Mixed Race Studies

After Canaan: Essays on Race, Writing, and Region

Arsenal Pulp Press
2011-05-10
176 pages
Paperback ISBN: 9781551523743
ePub ISBN: 9781551523873

Wayde Compton

Finalist, City of Vancouver Book Award

After Canaan, the first nonfiction book by acclaimed Vancouver poet Wayde Compton, repositions the North American discussion of race in the wake of the tumultuous twentieth century. It riffs on the concept of Canada as a promised land (or “Canaan“) encoded in African American myth and song since the days of slavery. These varied essays, steeped in a kind of history rarely written about, explore the language of racial misrecognition (a.k.a. “passing“), the subjectivity of black writers in the unblack Pacific northwest, the failure of urban renewal, black and Asian comedy as a counterweight to official multiculturalism, the poetics of hip hop turntablism, and the impact of the Obama phenomenon on the way we speak about race itself. Compton marks the passing of old modes of antiracism and multiculturalism, and points toward what may or may not be a “post-racial” future, but will without doubt be a brave new world of cultural perception.

Written with the same poetic perceptiveness as cultural theorists Rinaldo Walcott and Dionne Brand, After Canaan is a brilliant and thoughtful collection of essays that ought to be required reading for all.

Growing up Indigenous when you don’t look it

Unreserved
CBC Radio
2016-11-06

Rosanna Deerchild, Host

From r: Trevor Jang, Julie Daum, and Daniel Bear. (Supplied)

Has anyone ever asked you where you come from? Or what your ethnic background is?

Ethnicity and how the world perceives you don’t always go together. Which presents a challenge for a growing number of Indigenous people who might not look exactly like their ancestors.

This week on Unreserved we are speaking with several Indigenous Canadians who are not visibly Indigenous…

…”For young Indigenous people who don’t look Indigenous, they want to explore their culture but they don’t want to be judged … well what’s worse? Being judged or not having a culture?”…

Read the introduction here. Listen to the story (00:19:26) here.

Venous Hum

Arsenal Pulp Press
2004
232 page
Paperback ISBN: 9781551521701

Suzette Mayr

High school reunions can be hell. But when you throw in racial and sexual tensions, extramarital affairs, and cannibalistic, undead vegetarians, it’s hell times infinity.

Brash, clever, and monstrously funny, Venous Hum charts the lives of Lai Fun Kugelheim and Stefanja Dumanowski, best friends who, upon hearing the news of an old high school acquaintance’s death, are gripped by an insatiable nostalgia and organize a twenty-year reunion. What initially seemed like a simple task becomes increasingly complicated for Lai Fun, but the past is nothing compared to her messy present: her marriage to a successful businesswoman is crumbling, she’s having an affair with a man (who happens to be Stefanja’s husband), and her oddly supernatural mother—an immigrant vegetarian with an unusual appetite—only wants her daughter to be happy. But in the wake of such chaos, the only constant is the hum of the blood coursing through her veins.

A satire on race, gender, sexual preference, and vegetarianism, this is a magic-realist novel that will throw your assumptions of the world and the people who inhabit it out the window. It’s the exclamation mark at the end of the sentence that announces the end of CanLit as we know it, and the beginning of something entirely new.

Half and Half

Sunday Book Review
The New York Times
2007-02-11

Bliss Broyard

David Matthews, Ace of Spades, A Memoir (New York: Henry Holt and Co., 2007).

Twenty minutes into David Matthews’s first day of fourth grade in a new school in a new city, his classmates surround him and demand to know what he is. When Matthews doesn’t answer, they trail him down the hallway — “as though I were a reprobate head of state ambushed by reporters outside a lurid hotel” — shouting out their guesses: “Black! White! You crazy?! He(’s) too light/dark to be black/white!” One jokester suggests he’s Chinese.

