Mixed Race Studies

David Olusoga: ‘There’s a dark side to British history, and we saw a flash of it this summer’

The Guardian
2016-11-04

Arifa Akbar

‘People used to shout “Go back to Africa” at us’ … David Olusoga. Photograph: Martin Godwin for the Guardian

The writer and broadcaster on reassessing black history and the fallout from the Brexit vote

For as long as David Olusoga has been writing and broadcasting on black British history (almost two decades), he has received infuriated letters from the public. Nowadays, there are tweets too, which employ the same fulminating tone.

“The number of people who say, ‘I’m sick of hearing about slavery’, or ‘black people are always talking about slavery’. My response to them is ‘Name a British plantation. Name a slave trader. Name a British slave ship.’ Normally they can’t, because we don’t know that much about slavery. It’s not a central part of our national story.”

Olusoga’s new book, Black and British: A Forgotten History, is not about slavery as such, but it is a radical reappraisal of the parameters of history, exposing lacunae in the nation’s version of its past. Domestic history cannot be separated from the vast former empire building, he argues, which was inextricably bound to the economics of global slavery. Joining up history at home and abroad makes it harder to gloss over Britain’s part in the slave trade…

Read the entire article here.

Attitudes toward interracial marriages and the role of interracial contacts in Sweden

Ethnicities
Volume 16, Number 4, August 2016
pages 568-588
DOI: 10.1177/1468796816638400

Sayaka Osanami Törngren
Malmo University, Sweden; Sophia University, Japan

This paper examines attitudes toward interracial marriages and the relationship between the amount of prior interracial contact and attitudes in Sweden. The analysis is based on an anonymous postal survey conducted in Malmö, Sweden answered by 461 white-European respondents. Several studies in the US address the question of contact and attitudes and find that those who have more interracial contact, especially interracial friendships, have more positive attitudes toward intermarriage. The results show that the majority of the white European respondents can imagine marrying interracially; however, there are clear preferences toward different racial groups. Moreover, as in the US context, respondents who reported interracial friendships, and not general or superficial contacts, are more apt to answer the question about interracial marriage positively.

Read or purchase the article here.

Terry and Judy – A Mixed Race Journey

The listening project: It’s surprising what you hear when you listen
BBC Radio 4
2016-11-23, 10:55Z

Fi Glover, Presenter

Marya Burgess, Producer

Fi Glover introduces a conversation between a mixed race couple who met at a time when their relationship was a lot more unusual than it is today. Another in the series that proves it’s surprising what you hear when you listen.

The Listening Project is a Radio 4 initiative that offers a snapshot of contemporary Britain in which people across the UK volunteer to have a conversation with someone close to them about a subject they’ve never discussed intimately before. The conversations are being gathered across the UK by teams of producers from local and national radio stations who facilitate each encounter. Every conversation – they’re not BBC interviews, and that’s an important difference – lasts up to an hour, and is then edited to extract the key moment of connection between the participants. Most of the unedited conversations are being archived by the British Library and used to build up a collection of voices capturing a unique portrait of the UK in the second decade of the millennium. You can learn more about The Listening Project by visiting bbc.co.uk/listeningproject.

Listen to the conversation here.

Passive Voice, Active Prejudice: Mary Seacole in Children’s Literature and Media

theracetoread: Children’s Literature and Issues of Race
2016-10-20

Karen Sands-O’Connor, Professor
English Department
Buffalo State, The State University of New York, Buffalo, New York

[David] Harewood’s ITV programme celebrates the new statue of Mary Seacole in London–but not everyone is pleased

This week, Britain’s ITV showed a programme on Mary Seacole entitled “In the Shadow of Mary Seacole.” In some ways, the programme could have been titled, “Mary Seacole in the Shadow of British Racism.” Many people who initially celebrated the fact that ITV was telling the story of the woman labeled “The Greatest Black Briton” in 2004 were dismayed to find that the programme was put on the schedule at 10:40 pm. Others complained that the programme focused on the opinions of white historians. Indeed, it seemed that most, though not all, of Seacole’s defenders in the programme were non-historians: actors, comedians, nurses. Unfortunately, none of this is new when it comes to Mary Seacole—and children’s books about the Jamaican Crimean War nurse are no exception…

Read the entire article here.

