Mixed Race Studies

Nella Larsen’s Passing: More than Skin Deep

McNair Scholars Research Journal
Volume 15
pages 71-83
June 2011

Sarah Hicks
California State University, Long Beach

Nella Larsen’s novella Passing focuses on Irene Redfield and Clare Kendry-Bellew, two female Mulatto characters who pass into white communities; however, two white male minor characters, Hugh Wentworth and John “Jack” Bellew reveal an irregular definition of passing. Wentworth and Bellew challenge our assumptions of where the racist resides within the United States. Because of this, Larsen asks the reader to broaden the definition of passing. As Larsen applies passing on a deeper lever, she manipulates these characters to live in regional boundaries that are counterintuitive to our ideas of the Northern liberal and the Southern racist. What we find, however, is the passing of characters that are true to their borders. In this way, Larsen suggests passing is more than skin deep.

Read the entire article here.

Passing for what? Aspects of Identity in Nella Larsen’s Novels

Black American Literature Forum
Volume 20, Number 1/2 (Spring-Summer, 1986)
pages 97-111

Cheryl A. Wall, Board of Governors Zora Neale Hurston Professor of English
Rutgers University

True, she was attractive, unusual, in an exotic, almost savage way, but she wasn’t one of them.
—Quicksand (124)

“… I was determined … to be a person and not a charity or a problem, or even a daughter of the indiscreet Ham. Then, too, I wanted things. I knew I wasn’t bad-looking and that I could ‘pass.'”
—Passing (56)

At the height of the Harlem Renaissance, Nella Larsen published two novels, Quicksand (1928) and Passing (1929). They were widely and favorably reviewed. Applauded by the critics, Larsen was heralded as a rising star in the black artistic firmament. In 1930 she became the first Afro-American woman to receive a Guggenheim Fellowship for Creative Writing. Her star then faded as quickly as it had risen, and by 1934 Nella Larsen had disappeared from Harlem and from literature. The novels she left behind prove that at least some of her promise was realized. Among the best written of the time, her books comment incisively on issues of marginality and cultural dualism that engaged Larsen’s contemporaries, such as Jean Toomer and Claude McKay, but the bourgeois ethos of her novels has unfortunately obscured the similarities. However, Larsen’s most striking insights are into psychic dilemmas confronting certain black women. To dramatize these, Larsen draws characters who are, by virtue of their appearance, education, and social class, atypical in the extreme. Swiftly viewed, they resemble the tragic mulattoes of literary convention. On closer examination, they become the means through which the author demonstrates the psychological costs of racism and sexism.

For Larsen, the tragic mulatto was the only formulation historically available to portray educated middle-class black women in fiction. But her protagonists subvert the convention consistently. They…

Love on Trial: An American Scandal in Black and White

W. W. Norton & Company
May 2002
320 pages
5.5 × 8.3 in
Paperback ISBN: 978-0-393-32309-2

Earl Lewis, Provost and Executive Vice President for Academic Affairs
Emory University

Heidi Ardizzone, Assistant Professor of American Studies
University of Notre Dame

When Alice Jones, a former nanny, married Leonard Rhinelander in 1924, she became the first black woman to be listed in the Social Register as a member of one of New York’s wealthiest families. Once news of the marriage became public, a scandal of race, class, and sex gripped the nation—and forced the couple into an annulment trial.

Marcia Dawkins, Author of “Clearly Invisible: Racial Passing” on Mixed Race Radio

Mixed Race Radio
Blogtalkradio
2012-05-02, 16:00Z (12:00 EDT)

Tiffany Rae Reid, Host

Marcia Alesan Dawkins, Visiting Scholar
Brown University

Marcia Dawkins’ book, Clearly Invisible and the Color of Cultural Identity (Baylor University Press, 2012), is the first to connect racial passing and classical rhetoric to issues of disability, gender-neutral parenting, human trafficking, hacktivism, identity theft, racial privacy, media typecasting and violent extremism.

