Mixed Race Studies

In the Wake of His Damage

The Rumpus
2018-05-12

Shreerekha
New York, New York

Rumpus original art by Aubrey Nolan

All the sleeping women
Are now awake and moving.
– Yosano Akiko (1911)

For all women who already know this narrative;
For all women touched by the Great Writers, named, unnamed, and some listed as letters;
For all who commune in the trauma and healing promised herein;
For all who believe in the power of radical transgressive border-crossing love;
For my Happiness, and my son and my daughter, so that you may walk differently;
For the ex with whom love remains the last transgression —

The Autobiographical

The year after I started teaching in Texas, his novel came out. Ten years after the event of our relationship, ten tortured years where we continued to communicate, a sort of communication that involved him reaching out, letting me know I made all the wrong decisions in my life, and then, asking for forgiveness and another chance, I thought I should teach his novel in my classes. The novel itself was important, won the Pulitzer, and by teaching it enough times, I thought it would do the trick. The classroom is sacral: all that goes through it turns magical and I would emerge whole. I would finally be rid of my ghost-love and I could sanitize our past through the distance offered by teaching and making a monument of his work for my students. Somehow, that plan failed.

What I do is teach, write, and think on, most often, feminist texts and theories. Such a pedagogy has not just carried me through the classrooms over the decades, but become a mooring post in life. It offers me a vision and a strategy, a way to love radically, think fearlessly, and keep renewing, as I can, the bridges between projects of feminism and social justice. Gloria Anzaldua’s vision, a vision that has carried many a woman through a dark day, has been valuable in thinking through the rubble of this event in my life. In Borderlands, Anzaldua offers a prophetic amalgam that helps women identify the productive potential of the mestiza way, the middle spaces she calls the nepantla. For women of the many elsewheres, women who continually travel and cross borders, Anzaldua’s psychic restlessness gives a fist bump of legitimacy, an anchor in the cultural collisions many of us remain mired in. Rather than a counter stance, she speaks of developing a position that is inclusive, inaugurating for us the amasamiento, a creature of both light and darkness.

I identify in a category not formalized or accepted in colonial census charts or western ways of understanding the other, as a black South Asian. I am an Indian who lays claim to the global community of black consciousness, and I reside between so many worlds of belonging and unbelonging. In racializing colorism and politicizing my own experience of antipathy witnessed toward the color of my skin, I crafted my own passport into marooned and shapeshifting black communities that gave credence to ontologies and a posteriori narratives over normative constructions of race, ethnicities, and nationalities…

Read the entire article here.

Beyond Black and White: A Reader on Contemporary Race Relations

SAGE Publishing
2017
488 pages
Paperback ISBN: 9781506306940

Edited by:

Zulema Valdez, Associate Professor of Sociology
University of California, Merced

Beyond Black and White is a new anthology of readings that reflects the complexity of racial dynamics in the contemporary United States, where the fastest-growing group is “two or more races.” Drawing on the work of both established figures in the field and early career scholars, Zulema Valdez has assembled a rich and provocative collection of pieces that illustrates the diversity of today’s American racial landscape. Where many books tend to focus primarily on majority–minority relations, Beyond Black and White offers a more nuanced picture by including pieces on multiracial/multiethnic identities, relations between and within minority communities, and the experiences of minority groups who have achieved power and status within American society.

