Mixed Race Studies

The French colonial question and the disintegration of white supremacy in the Colony of Saint Domingue, 1789-1792

The University of North Carolina, Wilmington
2005
94 pages

Molly M. Herrmann

A Thesis Submitted to the University of North Carolina Wilmington in Partial Fulfillment Of the Requirements for the Degree of Master of Arts

This thesis argues that the class of free people of color in the French colony of Saint Domingue threatened the dichotomy of master and slave, as defined by a strict divide between white and black and as was necessary for the perseverance of racial slavery. In restricting the free people of color from the right to vote and hold public office, white supremacy was maintained by upholding a racial divide within the free sector of Saint Domingue’s planter society. By the end of the eighteenth-century, the free people of color launched an aggressive campaign, by way of French legislative reform, to attain their rights as free and propertied citizens of France.

The perception that the white race was unalterably superior to the black race was at the core of the planter society of Saint Domingue to safeguard racial slavery against a rapidly emerging class of free people of color. Once the free people of color seized upon French legislative reform as a means to win their rights, white supremacy was challenged and ultimately exposed as a social and political system that was alterable. The subsequent failure of French legislation to officially enfranchise them motivated the free people of color to openly ally with insurgent slaves in a revolution against a common adversary, white supremacy. The result of this coalescence, I argue, was the rapid and complete debilitation of white power in the colony by April 1792 when the National Assembly declared full and equal citizenship for all free people of color.

TABLE OF CONTENTS

• ABSTRACT
• ACKNOWLEDGEMENTS
• DEDICATION
• INTRODUCTION
• CHAPTER 1. RACIAL SLAVERY AND THE COLOR LINE DRAWN BETWEEN WHITE AND BLACK
• CHAPTER 2. THE “IMPRINT OF SLAVERY” AND THE FREE PEOPLE OF COLOR IN SAINT DOMINGUE
• CHAPTER 3. THE FRENCH COLONIAL QUESTION AND THE SLAVE INSURRECTION OF 1791
• CHAPTER 4. THE ABOLITION OF THE COLOR LINE AND THE END OF WHITE SUPREMACY IN SAINT DOMINGUE
• EPILOGUE
• BIBLIOGRAPHY

Read the entire thesis here.

Redrawing the Color Line: Gender and the Social Construction of Race in Pre-Revolutionary Haiti

Journal of Caribbean History
Volume 30, Numbers 1 & 2 (1996)
pages 28-50

John D. Garrigus, Associate Professor of History
University of Texas, Austin

This article examines the social and political construction of race in French colonial Saint-Domingue. After 1763 white elites redefined the category “free coloured” using negative images of femininity rooted in French political discourse. This engendering of racial stereotypes solidified a racial hierarchy that whites found alarmingly fluid. Planters’ councils and the governors they opposed evoked images of sexually powerful women and effeminized men to explain colonial despotism and disorder. In the late 1780s, however, free men of colour deliberately asserted their civic virtue and virility, challenging these stereotypes and eventually destroying the colonial racial hierarchy.

By 1789 French Saint Domingue was home to the largest, wealthiest, and most self-confident free population of African descent in the Americas. Comprising close to half the colony’s free population, these gens de couleur won civil equality with whites from the French Legislative Assembly in April 1792 and their political demands helped produce the Haitian Revolution. Why did such an extraordinary population emerge in this colony?

This article contends that the size, wealth, and self-confidence of this group were partly the result of new social and legal definitions of race formulated in Saint-Domingue after 1763. As this frontier society became the centerpiece of the French empire after the Seven Years’ War, prejudice established a deep and apparently permanent gulf between “whites” and “people of colour.” This new legal and social discrimination was deeply influenced by politicized French gender stereotypes, which whites used to reinforce a new, biological conception of racial difference. Old colonial families were relabeled gens de couleur. After 1769 whites considered free people of mixed African/European descent to be not merely “between” whites and blacks, but morally and physically inferior to both races. This exaggeration of the difference between white and brown colonists reinforced the ambiguous category “free people of colour” and served as an effective target during the French Revolution for wealthy “mulattos” and “quadroons” eager to claim full citizenship.

