• Dutch Children of African American Liberators: Race, Military Policy and Identity in World War II and Beyond

    McFarland
    2020-09-30
    50 photos, appendices, notes, bibliography, index
    6×9
    Softcover ISBN: 978-1-4766-7693-7
    eBook ISBN: 978-1-4766-4114-0

    Mieke Kirkels and Chris Dickon

    • Winner, Non-Fiction: Multicultural Book Award—International Afro-American Historical & Genealogical Society

    In the Netherlands, a small group of biracial citizens has entered its eighth decade of lives that have been often puzzling and difficult, but which offer a unique insight into the history of race relations in America. Though their African American fathers had brought liberation from Nazi tyranny at the end of World War II, they had arrived in a segregated American military that derived from a racially divisive American society.

    Decades later, some of their children could finally know of a father’s identity and the life he had led after the war. Just one would be able to find an embrace in his arms, and just one to visit her father’s American grave after 73 years. But they could now understand their own Dutch lives in the context of their fathers’ lives in America. This book relates their experiences, offering fresh insight into the history of American race relations.

    Table of Contents

    • Preface
    • One­—War Babies
    • Two—Social Reality, Military Policy
    • Three—Liberation and Slavery
    • Four—Aftermath
    • Five—Margraten
    • Six—Limited Service
    • Seven—Liberation Children
    • Eight—In England
    • Nine—Out of England
    • Ten—Occupation Babies
    • Eleven—Adulthood
    • Twelve—Settling Lives
    • Thirteen—International Families
    • Afterword by Sebastiaan Vonk
    • About the Authors
    • Appendix: Relevant World War II Era Law and Custom for International Marriage, Immigration, Birth Status, Adoption and Assistance
    • Chapter Notes
    • Bibliography
    • Index
  • A New Novel Gives Wings — and a Megaphone — to a Complex Woman

    The New York Times
    2021-07-08

    Carole V. Bell


    Steffi Walthall

    ISLAND QUEEN
    By Vanessa Riley

    Vanessa Riley was intrigued when she encountered the figure of Miss Lambe in Jane Austen’s unfinished final novel, “Sanditon.” Given the dearth of people of color in 18th- and 19th-century British literature, she wanted to know where the wealthy colored debutante had come from. Was she a product of a progressive authorial imagination? Or had real-life Miss Lambes merely been excised from popular culture and public memory?

    The quest to “find Miss Lambe” turned into a long and meaningful one for the author — a 10-year journey, which revealed that Austen’s aims may have been progressive but they weren’t born of fantasy. As Riley wrote, “Finding Dorothy Kirwan Thomas, the women of the Entertainment Society, and so many other Black women who had agency and access to all levels of power has restored my soul.”

    Riley’s commitment to restoring these unsung women to their rightful place in the popular imagination was a driving force behind her riveting and transformative new novel. Yet her chosen subject bears little resemblance to a pampered heiress like Miss Lambe; the contours of Dorothy Kirwan Thomas’s life have a much harsher bent. Called “Doll” or “Dolly” when she was young, Dorothy was born to an Irish planter and an enslaved woman in 1756 on the island of Montserrat. In her 90 years, she endured bondage, assault and abuse, secured her own freedom against incredible odds, accumulated great wealth and considerable influence, and became the founding matriarch of a prosperous Caribbean clan…

    Read the entire book review here.

  • The Truth About White America

    The Atlantic
    2021-10-25

    Morris Levy, Associate Professor of Political Science and International Relations
    University of Southern California

    Richard Alba, Distinguished Professor of Sociology
    Graduate Center, City University of New York

    Dowell Myers, Professor of Policy, Planning, and Demography
    University of Southern California


    The Atlantic

    The Census Bureau wanted to gather data about a changing nation, but ended up reinforcing old racial categories.

    If you paid attention to the news this summer about the release of 2020 census data, you probably heard that America’s white population is in free fall. Big, if true.

    The statistic that launched a thousand hot takes and breathless voice-overs about racial change was a supposed 8.6 percent, or 19 million, drop in the number of white Americans since 2010. Headlines cast this decline as unprecedented in census history and signaled that the nation’s majority-minority future loomed even closer than previously forecast. Pundits spun it as a harbinger of policy change and partisan realignment, for better or worse. Some wisely cautioned against demography-as-destiny assumptions in a country where the definition and public understanding of race can change rapidly. But few observers questioned whether the reported differences between the 2010 and 2020 censuses reflected real demographic change or simply statistical noise.

