Mixed Race Studies
Scholarly perspectives on the mixed race experience.
recent posts
- The Routledge International Handbook of Interracial and Intercultural Relationships and Mental Health
- Loving Across Racial and Cultural Boundaries: Interracial and Intercultural Relationships and Mental Health Conference
- Call for Proposals: 2026 Critical Mixed Race Studies Conference at UCLA
- Participants Needed for a Paid Research Study: Up to $100
- You were either Black or white. To claim whiteness as a mixed child was to deny and hide Blackness. Our families understood that the world we were growing into would seek to denigrate this part of us and we would need a community that was made up, always and already, of all shades of Blackness.
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Tag: André Holland
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The complexities of the color line in the U.S. and Brazil
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Rebecca Hall said Saturday that her mother told her Hall’s directorial debut, “Passing,” liberated her family, as Hall’s grandfather was a Black man who decided to pass for White in Detroit.
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Director Rebecca Hall’s recent adaptation of Nella Larsen’s exquisite second novel, Passing (1929), is visually stunning. I had the pleasure of seeing the film on the big screen, during its limited theatrical run and before its Netflix release.
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With a remarkable fusion of substance and style, Hall’s adaptation of Nella Larsen’s 1929 novel unfolds inner lives along with social crises.
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Rebecca Hall’s Passing Says The Most In The Silences Elle 2021-11-12 Christine Jean-Baptiste Montréal, Quebec Passing opens on a busy street in 1920s New York. A mysterious woman (Tessa Thompson) is roaming through Manhattan. In this part of town, she anxiously hides behind a wide-brimmed hat covering half her face. It’s every bit intentional. When…
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Tessa Thompson Delves Into the Subtext of ‘Passing’: ‘None of Us Fit Too Squarely in Boxes’ Variety 2021-11-05 Angelique Jackson, Reporter Ryan Pfluger / AUGUST In “Passing,” Tessa Thompson stars as Irene Redfield, a Black woman living in Harlem amid the Renaissance, whose life with her doctor husband Brian (André Holland) and their two sons…
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Hall’s directing debut stars Tessa Thompson and Ruth Negga as friends who are both ‘passing’ for what they are not in an adaptation of Nella Larsen’s 1929 novel
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The pic, shot it black and white, tells the story of two Black women, Irene Redfield (Thompson) and Clare Kendry (Negga), who can “pass” as white but choose to live on opposite sides of the color line during the height of the Harlem Renaissance in late 1920s New York.