Mixed Race Studies

Race and the Obama Phenomenon: The Vision of a More Perfect Multiracial Union

University Press of Mississippi
2014-07-17
432 pages
6 X 9 inches
3 B&W photographs
Hardcover ISBN: 9781628460216

Edited by:

G. Reginald Daniel, Professor of Sociology
University of California, Santa Barbara

Hettie V. Williams, Lecturer of African American History
Monmouth University, West Long Branch, New Jersey

Essays that explore how the first black president connects to the past and reimagines national racial and political horizons

The concept of a more perfect union remains a constant theme in the political rhetoric of Barack Obama. From his now historic race speech to his second victory speech delivered on November 7, 2012, that striving is evident. “Tonight, more than two hundred years after a former colony won the right to determine its own destiny, the task of perfecting our union moves forward,” stated the forty-fourth president of the United States upon securing a second term in office after a hard fought political contest. Obama borrows this rhetoric from the founding documents of the United States set forth in the U.S. Constitution and in Abraham Lincoln’s “Gettysburg Address.”

How naive or realistic is Obama’s vision of a more perfect American union that brings together people across racial, class, and political lines? How can this vision of a more inclusive America be realized in a society that remains racist at its core? These essays seek answers to these complicated questions by examining the 2008 and 2012 elections as well as the events of President Obama’s first term. Written by preeminent race scholars from multiple disciplines, the volume brings together competing perspectives on race, gender, and the historic significance of Obama’s election and reelection. The president heralded in his November, 2012, acceptance speech, “The idea that if you’re willing to work hard, it doesn’t matter who you are, or where you come from, or what you look like . . . . whether you’re black or white, Hispanic or Asian or Native American.” These essayists argue the truth of that statement and assess whether America has made any progress toward that vision.

Contributions by Lisa Anderson-Levy, Heidi Ardizzone, Karanja Keita Carroll, Greg Carter, Frank Rudy Cooper, Marhsa J. Tyson Darling, Tessa Ditonto, David Frank, Amy L. Heyse, David A. Hollinger, George Lipsitz, Mark McPhail, Tavia Nyong’o, David Roediger, Paul Spickard, Janet Mendoza Stickman, Paul Street, Ebony Utley, Ronald Waters

Contents

• Preface / Hettie V. Williams and G. Reginald Daniel
• Foreword: Race Will Survive the Obama Phenomenon / David Roediger
• Introduction: Understanding Obama and Ourselves / George Lipsitz
• Part I: Race, Obama, and Multiraciality
  • 1. Race and Multiraciality: From Barack Obama to Trayvon Martin / G. Reginald Daniel
  • 2. By Casta, Color Wheel, and Computer Graphics: Visual Representations of Racially Mixed People / Greg Carter
  • 3. Barack Obama: Embracing Multiplicity—Being a Catalyst for Change / Janet Mendoza Stickmon
  • 4. In Pursuit of Self: The Identity of an American President and Cosmopolitanism / Hettie V. Williams
• Part II: Obama, Blackness, and the “Post-Racial Idea”
  • 5. Barack Hussein Obama, or, the Name of the Father / Tavia Nyong’o
  • 6. The End(s) of Difference? Towards an Understanding of the “Post” in Post-Racial / Lisa Anderson-Levy
  • 7. On the Impossibilities of a Post-Racist America in the Obama Era / Karanja Keita Carroll
  • 8. Obama, the Instability of Color Lines, and the Promise of a Postethnic Future / David A. Hollinger
• Part III: Race, Gender, and the Obama Phenomenon
  • 9. From Chattel to First Lady: Black Women Moving from the Margins / Marsha J. Tyson Darling
  • 10. The “Outsider” and the Presidency: Mediated Representations of Race and Gender in the 2008 Presidential Primaries / Tessa Ditonto
  • 11. Obama’s “Unisex” Campaign: Critical Race Theory Meets Masculinities Studies / Frank Rudy Cooper
  • 12. “Everything His Father Was Not”: Fatherhood and Father Figures in Barack Obama’s First Term / Heidi Ardizzone
• Part IV: Race, Politics, and the Obama Phenomenon
  • 13. Barack Obama’s Address to the 2004 Democratic Convention: Trauma, Compromise, Consilience and the (Im)Possibility of Racial Reconciliation / David Frank and Mark Lawrence McPhail
  • 14. Barack Obama and the Politics of Blackness / Ronald W. Walters
  • 15. Barack Obama’s White Appeal and the Perverse Racial Politics of the Post-Civil Rights Era / Paul Street
  • 16. Barack Obama’s (Im)Perfect Union: An Analysis of the Strategic Successes and Failures in His Speech on Race / Ebony Utley and Amy L. Heyse
• Epilogue: Obama, Race, and the 2012 Presidential Election / Paul Spickard