Two halves, one American whole

The Columbia Spectator
2016-11-16

Luciana Siracusano

Halfie. That’s the endearing term I use to explain my ethnic and cultural heritage when people don’t know what to make of my facial features. My father is a third-generation Italian-Irish-American, and my mother is Korean and immigrated here in her 20s, so I’m half-Korean and half-Italian-American. While some people can tell right away, others have no idea—they think I’m either completely white or completely Asian, or they’ll ask. Their guesses about my heritage fall all over the ethnic, racial, and geographic map—which is to be expected, I suppose, when you’re the product of diverse genes.

Being half has put the quest for self-discovery and definition at the forefront of my life. People’s efforts to categorize me can be frustrating, since I have difficulty categorizing myself. It often involves sifting through labels and historical and political rhetoric that confuse my sense of identity. But ultimately, my mixed heritage has shaped how I define not only myself, but also what it means to be American.

People tell me, “You could never pass as an American,” or “You’re not really Korean.”…

Read the entire article here.

Zadie Smith’s Rhythmic Play in Shadow and Light

Los Angeles Review of Books
2016-11-17

Walton Muyumba, Associate Professor Assistant Director of Creative Writing
Indiana University

Zadie Smith, Swing Time (New York: Penguin Press, 2016).

I FINISHED READING SWING TIME, Zadie Smith’s new novel, her fifth, around the time the Swedish Academy announced that Bob Dylan was awarded the Nobel Prize for Literature. Among my initial reactions to this confluence was to think of Marcus Carl Franklin, the young African-American actor who portrayed one version of Dylan in Todd Haynes’s 2007 biographical film, I’m Not There. Franklin plays Woody, an imagined Dylan in his Woody Guthrie stage, a role Dylan himself constructed as a cross between the hoboing white troubadour and a wandering black blues man; on-screen, then, Franklin performs a performance of a performance. Haynes’s casting choice is cinematic legerdemain: blackface minstrelsy has had a central role in American entertainment from Thomas D. Rice to Bert Williams to Al Jolson to Fred Astaire to Robert Downey Jr. in Tropic Thunder, so at the very least, Franklin’s performance points to the blues-idiom roots of Dylan’s musical archive and to the kinds of masking (even behind Negro performance and Welsh poetic traditions) that he has put on to “get over.” American culture, like America’s gene pool, is definitely mixed, but Franklin’s performance both represents Dylan’s musical core and disappears from our memory in the matrix of the other actors’ performances in Haynes’s film.

Smith knows about these kinds of erasures and disappearances. In the middle of Swing Time, the narrator/protagonist recalls watching, as a child, Ali Baba Goes to Town (1937) with her best friend, Tracey. Growing up in 1980s London, the girls share a love of dance, Michael Jackson, and Hollywood musicals. They are both biracial and live across the street from each other in mirroring council estates in northwest London. As they enter puberty, their early closeness begins to tear as Tracey’s dance talent opens opportunities for a future on stage, and the narrator begins a kind of extended period of wandering. The narrator’s mother, with her urgent need to shove her daughter toward the middle class, also works to disrupt their connection and let Tracey fade back to her lower class beginnings…

…Roth is an interesting forerunner here: The Human Stain is about blackness, racial passing, and the private self, while Swing Time is about blackness, class passing, biracial identity, and the unknown self. Swing Time could be the narrator’s straightforward realist memoir about growing up biracial in a council flat with a compliant, Anglo father and an ambitious, Jamaican mother; about a long, strange friendship and rivalry with Tracey; about a middle class striving and the vagaries of ethnically mixed life in NW London; about the enabling fictions and intellectual freedoms of British university life in the late 1990s; or about experiences with pop celebrity as a member of an entourage, including building a school for girls in Gambia. Instead, Smith offers a narrator who goes sideways…

Read the entire review here.

White Model Apologizes After Her Photo Shows Up On Blackhair Magazine

The Huffington Post
2016-11-21

Zeba Blay

“I’m very sorry this cover was taken away from a black woman,” she wrote.

Blackhair magazine had some explaining to do after mistakenly featuring a white model rocking afro-textured hair on the cover of its latest issue. The publication, known for offering hair tips and tricks for black and mixed-race women, was called out by a white model Emily Bador who says an old modeling photo of her was used without her permission for the December/January issue of the mag.

In an Instagram post published on Sunday, Bador shared a photo of the cover, writing in a caption that she “deeply and sincerely” apologized for the picture. Bador explained to her over 64,000 followers that the image had been taken three or four years ago when she was around 15 years old, before she had learned about the concept of cultural appropriation and the stigma many black women receive for wearing their hair in its natural state…

Read the entire article here.