• Global ‘Mixed Race’ Studies: Global Perspectives on ‘Mixed Race’, Citizenship and Immigration (CULANTH 220FS – 01)

    Duke University
    Asian American & Diaspora Studies
    Fall 2020

    Jayne O. Ifekwunigwe, Senior Research Scholar
    Duke Center on Genomics, Race, Identity, Difference (GRID), Durham, North Carolina

    By exploring pioneering and controversial writings from both the social and the biological sciences as well as the humanities, this course will situate debates on ‘race’, ‘mixed race’ and social hierarchies within broader global, comparative, and historical contexts. These comparative examples shed light on the the different social, social, and historical meanings attached to ‘race’ and ‘mixed race’ and address social and cultural variations in the symbolic rules which determine the social status of ‘mixed race’ communities.

    For more information, click here.

  • Suddenly a Person of Color [Plötzlich Person of Color]

    Die Zeit
    Hamburg, Germany
    2020-08-14

    Von Fernanda Thome de Souza

    Graciously translated from German into English for me by Gyavira Lasana and his wife Anne.


    Ein Leben in Abhängigkeit von der Beurteilung der eigenen Hautfarbe: in Brasilien Subjekt, in Deutschland Objekt © . liane ./​unsplash.com

    In Brazil, I was white and privileged, but in Germany I was not white enough. That told me a lot about racism and social participation.

    Fernanda Thome de Souza, born in Sao Paulo, has lived in Berlin since 2008, working as a freelance writer, journalist and copywriter. She is a guest author of “10 to 8.” © private

    In my first months in Berlin, when I was in the city, I was busy reading subway plans, translating social codes and discovering new landscapes. So I didn’t immediately notice that there was something particularly uncomfortable for me behind the differences and the new.

    At some point, in the subway, in the supermarket, at work, I began to feel a disturbing look at my body, burdened with a reproach I had never experienced before. To this day, this gaze, which is determined in transmitting its message, accompanies me. He draws a clear line: that of the territory to which he belongs, where I am read as a stranger, the one that comes from outside.

    My skin is dark, my eyebrows are thick, my hair is black and curled. Where I was born, in Brazil, I am white. A fact that is often difficult for Germans to understand. In Berlin I discovered myself as a Person of Color. This process did not happen overnight, but it definitely began with the perception of this depifting gaze.

    While, as white people in Brazil, I have the legitimacy to occupy spaces – whether public, academic, professional, or cultural – as a matter of course, my presence here is called into question. While I live in Brazil the privilege of neutrality (I am the center, the “normal”, the subject), in Germany the equation has reversed. Because of my appearance, I was transformed into “the other”, an object of the edge, prone to the arbitrariness of the German white gaze.

    I have been living with this ambiguity for twelve years. That, of course, changed me. Oscillating between different sides of social geographies, even from a safe place, has forced me to look beyond my horizons and question my own role. I have started to talk to other Brazilians living in a similar situation in Berlin. I wanted to know if it was just me. What is whiteness in Brazil? Why do we in Germany stop being white? How can the complex backgrounds be described? What have we learned and how has it changed our self-image and our relationship with the society to which we belong?

    Legacy of European Colonialism

    Brazil is an extremely racist country – a legacy of centuries-old European colonialism. After the abolition of slavery, at the beginning of the 20th century, a group of Brazilian intellectuals was first engaged in formulating the self-image of the young Republic of Brazil. Based on ethnic mixing, the theory of a supposed harmony between the different groups was developed.

    Notwithstanding the fact that this ethnic mix-up was caused by the rape of black and indigenous women by white men, the idea served as evidence that there was no racism in Brazil and that in this tropical paradise, everyone, regardless of color or origin, would have equal opportunities. The notorious myth of so-called racial democracy was thus born and disseminated. For decades, racism has been kept out of debate and public policy, and has increasingly become established in all areas of social structure.