Elliot Rodger’s half-white male privilege

Salon
Thusday, 2014-05-29

Joan Walsh, Editor at Large

The killer’s Asian heritage matters. So does his ugly class entitlement. Misogyny crosses lines of race and culture

The widespread recognition that Elliot Rodger’s killing spree was the tragic result of misogyny and male entitlement has been a little bit surprising, and encouraging. Why, then, has it been so hard to get his race right?

From the left, headlines (including on Salon) have labeled him “white,” though most stories at least nodded to his Asian heritage (his mother was ethnic Chinese Malaysian). Chauncey DeVega’s fascinating piece on Rodger’s crime as evidence of “aggrieved white male entitlement syndrome,” a malady that includes other white male mass killers from Columbine’s Eric Klebold to Newtown’s Adam Lanza, didn’t mention his status as half-Asian.

When commentators noted the omission, DeVega (whose work I admire) doubled down in a follow-up piece,“Yes, Elliot Rodger is white!” He argued that Rodger “constructed an identity for himself as ‘Eurasian’ and proceeded to internalize American society’s cues and lessons about power, privilege, race, and gender. He then lived out his own particular understanding of what it means to be white and male in the United States.”

Not that I have a lot of sympathy for Rodger, but it twists his already twisted story to label him simply white…

…“The media, as usual, has oversimplified his identity and experience of race in typically binary terms, which miss the complex nuances and grey areas of that identity and experience,” University of California, Santa Barbara, sociology professor G. Reginald Daniel told me via email. (Daniel is also the editor in chief of the Journal of Critical Mixed Race Studies.) “My feeling is that some of his many issues are related in part to his struggles with or questions about how ‘white’ he was or was not allowed or perceived to be.”…

Read the entire article here.

The Journal of Critical Mixed Race Studies inaugural issue is now available

Journal of Critical Mixed Race Studies
Volume 1, Number 1 (2014-01-30)
ISSN: 2325-4521

Laura Kina, Associate Professor Art, Media and Design and Director Asian American Studies
DePaul University, Chicago, Illinois

G. Reginald Daniel, Professor of Sociology
University of California at Santa Barbaral

Saya Woolfalk, video still from “The Emphathics,” 2012.

The Journal of Critical Mixed Race Studies inaugural issue is now available. Volume 1, No. 1, 2014 “Emerging Paradigms in Critical Mixed Race Studies” It has been a long journey from the publication of Maria Root’s groundbreaking and award-winning anthology Mixed People in America (1992) to the inauguration of the Journal of Critical Mixed Race Studies. We would like to thank all of our contributors, volunteers, and editorial review board for their hard work and patience. We hope you enjoy this issue of the journal and find it an informative resource on the topic of mixed race identities and experiences.

G. Reginald Daniel, Editor in Chief

Laura Kina, Managing Editor

The Journal of Critical Mixed Race Studies (JCMRS) is a peer-reviewed online journal dedicated to Critical Mixed Race Studies (CMRS). Launched in 2011, it is the first academic journal explicitly focused on Critical Mixed Race Studies. Sponsored by UC Santa Barbara’s Sociology Department, JCMRS is hosted on the eScholarship Repository, which is part of the eScholarship initiative of the California Digital Library.