At the heart of the new racism were conflicts over Saint-Domingue’s political and cultural identity. After the Seven Years’ War new immigration from Europe and the increasingly “civilized” tone of elite colonial society raised the question of how “French” Saint-Domingue could become. Could a slave plantation colony produce a civic-minded public of the sort said to be emerging in France at this time? Many colonial planters, magistrates, and merchants wanted to believe it could. These elites appropriated metropolitan political discourse to explain why free Dominguan society differed from France. After the Seven Years’ War they began to describe free men and women of colour as passionate, narcissistic, and parasitic, terms used in France to vilify powerful women at court. This redirected and highly politicised misogyny helped solidify the ambiguous category gens de couleur, placing these families and individuals firmly outside respectable colonial society. The new image of people of mixed ancestry answered troubling questions about white behaviour in Saint-Domingue and seemed to guarantee that an orderly, rational colonial public could emerge. Grafting a stereotyped effeminacy onto emerging biological notions of race legitimised the disenfranchising of free people of colour, some of whom were indistinguishable from “whites” in wealth, education, distance from slavery, even physical appearance. In Saint-Domingue’s rough-and-tumble seventeenth-century buccaneer society, race was not the obsession it would later become. Early censuses did not distinguish between “whites” and “mulattoes,” but between free and enslaved residents. Before the massive importation of slaves for sugar work, children of mixed African/European descent were apparently considered free from birth. Even in 1685, the metropolitan authors of France’s slave law, the Code Noir, were more concerned about sin than race and racial mixture. The Code ordered colonial officials to confiscate mixed-race children and slave concubines from their owners, but stated that if a master married his slave mistress, she would be automatically free, as would the children of their union. Under the original terms of the Code Noir, ex-slaves enjoyed all the rights of French subjects…

For example, as he charted the somatic varieties produced by different combinations of African and European “blood,” Moreau also described distinct moral qualities. Blacks were strong and passionate while whites were graceful and intelligent. Therefore, mulattoes, who were one-half black, were stronger than quarterons, who were only one-quarter African. According to Moreau, African appetites for physical pleasure were especially pronounced when combined with white qualities. Mulattoes lived for sexual gratification, and the offspring of a mulatto and a black had a “temperament impossible to contain.”

Convinced that black women had strong psychological and physical inclinations to be mothers, Moreau believed that mulatto and quadroon women had difficulty giving birth, due to their physical and moral deficiencies. Men of mixed descent were similarly flawed. Mulattos were often intelligent and attractive, but they were lazy, beardless, foppish, and sensual, according to Moreau. Nor did free coloured military service challenge this image:

It seems that then [in the ranks a mulatto] loses his laziness, but all the world knows that a soldier’s life, in the leisure it provides, has attractions for indolent men … A mulatto soldier will appear exactly to the calls of day, perhaps even to those of the evening, but it is in vain that one tries to restrict his liberty at night; [the night|] belongs to pleasure and he will not indenture it, no matter what commitments he has made elsewhere…

Read the entire article here.

New Christians/’New Whites’: Sephardic Jews, Free People of Color, and Citizenship in French Saint-Domingue, 1760-1789

Chapter (pages 314-332) in: The Jews and the Expansion of Europe to the West, 1450-1800
Berghahn Books
2001
592 pages
Pb ISBN 978-1-57181-430-2; Hb ISBN 978-1-57181-153-0

Edited by: Paolo Bernardini and Norman Fiering

Chapter Author:

John D. Garrigus, Associate Professor of History
University of Texas, Austin

The case of Saint-Domingue’s Sephardim illustrates that the story of Jews in Europe’s expansion westward is about more than the survival or mutation of deeply rooted family traditions. Old World questions about Jewish political identity did not disappear in the Americas. Rather, these persistent issues forced colonists and their children born in the New World to reconcile European philosophies with American conditions. In the case of the largest slave colony in the Caribbean, Saint-Domingue’s Jews helped translate emerging French nationalism into an attack on racial prejudice that eventually produced the Haitian revolution. By raising complex issues of national identity and citizenship in French America after 1763, Sephardic merchants and planters provided a model for another group whose place in colonial society was equally ambiguous: Saint-Domingue’s free people of color.