By applying fresh eyes to landmark historical cases and benchmark popular culture moments in the history of passing Dawkins also rethinks the representational character and civic purpose of multiracial identities. In the process she provides powerful insights called “passwords” that help readers tackle the tough questions of who we are and how we can relate to one another and the world.

For more information, click here.

Finding Grace: Two Sisters and the Search for Meaning Beyond the Color Line

Simon & Schuster
July 2007
296 pages
Paperback ISBN-10: 0743200543; ISBN-13: 9780743200547

Shirlee Taylor Haizlip

In her widely acclaimed, bestselling memoir, The Sweeter the Juice, Shirlee Taylor Haizlip asked us to redefine our concepts of race and family by examining her biracial heritage—how different gradations of dark and light skin led to a split in her mother’s nuclear family, and how various relatives have been reunited many years later, some of them previously unaware of their layered racial makeup. In this eloquent, moving, and eagerly awaited continuation of her story, Haizlip pushes further into the fascinating terrain of family, race, and racial passing. Just over ten years ago, Haizlip’s African American mother was reunited with her sister, who had spent her whole life passing for white; both women were in their eighties and had not seen or heard anything about each other since early childhood. Now Haizlip answers the many questions that linger from the previous book: What happened between these long-separated sisters after their reunion? What did they learn about each other, and about themselves? Is it possible to heal the wounds caused by such a rift?

In rich, elegant prose, Haizlip contrasts her mother’s fulfilling adult life with her aunt’s solitary white existence. They lived on opposite sides of the race line, but both women, says Haizlip, were plagued by “America’s twin demons: a paranoia about purity and an anxiety about authenticity.” These women and other members of the author’s extended family come vividly, achingly to life in these pages, turning this astute cultural investigation into a poignant, delightful, and highly personal narrative. Haizlip deftly, fluidly conveys the complexities of this story—the sadness, comedy, danger, anger, confusion, shame, fear, longing, excitement, and joy of her family’s rupture and reunion. We learn how Haizlip’s mother’s abandonment by members of her immediate family affected her daily life; we learn about the lives of relatives who left her behind, and of the members of succeeding generations who knew of the rift, and of those who did not.

Haizlip’s readers, too, appear here—after The Sweeter the Juice, Haizlip was flooded by letters in which people shared similar family stories of bi-racial heritage, passing, and the eventual revelation of an extended racial makeup. She includes some of these letters here, affirming that her own seemingly unusual tale is actually a very familiar, very American story: of the tumultuous, complicated interactions between black and white communities and individuals—interactions marked by fear and distrust, but also by camaraderie, ardor, and love. In sharing her own and her readers’ stories, Haizlip forges a new picture of America’s hidden racial past and its multihued future. Passionate, indomitable, and always generous toward her subjects, Haizlip explores what happens when the race divide exists within one family, and the effect of secret racial histories and their revelation on individuals and America at large.

Contents

• Part I When the Rainbow Is Not Enough
  • Prologue
  • 1. A Twice-Told Tale
  • 2. The Gift
  • 3. The Etiology of Passing
  • 4. Visible and Invisible
  • 5. Passport to Privilege
  • 6. A Place Beyond Loss
  • 7. Creating a New Vocabulary
  • 8. In the Best of Families
  • 9. A Whiter Shade of White
  • 10. The Indian Who Wasn’t
  • 11. Tracking Will
  • 12. Life Review
  • 13. Eyes Other than Our Own
  • 14. Unexpected Encounters of Kith and Kin
• Part II Relativity
  • 15. In Their Own Voices
• Part III The Color of Letters
  • 16. Open Hearts, Open Minds
  • 17. The Last Word
• Epilogue

Professor’s Bookshelf: Amy Cynthia Tang

The Wesleyan Argus
Middletown, Connecticut
2012-04-19

Miriam Olenick, Staff Writer

Assistant Professor Amy Cynthia Tang, of the American Studies and English departments, specializes in Asian-American and African-American literature—most recently, she has been reading satirical Asian-American plays. Professor Tang sat down with The Argus to discuss her favorite authors, her plans for future classes, and her manuscript.

