Mixed Race Studies

Obama on Our Minds: The Impact of Obama on the Psyche of America

Oxford University Press
2016-09-01
312 Pages
6-1/8 x 9-1/4 inches
Hardcover ISBN: 9780199390618

Edited by:

Lori A. Barker, Professor
Department Psychology and Sociology Department
California State Polytechnic University, Pomona

• Examines the true psychological impact of Obama’s presidency on the nation’s collective psyche
• Connects well-known psychological theories with contemporary issues, such as racism, ethnic identity, and stereotyping, and applies them to the historic election of President Obama
• Offers expert critical approaches to widely disseminated rhetoric from political pundits, i.e.

On the evening of November 4, 2008, as news of Barack Obama’s presidential victory spread, television footage depicted the emotional reactions of people across the country and the globe. As Obama gave his acceptance speech in Grant Park that night, the camera focused on those in the audience who were overjoyed, tears streaming down their faces. People cheered. Spontaneous and joyful celebrations broke out in the streets. Change had finally come.

Analysts describe Barack Obama’s success as “unheard of”–a meteoric rise–leaving many in the elite political circles astonished at what he had accomplished in his campaign. With his success, many questions arose: How was a junior senator from Chicago able to do this? Why does he evoke such strong reactions? What cultural shifts took place in American society for this to happen? Do we now live in a post-racial society, and what will this mean for the next generation?

In Obama on Our Minds, Lori A. Barker leads a team of expert multicultural theorists and researchers studying racism, ethnic identity, sexual orientation, and immigration to answer these questions and analyze the enormous impact of this groundbreaking event in our nation’s history.

Table of Contents

• Preface
• Section I: Obama and Key Concepts in Multicultural Psychology
  • Chapter 1: Presidents, Prototypes, and Stereotypes, Oh My! Understanding the Psychological Impact of Obama / Lori A. Barker
  • Chapter 2: The Struggle for Identity Congruence in an Obama White House / Thomas A. Parham
  • Chapter 3: Academic Success of Black Americans: Stereotype Threat in the Era of Obama / Brian E. Armenta and Carey S. Ryan
  • Chapter 4: Teaching for Change: Post-racial or a Different Kind of Racism? / Jeffrey Scott Mio
  • Chapter 5: Changing the Course of Race Relations in America: From Prevention of Discrimination to Promotion of Racial Equality / John F. Dovidio
  • Chapter 6: The Obama Effect on Racial Attitudes: A Review of the Research / Curtis A. Thompson and Lori A. Barker
• Section II: Obama’s Impact on Diverse Populations
  • Chapter 7: (Mixed) Race to the White House / Christine C. Iijima Hall
  • Chapter 8: Race, Masculinity, and Gendered Racism: President Obama’s Influence on Black Men / Christopher T.H. Liang, Carin Molenaar, and Shalena Heard
  • Chapter 9: Barack Obama and the LGBT Community: A Rocky Path to Real Progress and Ongoing Hopes for the Future / Laurie A. Roades
  • Chapter 10: New Hope for Immigrants in the Obama Era / Patricia Arredondo
  • Chapter 11: Has Change Come to America? College Student Attitudes Toward Obama’s Presidency / Andrea Aoun, Blake D. Daryaie, and Lori A. Barker
  • Chapter 12: The Obama Marriage: A Model for Moving Forward the ‘Stalled Revolution’ / Donna L. Franklin

“Be aware that your words have power”: Australian comedians talk about race

Special Broadcasting Service (SBS)
2017-02-28

Maria Lewis

A who’s who of Australian comedians get together to talk about one of comedy’s most taboo topics: racism…

…Faustina Agolley (TV presenter)

…”Growing up mixed-race in Australia, being half-Chinese half-Ghanaian means that you’re just constantly blowing peoples minds. Ever since I was a little kid I’d be like ‘that’s my mum, that’s my grandparents’ and people would be like ‘what?’ Mind explosion. When you’re making fun of your own racial group it’s steeped in truth and a common understanding. When other people make fun of other races it can be laced with a lot of judgment and assumptions.”

Watch the video here.

The Signifyin(g) Saint: Encoding Homoerotic Intimacy in Black Harlem

Black Perspectives
2017-03-14

James Padilioni Jr, Ph.D Candidate and Teaching Fellow in American Studies (Africana-affiliated)
College of William and Mary, Williamsburg, Virginia

On June 25, 1942, Edward Atkinson arrived at 101 Central Park West to sit for a photo shoot in the home studio of Carl Van Vechten. Van Vechten, author of the infamous 1926 novel Nigger Heaven, was a white patron of the Harlem Renaissance and amateur photographer who took hundreds of photographs of Black Harlem’s who’s who such as Paul Robeson, Billie Holiday, and James Weldon Johnson. Atkinson, an off-Broadway actor no stranger to playing a role, transformed himself into Martin de Porres (1579-1639), a Peruvian friar who became the first Afro-American saint when the Vatican canonized him in 1962 as the patron of social justice. I trace Martin’s iconography and ritual performances across Black communities in Latin and Anglo America to reveal the historical relations of power that structure and materialize the networks harnessed by Black peoples to mobilize resources in their varied yet persistent efforts to create meaningful lives out of the fragments of the Middle Passage…

Read the entire article here.

