Mixed Race Studies

Bill to recognize Nansemonds passes committee

Suffolk News-Herald
Suffolk, Virginia
2014-04-02

A bill that would extend federal recognition to the Nansemond Indian Tribe and five others in Virginia passed the Senate Indian Affairs Committee on Wednesday.

The tribes, which also include the Chickahominy, Eastern Chickahominy, Upper Mattaponi, Rappahannock and Monacan, are officially recognized by the state but not by the federal government.

“I just hope we can finally get there,” Nansemond Indian Tribal Association Chief Barry Bass said on Thursday. “It’s been a long, hard road.”

The bill has passed the Senate Indian Affairs Committee before, but a vote in the full Senate has been blocked by senators who believe the tribes should have to go through the Bureau of Indian Affairs as other tribes have done.

But recognition through the bureau’s administrative process requires documentation that current tribal members have a continuous line of descent from the historical tribes. That has been difficult, if not impossible, for Virginia Indians to prove, in part because of Walter Plecker, who was the registrar of Virginia’s Bureau of Vital Statistics from 1912 to 1946. He replaced “Indian” with “black” for the race on many birth and death certificates that passed through his office, ensuring that no official documentation exists for many tribal members to prove their relationship to ancestors…

Read the entire article here.

Child of the Fire: Mary Edmonia Lewis and the Problem of Art History’s Black and Indian Subject

Duke University Press
2010
344 pages
51 illustrations, incl. 18 in color
Cloth ISBN: 978-0-8223-4247-2
Paperback ISBN: 978-0-8223-4266-3

Kirsten Pai Buick, Associate Professor of Art History
University of New Mexico

Child of the Fire is the first book-length examination of the career of the nineteenth-century artist Mary Edmonia Lewis, best known for her sculptures inspired by historical and biblical themes. Throughout this richly illustrated study, Kirsten Pai Buick investigates how Lewis and her work were perceived, and their meanings manipulated, by others and the sculptor herself. She argues against the racialist art discourse that has long cast Lewis’s sculptures as reflections of her identity as an African American and Native American woman who lived most of her life abroad. Instead, by seeking to reveal Lewis’s intentions through analyses of her career and artwork, Buick illuminates Lewis’s fraught but active participation in the creation of a distinct “American” national art, one dominated by themes of indigeneity, sentimentality, gender, and race. In so doing, she shows that the sculptor variously complicated and facilitated the dominant ideologies of the vanishing American (the notion that Native Americans were a dying race), sentimentality, and true womanhood.

Buick considers the institutions and people that supported Lewis’s career—including Oberlin College, abolitionists in Boston, and American expatriates in Italy—and she explores how their agendas affected the way they perceived and described the artist. Analyzing four of Lewis’s most popular sculptures, each created between 1866 and 1876, Buick discusses interpretations of Hiawatha in terms of the cultural impact of Henry Wadsworth Longfellow’s epic poem The Song of Hiawatha; Forever Free and Hagar in the Wilderness in light of art historians’ assumptions that artworks created by African American artists necessarily reflect African American themes; and The Death of Cleopatra in relation to broader problems of reading art as a reflection of identity.

Table of Contents

• Illustrations
• Preface. Framing the Problem: American Africanisms, American Indianisms, and the Processes of Art History
• Acknowledgments
• 1. Inventing the Artist: Locating the Black and Catholic Subject
• 2. The “Problem” of Art History’s Black Subject
• 3. Longfellow, Lewis, and the Cultural Work of Hiawatha
• 4. Identity, Tautology, and The Death of Cleopatra
• Conclusion. Separate and Unequal: Toward a More Responsive and Responsible Art History
• Notes
• Bibliography
• Index

‘Mexican,’ ‘Hispanic,’ ‘Latin American’ top list of race write-ins on the 2010 census

Pew Research Center
2014-04-04

Mark Hugo Lopez, Director of Hispanic Research

Jens Manuel Krogstad, Writer/Editor
Pew Research Center’s Hispanic Trends Project

What is your race? The U.S. Census Bureau asks this question of every U.S. household, but the menu of options offered may feel limiting to some.

On the 2010 census form, in addition to boxes marked “white,” “black or African Am. Or Negro” or “American Indian or Native Alaskan” or one of several Asian options, respondents have the option to select a box called “some other race”—and to write in a response in a box below

According to a new Census report released last week, about one-third of the 47.4 million self-identified Hispanics chose “some other race” when describing their racial identity. Among them, 44.3% wrote in Mexican, Mexican American or Mexico in the box provided. An additional 22.7% wrote in Hispanic or Hispano or Hispana as their race and another 10.0% wrote in Latin American or Latino or Latin…

Read the entire article here.

Transpacific Mixed-Race Literatures: A Reading and Dialogue (Sawyer Seminar IX)

University of Southern California, University Park Campus
Ronald Tutor Campus Center (TCC)
Room 351/352
Sunday, 2014-04-06, 10:00-17:00 PDT (Local Time)

How do Transpacific mixed-race authors inscribe and represent their heritage in their artistic representations? Are there common tropes or literary forms that inform these novels? What type of analysis might emerge from putting writers in dialogue with critical theorists?

SESSION 1

Brian Castro, Professor and Chair of Creative Writing
University of Adelaide, Australia

Australian novelist of Chinese, Portuguese, and English descent; author of 12 novels including award-winning novels Birds of Passage (1982 Vogel Literary Award), Double-Wolf (1991 Victorian Premier’s Literary Award and Vance Palmer Prize for Fiction), Stepper (1997 National Book Council Prize), Shanghai Dancing (2004 Victoria and New South Wales Premier’s Literary Awards), and The Garden Books (2005 Queensland Premier’s Literary Award).