Table of Contents

• Front Matter
• Cover Art
• Table of Contents
• Editor’s Note / Daniel, G. Reginald
• Emerging Paradigms in Critical Mixed Race Studies / Daniel, G. Reginald; Kina, Laura; Dariotis, Wei Ming; Fojas, Camilla
• Appendix A: Publications from 1989 to 2004 / Riley, Steven F.
• Appendix B: Publications from 2005 to 2013 / Riley, Steven F.

Articles

• “Historical Origins of the One-Drop Racial Rule in the United States” / Jordan, Winthrop D. (Edited by Spickard, Paul)
• “Reconsidering the Relationship Between New Mestizaje and New Multiraciality as Mixed-Race Identity Models / Turner, Jessie D.
• “Critical Mixed Race Studies: New Directions in the Politics of Race and Representation / Jolivétte, Andrew J.
• “‘Only the News They Want to Print’: Mainstream Media and Critical Mixed-Race Studies” / Spencer, Rainier
• “The Current State of Multiracial Discourse” / McKibbin, Molly Littlewood
• “Slimy Subjects and Neoliberal Goods: Obama and the Children of Fanon” / McNeil, Daniel

Book Reviews

• Stephen Murphy-Shigematsu, When Half Is Whole: Multiethnic Asian Americans Identities / Crawford, Miki Ward
• Ralina Joseph, Transcending Blackness: From the New Millennium Mulatta to the Exceptional Multiracial / Elam, Michele
• Greg Carter, The United States of the United Races: A Utopian History of Racial Mixing / Mount, Guy Emerson
• Rudy P. Guevarra, Jr., Becoming Mexipino: Multiethnic Identities and Communities in San Diego / Schlund-Vials, Cathy J.

About the Contributors

• About the Contributors

Machado de Assis: Multiracial Identity and the Brazilian Novelist by G. Reginald Daniel (review)

Hispanic Review
Volume 82, Number 1, Winter 2014
pages 116-119
DOI: 10.1353/hir.2014.0008

Mércia Santana Flannery, Lecturer of Portuguese
Romance Languages Department
University of Pennsylvania

G. Reginald Daniel, Machado de Assis: Multiracial Identity and the Brazilian Novelist, 336 pages, hardcover ISBN: 978-0-271-05246-5. (University Park: Pennsylvania State University Press, 2012).

In Stigma: Notes on the Management of Spoiled Identity, the sociologist Erving Goffman (Englewood Cliffs, NJ: Prentice Hall, 1963) discusses the relationship between individuals who possess a social stigma and the “normals” (8). Reginald Daniel’s new book, Machado de Assis: Multiracial Identity and the Brazilian Novelist, discusses the stigmatized identity of the most celebrated Brazilian novelist as perceived in his literary work. Machado’s biography is traced, his work commented on, and we are offered a picture of the Brazilian mulatto writer as a way to understand the inclusion, or lack thereof, of race relations and black identification in his writings.

Having written extensively about Brazil’s racial relations and about Machado, Daniel is delving into known territory, being more than well qualified to take on the subject. In the introduction, the author comments on the importance of Machado’s legacy to the Brazilian literary canon, and on this famous author’s “betrayal” and his “racial self-negation” (1). From here on, the assumption seems to be that a mulatto writer should be expected to make his race a topic of his literary writings, but we miss the advancement of this line of thought.

In the first chapter, Daniel includes a panoramic consideration of Brazil’s racial configuration. A recapitulation of the country’s racial makeup and the role of miscegenation as an explanation for who Brazilians are as a people is also incorporated. Daniel discusses the Brazilian preference for the white-European phenotype, along with the stigmatization of African ancestry, which foregrounds the ensuing analysis of Machado’s relationship with his own racial ambiguity.

