Mixed Race Studies

“The Bluest Eye” and “Imitation of Life” (1934): Variations on a Theme (Maggie Tarmey)

Toni Morrison: A Teaching and Learning Resource Collection
2021-06-08

Maggie Tarmey

The following essay is written by student Maggie Tarmey, with edits by Amardeep Singh.

While the two appear quite different from one another, Toni Morrison’s novel The Bluest Eye and the 1934 film adaptation of Imitation of Life (directed by John Stahl and adapted from Fannie Hurst’s 1933 novel of the same name) share many similarities. The Bluest Eye follows a young, dark-skinned Black girl in a small Ohio town in 1940. This girl, named Pecola Breedlove, wants to have blue eyes. It is her number one desire, and she believes that blue eyes, and only blue eyes, will make her beautiful.

In contrast, Imitation of Life follows the story of a white widow, Bea, and her Black domestic servant, Delilah, as they start a business selling Delilah’s famous pancakes. Delilah has a daughter named Peola who is so light skinned that she passes for white. Peola struggles throughout the film with her identity. While these sound like two entirely different stories, they are really not so different. I would argue that these two works similar stories from rather different perspectives. The Bluest Eye tells the story of young girls struggling with colorism and white supremacy from a Black cultural perspective with a Black audience in mind, while Imitation of Life puts forward a sanitized, far less nuanced version of a similar narrative, one that is authored by white creators (Hurst and Stahl) and targeted to predominantly white audiences…

Red the entire essay here.

Marginal Citizens: Interracial intimacies and the incarceration of Japanese Canadians, 1942–1949

Canadian Journal of Law and Society / La Revue Canadienne Droit et Société
Published online 2021-09-08
DOI: 10.1017/cls.2021.18

Mary Anne Vallianatos, Ph.D. Candidate
University of Victoria School of Law, British Columbia

Following Japan’s 1941 attacks on Hawai’i and Hong Kong, Canada relocated, detained, and exiled citizens and residents of Japanese ancestry. Many interracial families, however, were exempted from this racial project called the internment. The form of the exemption was an administrative permit granted to its holder on the basis of their marital or patrilineal proximity to whiteness. This article analyzes these permits relying on archival research and applying a critical race feminist lens to explore how law was constitutive of race at this moment in Canadian history. I argue that the permits recategorized interracial intimacies towards two racial ends: to differentiate the citizen from the “enemy alien”; and to regulate the interracial family according to patriarchal common law principles. This article nuances received narratives of law as an instrument of racial exclusion by documenting the way in which a new inclusive state measure sustained old exclusions.

Read or purchase the article here.

Quadroon Balls | LFOLKS (1985)

Louisiana Public Broadcasting
2022-01-05

This segment from the February 10, 1985, episode of the series “Folks” features Genevieve Stewart’s report on the history of the quadroon balls in 19th century New Orleans, clandestine events where white men met free women of color, who would become their mistresses. She visits the Orleans Ballroom at the Bourbon Orleans Hotel in the French Quarter, one of the possible sites of the quadroon balls. Stewart also interviews Clive Hardy, the archivist at the University of New Orleans, who discusses his research into the history of the quadroon balls. Host: Rob Hinton

Passing as white would make it easier to work in Mexico, she said. White migrant advocates seem to automatically command respect from locals in Reynosa. But instead of passing, [Felicia] Rangel-Samponaro has tried to leverage being biracial.

When she tells Mexican officials about her father, they smile and give her high fives. When she tells them she’s Black, they’re surprised.

“In their minds, Black people don’t cross into Mexico to help others,” she said.

Black migrants usually assume she’s Latina. So she makes a point of saying that she identifies as Black and that, “We are going through the same struggles.”

Molly Hennessy-Fiske, “The woman defending Black lives on the border, including her own,” The Los Angeles Times, December 27, 2021. https://www.latimes.com/world-nation/story/2021-12-27/the-woman-defending-black-lives-on-the-border.

Overlooked No More: Elizabeth A. Gloucester, ‘Richest’ Black Woman and Ally of John Brown

The New York Times
2019-09-18

Steve Bell, Senior Staff Editor

Overlooked is a series of obituaries about remarkable people whose deaths, beginning in 1851, went unreported in The Times.

She ran boardinghouses whose lodgers included members of New York’s elite, raised money for an orphan asylum and was active in the abolitionists’ cause.

With a fortune built largely from operating boarding homes in Brooklyn and beyond, Elizabeth A. Gloucester was considered by many to be the richest black woman in America at her death at age 66 on Aug. 9, 1883.

Attending her funeral was “a congregation of people such as has seldom come together,” The Brooklyn Daily Eagle reported, made up of “richly dressed white ladies, fashionably attired gentlemen and a number of well-known colored people.”