In the mid-1780s, the self-proclaimed leaders of the colony’s “mulattos” adopted many of the techniques that colonial Jews used to fight for legal rights. Their challenge to a racial hierarchy that had only recently acquired full legitimacy threatened the ideological basis of plantation society. By 1791 political and military struggles between colonial “whites” and “mulattos” had become so vicious that a great slave rebellion was possible.

The civil positions of colonial Jews and free people of mixed European and African parentage were parallel because elites in France began to construct new definitions of French citizenship in the mid-eighteenth century. In Paris and elsewhere, Jansenist judges and Protestant leaders pushed royal administrators to recognize that property, loyalty, and civic utility, not orthodox Catholicism, defined French identity. At the same time, royal bureaucrats eager to open France to wealthy families born outside its borders began to free these influential immigrants from traditional legal disabilities. By 1789, therefore, the continuum of rights and disabilities separating non-French residents and native-born subjects of the French monarchy was increasingly simplified into two mutually exclusive categories: citizen and foreigner…

Read the entire chapter here.

Assumed Identities: The Meanings of Race in the Atlantic World

Texas A&M University Press
2010-07-12
168 pages
6 x 9, Illus.
Cloth ISBN: 978-1-60344-192-6

Edited by:

John D. Garrigus, Associate Professor of History
University of Texas, Austin

Christopher Morris, Associate Professor of History
University of Texas, Austin

With the recent election of the nation’s first African American president—an individual of blended Kenyan and American heritage who spent his formative years in Hawaii and Indonesia—the topic of transnational identity is reaching the forefront of the national consciousness in an unprecedented way. As our society becomes increasingly diverse and intermingled, it is increasingly imperative to understand how race and heritage impact our perceptions of and interactions with each other. Assumed Identities constitutes an important step in this direction.

However, “identity is a slippery concept,” say the editors of this instructive volume. This is nowhere more true than in the melting pot of the early trans-Atlantic cultures formed in the colonial New World during the seventeenth, eighteenth, and nineteenth centuries. As the studies in this volume show, during this period in the trans-Atlantic world individuals and groups fashioned their identities but also had identities ascribed to them by surrounding societies. The historians who have contributed to this volume investigate these processes of multiple identity formation, as well as contemporary understandings of them.

Originating in the 2007 Walter Prescott Webb Memorial Lectures presented at the University of Texas at Arlington, Assumed Identities: The Meanings of Race in the Atlantic World examines, among other topics, perceptions of racial identity in the Chesapeake community, in Brazil, and in Saint-Domingue (colonial-era Haiti). As the contributors demonstrate, the cultures in which these studies are sited helped define the subjects’ self-perceptions and the ways others related to them.

Table of Contents

• Preface and Acknowledgments
• Introduction: Race and Identity in the New World; Franklin W. Knight
• “Thy Coming Fame, Ogé! Is Sure”: New Evidence on Ogé’s 1790 Revolt and the Beginnings of the Haitian Revolution; John D. Garrigus
• “The Child Should Be Made a Christian”: Baptism, Race, and Identity in the Seventeenth-century Chesapeake; Rebecca Goetz
• West Indian Identity in the Eighteenth Century; Trevor Burnard
• Illegal Enslavement and the Precariousness of Freedom in Nineteenth-century Brazil; Sidney Chalhoub
• Rosalie of the Poulard Nation: Freedom, Law, and Dignity in the Era of the Haitian Revolution; Rebecca J. Scott and Jean M. Hébrard
• In Memoriam, Evan Anders
• About the Contributors
• Index