This chapter supplies an interesting account of Brazil, and particularly Rio de Janeiro, during the nineteenth century, the time when Machado wrote and that he used to contextualize most of his novels and short stories. Daniel stresses Brazil’s looking to the outside, especially to Europe (France and England in particular) as a way for the elites to “reckon with the embarrassing gulf between themselves and the masses” (26). Machado is guilty of the same, having chiseled out his characters mostly from European models.

In chapter two, Daniel reflects on the “absence” of literary voices of African ancestry in Brazil. He explains this situation through a description of the African Brazilian condition, which worked to “neutralize” those who could have worked as “mouthpieces in the African Brazilian struggle” (35). According to Daniel, this was a result of how European Brazilians thought about blackness. Considering that blackness in Brazil was so “irreconcilable with social advancement,” those who moved upwards could only be perceived as “whitened” (35). The chapter includes a brief account of other Brazilian mulatto writers and the degree to which they included the African Brazilian tradition in their work. For example, Caldas Barbosa used the African Brazilian vernacular in his modinhas and lundus, whereas Lima Barreto “openly discussed the topic of racism from an African Brazilian point of view” (58).

In chapter three, Daniel offers a biographical account of Machado’s life, including his modest origins in Livramento (born to a Portuguese immigrant mother, a washerwoman and seamstress, and a mulatto house painter), until his death as an acclaimed writer in Laranjeiras. Machado’s transition, the accomplishment of his hard-fought upward mobility, with scant formal education, as he was mostly self-taught, is a reason for praise and part of what is used to compose his portrait as a genius. However, as Daniel indicates, Machado was also condemned for his refusal to discuss racial themes in his works, or, as demonstrated by José do Patrocínio’s accusation, for having “hated his race” (67).

What is unclear is how we are meant to believe that Machado was a detractor, in view of what was said thus far in the book about Brazil’s racial relations. Was Machado acting as the majority of Brazilians did—and do—as far as race is concerned? Do we expect more of him because of his notoriety? In addition, Daniel notes, citing other scholars, that “Machado disguised his mulatto facial features by wearing a thick moustache and a beard and that he also wore his hair closely cropped in his late years to enhance this camouflage…

Notwithstanding the long-held belief that Machado sought to at best to camouflage and at worst deny being a mulatto, I contend that his primary motivation was to achieve a sense of racelessness. He endeavored to go beyond the physical limitations of being a mulatto to become a “meta-mulatto,” that is, a mulatto whose writing grappled with the universal questions of duality and ambiguity in all human existence—miscegenation in a higher sense. He displayed what has been termed “mestizo consciousness,” “radical mestizaje,” and “critical hybridity” (Anzaldúa 1987, 77; Ramirez 1983, 6; Sandoval 2000, 72; Daniel 2005, 264; Lund 2006, 55) by affirming a mulatto identity grounded in a more inclusive or universal self, beyond questions of racial, cultural, or any other specificity.  As a multiracial individual of African and European descent in a society that prized whiteness and stigmatized blackness, Machado viewed the challenge of achieving upward mobility and public success without also compromising his personal integrity as merely one of the myriad epiphenomena of universal duality and ambiguity.

G. Reginald Daniel, Machado de Assis: Multiracial Identity and the Brazilian Novelist, (University Park, Pennsylvania: The Pennsylvania State University Press, 2012): 120-121.

More Americans consider themselves multiracial

The Los Angeles Times
2013-06-12

Emily Alpert

The number of mixed or multiracial people in the United States jumped 6.6% between 2010 and 2012, according to the Census Bureau. Their ranks will only continue to grow, experts say.

The number of Americans who consider themselves multiracial has grown faster than any other racial group nationwide, new Census Bureau data reveal, a sign of slow but momentous shifts in the way that Americans think about race.

