Mixed Race Studies

Black Tommies: British Soldiers of African Descent in the First World War

Liverpool University Press
2015-12-04
208 pages
Hardback ISBN: 978-1-781-38018-5
Paperback ISBN: 978-1-781-38019-2
eBook ISBN: 978-1-781-38427-5

Ray Costello

Black Tommies is the first book entirely dedicated to the part played by soldiers of African descent in the British regular army during the First World War. If African colonial troops have been ignored by historians, the existence of any substantial narrative around Black British soldiers enlisting in the United Kingdom during the First World War is equally unknown, even in military circles. Much more material is now coming to light, such as the oral testimony of veterans, and the author has researched widely to gather fresh and original material for this fascinating book from primary documentary sources in archives to private material kept in the metaphorical (and actual) shoe boxes of descendants of black Tommies. Reflecting the global nature of the conflict, Black Tommies takes us on a journey from Africa to the Caribbean and North America to the streets of British port cities such as Cardiff, Liverpool and those of North Eastern England. This exciting book also explodes the myth of Second Lieutenant Walter Tull being the first, or only, black officer in the British Army and endeavours to give the narrative of black soldiers a firm basis for future scholars to build upon by tackling an area of British history previously ignored.

My Wife Is Black. My Son Is Biracial. But White Supremacy Lives Inside Me

Cognoscenti
WBUR
Boston, Massachusetts
2020-06-22

Calvin Hennick

The author and his son (Courtesy)

My son is 9 years old. He’s big and beautiful and biracial, and although my wife and I have always known we would need to prepare him to face racism, we’ve never talked to him or his little sister about police violence against Black people. Not until now.

He wept when we told him about George Floyd. His voice shaking, he asked whether the same thing would one day happen to him.

My wife and I told him to draw about his feelings, and what he brought back to us broke both our hearts. In pen, he’d drawn a white police officer standing in front of a cruiser, holding up a smoking gun and looking down at an unseen corpse. My son had written the words “Killed Me,” with an arrow pointing down at his own body, lying lifeless just outside the frame of the page.

There’s nothing my son can do to prevent this nightmare from becoming a reality. There’s nothing he can do to change the way the world will see him when he grows into a tall, broad-shouldered Black man.

To protect my son, and every other Black boy and girl in America, white people must change the way our own eyes see the world. We must do the work of stamping out white supremacy where it lives: in our systems, and in ourselves…

Read the entire article here.

Public Secrets: Race and Colour in Colonial and Independent Jamaica

Liverpool University Press
2019-09-10
280 pages
Hardback ISBN: 978-1-789-62000-9

Henrice Altink, Professor of Modern History; Co-Director of the Interdisciplinary Global Development Centre
University of York

Informed by critical race theory and based on a wide range of sources, including official sources, memoirs, and anthropological studies, this book examines multiple forms of racial discrimination in Jamaica and how they were talked about and experienced from the end of the First World War until the demise of democratic socialism in the 1980s. It also pays attention to practices devoid of racial content but which equally helped to sustain a society stratified by race and colour, such as voting qualifications. Case studies on the labour market, education, the family and legal system, among other areas, demonstrate the extent to which race and colour shaped social relations in the island in the decades preceding and following independence and argue that racial discrimination was a public secret – everybody knew it took place but few dared to openly discuss or criticise it. The book ends with an examination of race and colour in contemporary Jamaica to show that race and colour have lost little of their power since independence and offers some suggestions to overcome the silence on race to facilitate equality of opportunity for all.

As a White Mom to Black Children, I Question Other Parents’ Intentions 24/7

Working Mother
2020-06-12

Audrey Goodson Kingo, Deputy Editor

I must protect my 4-year-old son and 9-month-old daughter.

To be a good mom to my kids, I must be their fiercest advocate at all times, because the world won’t be.

I remember my biggest parenting mistake with perfect clarity. The shame still turns my stomach when I recall the moment I sided with white parents, who look like me, instead of my Black son…

Read the entire article here.

Comfortable in My Own Skin

Sojourners
January 2020

Maika Llaneza
New Orleans, Louisiana

My theology says brown skin is beautiful, but my Pinterest page said otherwise.

MY EXPERIENCE BEING color-shamed began when I was 5 years old and still living in the Philippines. My mom and aunts often told me that I could be mistaken for “the maid’s daughter,” due to my darker brown skin. Even at a young age, I understood it was intended as an insult.

As I grew up, billboards, films, television shows, and magazines bombarded me with images of white Americans and Filipinas with white facial features. Mestiza Filipina models and actresses—celebrities admired by young girls like me—advertised skin-whitening products.

Color-shaming by other Filipinas continued after I moved to the United States at age 7. My mom, titas (aunts or older women), and lolas (grandmothers or elderly women) told me to “stay away from the sun” and “try not to get so dark.” They told me I would look even prettier if I had lighter skin…

Read the entire article here.

