Mixed Race Studies

The Fate of Afro Germans under Nazis

CNN (Cable News Network)
2017-07-21

Nosmot Gbadamosi

Caption: Two survivors prepare food outside the barracks. The man on the right is thought to be Jean (Johnny) Voste, born in Belgian Congo — the only black prisoner in Dachau. Photo Credit: United States Holocaust Memorial Museum, courtesy of Frank Manucci Date: May 1945

A new film aims to highlight a Nazi “secret” mission to sterilize hundreds of Afro German children.

(CNN)In 1937, mixed race children living in the Rhineland were tracked down by the Gestapo and sterilized on “secret order.” Some were later the subject of medical experiments, while others vanished.

“There were known to be around 800 Rhineland children at the time,” says historian Eve Rosenhaft, professor of German Historical Studies, at the University of Liverpool.

It was a little known part of Holocaust history until Mo Abudu, chief executive of Nigerian media network EbonyLife TV, read an online article by Rosenhaft on the plight of these children.

“When I read about it [the article] I just thought we need to put this to screen,” says Abudu. “There are many children in that era born of African and German parentage and I felt what happened to those people. Their stories are totally untold.”

EbonyLife TV intends to tell their stories through a film called “Ava and Duante.” The film is set in an undisclosed location in Europe and will focus on the plight of Afro Germans who suffered persecution under Hitler…

Read the entire article here.

“So for me, I’m not so much writing about race as I am writing about America. And to me, the American story is one of race, money and class. We do live in a racialized world, and I’ve spent my whole life in this space. I find it strange when writers don’t address it. I’m almost always assumed to be white. I’ve been privy to a lot of racism and conversations in rooms where I unintentionally disappeared into whiteness. I think there were periods when it was a struggle. But I’m at a place in my life when I’m very clear on who I am, my own story and who I come from.” —Danzy Senna

Donna Owens, “NBCBLK Summer Book Club: ‘New People’ by Danzy Senna,” NBC News, July 14, 2017. http://www.nbcnews.com/news/nbcblk/blk-summer-book-club-new-people-danzy-senna-n782806.

New Perspectives on James Weldon Johnson’s The Autobiography of an Ex-Colored Man

University of Georgia Press
2017-07-15
272 pages
Trim size: 6 x 9
Hardcover ISBN: 978-0-8203-5097-4
Ebook ISBN: 978-0-8203-5096-7

Edited by

Noelle Morrissette, Associate Professor of English
University of North Carolina, Greensboro

James Weldon Johnson (1871–1938) exemplified the ideal of the American public intellectual as a writer, educator, songwriter, diplomat, key figure of the Harlem Renaissance, and first African American executive of the NAACP. Originally published anonymously in 1912, Johnson’s novel The Autobiography of an Ex-Colored Man is considered one of the foundational works of twentieth-century African American literature, and its themes and forms have been taken up by other writers, from Ralph Ellison to Teju Cole.

Johnson’s novel provocatively engages with political and cultural strains still prevalent in American discourse today, and it remains in print over a century after its initial publication. New Perspectives contains fresh essays that analyze the book’s reverberations, the contexts within which it was created and received, the aesthetic and intellectual developments of its author, and its continuing influence on American literature and global culture.

Mixed Race in Asia: Past, Present and Future

Routledge
2017-06-15
250 pages
1 B/W Illus.
Hardback ISBN: 9781138282674
eBook ISBN: 9781315270579

Edited by:

Zarine L. Rocha, Managing Editor
Current Sociology and the Asian Journal of Social Science

Farida Fozdar, Associate Professor in Anthropology and Sociology
University of Western Australia

Mixed racial and ethnic identities are topics of increasing interest around the world, yet studies of mixed race in Asia are rare, despite its particular salience for Asian societies.

