The Hybridity Revolution

Posted in Articles, Book/Video Reviews, Canada, Media Archive, United States, Women on 2012-06-05 21:45Z by Steven

The Hybridity Revolution

Canadian Literature: A Quarterly of Criticism and Review
2012-05-31

Michelle La Flamme

Adebe DeRango-Adem (Editor) and Andrea Thompson (Editor), Other Tongues: Mixed Race Women Speak Out.

Societies that pride themselves on an imagined monoracial norm have rare glimpses into the multi-racial experience. The contemporary literary phenomenon some refer to as the “boom in bi-racial biography” (Spickard) has offered nuanced reflections on the ontological impact of this liminal hybrid position. At their thematic core, most bi-racial and multiracial narratives demonstrate the complexity of this form of embodiment and the semiotics of a body continually affected, and constructed, by the racialized gaze. Several thematic issues are repeated in both Carol Camper’s seminal anthology, Miscegenation Blues: Voices of Mixed Race Women (1994), and the more recent Other Tongue: Mixed Race Women Speak Out (2010). The writing in both anthologies is a bold testament to the pervasiveness of multiraciality and ultimately counters many social scientific conclusions. The interest in such anthologies is also in keeping with the rise in autobiography and critical race theories. In both fields there is a consistent tendency to privilege personal accounts of the mixed race experience and, as Camper claims in her preface, the importance of “speaking for ourselves” as “experts on our own lives.”

The women writers in Other Tongues outline moments of interpellation, the power of the racialized gaze, and the stages of their shifting notions of self based on multiply-coded bodies that challenge monoracial definitions of identity. The work accounts for various individual experiences of “passing” and the complexities of a body that is repeatedly read for signs of authenticity. These writers contest the notion of a “post-racial” world in that these poems, memoirs, short stories, and art work continually reference the fact that visual identifiers of race are understood within “always already” historical and cultural conditions that lead to the racialization of the body despite the individual’s efforts (or best intentions) to defy these norms. The editors of Other Tongues suggest that it offers unique perspectives on the “changing racial landscape that [has] occurred over the last decade” in order to offer a “snapshot of the North American terrain of questions about race, mixed-race, racial identity, and how mixed-race women in North American identify in the twenty-first century” in a time that is marked by “the inauguration of the first mixed-race Black president in North America.” However, the anthology is more personal than critical, privileges women’s voices, and fails to represent the range of mixedness in North America. Given that the themes and content echo Camper’s 1994 anthology, the uniqueness of this collection is perhaps overstated…

Read the entire review here.

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IRISH-GA 1085: Black Irish Writing

Posted in Course Offerings, Literary/Artistic Criticism, Media Archive, United States on 2012-06-05 21:09Z by Steven

IRISH-GA 1085: Black Irish Writing

Gluckman Ireland House
New York University
Spring 2010

This course examines the textual force-fields of similarity and difference in the writing of racial and ethnic identities in the Atlantic World.  It begins by considering works of Irish writers who engaged with Atlantic slavery and the sympathetic and testamentary discourses within abolitionism in the late 18th century; authors discussed include Hugh Mulligan, Mary Ledbetter, Edmund Burke, Thomas Brannigan, and Denis Driscoll.  The course then examines the over-lapping traces of radical and revolutionary memory in American slavery and in Irish politics, concentrating on the roles of Irish figures in the writings of Frederick Douglass and Black figures in the writings and speeches of Daniel O’Connell.  The mid-19th century explosion of writing about race and ethnicity following the publication of Uncle Tom’s Cabin will be explored in relation to the many imitations of Stowe’s novel that sought to explain post-famine Ireland.  The course then considers the proliferation of texts that sought to understand the antinomies of desire and prohibition surrounding persons of mixed race, reading works by Mayne Reid, Dion Boucicault, and Charles Chesnutt. Texts that convey the fusion of African-American and Irish cultural forms will be discussed, including Blackface, Minstrelsy, and Dance.  After consideration of the use of race in the development of anti-Irish caricature (via readings of English (Punch) and American (Thomas Nast and the Nativists) cartoonists), the course will conclude by looking at shared and divergent textual and political strategies in writers of the Irish and Harlem Renaissances, concentrating on the ambivalence of dialect writing (Finley Peter Dunne, John Synge, Paul Laurence Dunbar and Claude McKay), and the limits of modernist primitivism (Eugene O’Neill’sThe Emperor Jones”).  The course will conclude with a discussion of the politics of memory along and across the color line in contemporary Irish and American public life.  Primary readings will be supplemented by theoretical and critical texts, including works by Paul Gilroy, Ian Baucom, Eric Lott, Robert Young, Perry Curtis, Marx, Freud, and Foucault.