The Argus: What’s on your bookshelf?

Amy Cynthia Tang: So almost everything on these shelves is either a work of American literature or a critical or theoretical text about American literature, mainly Asian-American and African-American. I have some sections on cultural studies, critical race theory, and narrative theory. I have the books for the courses I’m teaching this term—Trauma in Asian American Literature, and Racial Passing in American Literature. And I have a small section devoted to art history.

A: Do you have anything you’re reading just for fun, not related to classes?

ACT: Right now I’m finishing up this collection of plays by Young Jean Lee called “Songs of the Dragons Flying to Heaven.” It’s a satirical take on what people expect an Asian-American identity play to be about. She’s an experimental playwright, so the characters are non-realist, and she uses stereotypes to engage received ideas of Asian-American identity and push back against them. I was just thinking that it’s sort of related to Theresa Cha’s Dictee—which we’re reading for Trauma—since they’re both by Korean-American women writers, and they’re both very experimental and non-realist. So Lee’s book is both work and pleasure, I guess.

Also I commute from New Haven, so I listen to books on tape—that really is fun. I just finished Jonathan Safran Foer’s “Extremely Loud and Incredibly Close.” I got interested in Foer because I have a thesis student who wrote on “Everything is Illuminated.” And now I’m ready to start Ralph Ellison’s posthumously published, unfinished novel, “Juneteenth.” I’ve been meaning to read it for a long time, and finally broke down and said well, there’s the audio book. And bizarrely, I just started looking at it, and it turns out it’s a passing narrative, and I’m teaching a class on racial passing, so there will be some resonances there…

Read the entire article here.

The Autobiography of an Ex-Colored Man

Dover Publications
May 1995 (Originally published in 1912)
112 pages
5 3/16 x 8 1/4
ISBN 10:  048628512X
ISBN 13: 9780486285122

James Weldon Johnson (1871-1938)

This remarkable novel documents the life of an American of mixed ethnicity who moves freely in society — from the rural South to the urban North and eventually, Europe. A revolutionary work which not only probes the psychological aspects of “passing for white” but also examines the American caste and class system.

“This damned business of colour”: Passing in African American novels and memoirs

Lehigh University
2005-04-28
230 pages
Publication Number: AAT 3167071
ISBN: 9780542026218

Irina C. Negrea

Presented to the Graduate and Research Committee of Lehigh University in Candidacy for the Degree of Doctor of Philosophy in English

The topic of this dissertation is an analysis of racial passing, as depicted in the novels The House Behind the Cedars by Charles Chesnutt, The Autobiography of an Ex-Colored Man, by James Weldon Johnson, and Passing by Nella Larsen, as well as in the memoirs The Sweeter the Juice by Shirlee Taylor Haizlip, Notes of a White Black Woman by Judy Scales-Trent, and Life on the Color Line by Gregory Williams.

Starting from the premise that passing is a complex phenomenon that reinforces and subverts the racial system simultaneously, this dissertation focuses on the subversive side of passing that comes to light especially when the passer is found out—a side that becomes obvious in the reactions it provokes in white racists: horror, fear, disgust, and insecurity.

One other new element that this dissertation brings into the field is a classification of passing that can be used as a tool for the analysis of similar literary works. The majority of passers fall into one of two categories: identificatory and performative. Identificatory passing is predicated on the passer’s identification with the white ideology. It is permanent, and the passer breaks all ties with his/her African American ancestry. At the other end of the spectrum is performative passing, based on the view of race as performance—a matter of props, makeup, and/or behavior. The passer crosses the color line and “acts” white, but in most cases, s/he does not break his/her ties with his/her African American roots and community. Rather, the performative passer tries to acknowledge both his/her racial identities, refusing to be boxed in one narrow racial category. These types of passing do not exist in a “pure” state; there are characters who start as performers of race and end up identifying with whiteness, for example, but the two basic types exist, in one combination or another, in all the stories of passing ever written. These two different types of passing engender different types of subversion of the racial system, and they are discussed as well in this dissertation.