Mixed or multiracial people are still just a small slice of the American public, but their numbers jumped 6.6% between 2010 and 2012 — four times as fast as the national population, according to new estimates from the U.S. Census Bureau. Experts say their ranks will only continue to swell.

…Mingling of races “has been with us forever in this country, and it has been erased and denied,” said G. Reginald Daniel, professor of sociology at UC Santa Barbara. Today, “that has begun to unravel. That is what you’re seeing with these figures.”…

…For African Americans, in particular, the “one drop rule” that historically defined blackness is relaxing. Sixteen years ago, when golfer Tiger Woods dubbed himself “Cablinasian” — Caucasian, black, American Indian and Asian — critics said Woods was denying his black heritage, said New York University associate professor of sociology Ann Morning…

…”For mixed Latinos there’s no answer,” said Thomas Lopez, director of Latinas and Latinos of Mixed Ancestry, a project of the nonprofit Multiracial Americans of Southern California. When the Census Bureau ran an experiment three years ago giving people a chance to claim Hispanic along with at least one other race, 6.8% did so…

…”Americans are becoming more nuanced in their understanding of race,” said Carolyn Liebler, assistant professor of sociology at the University of Minnesota. “But I don’t think race is becoming less important in our society.”

Read the entire article here.

‘One Drop of Love’ Creates Ripple Effect at UCSB

The Bottom Line
Weekly Newspaper of Associated Students, UC Santa Barbara: News, Features, Video & Investigative Journalism for UCSB
2013-05-13

Yuen Sin, Staff Writer

The personal is very much the political, as actress-playwright Fanshen Cox DiGiovanni illustrated through her solo show “One Drop of Love: A Daughter’s Search for her Father’s Racial Approval.” The show was performed at the University of California, Santa Barbara’s Multicultural Center on May 7.

First formulated as a Master of Fine Arts (MFA) thesis project, “One Drop of Love” began as Cox DiGiovanni’s personal attempt to revive her estranged relationship with her Jamaica-born father, who failed to show up at her wedding years before.

What ensued was a powerful multimedia, one-woman play laced with wit, warmth, and depth that fused her fragmented experiences with racial and cultural dispossession into a coherent narrative. The multidimensional show traversed back into the years of Cox DiGiovanni’s family history to untangle the weight of the socio-political events that have inevitably contributed to a crucial part of her identity and self-perceptions today…

…Cox DiGiovanni slipped in and out of multiple roles with dexterity, first imperiously bearing down at the audience as an anonymous U.S. Census Bureau officer, and then staggering affectionately across the stage with a lilting accent as her grandmother, revealing through her impressions the fluid and ultimately arbitrary nature of identity labels.

Her personal trajectory of “placelessness”—not seeing herself as “black” enough to join the Black Students Union, and yet having candy vendors in Cape Verde, West Africa, come up to her (while on a pilgrimage of sorts to trace back her African roots and understand her father’s pan-African attitudes) to ask her why she was so “white”—was interspersed with scenes that traced the evolution of the practice of racial categorization by the U.S. Census Bureau. The contrast brought to the forefront her sense of frustration from continually being racially defined by others, and the puzzling practice of placing someone in the category of “black” as long as they possessed even “one drop” of Negro blood—hence the play’s title.

At the post-show dialogue with UCSB’s professor of sociology G. Reginald Daniel, Cox DiGiovanni reiterated the importance of engaging in “scary conversations about race and racism,” reflecting that her work producing and performing “One Drop of Love” completely transformed the nature of her family relations after their involvement in her show…

Read the entire review here.

Solo Show at UCSB’s MultiCultural Center Examines Notions of Racial Identity

Public Affairs & Communications
University of California, Santa Barbara
News Release
2013-05-01

Contact: Andrea Estrada: 805-893-4620; George Foulsham: 805-893-3071

Multimedia performance is produced by Ben Affleck, Matt Damon and Chay Carter

(Santa Barbara, Calif.)—When actress and playwright Fanshen Cox DiGiovanni married the love of her life in 2006, her father did not walk her down the aisle. In fact, he declined to attend the wedding altogether.