    Today, the statistics show the brutal ethnic inequality in the country. While the indigenous population has been almost wiped out and now accounts for only 0.4 percent of total society, blacks – just over half of the total population – are systematically oppressed. Seventy-five percent of those killed by the police, 64 percent of the prison inmates and 75 percent of the poorest are black. Every 23 minutes, a young black man is killed in Brazil. Their biographies and struggles are not in the history books, and their religions are still subject to constant persecution.

    “Whiteness” in Brazil

    Germans, Italians, Jews, Syrians, Lebanese, Japanese and all the other groups that were part of the various waves of migration that have arrived in Brazil since the 19th century were accepted and treated as free people. This immediately gave them advantages and privileges. While the newly liberated black population was let down by the system, immigrants were given subsidized travel tickets and a job guarantee. Europeans were often given additional land for the establishment of colonies, driven by an effort to “wash” the Brazilian population whiter. In Brazil, color is inextricably linked to the class.

    “Being white in Brazil means not suffering from racism,” says Berlin-based writer Fred Di Giacomo Rocha. It is said that they are not constantly being watched in the supermarket, that they are not afraid of the police and that they have access to lawyers. It is the knowledge that one’s own rights are respected by the institutions.

    The choreographer and stage artist Rodrigo Garcia Alves explains the inequality in the state of schools. “Sending your own children to the best private school in the city is a mark of being white. These are only white environments. Because Brazil is not only a racist country, but also a classicist country.” In fact, enough teachers, hot meals, and school safety are a right reserved for whites, who are already entering the brutal competition for the best university places with a head start. In this context, privilege softens with reward for achievement – social inequality is entrenched.

    In the 21st century, being white in Brazil still means coming through the front door and having domestic workers, who are mostly black and underpaid. “It’s impossible not to talk about who is serving and who is being served,” says school social worker D. Wiltshire Soares. “These relationships, which on the one hand are very emotional, on the other hand are also full of violence,” adds Lia Ishida, a Doctoral student in German studies. “It’s about integrating these people into the family without making them equal. A situation very similar to slavery.”

    Fall into the European colonial fantasy

    We white Brazilians come to Germany with European passports, higher education, fluent English, university places, money in our pockets and all the security, self-respect and arrogance that has been granted to us throughout our lives through historical privileges. Our bodies do not carry the traumas of racism. And yet we have definitely lost the “white status” we were used to here. And what does that mean?

    As the Portuguese interdisciplinary artist and author Grada Kilomba put it in her book Plantation Memories, although there are Germans of all skin colors, the colonial fantasy prevails that being German means being white. It is a racism in which prejudice and discrimination arise not from an idea of the superiority of individual “races”, but on the basis of ideas of nation, ethnicity and cultural differences, incompatibilities and hierarchies.

    What racism does to all of us

    Since being German in the hegemonic imagination means first of all being white, I am automatically marked as someone who does not belong here.

    This is the first “transition” of a Brazilian who ceases to be white: the loss of neutrality and the position of the subject. We will immediately become objects that are observed and questioned. Kilomba explains this by referring in her text to the Afro-German experience. While the white subject is preoccupied with the question “What do I see?”, the subject of color is forced to deal with the question “What do they see?” And what they see is not born of a mere interest in the story we have to tell, but from the projection of white fantasies about what we should be.

    The experiences of the Brazilians I have spoken to coincide with mine. Deprived of our human complexity, we are reduced to stereotypes that in no way reflect our identity. If you read a Brazilian with a beard as a “terrorist Arab,” he becomes a “harmless Iberian” without a beard. The clothes we wear tell us whether we are read as Syrians or Italians, which means being considered suspicious or not.

    Subordination and condescension

    Because of this colonial dialectic, as Grada Kilomba defines it, the white subject deserves a position of authority, while the racist is forced to subordination. This hierarchy in relations is repeated from one area to another and represents a loss of status for Brazilians, who until then saw themselves as whites. Actually accustomed to hegemony, our mobility is suddenly monitored, our environment is reduced, our habits and behaviors are questioned and corrected, and finally our experiences and points of view are simplified and disqualified.