One possible response is that Matthews is mixed: his father is African-American, actually a “prominent black journalist” who counted Malcolm X and James Baldwin among his friends, and his mother is Jewish, although she disappeared to Israel shortly after Matthews was born. But this scene takes place in 1977 in a Baltimore public school that sits between a “Waspy enclave of tony brownstones” and a “world of housing projects, roaming street gangs and bleating squad cars,” and the difference between black and white seems too vast to allow for any unions — or their byproducts — across the conceptual divide. (Although we learn that Matthews needn’t look any further than his own life for exceptions: his best friend, his stepbrother and his half brother are also mixed, though none of them quite so indeterminately as he is.) In the lunchroom, Matthews heads to the table of students he resembles most — in skin color, yes, but also in character. The white kids, with their “nerdy diction” and “Starsky and Hutch” lunchboxes, are similarly introverted and unthreatening, while the black kids, playing the dozens and double Dutch on the playground, are “alive and cool,” and frightening. When a white boy assigned by the homeroom teacher to be Matthews’s buddy for the day makes room for him to sit down, this small, serendipitous gesture sets the dye of his racial identity for the next 20 or so years…

Read the entire review here.

Zadie Smith: By the Book

The New York Times
2016-11-17

Zadie Smith Credit Illustration by Jillian Tamaki

The author, most recently, of “Swing Time” says the best gift book she ever received was from her dying father, who “gave me his copy of ‘Ulysses,’ along with the confession he had never read it.”

What books are on your night stand now?

I’m on a reading jag after a long period of only writing, so there’s a towering “to read” pile: “Sudden Death,” by Álvaro Enrigue; “Using Life,” a novel by the imprisoned Egyptian Ahmed Naje; “Homegoing,” by Yaa Gyasi; “Heroes of the Frontier,” by Dave Eggers; “The Underground Railroad,” by Colson Whitehead; “Diary of the Fall,” by Michel Laub; “The Good Immigrant,” edited by Nikesh Shukla; “Why Nations Fail: The Origins of Power, Prosperity, and Poverty,” by Daron Acemoglu and James A. Robinson; “Birth of a Bridge,” by Maylis de Kerangal; “Known and Strange Things,” by Teju Cole; “The Little Communist Who Never Smiled,” by Lola Lafon; “The Fire This Time,” edited by Jesmyn Ward; “At the Existentialist Café,” by Sarah Bakewell; “Time Reborn,” by Lee Smolin; “Moonglow,” by Michael Chabon; and let’s say the last four or five novels by Marías, several by Krasznahorkai, and — as always — unfinished Proust. I much prefer reading to writing: I can’t wait…

Read the entire interview here.

Swing Time

Penguin Press
2016-11-15
464 pages
Hardcover ISBN: 978-1594203985
Paperback ISBN: 978-1524723194

Zadie Smith

Two brown girls dream of being dancers—but only one, Tracey, has talent. The other has ideas: about rhythm and time, about black bodies and black music, what constitutes a tribe, or makes a person truly free. It’s a close but complicated childhood friendship that ends abruptly in their early twenties, never to be revisited, but never quite forgotten, either.

Tracey makes it to the chorus line but struggles with adult life, while her friend leaves the old neighborhood behind, traveling the world as an assistant to a famous singer, Aimee, observing close up how the one percent live.

But when Aimee develops grand philanthropic ambitions, the story moves from London to West Africa, where diaspora tourists travel back in time to find their roots, young men risk their lives to escape into a different future, the women dance just like Tracey—the same twists, the same shakes—and the origins of a profound inequality are not a matter of distant history but a present dance to the music of time.

Ace of Spades, A Memoir

Henry Holt and Co.
2007
320 pages
Paperback ISBN: 978-0312426316
Ebook ISBN: 978-1429905039

David Matthews

A take-no-prisoners tale of growing up without knowing who you are

When David Matthews’s mother abandoned him as an infant, she left him with white skin and the rumor that he might be half Jewish. For the next twenty years, he would be torn between his actual life as a black boy in the ghetto of 1980s Baltimore and a largely imagined world of white privilege.

While his father, a black activist who counted Malcolm X among his friends, worked long hours as managing editor at the Baltimore Afro-American, David spent his early years escaping wicked-stepmother types and nursing an eleven-hour-a-day TV habit alongside his grandmother in her old-folks-home apartment. In Reagan-era America, there was no box marked “Other,” no multiculturalism or self-serving political correctness, only a young boy’s need to make it in a clearly segregated world where white meant “have” and black meant “have not.” Without particular allegiance to either, David careened in and out of community college, dead-end jobs, his father’s life, and girls’ pants.