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HIST 465: Mestizos, Métis, and Mulattos: Mixed-Race People in the Atlantic World, 1400-1850

Posted in Course Offerings, History, United States on 2012-06-05 20:41Z by Steven

HIST 465: Mestizos, Métis, and Mulattos: Mixed-Race People in the Atlantic World, 1400-1850

Lawrence University, Appleton Wisconsin
Fall 2012

This course examines how race worked in the Atlantic World (Africa, Europe, and the Americas) between 1400 and 1850 through the perspectives of mixed-race individuals and communities. We will use a comparative framework to understand how people created, resisted, and used their cross-racial identities to navigate their lives. (Also listed as Ethnic Studies 465)

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ASTD 393-03 – Mixed Race America

Posted in Course Offerings, History, Media Archive, Social Science, United States on 2012-06-05 18:09Z by Steven

ASTD 393-03 – Mixed Race America

Saint Louis University
Fall 2012

Heidi Ardizzone, Assistant Professor of American Studies 

Despite popular images of American as a “melting” both of races and ethnicities, our institutions, values, and practices have often tried to create or maintain spatial and social distance between groups defined as racially different. This course will explore that ways in which Americans have transgressed those boundaries or found other ways of interacting across cultural lines, primarily in the 19th and 20th centuries. We will examine popular cultural perceptions of people of mixed ancestry, their social experiences, the development of various mixed-ancestry communities, and historical attempts to limit interracial socializing, relationships, and marriage. These issues were and are deeply embedded in debates over the meaning of race, gender expectations and ideas about sex and sexuality. We will also pay close attention to how minority communities have understood people of mixed ancestry in the United States, and how mixed-race identities intersect with African American, Native American, Asian, White, and Latino identities.

View the Syllabus here.

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“Out of an obscure place”: Japanese War Brides and Cultural Pluralism in the 1950s

Posted in Articles, Asian Diaspora, History, Media Archive, Social Science, United States, Women on 2012-06-05 17:32Z by Steven

“Out of an obscure place”: Japanese War Brides and Cultural Pluralism in the 1950s

differences: A Journal of Feminist Cultural Studies
Volume 10, Number 3 (1998)
pages 47-81

Caroline Chung Simpson, Associate Professor of English
University of Washington

In the spring of 1954, the American philosopher Horace Kallen was invited to deliver a series of lectures at the University of Pennsylvania reviewing the state of cultural pluralism in American postwar society. The concept of cultural pluralism was Kallen’s own invention, an idea of American society first expressed in his 1915 essay, “Democracy Versus the Melting Pot,” in which he defended America’s growing racial and ethnic diversity-“the federation or commonwealth of nationalities” that seemed to emerge in the wake of early-twentieth-century immigration-as the strength rather than the curse of the nation. Although by 1954 the supposed menace of immigration had long since been checked, most notably by the 1924 Immigration Act that imposed severe restrictions on immigration from Europe and Asia, the diversity Kallen had defended earlier in the century was once more poised to overwhelm the national imagination. As Kallen delivered his lectures that spring, the Supreme Court was hearing the Brown case, the culmination of a stream of compelling legal arguments that contested the notion of “separate but equal” established in 1896 in Plessy v. Ferguson. Given the anxiety that racial desegregation provoked in many whites, Kallen and the liberal intellectuals attending his lectures understood the need to reassess and restate the case for cultural pluralism.

