Pictures and Progress: Early Photography and the Making of African American Identity

Posted in Anthologies, Arts, Books, Literary/Artistic Criticism, Media Archive, United States on 2012-07-19 00:55Z by Steven

Pictures and Progress: Early Photography and the Making of African American Identity

Duke University Press
400 pages
71 photographs
Paperback ISBN: 978-0-8223-5085-9
Cloth ISBN: 978-0-8223-5067-5

Edited by:

Maurice O. Wallace, Associate Professor of English and African & African American Studies
Duke University

Shawn Michelle Smith, Associate Professor of Visual and Critical Studies
School of the Art Institute of Chicago

Pictures and Progress explores how, during the nineteenth century and the early twentieth, prominent African American intellectuals and activists understood photography’s power to shape perceptions about race and employed the new medium in their quest for social and political justice. They sought both to counter widely circulating racist imagery and to use self-representation as a means of empowerment. In this collection of essays, scholars from various disciplines consider figures including Frederick Douglass, Sojourner Truth, Ida B. Wells, Paul Laurence Dunbar, and W. E. B. Du Bois as important and innovative theorists and practitioners of photography. In addition, brief interpretive essays, or “snapshots,” highlight and analyze the work of four early African American photographers. Featuring more than seventy images, Pictures and Progress brings to light the wide-ranging practices of early African American photography, as well as the effects of photography on racialized thinking.

Contributors. Michael A. Chaney, Cheryl Finley, P. Gabrielle Foreman, Ginger Hill, Leigh Raiford, Augusta Rohrbach, Ray Sapirstein, Suzanne N. Schneider, Shawn Michelle Smith, Laura Wexler, Maurice O. Wallace

Table of Contents

  • Acknowledgments
  • Introduction: Pictures and Progress / Maurice O. Wallace and Shawn Michelle Smith
  • 1. “A More Perfect Likeness”: Frederick Douglass and the Image of the Nation / Laura Wexler
  • 2. “Rightly Viewed”: Theorizations of the Self in Frederick Douglass’s Lecture on Pictures / Ginger Hill
  • 3. Shadow and Substance: Sojourner Truth in Black and White / Augusta Rohrbach
    • Snapshot 1. Unredeemed Realities: Augustus Washington / Shawn Michelle Smith
  • 4. Mulatta Obscura: Camera Tactics and Linda Brent / Michael Chaney
  • 5. Who’s Your Mama?: “White” Mulatta Genealogies, Early Photography, and Anti-Passing Narratives of Slavery and Freedom / P. Gabrielle Foreman
  • 6. Out from Behind the Mask: Paul Laurence Dunbar, the Hampton Institute Camera Club, and Photographic Performance of Identity / Ray Sapirstein
    • Snapshot 2. Reproducing Black Masculinity: Thomas Askew / Shawn Michelle Smith
  • 7. Louis Agassiz and the American School of Ethnoeroticism: Polygenesis, Pornography, and Other “Perfidious Influences” / Suzanne Schneider
  • 8. Framing the Black Soldier: Image, Uplift, and the Duplicity of Pictures / Maurice O. Wallace
    • Snapshot 3. Unfixing the Frame(-up): A. P. Bedou / Shawn Michelle Smith
  • 9. “Looking at One’s Self through the Eyes of Others”: W. E. B. Du Bois’s Photographs for the Paris Exposition of 1900 / Shawn Michelle Smith
  • 10. Ida B. Wells and the Shadow Archive / Leigh Raiford
    • Snapshot 4. The Photographer’s Touch: J. P. Ball / Shawn Michelle Smith
  • 11. No More Auction Block for Me! / Cheryl Finley
  • Bibliography
  • Contributors
  • Index
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Eugenic Feminisms in Late Nineteenth-Century America

Posted in Articles, History, Literary/Artistic Criticism, Media Archive, United States, Women on 2011-05-14 03:36Z by Steven

Eugenic Feminisms in Late Nineteenth-Century America

Genders: Presenting Innovative Work In the Arts, Ahumanities and Social Theories
Number 31 (2000)
98 paragraphs

Stephanie Athey, Associate Professor of English
Lasell College, Newton, Massachusetts

Reading Race in Victoria Woodhull, Frances Willard, Anna Julia Cooper and Ida B. Wells

 This essay examines the American intersections of eugenic discourse and organized feminism—black and white—in the 1890s. Reading work by Frances Willard, Victoria Woodhull, Anna Julia Cooper, and Ida B. Wells, I explore the emergence of female “sovereignty” or self-determination of the body as a racially charged concept at the base of feminist work.

A central tenet of twentieth-century feminisms, the concept of female sovereignty–women’s economic, political, sexual and reproductive autonomy–was first defined, debated and justified through eugenic and imperialist discourse at the turn of the last century. Black and white feminist discourse of the period made the politically enfranchised, legally protected body both the goal and token of full citizenship. However, within the frameworks white women elaborated, the economic, political, sexual, and reproductive autonomy of black and white women were set fundamentally at odds.

… Even when the organized societies of the American eugenics movement came to focus exclusively on “better breeding” as the only lasting means of race improvement, many black and white women’s organizations retained euthenic projects of regenerative reform well into the twentieth century, promoting the eugenic benefits of social hygiene, temperance reform, training in domestic science, and the like. The eugenic interests of both Frances Willard and Victoria Woodhull, for instance, combine race-driven reproductive agendas with other regenerative environmental reforms.

Black men and club women shared these interests as well. African American artists and intellectuals promoted black race purity as a means of conserving “our physical powers, our intellectual endowments, our spiritual ideals.” In the face of white racial theories, these race conservationists promoted the positive value of blackness. Black nationalists like DuBois, T. Thomas Fortune, Alexander Crummell, stressed different dangers related to race mixing, ranging from loss of black culture and consciousness to a biological “loss of vitality” or “vitiation of race characteristics and tendencies.” Other prominent African Americans supported a eugenics of race mixing or “amalgamation” as a means of genetic improvement. Proponents like Charles Chesnutt or Pauline Hopkins imagined a new American line that blended the strengths of a multiracial heritage but ultimately “conform[ed] closely to the white type.” All these groups reinforced color-based distinctions, and like white eugenists, these African Americans also measured racial fitness in terms of bourgeois class and gender conventions.

Kevin Gaines has argued that though the elite male voice of race conservation publicly defended elite black women against accusations of unchastity, they also frequently reinforced white racist slander, presuming lower-class and rural women’s complicity in systemic sexual abuse. Certainly, racist and sexist theories of black female degeneracy were powerfully resisted by black women’s groups. Yet white supremacist hereditarian and nativist premises were absorbed by black women’s organizations as well. For instance, leaders of the African American, Boston-based Women’s Era Club fought against lynching and racial segregation while maintaining elitist and nativist positions on working class culture and “foreigners,” and an attendant interest in “social hygiene.” As black women refashioned the white codes of bourgeois womanhood into black feminist resistance, their “politics of respectability” was fused to a civilizationist uplift ideology; this for some made it compatible with eugenic discourses of degeneracy. For instance, Nannie Burroughs weighs euthenic against eugenic strategies in her discussion of black poverty in Washington. While the “student of euthenics,” she says, “believes that the shortest cut to health is by creating a clean environment… to do a work that will abide we must first “get the alley’ out of the seventeen thousand Negroes.”…

Read the entire article here.

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