Afro-Mexican Women in Saint-Domingue: Piracy, Captivity, and Community in the 1680s and 1690s

Hispanic American Historical Review
Volume 100, Issue 1 (2020-02-01)
pages 3-34
DOI: 10.1215/00182168-7993067

Pablo Miguel Sierra Silva, Assistant Professor of History
University of Rochester, Rochester, New York

This article focuses on the experiences of women of African descent who were made captives (and, in some cases, recaptives) after the 1683 buccaneer raid on Veracruz, the most important port in the Viceroyalty of New Spain (colonial Mexico). Although the raid is well known to historians of piracy, its implications for women’s history and African diaspora studies have not been properly contextualized in a period of expanding Atlantic slavery. This article proposes a close reading of contraband cases, parochial registers, slave codes, and eyewitness accounts centered on Afro-Mexican women who were kidnapped to Saint-Domingue (modern-day Haiti). A focus on displacement and resilience opens new narratives through which to understand women who transcended their captivity by becoming spouses to French colonists and free mothers to Saint-Domingue’s gens de couleur (people of mixed race).

Read or purchase the article here.

The Confederate Flag Didn’t Bother Bubba Wallace. Until It Did.

The New York Times
2020-06-19

Juliet Macur

Barry Cantrell

The only black driver in NASCAR’s top tier, he has emerged as an impassioned activist who got the flag banned at races in the largely white sport after years of putting up with it.

Darrell “Bubba” Wallace Jr., the only black driver in NASCAR’s top racing series, has drawn widespread attention and acclaim for his principled stand that got the Confederate flag banned from races in a largely white sport.

Yet, after years of often quiet acceptance of the sport’s “racist label,” as he put it, nobody was more surprised than his mother that he had become a central figure in the sports world’s upheaval regarding race.

“I was shocked,” his mother, Desiree Wallace, said in a telephone interview. “I said, ‘Wait a minute, is this my son? The one who doesn’t really care about anything but getting in the car and driving?’ I’m tripping that he’s gone from being a racecar driver to becoming a daggone activist. Who does that? Not Bubba.”

Yet a series of events, particularly the killing of a black man, Ahmaud Arbery, while he was jogging in a predominantly white neighborhood in Georgia, flipped a switch in Wallace, he and those who know him said…

Read the entire article here.

“I got plenty of African American friends — I’ve known ’em since I was 14,” said [Lonnie] Miles, adding that he learned to say ‘African American’ out of respect. “They know if they need anything, all they have to do is ask me. I have supper with them, and they have supper with me too. Only thing I don’t like is blacks and whites mixing, but I keep that to myself.”

Stephanie McCrummen, “Wrapped up in the Confederate flag,” The Washington Post, June 20, 2020. https://www.washingtonpost.com/nation/2020/06/20/heflin-alabama-confederate-flags.

[Florence] Price and her music were well received in Chicago. The great contralto Marian Anderson closed her legendary 1939 Lincoln Memorial concert with a piece arranged by Price. Still, she scraped to make ends meet, writing pop tunes and accompanying silent films. In 1943, she sent a letter to Serge Koussevitzky, conductor of the Boston Symphony Orchestra, acknowledging what she was up against. “I have two handicaps,” she wrote: “I am a woman and I have some Negro blood in my veins.”

Tom Huizenga, “Revisiting The Pioneering Composer Florence Price,” All Things Considered, National Public Radio, January 21, 2019. https://www.npr.org/2019/01/21/686622572/revisiting-the-pioneering-composer-florence-price.

Rediscovering Frank Yerby: Critical Essays

University Press of Mississippi
2020-05-15
208 pages
Hardcover ISBN: 9781496827821
Paperback ISBN: 9781496827838

Edited by:

Matthew Teutsch, Director, Lillian E. Smith Center
Piedmont College, Demorest, Georgia

The first book-length sounding of the major contributions of the first black American novelist to sell more than a million copies

Contributions by Catherine L. Adams, Stephanie Brown, Gene Andrew Jarrett, John Wharton Lowe, Guirdex Massé, Anderson Rouse, Matthew Teutsch, Donna-lyn Washington, and Veronica T. Watson

Rediscovering Frank Yerby: Critical Essays is the first book-length study of Yerby’s life and work. The collection explores a myriad of topics, including his connections to the Harlem and Chicago Renaissances; readership and reception; representations of masculinity and patriotism; film adaptations; and engagement with race, identity, and religion. The contributors to this collection work to rectify the misunderstandings of Yerby’s work that have relegated him to the sidelines and, ultimately, begin a reexamination of the importance of “the prince of pulpsters” in American literature.

It was Robert Bone, in The Negro Novel in America, who infamously dismissed Frank Yerby (1916–1991) as “the prince of pulpsters. ” Like Bone, many literary critics at the time criticized Yerby’s lack of focus on race and the stereotypical treatment of African American characters in his books. This negative labeling continued to stick to Yerby even as he gained critical success, first with The Foxes of Harrow, the first novel by an African American to sell more than a million copies, and later as he began to publish more political works like Speak Now and The Dahomean.

However, the literary community cannot continue to ignore Frank Yerby and his impact on American literature. More than a fiction writer, Yerby should be put in conversation with such contemporaneous writers as Richard Wright, Dorothy West, James Baldwin, William Faulkner, Margaret Mitchell, and more.