    When Di Giacomo Rocha presented his latest book at the Frankfurt Book Fair in 2019, he criticized the German condescension. The universal voice is a white domain. In his opinion, Latin American literature only gains space when it talks about its regionality, its exotic peripheral reality.

    Theories like Kilomba’s have helped me not only to process my experiences in Germany, but above all to understand the extent of my privileges, their structures and the origins of violence. There is an urgent need to break with the white idea of universality. The systematic small-termization of marginal voices is not only used to secure the status quo. It allows the privileged classes to be ignorant of realities of which they prefer not to know. If there is a moral and legitimate obligation to combat racism, there is an urgent need for stolen spaces to be returned to their actual owners. It is necessary to read these voices, to listen to them and to get to know them. Until we irrevocably understand what racism does to us as a society and as a human being.

    Read the article in German here.

  • Blue Beneath My Skin

    The Alchemist Theatre Company
    London, United Kingdom
    2020-06-22

    Macadie Amoroso

    “Clothes allow me to choose how people see me,
    Clothes can speak louder than my skin…”

    Through the eyes of a 17-year-old mixed race girl, Blue Beneath My Skin explores the nuances of identity and ethnicity, and how self-perception and the perceptions put upon us can push us onto a destructive path.

    Blue beneath my skin was fist performed at The Bunker Theatre in 2019 as part of the ‘This is Black’ festival. In 2020 it was revived as part of East 15’s Debut Festival and won the King’s Head Theatre’s Stella Wilkie Award and was chosen for Pulse Festival.

    Watch the entire play here.

  • This Is Black – Double Bill I: Blue Beneath My Skin & All the Shit I Can’t Say to My Dad at the Bunker

    The Up Coming
    2019-08-10

    Michael Higgs

    Featuring four new plays by emerging black writers, Steven Kavuma’s This Is Black is a highly anticipated festival that promises to be a success. The first part of the festival, Double Bill I, presents highly passionate and thoughtful performances of two one-handers, which leave plenty of room for thought.

    Written by and starring Macadie Amoroso, Blue Beneath My Skin features the life story of a 17-year-old mixed-race girl who dreams of becoming a fashion designer, but who frequently encounters setbacks through an onslaught of sexism and racism. Amoroso’s acting is top-notch and full of soul, never failing to be convincing even for a single moment. The writing, too, is very strong for the most part – although the occasional irregular use of rhyme, probably a leftover from spoken-word-poetry, does mar the overall presentation somewhat. Plot-wise, the ending also feels rather forced and unlikely. But these minor hiccups are hardly detrimental to an otherwise outstanding performance, which takes a particularly fascinating point of view in exploring racial tensions and questions of identity when being of a mixed heritage…

    Read the entire review here.

  • Blue Beneath My Skin, Alchemist Theatre Co. (Streamed Broadcast)

    Breaking The Fourth Wall: Michael Davis’ thoughts on theatre and the Arts.
    2020-06-27

    Michael Davis

    The second entry in Alchemist Theatre’sWriters On Hold’ series, Blue Beneath My Skin continues to explore the themes of racial identity and feminimity. Written and performed by Macadie Amoroso, the monologue focuses on a 17-year-old mixed race girl, who after she was abandoned as a baby by a canal, was found and later raised by an all-white family.

    While ‘Canal Baby’ (Amoroso’s character) has a ‘comfortable’ existence, domestic life does have its tensions. She’s still close to her ‘father’, but he and her ‘mother’ are no longer a couple. Living in an all-female household (with ‘mother’ and ‘sister’), far from having many things in common, even neutral interests such as fashion are a divisive subject, where they seldom see eye-to-eye. Regardless of this, it is the one avenue where Amoroso’s character feels she can express her individuality, irrespective of her family’s opinions and tastes.

    Read the entire review here.

  • An RNC Speaker Said Cops Would Be ‘Smart’ to Racially Profile Her Own Son

    VICE
    2020-08-25

    Carter Sherman

    “Statistically, my brown son is more likely to commit a violent offense over my white sons,” anti-abortion activist Abby Johnson said in a YouTube video earlier this year.