In the face of tense public and legal debate over desegregation, Kallen reasserted the promise of pluralism in stirring strains that seemed at times to evoke an almost radiant vision of what Americans might yet achieve. His vision depended on the willingness of white Americans in particular to embrace change. As he put it, “the dogma that we cannot change the past is not an understanding of the process of change but a prejudice of our resistance to it and a static illusion symbolizing our fear of it” (“Meanings” 24). The chief effect of his lectures and the published responses to them was to affirm that the coming changes in race relations anticipated by the Brown deliberations would be generative rather than enervating:

It is the variety and range of his participations, which does in fact distinguish a civilized man from an uncivilized man, a man of faith and reason from an unreasoning fanatic, a democrat from a totalitarian, a man of culture from a barbarian. Such a man obviously orchestrates a growing pluralism of associations into the wholeness of his individuality.

In descriptions like this one, Kallen recasts the threat of integration as a deft “orchestration” of differences that would leave the nation “whole” rather than fractured. But while most Americans might have assumed this orchestration would soon occur through increased interactions between blacks and whites, as indeed it did, there were other, less visible avenues by which public voices sought to orchestrate or imagine the successful transition to racial integration in the mid-1950s…

….Such is the case of Japanese Americans in the postwar period, a group often neglected in considerations of American pluralism and postwar integration despite the fact that the meaning and shape of Japanese American identity was caught in a tremendous crisis. The relocation and internment experience was, of course, the most startling evidence of that crisis. But the postwar dilemma of Japanese Americans as citizen-subjects, while often limited to discussions of the internment experience of the West Coast population, in fact incorporates a range of national experiences and histories, including the resettlement program after the war and the impact of the immigration of Japanese war brides on the meaning of Japanese American citizenship.

Japanese war brides were perhaps the most visible representatives of Japanese American life in the postwar period, although they did not always self-identify as Japanese Americans. Still they were often presented as emergent members of a new kind of Japanese American community, which was primarily attractive because the war brides were seen solely as compliant wives and mothers unfettered by the disturbing public history of internment. Settling into domestic life in the 1950s, with little fanfare, as unfamiliar national subjects who had formerly been citizens of an enemy nation, Japanese war brides soon became meaningful figures in the discourse on racial integration and cultural pluralism. As white Americans tried to negotiate the threat of black integration, and government programs tried in vain to resettle interned Japanese Americans, Japanese war brides provided at least one “unofficial or obscure place” out of which the redemption of cultural pluralism, as an ideal that stabilized relations rather than disrupted them, would reemerge as a distinct possibility. In significant ways, the postwar popular media’s changing view of Japanese war brides projects them as an early form of the Asian American model minority. The 1950s transformation of the Japanese war bride from an opportunistic and ignorant alien seeking to penetrate the suburban affluence of white America to the gracious and hard-working middle-class housewife was an early exemplar for achieving the integrated future in America, a halcyon story of domestic bliss and economic mobility difficult to extract from the stories of long-time racialized citizen-subjects…

