 and was a child prodigy. Before the age of 10, Dennis wrote a book on his Christian beliefs and preached his religion to massive crowds in the U.S. and Europe—never hiding his black mother, who shepherded him around the world. But as he grew older, the light-skinned Dennis made a decision to leave his far darker-skinned mother behind and to begin to pass for white. By the 1920s, he had achieved the unthinkable for a black man of the time, graduating from Exeter and then Harvard and going on to make careers for himself in the State Department and on Wall Street, where he was one of the few who predicted the 1929 stock market crash. That prediction led to a profitable run of speaking engagements for Dennis in the 1930s and vaulted him into the upper-class social circles of the far right, where he became particularly close to Charles and Anne Lindbergh.

By the 1930s, Dennis had evolved into the public face of American fascism, making connections with American extremists and traveling to Europe to meet with Mussolini, whom he later said he was “less impressed with” than Hitler. In 1941, Dennis was named “America’s No. 1 Intellectual Fascist” by Life.

So what made Dennis an adherent of an ideology that most certainly would have oppressed him and other African Americans? Horne theorizes that Dennis may well have been attracted to fascism simply because it stood starkly opposed to American “democracy,” which then so openly oppressed blacks living under Jim Crow. He wrote often and eloquently of the impending ascendancy of the fascist model, and regularly ascribed America’s decay to its racist policies — a point that oddly seemed missed by his many racist allies…

Read the entire review here.

Lawrence Powell delivers a gripping history of New Orleans in ‘Accidental City’

New Orleans Times-Picayune
2012-04-02

Chris Waddington

At first, I was disappointed to hear that Lawrence Powell’s history of the Crescent City ended with the Battle of New Orleans. I wanted the Tulane University scholar to bring me a little closer to the present.

My opinion changed a few pages into “The Accidental City: Improvising New Orleans.”
 
Powell’s splendid time machine of a book swept me into a detailed account of the city’s rise from swampy colonial outpost to strategic linchpin during the War of 1812. Populated with vividly sketched characters, Powell’s history fits individual actors into a coherent, geopolitical narrative that spans centuries and continents — no easy task when your cast includes Enlightenment scientists, loud-mouthed market women, French-Canadian voyageurs, Ursuline nuns, slave artisans and Gen. Andrew Jackson hoisted on the shoulders of cheering Baratarians…

…The birth of a distinctive Creole society wasn’t fast or tidy. Powell writes about free people of color who owned slaves. He writes about back-of-town bars where people of all races mixed. He describes how Ursuline nuns recruited the wives of slaveholders to serve as godparents for their baptized chattels — in opposition to prevailing law. He writes about brutally suppressed slave revolts — and the free manumission of black concubines and their mixed-race offspring. He catches all the high and low notes as New Orleanians improvised an American future — and he makes it clear that America would be a very different place without the city’s contributions.

Read the entire review here.

Just Finished Reading: Fathers of Conscience: Mixed-Race Inheritance in the Antebellum South

Random Thoughts on History: My musings on American, African American, Southern, Civil War, Reconstruction, and Public History topics and books.
2012-04-17

Tim Talbott
Frankfort, Kentucky

The practice of slavery created many complications. Not the least of these were the children produced by relationships between slave owners and their female property. Certainly many of these associations were forced, as they were the creation of an unequal power relationship, but possibly others evolved into a more common law-type bond. Whatever the union between slave and owner, it is obvious that a number of these slaveholders felt an obligation to their mixed-race offspring, and sometimes toward the mothers, in that they sometimes left wills freeing and providing them with property or monetary gifts.

Fathers of Conscience: Mixed-Race Inheritance in the Antebellum South, by Dr. Bernie D. Jones, a law professor at Suffolk University who earned her PhD in history at the University of Virginia, explores a number of the court cases in which the wills of slaveowners who made provisions for their mixed-race children were contested, most often by the white members of the owners’ families.