Seeking to understand why he chose not to participate, DiGiovanni began a trek through family history—and time and space—that ultimately led to her M.F.A. thesis project: the multimedia one-woman play, “One Drop of Love: A Daughter’s Search for Her Father’s Racial Approval.”

DiGiovanni will perform the hour-long show at UC Santa Barbara’s MultiCultural Center Theater on Tuesday, May 7. The performance begins at 6 p.m. and will be followed by a question-and-answer session with G. Reginald Daniel, professor of sociology at UCSB. Daniels is a leading expert in the field of critical mixed race studies…

…A leading activist on issues related to mixed race, DiGiovanni is an actor, comedian, producer, and educator. She developed “One Drop of Love” as the thesis project for her Master of Fine Arts degree in film, television, and theater from California State University Los Angeles. She will use footage from her performances—the most recent was at the University of Maryland—to produce a documentary film…

Read the entire news release here.

One Drop of Love: A Daughter’s Search for Her Father’s Racial Approval (at University of California, Santa Barbara)

University of California, Santa Barbara
MultiCultural Center Theater [Directions] [Map]
University Center, Room 1504
Tuesday, 2013-05-07, 18:00-20:00 PDT (Local Time)

Fanshen Cox DiGiovanni, Playwright, Producer, Actress, Educator

Jillian Pagan, Director

Produced by: Ben Affleck, Matt Damon and Chay Carter

Q&A afterwards hosted by:

G. Reginald Daniel, Professor of Sociology
University of California, Santa Barbara

Fanshen Cox DiGiovanni returns to the West Coast after a phenomenally successful performance at the University of Maryland.

Incorporating filmed images, photographs and animation, this one-woman show tells the story of how the notion of ‘race’ came to be in the U.S., and its effects on the narrator’s relationship with her father—a journey that will take audiences from the 1600s to the present, to cities all over the U.S. and to West and East Africa, where both father and daughter spent time in search of their ‘racial’ roots.

Fanshen Cox DiGiovanni. ^©2103, Evan Tamayo

Fanshen Cox DiGiovanni is a leading activist concerning mixed race, and is an actor, comedian, producer and educator. One Drop of Love is her MFA thesis, and she will be using footage from her performances to make a documentary.

Fanshen and her father after University of Maryland performance. (2013-03-29). ^©2013, Marvin T. Jones

Ms. Cox DiGiovanni appeared in the 2013 Academy Award and Golden Globe winning film Argo (2012); co-created, co-produced and co-hosted the award-winning weekly podcast Mixed Chicks Chat (2007-2012); and co-founded and produced the annual Mixed Roots Film & Literary Festival^® (2008-20012). For more on Ms. Cox DiGiovanni and One Drop of Love, visit: http://www.onedropoflove.org.

G. Reginald Daniel is a professor of sociology at the University of California at Santa Barbara and a leading expert in field of critical mixed race studies. He received the 2012 Loving Prize from the Mixed Roots Film and Literary Festival in Los Angeles for his lifelong work as a scholar and participant within the multiracial community. He is the author of More Than Black? Multiracial Identity and the New Racial Order (Temple University Press, 2001) and Race and Multiraciality in Brazil and the United States: Converging Paths? (Pennsylvania State University Press, 2006). He is also the author of over 40 chapters and articles dealing with the topic of multiraciality. His latest book is Machado de Assis: Multiracial Identity and the Brazilian Novelist (Pennsylvania State University Press, 2012).

Fanshen and her parents after University of Maryland performance (2013-03-29). ^©2013, Michael J. Hardy

Admission is free.

For more information, click here.