Freedom Papers: An Atlantic Odyssey in the Age of Emancipation

Harvard University Press
February 2012
288 pages
6-1/8 x 9-1/4 inches
17 halftones, 1 line illustration, 1 map
Hardcover ISBN 9780674047747

Rebecca J. Scott, Charles Gibson Distinguished University Professor of History and Professor of Law
University of Michigan

Jean M. Hébrard, Historian and Visiting Professor
École des Hautes Études en Sciences Sociales (Paris)
University of Michigan

Around 1785, a woman was taken from her home in Senegambia and sent to Saint-Domingue in the Caribbean. Those who enslaved her there named her Rosalie. Her later efforts to escape slavery were the beginning of a family’s quest, across five generations and three continents, for lives of dignity and equality. Freedom Papers sets the saga of Rosalie and her descendants against the background of three great antiracist struggles of the nineteenth century: the Haitian Revolution, the French Revolution of 1848, and the Civil War and Reconstruction in the United States.

Freed during the Haitian Revolution, Rosalie and her daughter Elisabeth fled to Cuba in 1803. A few years later, Elisabeth departed for New Orleans, where she married a carpenter, Jacques Tinchant. In the 1830s, with tension rising against free persons of color, they left for France. Subsequent generations of Tinchants fought in the Union Army, argued for equal rights at Louisiana’s state constitutional convention, and created a transatlantic tobacco network that turned their Creole past into a commercial asset. Yet the fragility of freedom and security became clear when, a century later, Rosalie’s great-great-granddaughter Marie-José was arrested by Nazi forces occupying Belgium.

Freedom Papers follows the Tinchants as each generation tries to use the power and legitimacy of documents to help secure freedom and respect. The strategies they used to overcome the constraints of slavery, war, and colonialism suggest the contours of the lives of people of color across the Atlantic world during this turbulent epoch.

Q&A with Professor Henry Louis Gates, Jr. About Black Experience in Latin America

Black in Latin America
Public Broadcasting Service
April 2011

Gates discusses his new project in this interview from the PBS site.

First, could you talk a little bit about this project?

I conceived of this as a trilogy of documentary series that would mimic the patterns of the triangle trade. There would be a series on Africa which was called Wonders of the African World in 1999. And then there would be a series on black America called America Behind the Color Line in 2004. And then the third part of the triangle trade was, of course, South America and the Caribbean. The triangle trade was Africa, South America, and the continental United States and Europe. That’s how I conceived of it. I’ve been thinking about it since before 1999. But the first two were easier to get funding for. Everyone knows about black people from Africa, everyone knows about the black American community. But surprisingly, and this is why the series is so important, not many people realize how “black” South America is. So of all the things I’ve done it was the most difficult to get funded and it is one of the most rewarding because it is so counter-intuitive, it’s so full of surprises. And I’m very excited about it…

The series reveals how huge a role history can play in forming a nation’s concept of race. Although each of the countries you visited has its own distinct history, did you find any commonalities between the six countries with regard to race?

Yes, each country except for Haiti went through a period of whitening, when they wanted to obliterate or bury or blend in their black roots. Each then, had a period when they celebrated their cultural heritage but as part of a multi-cultural mix and in that multi-cultural mix, somehow the blackness got diluted, blended. So, Mexico, Brazil, they wanted their national culture to be “blackish” — really brown, a beautiful brown blend. And finally, I discovered that in each of these societies the people at the bottom are the darkest skinned with the most African features. In other words, the poverty in each of these countries has been socially constructed as black. The upper class in Brazil is virtually all white, a tiny group of black people in the upper-middle class. And that’s true in Peru, that’s true in the Dominican Republic. Haiti’s obviously an exception because it’s a country of mulatto and black people but there’s been a long tension between mulatto and black people in Haiti. So even Haiti has its racial problems…

…How do you feel the race experience differs between Latin American nations and the United States?