Jones explains that interracial relationships were tolerated in the Old South so long as they remained secret and hidden. When owners took measures to provide for their illegitimate children and their slave mothers is often when things got problematical. Judges often had to decide whether to respect the desires of the deceased owner or face a potentially hostile community who did not want free blacks in their neighborhoods. The author contends that judges that decided these cases normally described the men in these illicit relationships as three types; as “righteous fathers” who were attempting to right a wrong, “vulnerable old men” who had been duped or seduced by their slave women in order to receive favorable treatment, or “degraded creatures” who deserved no respect for destroying community norms…

Read the entire review here.

Real Indians and Others: Mixed-Blood Urban Native Peoples and Indigenous Nationhood [Review by Steve George]

Ethnicities
Volume 27, Number 2 (2005)
Pages 272–274

Steve George
Memorial University, St. John’s, Newfoundland

Real Indians and Others: Mixed-Blood Urban Native Peoples and Indigenous Nationhood. By Bonita Lawrence. (Vancouver: University of British Columbia Press, 2004. Pp. 303, bibliography, index, ISBN 0-7748-1103 -X)

The title of Lawrence’s book is as direct as it is provocative. The book’s title states the book’s purpose to examine the central and perhaps most volatile question in Aboriginal communities today: “Who is an Indian?” In 2003, Lawrence edited Strong Women Stories: Native Vision and Community Survival (Sumach Press) with Kim Anderson and in many respects this new work is a continuation of the voices heard in that book. Lawrence is a Mi’kmaq scholar whose research at Queen’s University, and more recently at York University, has concerned how “Indian/nativeness” is defined in Euro-Canadian and Native contexts, from within historical and legal paradigms as well as within native communities across Canada.

Bonita Lawrence’s work is a continuation of powerful works like Howard Adams’ Prison of Grass (1975) and Maria Campbell’s Half-Breed (1973) and more recent works by Joseph Bruchac, Bowman’s Store (Lee & Low Books, 2001) and Warren Carriou’s, Lake of the Prairies (Anchor, 2003). It has the depth of these works because we read mixed-blood peoples’ voices directly from the page. The importance of these voices lies in how each of these persons tells their stories, relates their experiences, and shares their family and community histories. Lawrence’s style of writing is easy to read while her research approach is organic in its having informants speak for themselves.

As a mixed-blood Mi’kmaw, I read this book from both a very personal level of experience as well as from an academic one, as a Masters graduate student in Folklore. In Canada the subject of mixed-blood Native people remains a controversial one from within native communities and from without, in the large urban centres across the country. Lawrence has interviewed several mixed-blood informants to tell stories that show the different kinds of experiences mixed-bloods have had in the city of Toronto and across North America. Some of these narratives involve pain, abuse, neglect, and lack of self worth, while others involve stories of empowerment, community involvement, and survival. Each one of the informants speaks from life experiences that involve a mix of acceptance and non-acceptance of their “Indian/nativeness,” both from within themselves, from their families as well as from different native communities. The responses interviewees give Lawrence are direct and bear fruit to the underreported and underwritten subject of mixed-blood Native peoples…

Read the entire review here.

Film Review: Marley

Film Journal International
2012-04-18

Marsha McCreadie

Marley, the documentary by Oscar-winning Kevin Macdonald about the legendary musician and national and international symbol for individual rights, should sparkle and sing—OK, there’s some of that—but it just sort of hums along. Maybe you can’t catch this particular lightning in a bottle, but there might be another way than this respectful, straightforward, admiring approach.

 If anyone could display the spectacular yet contradictory parts of Bob Marley—a multi-talented half-black/half-white womanizer who loved spiritually and pan-nationally; a mesmerizing performer who was a quiet guy; a pride-instiller for his dirt-poor country and religious proselytizer who lived by his own rules—it should be Macdonald. The Oscar-winning British director made the tyrant Idi Amin likeable and the charming James McAvoy despicable in The Last King of Scotland; he set our hearts to pounding with the jarring edit of massacred Israeli Olympians in One Day in September. Marley is thorough, revelatory and completely fair-minded. It’s just not very exciting. Wrong for Bob Marley…

…The Marley family-approved doc includes rare, candid interviews with his children (well, two of the eleven), and three—wait, four—of his seven women. Marley comes across as introspective, also extremely competitive (one too many shots of him at soccer), emphasizing the psychoanalytic angle that he was so driven because he never really knew his white father, married to his mother Cedella but mainly absent until he died when Bob was 10. We see a photo of Norval Marley, learn what little there is to know about this British Marine captain, and find that Bob always saw himself as an outsider: never part of the white community nor of the black, as he was considered a half-caste, not black enough. In the black Jamaican community, it was rumored his white half caused his melanoma, from which he died at 36…

Read the entire review here.