    Commentators should have read the fine print before rushing to trot out their favorite narratives. If they had, they would have discovered that the eye-popping figure at the center of this summer’s hoopla is an illusion. The apparent decline in the white population is a result of changes to the Census Bureau’s protocol for measuring and classifying racial identity. The changes aimed to more accurately gauge the expansion of the country’s mixed-race population through new and more sophisticated data collection and classification techniques that capture the nuances of Americans’ multifaceted racial and ethnic identities. But a combination of bureaucratic constraints and messaging failures paved the way to public confusion…

    Read the entire article here.

  • Playing the White Card

    The Racial Imaginary
    The Whiteness Issue (September 2017)

    Martha S. Jones, Society of Black Alumni Presidential Professor, Professor of History
    Johns Hopkins University, Baltimore, Maryland

    Through prose and performance, Martha S. Jones examines the cruel, curious, and comical dimensions of the mixed-race experience. With the pathos of the tragic mulatto in mind, she gets beyond simple renderings of the one-drop rule by exploring family history, her ambiguous appearance, and shifting ideas about racial categories. If race is a social construction it is also a lie, one that Jones exposes through reflections on everyday scenes of race-making. Her work is for those for who checking boxes elicits a shudder, while also speaking to anyone who finds themselves in-between and misunderstood by the sociological categories that organize our world.

  • MASC presents The U.S. Census Data [Online Event]

    Multiracial Americans of Southern California
    2021-10-06 18:00-19:30 EDT, (22:00-23:30Z)

    Let’s talk 2020 U.S. Census results and how they illuminate the U.S. population as more multiracial (from 9 million in 2010 to 33.8 million in 2020)

    The U.S. population is much more multiracial and more diverse than recorded in the 2010 U.S. Census. Research and data from “2020 Census Illuminates Racial and Ethnic Composition of the Country” by Nicholas Jones, Rachel Marks, Roberto Ramirez, Merarys Ríos-Vargas showed the improvements and changes on the U.S. Census questionnaire enabled a more thorough and accurate depiction of how people self-identify, yielding a more accurate portrait of how people report their Hispanic origin and race within the context of a two-question format.

    On October 6, 2021 at 3pm PDT (6pm EDT), join MASC as we present a virtual event that will bring experts from the U.S. Census, Nielsen and MASC to discuss these changes and what the results revealed.

    Expert Panelists:

    • Nicholas A. Jones, Director & Senior Advisor of Race and Ethnic Research & Outreach in the Census Bureau’s Population Division, U.S. Census Bureau
    • Rachel Marks, Chief of the Racial Statistics Branch, U.S. Census Bureau
    • Stacie M. de Armas, Senior Vice President Inclusive Insights & Initiatives, Nielsen
    • Thomas Lopez, Treasurer, MASC
    • Moderator: Sonia Smith Kang, President, MASC

    Watch the discussion (01:28:30) here.

  • Book Talk-Once We Were Slaves: The Extraordinary Journey of a Multi-Racial Jewish Family

    American Jewish Historical Society
    2021-08-04

    Author Laura Arnold Leibman discusses her new book with Gender and Jewish Studies Professor, Samira K. Mehta. Hear how family heirlooms were used to unlock the mystery of the Moses’s Family ancestors in, Once We Were Slaves: The Extraordinary Journey of a Multiracial Jewish Family.

    Tracing an extraordinary journey throughout the Atlantic World, Leibman examines artifacts left behind in Barbados, Suriname, London, Philadelphia, and New York, to show how Sarah and Isaac Moses were able to transform themselves and their lives, becoming free, wealthy, Jewish, and—at times—white. While their affluence made them unusual, their story mirrors that of the largely forgotten population of mixed African and Jewish ancestry that constituted as much as ten percent of the Jewish communities in which the siblings lived.

    Watch the video (00:56:47) here.

  • Mariah Carey Recalls How Important It Was To Be Seen As A Black Woman On The 2005 Cover Of ESSENCE

    Essence
    2021-01-14

    Kemberlie Spivey

    Mariah Carey recently sat down with Questlove (real name Ahmir Khalib Thompson) for a new episode of his podcast Questlove Supreme during which she detailed some of her struggles growing up as a child who was racially ambiguous. Challenges, she notes, that continued to follow her throughout the ’90s, 2000s, and even to this day.