Marilyne Brun, Lecturer
Université de Lorraine, France

Author of “Literary Doubles and Colonial Subjectivity: Brian Castro’s The Garden Book,” The Journal of Commonwealth and Postcolonial Studies (2012), “Racial Ambiguity and Whiteness in Brian Castro’s Drift,” Journal of the European Association for Studies on Australia (2011), and many other scholarly articles on the writings of Brian Castro.

SESSION 2

Kien Nguyen, Novelist

Novelist of Vietnamese and American heritage. Author of 3 novels: The Unwanted: A Memoir of Childhood (2001), The Tapestries (2002), and Le Colonial (2004).

Isabelle Thuy Pelaud, Associate Professor of Asian American Studies
San Francisco State University

Author of This is All I Choose to Tell: History and Hybridity in Vietnamese American Literature (Temple University Press, 2011).

SESSION 3

Paisley Rekdal, Professor of English
University of Utah

Writer of Chinese American and Norwegian heritage; author of four books of poetry, Crash of Rhinos (2000), Six Girls Without Pants (2002), The Invention of the Kaleidoscope (2007), and Animal Eye (2012), as well as a book of essays, The Night My Mother Met Bruce Lee: Observations on Not Fitting In (2000). Her work has received a Village Voice Writers on the Verge Award, two Pushcart Prizes, and the University of Georgia Press’ Contemporary Poetry Series Award.

Viet Nguyen, Associate Professor of English and American Studies and Ethnicity
University of Southern California

Author of Race and Resistance: Literature and Politics in Asian America (Oxford, 2002).

Presented by the Center for Japanese Religions and Culture’s “Critical Mixed-Race Studies: A Transpacific Approach” Andrew W. Mellon Foundation John E. Sawyer Seminars Series at the University of Southern California.

For more information, click here.

Black & Jewish in New Orleans

BrassyBrown.com: where women of color are first in line
2014-04-01

Marian Moore, Guest Blogger

December of 2013 found me in San Diego, California this year, attending the fiftieth Biennial of the Women of Reform Judaism. Although, this was the organization’s centennial, WRJ actually began at my synagogue in 1900 as “the Sisterhood”, the name still used by most members. When I look at our official history, I find that the Sisterhood began as a ladies auxiliary. In 1900, they took on the task of selecting the furnishings for the synagogue and maintaining the new synagogue building. In later years, they did everything from comforting the sick, funding the purchase of an organ, preparing holiday synagogue meals, and sponsoring scholarships at the rabbinical college in Cincinnati. WRJ, The Sisterhood, is still the critical heart of the synagogue. They ensure that things get done. The President of each synagogue chapter is responsible for representing the chapter on the synagogue board and responsible for defining what tasks the chapter will accept.

This was my third biennial but my first as the President of my synagogue chapter. Each time that I’ve attended these national gatherings, there are more jews of color (JOC) participants than the prior time. I attended many small panel discussions where I was the only non-white woman in the room, but when I attended the group discussions with more than one hundred attendees that was never the case. Many of our blended identities were present, from Jewish and African-American, Jewish and Asian-American, Jewish and Latina, et. al. While I was there to find out how to increase membership in my own synagogue Sisterhood, I was interested to listen as the hierarchy of both the women’s organization and the Reform movement wrestled with the recognition of the diversity of Reform Judaism and jewish life in general. I see evidence of that struggle in my life in New Orleans…

Read the entire article here.

Interview with Carole Brennan from Mixed Race Irish

Een Vlaming in Ierland/ A Fleming in Ireland
2014-03-28

Roos Demol

It has been quite a week in Ireland, with the new problems for Mr Shatter, the news that over 2000 phone calls were taped in Garda offices around the country, which could bring a lot of current and old court cases in jeopardy,the press had a busy time and mr. Shatter is very troubled.

But that hasn’t affected our normal every day lives.

However, since I started my (voluntay) job with the online radio, Irish Radio International, where I have my own show, The New Rebels, aimed at the immigrant society here and their families abroad and since I have touched the problem of racism, I am regularly confronted with some very difficult truths.

It is of course easy to ignore all that and keep on blogging about all the good things in Ireland (of which there are many), but I think we all have a repsonsibiloity in revealing truth, however unpleasant that truth may be.

I connected with a lady from London, Carole Brennan, who is a co-founder of the recently established Mixed Race Irish group, an association of Irish people with African dads and Irish mothers, born in the 50s, 60s and 70s, and often raised in industrial schools here in Ireland, where they were often psychologically, physically and even sexually abused…

Listen to the interview here.

The Robbins Family at War with Marvin Jones

Research at the National Archives and Beyond
BlogTalk Radio
Thursday, 2014-04-03, 21:00 EDT, (Friday, 2014-04-04, 01:00Z)

Bernice Bennett, Host

Marvin T. Jones, Executive Director
Chowan Discovery Group

“The Robbins Family at War” – it is about a Native American family who lived through colonial wars of the 17th and 18th centuries, and finally emerged victorious in the Civil War as a part of the mixed-race community. Five members served in the U.S. Colored Troops. Three fought from Suffolk, Virginia to Richmond and helped enforce Juneteenth. Two served in Florida and South Carolina. After the war, they served in North Carolina legislature, invented and founded schools and churches.

Marvin T. Jones is the executive director of the Chowan Discovery Group, whose mission is to research, document, preserve and present the history of the mixed-race land-owning people of the Hertford County area in northeast North Carolina. The CDG has produced many articles, lectures, historical markers, a stage production and several video documentaries. Marvin lives in Washington, D.C. and is a native of Cofield, North Carolina.

For more information, click here.