Mixed Race Studies

Who is to blame for Donald Trump’s victory?

New Statesman
2016-11-09

Helen Lewis, Deputy Editor

A narrative that attributes Trump’s triumph to the “working class” forgets the role of racism, sexism and the right-wing media.

As it became clear that Donald Trump had won Pennsylvania, putting the presidency in the grasp of those tiny hands, the activist and academic Van Jones looked crushed. “It’s hard to be a parent tonight for a lot of us,” he told CNN viewers. “You tell your kids: ‘Don’t be a bully.’ You tell your kids: ‘Don’t be a bigot.’ You tell your kids: ‘Do your homework and be prepared.’ And then you have this outcome.”

There are many ways to read Trump’s victory, but all of them should acknowledge just how improbable it would have seemed even a few years ago. The real-estate magnate has been both a registered Democrat and a Republican; he has married three times and had numerous girlfriends; he was initially progressive on subjects such as abortion. Hell, he might even believe in evolution. Normally these would have been seen as disqualifying characteristics for anyone seeking the Republican nomination…

…In the coming days, mentally insert the word “white” into any commentary you hear about the “working class” or the “left behind”. African Americans, not a well-off sector of the population, voted overwhelmingly for Hillary Clinton; she had a lead among Hispanic voters. The group that voted Trump is the same demographic that brought us Brexit: older, white, living outside the big cities, with not much, but something to lose. Many feel ill-equipped for the future: Trump scored a landslide among white voters without a degree.

The racism was there from the start. Trump’s candidacy was born through questioning the legitimacy of the first mixed-race president. Some of his supporters post anti-Semitic abuse on Twitter and shout “lügenpresse”, a Nazi-era term meaning “lying press”, at journalists. The campaign turned a blind eye to this. At rallies, Trump always included his own version of a two-minute hate directed at the media, which were confined to a press pen. His final campaign video named prominent Jewish public figures – Janet Yellen of the Fed, Lloyd Blankfein of Goldman Sachs – alongside classic tropes of “global special interests” that “control the levers of power”. Although many conservative local newspapers turned against him, Trump did secure one coveted endorsement: from the Crusader, the official publication of the Ku Klux Klan…

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After Obama Victory, Shrieking White-Hot Sphere Of Pure Rage Early GOP Front-Runner For 2016

The Onion
November 2012

Sources say the screaming orb might be the only potential candidate that would tap into Republicans’ deep-seated, seething fury after this election.

Hollywood has long shown discomfort with interracial couples, but change is happening

The Los Angeles Times
2016-11-10

Lewis Beale

Katherine Houghton puts a flower in Sidney Poitier’s hair in a scene from the film “Guess Who’s Coming To Dinner.” (Getty Images)

In 1967, the same year the Supreme Court case Loving vs. Virginia struck down laws banning miscegenation, Sidney Poitier starred in “Guess Who’s Coming to Dinner” as a black man romantically involved with blond Katherine Houghton.

Yet in both real and reel life, black-white romantic relationships were problematic, fraught with legal and social taboos. In the case of Loving, that meant rural Virginia couple Richard and Mildred Loving, who married in Washington, D.C., in 1958, were arrested in their home state, forced to move away or be jailed, and spent years fighting the racist law that affected them until the Supreme Court unanimously overturned it.

“The fact any miscegenation laws even existed, these are vestiges of slavery,” says Jeff Nichols, director of “Loving,” a new film based on the famous case starring Joel Edgerton and Ruth Negga. “All of this speaks to the institutionalized racism in the South.”

“Guess,” which was released six months after the Loving decision, was, in its own way, meant to be a liberal antidote to situations like this. In director Stanley Kramer’s film,  parents and friends of the romantic couple discuss the pros and cons of their romance in a civilized manner until the woman’s father (played by Spencer Tracy) gives his blessing to the relationship…

Read the entire article here.

Black Like Us

Original Works Publishing
2016-11-08
102 pages
Paperback ISBN: 978-1630920944

Rachel Atkins

Foreword by Allyson Hobbs, Ph.D

Family secrets ripple through time when three present-day sisters discover the truth about a young African-American woman passing for white sixty years before. What happens in between is a frank and funny look at the shifting boundaries of tolerance and what identity really means.