    “When people years from now tell my story — hopefully that happens — they’re gonna have to use that book as a template,” Carey said of her memoir The Meaning of Mariah Carey which was released this past September. “This is my actual story. I look at a lot of people that I admired who didn’t get a chance to do that. They may have told their stories through their music and people interpret their stories.”

    Explaining the approach to her memoir which was written in collaboration with former ESSENCE editor Michaela Angela Davis, Carey continues, “I know some people, Ahmir, like to have everybody else’s input and their perspective. But what I wanted was to tell my actual story, which doesn’t begin with, ‘Mariah Carey put out Vision of Love in 1990.’ No, it doesn’t begin with that. It begins [with me] coloring in the ‘wrong’ crayon with a brown crayon for my father, so they all freak out at me. It begins with, ‘I don’t understand my hair because I’m [half-black]. It begins with all these identity issues, these issues of race, these struggles. Then it goes to the issues of control.”

    When the five-time Grammy-award winner released her first album, Mariah Carey, at just 21 it became the best-selling album in the United States, selling more than 15 million copies. But that success didn’t shield Carey from some of the same identity issues she dealt with throughout her entire childhood…

    Read the entire article here.

  • The Emancipation of Mariah Carey: Inside The Making Of Her ESSENCE Cover 15 Years Ago

    Essence
    2020-04-15

    Michaela Angela Davis

    As the record-breaking album “The Emancipation of Mimi” turns 15 this week, a former editor remembers why the singer wanted to speak directly to black women for the first time.

    “The ESSENCE cover was a milestone in my career. I felt like I was finally being seen. It gave me a sense of belonging.” —Mariah Carey

    Cast in a gentle painterly light, the content and confident face of Mariah Carey peers out from the April 2005 cover of ESSENCE. Delicately brushed with “lingerie hues” of makeup and framed by soft romantic curls, her face radiates warmth. But underneath its shimmering surface, this monumental cover took deft hoop-jumping, sharp strategy and a committed circle of sisters…

    Read the entire article here.

  • Eurasians and Racial Capital in a “Race War”

    Asia Pacific Perspectives: A Publication of the Center for Asia Pacific Studies
    Volume 14, Number 2 (Spring 2017)
    pages 4-19

    W. Puck Brecher, Ph.D., Professor of History
    Washington State University

    The ubiquity of racist propaganda in Japan and the U.S. during the Pacific War and the extraordinary cruelty of the fighting have fostered the perception that Japanese and Americans harbored a deep racial hatred for each other. Indeed, historical research convincingly interprets the Pacific War as a “race war” within the contexts of military engagement and state rhetoric. We know little, however, about how resident Westerners lived and interacted with Japanese during the war and whether they became victims of racial hatred. This article explores the impacts of state ideology on Japanese citizens’ racial attitudes by examining the treatment and experiences of mixed-race individuals, and Eurasians particularly, stranded in Japan during the war. In doing so, it contextualizes and corrects harmful allegations of racism among civilian Japanese.

    Read the entire article in PDF or HTML format.

  • Island Queen, A Novel

    William Morrow (an imprint of HarperCollins)
    2021-07-06
    592 pages
    6x9in
    Hardcover ISBN: 9780063002845
    Paperback ISBN: 9780063002852
    E-book ISBN: 9780063002869
    Digital Audio, MP3 ISBN: 9780063002876

    Vanessa Riley

    A remarkable, sweeping historical novel based on the incredible true life story of Dorothy Kirwan Thomas, a free woman of color who rose from slavery to become one of the wealthiest and most powerful landowners in the colonial West Indies.

    Born into slavery on the tiny Caribbean island of Montserrat, Doll bought her freedom—and that of her sister and her mother—from her Irish planter father and built a legacy of wealth and power as an entrepreneur, merchant, hotelier, and planter that extended from the marketplaces and sugar plantations of Dominica and Barbados to a glittering luxury hotel in Demerara on the South American continent.

    Vanessa Riley’s novel brings Doll to vivid life as she rises above the harsh realities of slavery and colonialism by working the system and leveraging the competing attentions of the men in her life: a restless shipping merchant, Joseph Thomas; a wealthy planter hiding a secret, John Coseveldt Cells; and a roguish naval captain who will later become King William IV of England.

    From the bustling port cities of the West Indies to the forbidding drawing rooms of London’s elite, Island Queen is a sweeping epic of an adventurer and a survivor who answered to no one but herself as she rose to power and autonomy against all odds, defying rigid eighteenth-century morality and the oppression of women as well as people of color. It is an unforgettable portrait of a true larger-than-life woman who made her mark on history.