The Legend of Marley: Kevin Macdonald considers reggae, Rasta and politics in new documentary

Film Journal International
2012-04-19

Doris Toumarkine

It’s taken several decades and faced many frustrating setbacks, but a richly documented and worthy film about the late reggae superstar Bob Marley has at last been realized.

Previously attached to Martin Scorsese and Jonathan Demme, Marley has been brought to life by Oscar-winning Scottish director Kevin Macdonald (One Day in September), who was persuaded to board the project by executive producer Chris Blackwell, the man who signed Marley to his influential Island Records label.

Just as important, Hollywood producer/financier Steve Bing’s money kicked in (through his Shangri-La Entertainment) and Marley’s family finally acceded to full cooperation and access after much dissension. Marley’s son Ziggy is an exec producer and Bing is a producer.

Expectations are no doubt soaring high for this first full-blown documentary, not just for hard-core Marley and reggae fans but for all those who value pop music and its evolution as integral to Western culture.

Providing a wealth of visual material, music and testimony from talking heads close to Marley, the Magnolia release initially conveys the artist’s extreme poverty in his native Jamaica, where he grew up the mixed-race son of a teenage black mother and older, largely absent white British father, a military man who sailed the seas or just plain drifted…

…Maybe not everything was captured. Marley had a reputation for the wandering eye (he had 11 children) and smoked a lot of weed, aka ganja, but Marley mostly stays clear of those topics.

 More to the point, the doc provides a wealth of music and suggests why the Marley reggae sound caught on so big. Music abounds, including hits from the album Exodus and the reggae smash “No Woman, No Cry,” whose rhythms were unique because, as the doc shows, Marley shifted the traditional beats…

…So what was the most surprising thing Macdonald learned about Marley?

 “I discovered how Marley was such an outcast, such an outsider even in his native country,” he replies. “As a mixed-race man, he was never really respected and he was even looked down upon because he was a Rastafarian. Yet he found his identity as a Rasta and when he became successful, everything changed.”…

Read the entire review here.

This is Not a Biography: Pauline Johnson and the Process of National Identity

Canadian Poetry
Volume 48 (Spring/Summer 2001)

Shelley Hulan, Associate Professor of English
University of Waterloo, Canada

Carole Gerson and Veronica Strong-Boag. Paddling Her Own Canoe: the Times and Texts of E. Pauline Johnson–Tekahionwake. Toronto: U of Toronto P, 2000. 331 pp.

Anyone familiar with the literary criticism on early twentieth-century Canada knows that the writer and performer Pauline Johnson has long been a source of fascination for students of the period. Because she occupied both Native and White worlds, and because her work contributes something to dialogues on race, women, performance, and imperial identity in the young Canada, she has been the subject of several studies, most of them biographical. As biographies must, these examinations of the poet and performer seek the identity of their subject by attempting to recreate the person. Biographies often serve as bellwethers for the interests of the times when they are written, and the continuing appearance of new ones about Johnson demonstrates that she still provokes many questions for contemporary scholars. Biographies also require their authors to make inferences, sometimes tenuous, about the subject’s life on the basis of documentary evidence, sometimes sparse. This practice is especially difficult in the case of someone like Johnson, many of whose private papers were burned by her sister Eliza shortly after her death. In Paddling Her Own Canoe: The Times and Texts of E. Pauline Johnson–Tekahionwake, Carole Gerson and Veronica Strong-Boag do not attempt another biography of Johnson but undertake, instead, an analysis of the texts that she wrote in the contexts of her own time. Freeing themselves in this way from the necessity of heavy speculation on a life that is inaccessible to readers, they devote the book to a reconstruction of the milieu in which Johnson lived and to a scrutiny of writings by and about her.