…But even more troubling for the concept of national identity was the issue of “the Eurasian children of these marriages.” In tow with their mothers, they promised to increase “the Japanese-race population back home” (25). However, the underlying concern of the Post authors is less that the Japanese American race would be replenished by these immigrant women than that their mixed race marriages and their “Eurasian children” would eventually erode the distinctions between the white and Japanese races. “The effect of these mixed marriages on American life at home is still to come,” conclude the authors, who imagine in mythic terms “the arrival of thousands of dark-skinned, dark-eyed brides in Mississippi cotton hamlets and New Jersey factory cities, on Oregon ranches or in Kansas country towns” where “their bright-eyed children soon will be knocking on school doors in most of the forty-eight states” (25). The probability of mixed race families living openly in formerly white or non-Asian areas of the nation not only renders these regions unfamiliar; it also disturbs miscegenation anxieties that are the bedrock of white resistance to racial integration. The interracial marriages of Japanese war brides, then, established the limits of white-Japanese relations, limits that had been checked in the case of resettled Nisei by the idiom of patronage that defined their contacts with whites. Although, as the passage of time revealed, these limits did not necessarily contain the ambivalent feelings often expressed by most of the fifteen Nisei respondents to the 1943 study…

Read the entire article here.

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AFAM 349a/AMST 326a/WGSS 388a: Interraciality and Hybridity

Posted in Census/Demographics, Course Offerings, History, Law, Media Archive, Social Science, United States on 2012-06-05 17:01Z by Steven

AFAM 349a/AMST 326a/WGSS 388a: Interraciality and Hybridity

Yale University
Fall 2011

Naomi Pabst, Assistant Professor of African American Studies and American Studies
Yale University

Examination of mixed-race matters in both literary and critical writings, primarily within the black/white schema.  Historical and current questions of black and interracial identity; the contemporary “mixed race movement” and the emerging rubric of “critical mixed race studies”; historical genealogy and interraciality and hybridity.  Analysis of longstanding debates on race mixing in the realms of legal classification, transracial adoption, census taking, grassroots movements, the discursive, the ideological, and the popular.

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White Yet Non-White: Miscegenation in Natasha Trethewey’s Native Guard (2007)

Posted in Articles, Literary/Artistic Criticism, Media Archive, United States, Women on 2012-06-05 04:47Z by Steven

White Yet Non-White: Miscegenation in Natasha Trethewey’s Native Guard (2007)

American Studies Today Online
Volume 19, (2012)
2012-05-30
ISSN: 2044-804X

Sofia Politidou
Aristotle University, Thessaloniki, Greece

This article examines the changes in the concept of miscegenation, from the slavery years to the 1960s and the 2000s, as recorded in Natasha Trethewey’s Pulitzer Prize poetry collection Native Guard (2007). Through a close reading of the poems “Pastoral,” “Miscegenation,” “Blond,” “Southern Gothic” and “South” from the third mainly autobiographical section of the collection, it shall be argued that, while in the past, miscegenation was strictly a matter of race for African-Americans, nowadays, it is also a matter of identity and self identification. Trethewey narrates how she experienced discrimination for being a mixed-race person in the early years of her life. She also describes how being a mixed-race person led her to a quest for selfhood. Trethewey believes that American anti-miscegenation laws enhanced her feeling of being different and caused her to doubt her identity as black, white or a person of mixed race.

Read the entire article here.

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‘Mixed Race’: The Term of Choice…

Posted in Excerpts/Quotes on 2012-06-05 00:07Z by Steven

This analysis shows that the term of choice of most respondents in general population and student samples was ‘mixed race’.  Based on the criterion of currency amongst the community described by the terms, ‘mixed race’ is clearly the strongest candidate for those contexts where a conceptual basis of ethnic/racial identity or group allegiance or membership is required. Terms invoking two groups – such as ‘mixed parentage’, ‘dual heritage’, and ‘biracial’ – are preferred by very few and ‘mixed origins’ and ‘mixed heritage’ fare little better, although few find them offensive.  Others such as ‘multi-ethnic’ and ‘mixed cultural’ have not entered the popular lexicon. Yet concern about the disputed meaning of race – and the historical legacy of the term – make the widespread adoption of ‘mixed race’ unattractive to some sociologists and anthropologists…

Aspinall, Peter J., 2009. “‘Mixed race’, ‘mixed origins’ or what? Generic terminology for the multiple racial/ethnic group population,” Anthropology Today Volume 25, Issue 2, 3-8.