Whereas we have black and white or perhaps black, white, and mulatto as the three categories of race traditionally in America, Brazil has 136 kinds of blackness. Mexico, 16. Haiti, 98. Color categories are on steroids in Latin America. I find that fascinating. It’s very difficult for Americans, particularly African-Americans to understand or sympathize with. But these are very real categories. In America one drop of black ancestry makes you black. In Brazil, it’s almost as if one drop of white ancestry makes you white. Color and race are defined in strikingly different ways in each of these countries, more akin to each other than in the United States. We’re the only country to have the one-drop rule. The only one. And that’s because of the percentage of rape and sexual harassment of black women by white males during slavery and the white owners wanted to guarantee that the children of these liaisons were maintained as property…

Read the entire interview here.

“Sons of White Fathers”: Mulatto Vengeance and the Haitian Revolution in Victor Séjour’s “The Mulatto”

Nineteenth-Century Literature
Volume 65, Number 1 (June 2010)
Pages 1–37
DOI: 10.1525/ncl.2010.65.1.1

Marlene L. Daut, Assistant Professor of English and Cultural Studies
Claremont Graduate University, Claremont, California

Although many literary critics have traced the genealogy of the tragic mulatto/a to nineteenth-century U.S. letters, in this essay I argue that the theme of tragedy and the mixed-race character predates the mid-nineteenth-century work of Lydia Maria Child and William Wells Brown and cannot be considered a solely U.S. American concept. The image can also be traced to early-nineteenth-century French colonial literature, where the trope surfaced in conjunction with the image of the Haitian Revolution as a bloody race war. Through a reading of the Louisiana-born Victor Séjour’s representation of the Haitian Revolution, “Le Mulâtre” or “The Mulatto,” [Read the entire text in French here.] originally composed in French and first published in Paris in 1837, this essay considers the implications of the conflation of the literary history of the tragic mulatto/a with the literary history of the Haitian Revolution in one of the first short stories written by an American author of African descent.

Read or purchase the article here.

French110s: From Haiti to New Orleans

John Hope Franklin Humanities Institute
Duke University
Fall 2010

Deborah Jenson

Haiti Lab: Undergraduate Opportunities

The first Humanities Laboratory at Duke, one of the key goals of the Haiti Lab is to bring innovative, interdisciplinary research more fully into the undergraduate experience at Duke and, indeed, to invite undergraduates to participate as researchers themselves.

The Haitian Revolution  (1791-1804) was a successful revolution against slavery, leading to the defeat of the French armies of Napoleon Bonaparte and the establishment of the first black republic in the New World. During the revolution, many Creole planters (white and of mixed race) and their households, including slaves, sought refuge elsewhere; by 1809, the population of New Orleans actually doubled with this “Haitian” influx. How did the culture and literature of nineteenth century New Orleans reflect Haitian influences? We will read fascinating Francophone New Orleans literature about the socio-racially complex cultures of slavery, the bourgeoisie, and the planters’ “aristocracy” in Louisiana. Did you know you could learn about the U.S. Civil War through French-language New Orleans novels that also integrate Creole poetry from colonial Saint-Domingue? Or that the first African-American short story was written in French, about Haiti? We will read about the drama of the historical Haitian maroon slave and poisoner Macandal, and about the Haiti-influenced libertine culture that bound together white men and women of color in the common law structure of plaçage. Students will do cultural research projects on subjects such as the cultural roots of Creole and Cajun cuisine, the Quadroon Balls, or the “voodoo queen” Marie Laveaux. In this course on French literature in our own historical and regional “backyard,” students will also explore the Haitian inspiration of Durham’s historic black “Hayti” neighborhood. Course taught in French.

For more information, click here.