In Living Colors

B.L.A.C. Detroit: Black Life, Arts and Culture Magazine
February 2011

Jared A. Ball, Associate Professor of Communication Studies
Morgan State University, Baltimore, Maryland

[Listen to the interview with Jared Ball and Lori Robinson on WDET in Detroit on 2011-02-01 here.]

A Black man with a White mother examines the concept of multiracial identity—past, present and future

What are you?

I have been asked this question for so long, some might think I should be over it. I’m not.

Not because I mind answering it. In fact, I often enjoy the reactions my answers get. “You ever read James Forman’s “The Making of Black Revolutionaries?” I at times reply. “Well, my autobiography would be called “The Making of a Black, African, Pan-Africanist, Nationalist, Communist, Revolutionary, Son of a Jew.” Or I might simply say, “I’m from the Punchdummiesinthemouth people.”

At age 39, I’m not over the question because of the arrogance and derision that commonly accompanies it. There is often a sense of entitlement, even obligation, to have my identity made known. How dare I not be easily classifiable by onlookers? In the United States, everyone is expected to fit neatly into a racial box—which influences your economic, professional and educational opportunities, for better or worse.

In 2011, the color line W. E. B. Du Bois spoke of, rather than dissipating, has evolved into a multiplicity of color lines. Though these lines are intertwining and merging with increasing frequency, they remain firm boundaries determining the lived experiences of millions of people.

Freman Hendrix was raised in segregated Inkster by his Black father and White mother—the only White person in their community. “Walking down the street is where you get your identity,” says the 60-year-old former chair of the Detroit Charter Commission. “We don’t have signs on us telling [people] who we are. It’s how other people react to you that tells you who you are.

“It’s naïve for kids to assume a multiracial identity,” he says.

Nineteen-year-old Karima Ullah couldn’t disagree more.

Ullah, of Oak Park, is the daughter of a Bengali mother and a father who has one White parent and one Black parent. For her, being multiracial means being beyond categorization. She rejects entirely the notion of having to choose one racial identity over another. “Be who you are,” she says. “Be a person.”…

…We may be experiencing a generational shift in the self-identification of children born to parents of different races. After all, it was only one decade ago that Americans had the option to choose more than one racial category when filling out a Census Bureau form. For the record, I checked the African-American box in 2000 and 2010…

…Jared Sexton, 36, is the director of the African American Studies Program at the University of California, Irvine. His mom is Irish American and his dad is African American. “Why do those who can want to identify as other than Black? Because this nation remains fundamentally anti-Black and continues to associate Blackness with an absence of humanity,” he says.

On the West Coast, people have attempted to refuse to allow Sexton to identify as Black. On more than one occasion, he’s heard, “No, you can’t be.” People have also guessed that he is Latino or Filipino. On the East Coast—he was raised in Rochester, N.Y.—people frequently assume he is Puerto Rican…

…“We have a right to identify as we choose,” says Sexton. He chooses to self-identify as Black because he thinks multiracial identity contributes to a denial of White supremacy and anti-Black sentiments…

…Says Hendrix, Black-White identity is different from other mixed-race identities. Sexton agrees, attributing this difference to the lingering negative connotations of Blackness…

…Detroit native writer and filmmaker dream hampton rejects the concepts of a post-racial America and the tendency to self-identify as biracial or multi-racial.

“My mother is White. My father and stepfather, who both raised me, are Black,” she says. “I have never been mistaken for White.” She wants no part of what she calls the “anything-but-Black multi-racial movement.”

Says hampton, “The Census should simply have a ‘not Black’ box” so that those seeking an out from the perception of Black as “code for criminal and poor” can simply take it. She acknowledges that her acceptance of the “one drop” rule, or what scholars refer to as the practice of hypodescent—the adoption of the identity of the subordinate race—is “retro.” But it is this nation’s continued abuse of African Americans that compels her to do so…

Read the entire article here.
Also see, “Multi-Racial Detroiters: Here’s how some local folks with parents of different races self-identify“.