Mixed Race in Asia seeks to reorient the field to focus on Asia, looking specifically at mixed race in China, Japan, Korea, Indonesia, Malaysia, Singapore, Vietnam and India. Through these varied case studies, this collection presents an insightful exploration of race, ethnicity, mixedness and belonging, both in the past and present. The thematic range of the chapters is broad, covering the complexity of lived mixed race experiences, the structural forces of particular colonial and post-colonial environments and political regimes, and historical influences on contemporary identities and cultural expressions of mixedness.

Adding significant richness and depth to existing theoretical frameworks, this enlightening volume develops markedly different understandings of, and recognizes nuances around, what it means to be mixed, practically, theoretically, linguistically and historically. It will appeal to undergraduate and postgraduate students, as well as postdoctoral and other researchers interested in fields such as Race and Ethnicity, Sociology and Asian Studies.

Table of Contents

• Acknowledgements
• Introduction: Mixed Race in Asia / Zarine L. Rocha and Farida Fozdar
• Section One: China and Vietnam
  • Chapter One: “A Class by Themselves”: Battles over Eurasian Schooling in Late-19th-Century Shanghai / Emma J. Teng
  • Chapter Two: Mixing Blood and Race: Representing Hunxue in Contemporary China / Cathryn Clayton
  • Chapter Three: Métis of Vietnam: An Historical Perspective on Mixed-Race Children from the French Colonial Period / Christina Firpo
• Section Two: South Korea and Japan
  • Chapter Four: Developing bilingualism in a largely monolingual society: Southeast Asian marriage migrants and multicultural families in South Korea / Mi Yung Park
  • Chapter Five: Haafu Identity in Japan: half, mixed or double? / Alexandra Shaitan and Lisa J. McEntee-Atalianis
  • Chapter Six: Claiming Japaneseness: recognition, privilege and status in Japanese-Filipino ‘mixed’ ethnic identity constructions / Fiona-Katharina Seiger
• Section Three: Malaysia and Singapore
  • Chapter Seven: Being “Mixed” in Malaysia: Perspectives on Ethnic Diversity / Caryn Lim
  • Chapter Eight: Chinese, Indians and the Grey Space in between: Acceptance of Malaysian Chindians in a plural society / Rona Chandran
  • Chapter Nine: ‘Our Chinese’: The Mixedness of Peranakan Chinese Identities in Kelantan, Malaysia / Pue Giok Hun
  • Chapter Ten: Eurasian as Multiracial: mixed race, gendered categories and identity in Singapore / Zarine L. Rocha
• Section Four: India and Indonesia
  • Chapter Eleven: Is the Anglo-Indian ‘Identity Crisis’ a Myth? / Robyn Andrews
  • Chapter Twelve: When Hybridity Encounters Hindu Purity Fetish: Anglo-Indian Lived Experiences in an Indian Railway Town / Anjali Gera Roy
  • Chapter Thirteen: Sometimes white, sometimes Asian: Boundary-making among transnational mixed descent youth at an international school in Indonesia / Danau Tanu
  • Chapter Fourteen: Class, Race and Being Indo (Eurasian) in Colonial and Postcolonial Indonesia / Ros Hewett
• Afterword / Paul Spickard

Twitter and Rashida Jones helped me embrace my Blackness as a biracial person — no, really

HelloGiggles
2017-07-18

Jessica Tholmer

Jessica Tholmer

I don’t look like my mother. My mother is short, blonde, and very, very Irish. I am much taller and have a bigger frame, even from a young age. My hair is soft and curly and mousy brown. My hands are big, my feet are big, and my skin is not very Irish. Though I was raised single-handedly by my white mother, I have never considered myself white.

This is being biracial.

My father is a Black man — Black and Sicilian, if we’re getting specific. He is quite a bit older than my mom and was an afro-sporting, bell-bottom jean-wearing Black Panther in the ’70s. I knew him when I was young, but not for much of my life. Between 8 and 24, we didn’t speak to one another at all, not once. But even though he didn’t raise me, his lineage, his blood, our story was always there.