Trading Races: Joseph and Marie Bunel, a Diplomat and a Merchant in Revolutionary Saint-Domingue and Philadelphia

Journal of the Early Republic
Volume 30, Number 3, Fall 2010
pages 351-376
E-ISSN: 1553-0620
Print ISSN: 0275-1275

Philippe R. Girard, Associate Professor of History
McNeese State University, Lake Charles, Louisiana

Based on extensive research in French, British, and U.S. archives, the article focuses on Joseph Bunel, a diplomatic and commercial envoy for Toussaint Louverture and Jean-Jacques Dessalines, and his wife Marie Bunel (Fanchette Estève), who spent her adult life as a merchant in Cap Français (Cap Haïtien) and Philadelphia. Joseph and Marie Bunel were a white Frenchman and a free black Creole, but their careers were shaped more by their social and monetary ambitions than by their racial background. After spending a few years in prerevolutionary Saint-Domingue (Haiti) as a merchant and a plantation manager, Joseph Bunel played an important administrative role in Louverture’s regime after 1798, first as a diplomatic envoy charged with drafting treaties of commerce and non-aggression with the United States and England during the Quasi-War, then as Louverture’s paymaster. Because of his closeness to the regime, he was deported to France during the Leclerc expedition. After moving to Philadelphia in 1803, he became a noted exporter of war contraband to Dessalines’ Haiti and in 1807 settled permanently in this country as a merchant. Marie Bunel, a prosperous free-colored merchant from Cap Français before the outbreak of the Haitian Revolution, continued her mercantile activities throughout the revolutionary period. Though personally close to notable figures like Louverture and Henri Christophe, her political involvement in the revolutionary struggle was limited. Persecuted along with her husband during the Leclerc expedition, she moved to Philadelphia, where she lived as an independent merchant long after Haiti had declared its independence. It was not until 1810 that for personal reasons she moved back to Haiti, where little evidence is available to retrace the end of the Bunels’ eventful lives.

Read or purchase the article here.

The Masters and the Slaves: Plantation Relations and Mestizaje in American Imaginaries

Palgrave Macmillan
January 2005
176 pages
Size 5 1/2 x 8 1/4
Paperback ISBN: 1-4039-6708-3
Hardcover ISBN: 1-4039-6563-3

Edited by:

Alexandra Isfahani-Hammond, Assistant Professor of Luso-Brazilian Literature
University of California, San Diego

The Masters and the Slaves theorizes the interface of plantation relations with nationalist projects throughout the Americas. In readings that cover a wide range of genres–from essays and scientific writing to poetry, memoirs and the visual arts–this work investigates the post-slavery discourses of Brazil, the United States, Cuba, Puerto Rico, Haiti and Martinique. Indebted to Orlando Patterson‘s Slavery and Social Death (1982) and Paul Gilroy‘s The Black Atlantic (1993), these essays fill a void in studies of plantation power relations for their comparative, interdisciplinary approach and their investment in reading slavery through the gaze of contemporary theory, with particularly strong ties to psychoanalytic and gender studies interrogations of desire and performativity.

Table of contents

• Introduction
• The Sugar Daddy: Gilberto Freyre and the White Man’s Love for Blacks—César Braga-Pinto
• Writing Brazilian Culture—Alexandra Isfahani-Hammond
• Authority’s Double Shadow: Thomas Jefferson and the Architecture of Illegitimacy—Helena Holgersson
• Fixing History: Race, Nation, and the Symbolics of Servitude in Haitian Noirisme —Valerie Kaussen
• Fanon as ‘Metrocolonial’ Flaneur in the Caribbean Post-Plantation/Algerian Colonial City—Nalini Natarajan
• From the Tropics: Cultural Subjectivity and Politics in Gilberto Freyre—Jossiana Arroyo
• Hybridity and Mestizaje: Syncretism or Subversive Complicity—Ramón Grosfoguel
• Giants of Three Colors: A Writer and an Artist Imagine Racial Mixture in 1940s Brazil—Luiza Franco Moreira
• Messianic Melancholic Imagination: Imagine Community with the Dead—Shreerekha Subramanian