    One of the Republican National Convention’s top speakers said in a recent video that it would be “smart” for a police officer to racially profile her biracial son, because “statistically, my brown son is more likely to commit a violent offense over my white sons.”

    “I recognize that I’m gonna have to have a different conversation with Jude than I do with my brown-haired little Irish, very, very pale-skinned, white sons, as they grow up,” Abby Johnson, a prominent anti-abortion activist, said in a 15-plus-minutes video posted to YouTube in late June, after weeks of nationwide protests against the police killing of George Floyd.

    “Right now, Jude is an adorable, perpetually tan-looking little brown boy,” said Johnson, whose husband blogged, in 2015, about adopting their biracial son at his birth. Johnson is white. “But one day, he’s going to grow up and he’s going to be a tall, probably sort of large, intimidating-looking-maybe brown man. And my other boys are probably gonna look like nerdy white guys.”

    Read the entire article here.

  • Other Tongues: Call for Submissions VOLUME 2

    I Wonder As I Wonder
    2019-09-16

    Adebe DeRango-Adem

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    Mixed-Race Women Speak Out (Again!)

    Co-editors Adebe DeRango-Adem and Andrea Thompson are seeking submissions of writing and/or artwork for a follow-up anthology of work by and about mixed-race women, intended for publication by Inanna Publications in 2020-21.

    Deadline for Submissions: SEPTEMBER 1, 2020

    The purpose of this anthology is to explore the question of how mixed-race women in North America identify in the 21st Century. The anthology will also serve as a place to learn about the social experiences, attitudes, and feelings of others, while investigating more general questions around what racial identity has come to mean today. We are inviting previously unpublished submissions that engage, document, and/or explore the experiences of being mixed-race…

    …WHAT IS OTHER TONGUES?

    The first edition of Other Tongues: Mixed Race Women Speak Out was born from a desire to see a new and refreshing literature that could be at the forefront of mixed-race discourse and women’s studies, while providing a space for the creative expression of mixed-race women. Through an inspirational and provocative mix of visual art, literature, orature, creative non-fiction and academic analysis, Other Tongues chronicled the changes in social attitudes towards race, mixed-race, gender and identity, and the each of the contributors’ particular reactions to those attitudes.

    The diversity of each woman’s story demonstrated the breadth and depth of the lived reality of the mixed experience for women in North America at that particular moment in time. In this way, the book became a snapshot of the North American racial terrain in the afterglow of the inauguration of the first mixed-race/Black American President—a pivotal point in history that many mistakenly labeled the dawning of a “post-racial” age….

    For more information, click here.

  • The reconstruction of the Union seemed to be on everyone’s mind, including abolitionists. In late January 1864 [William Lloyd] Garrison challenged an anti-Lincoln resolution at the Massachusetts Anti-Slavery Society meeting. Garrison’s longtime friend Wendell Phillips, primed to take the helm of abolitionism from his old friend and mentor, labeled Lincoln “a half-converted, honest Western Whig, trying to be an abolitionist.” As Garrison stared down emancipation, Phillips looked past emancipation at the reconstruction of the United States. Back in December 1863, Lincoln had announced his Proclamation of Amnesty and Reconstruction, which offered restoration of rights (except slave-holding) to all Confederates taking the loyalty oath. When loyalty levels reached 10 percent, states could establish governments that restricted civil rights for Black residents, Lincoln had proposed. But this proposal “frees the slave and ignores the negro,” Phillips snapped. The sizable free biracial community of New Orleans snapped, too, demanding voting rights. These biracial activists separated “their struggle from that of the Negroes,” said an observer. “In their eyes, they were nearer to the white man, they were more advanced than the slave in all respects.” Overtures to Louisiana Whites failed, and biracial activists had no choice but to swallow their racist pride and ally with emancipated Blacks by the end of 1864.

    Ibram X. Kendi, Stamped From the Beginning: The Definitive History of Racist Ideas in America, (New York: Hachette Book Group, 2016), 226.