I have always identified as biracial, though it took me until recently to admit that I identify more with my “Black side.” In many different social situations growing up, I had to announce my Blackness. I have been in rooms with people who did not know I was Black, and I have heard how white people will talk to one another about things they do not know in the presence of someone with an ambiguous background. (No, not all white people.) I have always been uncomfortable in certain situations — around people who grew up conservatively or without knowing any people of color. At a very young age, I learned to ask, “Is it racist?” when someone asked me if I wanted to hear a joke. I do not look Black, but I have no problem prefacing a potentially upsetting situation with the fact of my Blackness…

Read the entire article here.

Clyde Ensslin Explores Thomas Jefferson’s Secret, Unflattering History in his Fringe Debut

Washington City Paper
2017-07-06

Caroline Jones, City Lights Editor

Clyde Ensslin (Darrow Montgomery)

Clyde Ensslin’s journey to the Capital Fringe Festival began, of all places, in an Uber. Ensslin has driven for the rideshare company since 2014, and one night in the fall of that year he received a message to pick up a passenger at the bar Showtime in Bloomingdale. That passenger turned out to be Capital Fringe CEO Julianne Brienza.

As they rode, she told him she’d just closed on Fringe’s new headquarters on Florida Avenue NE. When Ensslin revealed he had never heard of the arts festival, Brienza gave him a crash course in the world of Fringe, from its roots in Edinburgh to her plans to build Trinidad into an arts district. “She just kind of blew me away,” he says of his first impression. She encouraged him to see shows when the festival returned in the summer. He bought an eight-pack of tickets.

“At the time, I did not think this was anything I’d want to do,” he says now. But after seeing pieces he loved, like Cara Gabriel’s I Am the Gentry, he bought another eight-pack the following year. By the end of the 2016 festival, he was hooked. At the same time, Ensslin’s passengers were regularly telling him how much he sounds like former president Bill Clinton, so he started thinking about constructing a play that would coincide with the 20th anniversary of the 42nd president’s impropriety and subsequent impeachment…

…Early on in the process, he discussed his plans with Ibe Crawley, the operator of IBe’ Arts, a small gallery in Historic Anacostia, who pushed him to not focus directly on Bill and Monica and instead tell the story of another lecherous commander-in-chief: Thomas Jefferson. The resulting play, a monologue called Thomas Jefferson: Hoochie-Coochie Man, is presented as a college lecture, taught by professor William Jefferson Clinton, that breaks down the relationship between Jefferson and Sally Hemings and the ways that story has evolved over time.

To begin his research, Ensslin consulted the authoritative text on the subject, historian Annette Gordon-Reed’s The Hemingses of Monticello: An American Family. Gordon-Reed tells the stories of multiple generations of the Hemings family, who became Jefferson’s property when he inherited them from his father-in-law. She chronicles the hard labor they did on his plantation and follows members of the family after they were freed upon Jefferson’s death. After hearing her speak at the 2016 National Book Festival, Ensslin dove deeper into the historiographical archives, reading Christopher Hitchens’ Thomas Jefferson: Author of America and titles by Michelle Alexander, Michael Eric Dyson, and Eddie S. Glaude Jr. as he tried to understand the paradox that Jefferson occupies in American history.

Ensslin’s show arrives at a time of renewed interest in Jeffersonian scholarship. After DNA evidence conclusively proved Jefferson fathered a child with Sally Hemings, historians and curators were forced to deal with that aspect of Jefferson’s life for the first time. A large donation from philanthropist David Rubenstein in 2013 allowed curators at Monticello, Jefferson’s home in Charlottesville, Virginia, to build replicas of the cabins slaves lived in on the plantation. Visitors can now go on tours that specifically highlight the experiences of slaves and the Hemings family. But even Hamilton, every woke theater nerd’s guide to early American history, paints Jefferson as a politically savvy bon vivant, only mentioning Sally in a winking reference for history buffs…

Read the entire article here.