Get the Fuck Outta Here: A Dialogue on Jordan Peele’s GET OUT

Medium
2017-02-27

Son of Baldwin (Robert Jones, Jr)

Writer and educator Law Ware had the wonderful idea of he and I having a dialogue on the recently released horror film, Get Out. The film, written and directed by comedian Jordan Peele, stars Daniel Kaluuya as Chris Washington, a photographer dating a white woman named Rose (Allison Williams). Rose takes Chris home to meet her “liberal/progressive” parents in their New England home and that’s when shit, literally and figuratively, goes left.

The film is multilayered and speaks quite deftly to the terror of being black in the United States. Law and I were anxious to get the conversation started. We spoke on Sunday, the same day as the Oscars, where the specter of race hung over everything like a noose on a poplar tree. There was so much to talk about and as much as we unpacked, there was still so much left to cover (like the end scene, for example). We might need a part two.

PLEASE NOTE: This discussion will contain SPOILERS. Proceed at your own risk.]

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Robert Jones, Jr: So about Get Out. Shall we begin? I’m a horror film buff. I like to watch them to better understand the psychology of other human beings. And I’m very critical of them because a lot of them are dishonest garbage. But this one here? Chile, this is one of the greatest, maybe the greatest, horror film I’ve ever seen.

The opening scene. Did you peep how Jordan Peele flips the script on who the actual menace is? How he reverses course on how the black body is always seen as the threat on the streets and in elevators and such. But here, we have an ordinary black person walking in a neighborhood in which he “doesn’t belong” and the menace is the white people seeking to police his presence in very literal and nefarious terms. This was a brilliant metaphor for stop-and-frisk and the so-called “Concerned Neighbor” phenomena, both of which often end with the death of us. Sundown Towns and shit.

Law Ware: Absolutely. And what I found to be utterly brilliant about that scene, and the movie holistically, is that he uses established horror film tropes to critique Whiteness and white fears. He could have put this in the mouth of our protagonist, but he uses the language of film. That’s why I think many don’t see what he is up to. We are accustomed to preachifying in “important films.” Peele is too nuanced for that…

…RJJ: Precisely. And it’s those nuances, those metaphors, that subtext that speaks to some of us on a subconscious level, that made Get Out such a terrifying experience. My partner was as deeply moved by this film as I was, perhaps deeper. But as you imply, it also explains the misreadings of the film that I have seen or encountered. One person insisted that it was a film designed to let white people off the hook. I was flabbergasted by two things: 1. That the person actually watched the film — with that reveal and that ending — and got that from it, and 2. That the person actually thought this film was for white people in any way, shape, or form. To me, this was a film for black people. And it spoke to us in our own language and felt no need to explain anything to us. It assumed we already knew certain things and proceeded from that knowing. If anything perplexed me, it was knowing that Peele is biracial and has a white mother, and is also married to a white woman. I assumed that the movie would be certain unfavorable things based on that. I assumed he’d be more understanding and apologetic to Whiteness. But the exact opposite was true. So I’m implicated in making certain false judgments about black people based on their backgrounds. And I wonder if this film operates, in some ways, as Peele’s cry for help…

Read the entire interview here.

What You Need To Know About Colorism, As Told By A Light Skinned Black Woman

Elite Daily
2017-03-07

Jenna Graham, Staff Writer

Boris Jovanovic

“What are you mixed with?” is something I’m asked regularly. It’s the most common question I receive from a stranger, and it still manages to get deep under my skin.I raise my eyebrow and respond with a blunt, “I’m black,” only to be challenged with “black and what?”

Sometimes I respond “just black,” and when I can’t resist being slick I’ll answer, “black and proud.”

Being black, despite all the ugly we’ve endured, is the most remarkable experience I’ll ever know…

Read the entire article here.

I Am a Proud Black Teen Who Happens to be Half White

Affinity
2017-02-25

Jazkia Phillips
Portland, Oregon

I grew up in a community where black was the thing to be. My friends and family members had an ample amount of pride and confidence when it came to their racial identities and weren’t afraid to let people know. I too had this visceral sense of pride in my identity as a child. When we learned about the Civil Rights Movement and the pioneers of that era, in my mind I would think, “Yeah, those are my people on the frontlines.” When I was asked that dreaded question “What are you?” I never knew how to answer because I felt black in every way. But, my mother had white skin and I chose to acknowledge that. So I settled on the term “mixed” and the rest just fell together nicely. Throughout my elementary school years, I moved along with this pride and the notion that I was, in fact, a black girl. I just had lighter skin, that’s all…

Read the entire article here.