This is an ambitious and exhaustively researched study, both in its quest for new documentary clues to Johnson’s situation in late nineteenth- and early twentieth-century Canada and in its bibliographical search for Johnson’s many uncollected prose publications. Gerson and Strong-Boag believe that a thorough survey of Johnson’s writing is necessary in order to understand her place in the history of Canadian ideas. They forego nothing in Johnson’s life work, considering everything from her ode to Joseph Brant, which was read at the unveiling of the monument raised to the Native chief in 1886, to her early literary essays, her memoirs of her mother, and the occasional verse that she wrote for different towns on her performance circuit in later years. One of the fruits of their bibliographical research is a detailed chronology of her publications, a chronology that enables them to challenge the pattern of development into which other critics have persistently tried to place the poet-performer. Their inquiry into the expectations of the markets for which Johnson wrote suggests that writers like her addressed, at different times, two very different audiences. On one hand, there were the readers of Johnson’s poetry (which was largely unremunerated and found in anthologies and newspapers), and on the other there were the readers of her fiction and memoir-writing (which was paid writing for specific audiences with well-defined expectations). Framed by their research into her historical context and into her publication record, Gerson and Strong-Boag’s argument is that Johnson alternated between expressing popular Canadian imperialist sentiments and challenging prevailing preconceptions of Native peoples as vanishing, weak, and invisible.

Like Johnson’s biographers, Gerson and Strong-Boag view Johnson as a figure through whom many questions about turn-of-the-century Canadian culture may be asked, and they want to know how her many identities–as a woman, as a person of Mixed-race heritage, as a member of the middle class, and as a performer–made her such an enduring contributor “to the national imaginary” (11). The first chapter extensively reviews the various attitudes toward race at the end of the nineteenth century, dwelling particularly on ideas of racial hybridity in Canada. By examining a variety of texts published in Canada during Johnson’s lifetime, including anthropological studies of Native North Americans, newspaper clippings, and correspondence, Gerson and Strong-Boag argue that “in enforced encounters with English language, texts, and laws, Indians increasingly confronted attitudes that designated them and their traditions as subordinate” (27). In this way, they begin to outline the sense of conflict under which they subsequently argue that Johnson lived and worked. Johnson’s immediate family (she had a White mother and a Native father) captures the complicated situations of Native and Mixed-race persons who, like Johnson’s father, simultaneously held positions of authority on a Native reserve and worked closely with federal imperial authorities. The authors draw attention both to the mixed feelings of some Reserve members towards this Native elite and to the settler community’s equally noncommittal stance towards it, and they suggest that the two groups’ always-reluctant acceptance of Native leaders shaped Johnson’s early consciousness…

Read the entire review here.

Multiracial Identity [Film Review by Patricia B. McGee]

Educational Media Reviews Online
2011-07-19

Patricia B. McGee, Coordinator of Media Services
Volpe Library & Media Center
Tennessee Technological University, Cookeville, Tennessee

Multiracial Identity
2010
Distributed by Bullfrog Films, PO Box 149, Oley, PA 19547; 800-543-FROG (3764)
Produced and Directed by Brian Chinhema
DVD, color, 77 min. and 56 min.
Jr. High – General Adult
African American Studies, Anthropology, Multicultural Studies, Sociology

Highly Recommended

Multiracial Identity explores the complexities of what it means to be a person of mixed race heritage in the United States, and how the concept of mixed race “challenges racial perceptions and boundaries.” Race is a concept with its origins in custom and mores; in America persons with both black and white ancestry are viewed as black, a legacy of the ‘one drop rule’ intended to preserve the racial purity of the white race. The film explores the history of how multiracial individuals have been treated in America, how the mixed race class provided a shield between blacks and whites, and how the paper bag, blue vein or comb tests would be used to determine racial membership…

…For multiracial people the lack of a mixed race categorization can be a source of conflict and distress. Many find the categorization “other” on many forms to be dehumanizing, or they feel they “don’t really have a place.” Others, when forced to choose membership in a single group, feel they are denying half their heritage. Sometimes they end up without the strong support of the very cultural group they are forced to identify with. Yet, if the concept of race were eliminated, America would no longer be able to track racial discrimination. Muddying the water still further is the question where to place Hispanics—which is a linguistic rather than a racial group…

Read the entire review here.