  • Harris’ dual identities challenge America’s race labels

    Associated Press
    2020-08-21

    Sally Ho


    Benjamin Beltran, 26, on Aug. 18, 2020, in Washington. For most of his childhood, Beltran identified with his dad’s roots as a Filipino growing up. At times, that made his white mother worry he was forgetting her ancestry, which traces to Scotland and Ireland. Jacquelyn Martin / AP

    Kamala Harris’ historic nomination for vice president on the Democratic ticket is challenging multicultural, race-obsessed America’s emphasis on labels.

    It was just 20 years ago that the U.S. census began to allow Americans to identify as more than one race. And now, the country is on the threshold of seeing the name of Kamala Harris — proud daughter of a Jamaican father and Indian mother — on the national ballot.

    Harris’ historic nomination for vice president on the Democratic ticket is challenging America’s emphasis on identity and labels.

    While her dual heritage represents several slices of the multicultural and multiracial experience, many have puzzled over how to define her — an issue people of diverse backgrounds have long had to navigate.

    Harris has long incorporated both sides of her parentage in her public persona, but also has been steadfast in claiming her Black identity, saying her mother — the biggest influence on her life — raised her and her sister as Black because that’s the way the world would view them.

    “My mother instilled in my sister, Maya, and me the values that would chart the course of our lives,” Harris said in a Wednesday night speech at the Democratic National Convention to accept her party’s nomination. “She raised us to be proud, strong Black women. And she raised us to know and be proud of our Indian heritage.”…

    Read the entire article here.

  • Author Event: Dedria Humphries Barker on AADL.TV

    Ann Arbor District Library
    343 South Fifth Avenue
    Ann Arbor, Michigan 48104
    2020-08-20, 00-01:30Z [2020-08-19, 20:00 to 21:30 EDT]

    Join Dedria Humphries Barker as she discusses her book, Mother of Orphans: The True and Curious Story of Irish Alice, a Colored Man’s Widow.

    Before Her Time: The Heroic Schooling of a Mulatto Girl

    White women who for love crossed the 19th century Jim Crow color line for a new life in a Black family were highly unusual and often ostracized. But one such woman was Alice Donlan. Her interracial family braved further complication when her husband died in 1912, and Alice put their three children in an orphanage. Why was the one-hundred year old mystery unraveled by a two decades of research by Alice’s great granddaughter, Dedria Humphries Barker. Mother of Orphans is the resulting family biography. In this presentation, Humphries Barker argues that Alice’s act was heroic and helped propel future generations, including the author, to lives of opportunity.

    Richly illustrated with historical and contemporary photographs, Mother of Orphans tells the story of Humphries Barker’s great grandmother, Alice Donlan, an Irish American woman from Indiana, who found love in Cincinnati, Ohio, at the end of the Gilded Age when the Ohio River city was known as the London and Paris of America. It was also the age of Jim Crow and lynching. This family biography explains how navigating interracial family life and different cultural values led to Alice’s unspeakable act. An intricate social history, Mother of Orphans links the stories of four generations of related White and Black women directly affected by Alice’s unspeakable act. And, in the final analysis, the author was amazed at how the social condition of 21st century women remains very similar to the daunting challenges Alice faced, especially when it comes to child care.

    Dedria Humphries Barker is a African American woman writer who lives in Lansing, Michigan where she is a working mother of three adult children. Her work has included being a journalist at The Michigan Chronicle, Detroit’s African American newspaper, a staff writer for two Gannett, Co., Inc. daily newspapers, The Commercial News in Danville, Illinois, and The Lansing State Journal in Michigan’s capitol city; an editor at Michigan State University, and a freelance writer whose work on parenting has appeared on Salon.com, Your Teen, and Literary Mama, and in the Redbook and Good Housekeeping magazines, and The Detroit News, among other periodicals. Her work has been published by the historical societies of Ohio and Michigan. She is a former professor of English at Lansing Community College in Michigan.

    To watch the event, click here.