A bracing yet hilarious reinvention of the American story of passing, Ace of Spades marks the debut of an irresistible and fiercely original new voice.

Read an excerpt here.

Life in Trump’s America: A mixed-race educator in the rural South speaks

The Daily Dot
2016-11-18

Courtney Parker West

Photo via Gage Skidmore / Flickr (CC-BY-SA) Photo via dolgachov / GettyImages | Remix by Jason Reed

This is the first in a series of essays on what lives look like in post-election America.

One woman shares how her community has been affected by Trump’s win.

It’s been just over a week in “Trump’s America.” Across the nation, there has been an increase in reported hate crimes, as those once considered to represent a fringe sentiment of society have been emboldened by the election of a president endorsed by the KKK. Not one to distance himself from that endorsement, Trump has begun building a cabinet that includes individuals tied to white nationalism.

In my home state of North Carolina, we’ve seen an increase in racial taunting and violence, including the assault of a black trans woman in Charlotte with a hatchet. Overtly racist, anti-Semitic, anti-immigrant, anti-Muslim graffiti has appeared in Durham, including one message that said, “Black Lives Doesn’t [sic] Matter and Neither Does Your Vote.” My Facebook feed has been filled with personal stories of fear as my black, Muslim, brown, and queer friends and family are reporting being harassed, taunted, and intimidated; meanwhile, a lot of my liberal white friends are debating with people of color about the effectiveness of wearing a safety pin…

Read the entire article here.

[Emma] Dabiri’s own story serves as a typically atypical example. Her mother was born to white Irish parents in Trinidad, where Dabiri’s maternal grandfather worked as a civil engineer. Her father was born to black Nigerian parents in Ireland before moving back to Nigeria, and Dabiri herself was raised in her paternal grandparents’ house in Atlanta, Georgia, before returning to Dublin aged five. In summary? “So my mum was Irish but she’s Trinidadian, and my dad’s Nigerian but he’s Irish,” she laughs.

Ellen E. Jones, “BBC’s Emma Dabiri says her first time in Brixton was like discovering a black utopia,” Evening Standard, November 17, 2016. http://www.standard.co.uk/lifestyle/london-life/bbcs-emma-dabiri-says-her-first-time-in-brixton-was-like-discovering-a-black-utopia-a3397851.html.

Black and British by David Olusoga review – reclaiming a lost past

The Guardian
2016-11-17

Colin Grant

David Olusoga at St Michael’s Church, Burgh-by-Sands. Photograph: Des Willie/BBC/Des Willie

Olusoga’s insightful ‘forgotten history’ amounts to much more than a text to accompany a TV series. Yet despite its many attributes, is it too temperate?

How do you make black British history palatable to white Britons? Actually, hold on a second. How do you make it palatable to black Britons? Let’s start again. How do you compose a history of Britain’s involvement with black people? The answer during my childhood was to accentuate the positive; to tweak the past, for instance, so that schoolchildren were left with the impression that slavery was somehow an abhorrent North American practice and that the British, through the good works of William Wilberforce, should be commended for their part in bringing about the end of the Atlantic slave trade.

Three decades ago Peter Fryer offered a corrective, stripping off the historical bandage. Fryer’s Staying Power: The History of Black People in Britain was an excoriating book by a tireless Marxist historian skewering British imperial mendacity, which, when young black readers stumble across it, delivers a punch to the sternum, a remembrance real or imagined of tragedy and sorrow. But it also elicits a flush of excitement and pride. At last! A history that is not sanitised or sugar-coated; and one written by a proxy black man, namely a white man who in his own apologia aimed to “think black”. The British-Nigerian David Olusoga has a head start on Fryer. But whereas Fryer had an independent radical publisher (Pluto) at his elbow, Olusoga had to satisfy BBC managers – the book accompanies a TV series – who are largely petrified about “race”…

Read the entire review here.