Whether her fortune of about $300,000 (the equivalent of about $7 million today) actually made her the nation’s wealthiest black woman may be impossible to prove. Some white women were much richer; the financial whiz Hetty Green was then building a net worth that might rival or exceed that held by President Trump today.

But Gloucester was notable for more than just her money. She was linked — for a time dangerously so — to the antislavery firebrand John Brown, whom some blamed for leading the nation into the Civil War. She also led efforts to raise money for New York’s Colored Orphan Asylum, which would be set afire in the deadly draft riots of 1863. In her final year she even managed to land a cameo role in a high-society scandal that made headlines across the country…

Read the entire article here.

Overlooked No More: Si-lan Chen, Whose Dances Encompassed Worlds

The New York Times
2021-05-27

Jennifer Wilson, Contributing Writer
The Nation

This article is part of Overlooked, a series of obituaries about remarkable people whose deaths, beginning in 1851, went unreported in The Times.

As a dancer and choreographer, she sought to represent a broad range of ethnic groups, but audiences often sexualized and exoticized her by focusing on her mixed race.

In 1945, the dancer Si-lan Chen sent a draft of her memoir to the writer Pearl S. Buck, with a letter asking for her thoughts on why she was struggling to get the attention of a publisher.

The problem, Buck explained, was that while Chen had dined with the Nationalist leader Chiang Kai-shek in revolutionary China, had been romanced by the poet Langston Hughes in Soviet Moscow, and had worked in Hollywood for the producer Joseph Mankiewicz, no one actually knew who she was.

The autobiography, Buck said, of a mixed-race girl growing up in Trinidad, studying ballet at the Bolshoi and choreographing films like “Anna and the King of Siam” (1946), was too focused on, well, her…

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Lani Guinier drew on her Black and Jewish roots in a life of outspoken activism

Forward
2022-01-07

TaRessa Stovall

Lani Guinier, the daughter of a white Jewish mother and Black Panamanian father whose nomination by President Clinton to head the Civil Rights Division of the Department of Justice was opposed by mainstream Jewish organizations, died on Friday.

Guinier, who went on to become the first Black woman on the Harvard Law School faculty as well as its first woman of color given a tenured post, succumbed to complications from Alzheimer’s disease, according to The Boston Globe.

Carrie Johnson, who covers the Justice Department for National Public Radio, tweeted a message from Harvard Law School Dean John Manning confirming Guinier’s death and praising her.

“Her scholarship changed our understanding of democracy – of why and how the voices of the historically underrepresented must be heard and what it takes to have a meaningful right to vote,” Manning’s message said. The dean’s letter to the school community said she died surrounded by friends and family…

Read the entire article here.

Who’s Afraid of Lani Guinier?

The New York Times Magazine
1994-02-27

Lani Guinier

For a late April day in Washington, the air was remarkably soft. The sun-splashed courtyard of the Department of Justice seemed a reflection of the glow surrounding Attorney General Janet Reno. She had just returned from a successful venture to Capitol Hill, where she faced down a committee upset about the recent confrontation with the Branch Davidians. I stood with six other Justice Department nominees to be presented to the public. In what we were told was a last-minute decision, the President himself was to make the presentations. We gathered in the hallway next to the courtyard stage and were lined up in the order we would be introduced. We were given our instructions, and then the President arrived.

The President had a regal bearing. I remember he was wearing a beautifully tailored blue suit. As he strode down the row of nervous nominees he greeted each of us in his typically physical style. He grasped my hand, congratulated me and kissed me lightly on the cheek. As he moved to the others I remember overhearing one of the nominees pass on a greeting from an old friend from Arkansas. The President stepped back and said, with a wistful look in his eye: “I remember Steve. That was when I had a real life.” And I remember the nominee’s response: “Mr. President, this is real life.”

As we were introduced there were cheers and signs saying “Atta girl, Janet!” and the like. I saw many old friends from the Civil Rights Division, where I had worked during the Carter Administration, giving the thumbs-up and smiling. I had not been back in the courtyard in 12 years, and now here I was accepting the nomination to head the Civil Rights Division…

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Maria Ewing, opera singer and ex-wife of Sir Peter Hall, dies aged 71

The Guardian
Associated Press

Ewing, also the mother of actor-director Rebecca Hall, died Sunday at her home in Detroit

Maria Ewing, a soprano and mezzo-soprano noted for intense performances who became the wife of director Sir Peter Hall and the mother of actor-director Rebecca Hall, has died at age 71.

Ewing died Sunday at her home in Detroit, spokeswoman Bryna Rifkin said Monday.

Born in Detroit to a Dutch mother and an African American father, Ewing was the youngest of four daughters.

“She was an extraordinarily gifted artist who by the sheer force of her talent and will catapulted herself to the most rarefied heights of the international opera world,” her family said in a statement…

Read the entire article here.