Table of Contents

• Chapter I: “Gone Over on the Other Side:” Charles Chesnutt’s The House Behind the Cedars
• Chapter II: “They Wouldn’t Know you from White:” The Autobiography of an Ex-Colored Man
• Chapter III: “They Always Come Back:” Nella Larsen’s Passing
• Chapter IV: The Family’s “Heart of Darkness:” Passing in African American Memoirs
• Bibliography

Purchase the dissertation here.

Passing, Performance, and Perversity: Rewriting Bodies in the Works of Lawrence Hill, Shani Mootoo, and Danzy Senna

49th Parallel: An interdisciplinary journal of North American studies
Issue 26: Autumn 2011
ISSN: 1753-5794
19 pages

Natalie Wall
University of Calgary

This paper examines the function of passing in the works of Lawrence Hill, Shani Mootoo, and Danzy Senna. It traces the historical use of the term passing, following its development from a static conception of the black person passing for white to a theoretical practice of acting out any/every race, in order to open the term up and explore why passing is considered perverse by so many and enlightened by a few. Passing, the essay suggests, exposes the dual nature of race – a construct that is arbitrary and fictional but which also possesses immense social and material power. Finally, by juxtaposing the works of these three authors, the essay argues for a conception of passing as an intersectional phenomenon, defined not only by race but also by its interactions with class, gender, and sexuality.

Read the entire article here.

Canada’s famous first black doctor

National Review of Medicine
Montreal, Quebec, Canada
Volume 1, Number 4 (2004-02-28)

Marvin Ross

Born in Toronto in 1837, Dr Anderson Abbott was a close friend of Abe Lincoln but refused to serve in the US Colored Troops

Not only was Anderson Ruffin Abbott the first black man to graduate from medical school in Canada (University of Toronto, 1861), he is described in a US history textbook as “probably the most famous British North American-born surgeon to serve coloured soldiers during the Civil War.” He was also a close friend of Abraham Lincoln, whose widow presented him with the shawl Lincoln wore to his first inauguration.

Dr Abbott’s father, Wilson, was born in Richmond, Virginia in 1801 to free parents but he eventually moved to Canada in 1835 to escape prejudice in the US. Wilson prospered in Toronto where he became an influential real estate dealer and city alderman. Anderson, who was born in 1837, studied medicine at the University of Toronto and graduated in 1861. While working as an intern, or medical licentiate as it was then known, in 1863 he petitioned President Lincoln to be allowed to join the Union Army.

He became one of only eight black surgeons serving, which brought him to the president’s attention and led to their friendship. Dr Abbott, however, refused to serve in the United States Colored Troops—a segregated unit. Instead, he opted to work as a contract surgeon. He explained why in a 1907 letter, writing that he felt equal to operating on any man and that having been born in a land where all men are free, he was not going to submit to government-endorsed segregation. His heroic act had a negative side effect, though: because of his refusal to serve in the segregated regiment, his widow was denied a Civil War Widow’s Pension…

…His son, Wilson R. Abbott, also became a doctor and practised as a lung and heart surgeon in Chicago. But unlike his father, he wasn’t relegated to a segregated black hospital—not because the laws had changed, but because he worked at a white hospital by passing. Anderson Abbott had married a woman from St Catharines, Ontario who was of mixed racial background. His son, Wilson, married a white woman and they and their descendents began to live as whites. Ms Slaney only learned that she was part black in 1975 at age 24 when she was approached by the Ontario Black History Society to ask about her great-great grandfather. No one had ever told her that half her family was black and, as she pointed out that at the time, “I didn’t even know any black people.” Her story and that of her black ancestor is the subject of her book Family Secrets: Crossing the Colour Line.

Read the entire article here.