Contents

• Preface
• Acknowledgments
• About the Editor
• About the Contributors
• PART I. THEORIES OF RACE AND ETHNICITY
  • 1. A Critical and Comprehensive Sociological Theory of Race and Racism; Tanya Golash-Boza
  • 2. The Theory of Racial Formation; Michael Omi, Howard Winant
  • 3. Rethinking Racism: Toward a Structural Interpretation; Eduardo Bonilla-Silva
• PART II. THEORIES OF ASSIMILATION
  • 4. Rethinking Assimilation Theory for a New Era of Immigration; Richard Alba, Victor Nee
  • 5. Segmented Assimilation and Minority Cultures of Mobility; Kathryn M. Neckerman, Prudence Carter, Jennifer Lee
• PART III. RACE AND BIOLOGY REVISITED
  • 6. Race as Biology Is Fiction, Racism as a Social Problem Is Real: Anthropological and Historical Perspectives on the Social Construction of Race; Audrey Smedley, Brian D. Smedley
  • 7. Back to the Future? The Emergence of a Geneticized Conceptualization of Race in Sociology; Reanne Frank
• PART IV. COLOR-BLIND AND OTHER RACISMS
  • 8. Unmasking Racism: Halloween Costuming and Engagement of the Racial Other; Jennifer C. Mueller, Danielle Dirks, Leslie Houts Picca
  • 9. Invisibility in the Color-Blind Era: Examining Legitimized Racism against Indigenous Peoples; Dwanna L. Robertson
• PART V. BOUNDARY MAKING AND BELONGING
  • 10. Who Are We? Producing Group Identity through Everyday Practices of Conflict and Discourse; Jennifer A. Jones
  • 11. Illegality as a Source of Solidarity and Tension in Latino Families; Leisy Abrego
  • 12. Are Second-Generation Filipinos “Becoming” Asian American or Latino? Historical Colonialism, Culture and Panethnicity; Anthony C. Ocampo
• PART VI. COLORISM
  • 13. The Persistent Problem of Colorism: Skin Tone, Status, and Inequality; Margaret Hunter
  • 14. The Case for Taking White Racism and White Colorism More Seriously; Lance Hannon, Anna DalCortivo, Kirstin Mohammed
• PART VII. EDUCATION AND SCHOOLING
  • 15. “I’m Watching Your Group”: Academic Profiling and Regulating Students Unequally; Gilda L. Ochoa
  • 16. Race, Age, and Identity Transformations in the Transition from High School to College for Black and First-Generation White Men; Amy C. Wilkins
• PART VIII. POLITICAL PARTICIPATION AND COOPERATION
  • 17. Out of the Shadows and Out of the Closet: Intersectional Mobilization and the DREAM Movement; Veronica Terriquez
  • 18. Racial Inclusion or Accommodation? Expanding Community Boundaries among Asian American Organizations; Dina G. Okamoto, Melanie Jones Gast
  • 19. The Place of Race in Conservative and Far-Right Movements; Kathleen M. Blee, Elizabeth A. Yates
• PART IX. SOCIOECONOMIC STATUS AND WORK
  • 20. Negotiating “The Welfare Queen” and “The Strong Black Woman”: African American Middle-Class Mothers’ Work and Family Perspectives; Dawn Marie Dow
  • 21. Nailing Race and Labor Relations: Vietnamese Nail Salons in Majority–Minority Neighborhoods; Kimberly Kay Hoang
  • 22. Becoming a (Pan)ethnic Attorney: How Asian American and Latino Law Students Manage Dual Identities; Yung-Yi Diana Pan
• PART X. HEALTH AND MENTAL HEALTH DISPARITIES
  • 23. Miles to Go before We Sleep: Racial Inequities in Health; David R. Williams
  • 24. Identity and Mental Health Status among American Indian Adolescents; Whitney N. Laster Pirtle, Tony N. Brown
  • 25. Assimilation and Emerging Health Disparities among New Generations of U.S. Children; Erin R. Hamilton, Jodi Berger Cardoso, Robert A. Hummer, Yolanda C. Padilla
• PART XI. CRIMINALIZATION, DEPORTATION, AND POLICING
  • 26. The Racialization of Crime and Punishment: Criminal Justice, Color-Blind Racism, and the Political Economy of the Prison Industrial Complex; Rose M. Brewer, Nancy A. Heitzeg
  • 27. Mass Deportation at the Turn of the Twenty-First Century; Tanya Golash-Boza
  • 28. The Hyper-Criminalization of Black and Latino Male Youth in the Era of Mass Incarceration; Victor M. Rios
• PART XII. INTERRACIAL RELATIONSHIPS AND MULTIRACIALITY
  • 29. “Nomas Cásate”/“Just Get Married”: How a Legalization Pathway Shapes Mixed-Status Relationships; Laura E. Enriquez
  • 30. I Wouldn’t, but You Can: Attitudes toward Interracial Relationships; Melissa R. Herman, Mary E. Campbell
  • 31. Love Is (Color)Blind: Asian Americans and White Institutional Space at the Elite University; Rosalind S. Chou, Kristen Lee, Simon Ho
  • 32. A Postracial Society or a Diversity Paradox? Race, Immigration, and Multiraciality in the Twenty-First Century; Jennifer Lee, Frank D. Bean
• Glossary

He searched for his Japanese birth mother. He found her — and the restaurant she had named after him.

The Washington Post
2018-05-08

Kathryn Tolbert

Bruce Hollywood with his mother, Nobue Ouchi. (Courtesy of Bruce Hollywood)

It began with a heart attack in the Pentagon parking lot in pre-dawn darkness. Air Force Col. Bruce Hollywood was on his way to work and found himself on the ground, thinking: “This is where it ends.”

Later, as he lay in the ambulance racing to Walter Reed Army Hospital, two regrets popped into his head. One was that he wouldn’t be able to help his son with his college applications. The other was that he never thanked the Japanese woman who gave birth to him, then gave him up for adoption in 1960.

Hollywood was adopted by an American couple who were stationed in Japan with the U.S. military and who could offer him a good life in America.

It took that heart attack in 2005 for Hollywood to set out to find his birth mother, something his adoptive mother, who had passed away, had repeatedly encouraged him to do. Before that, he said, he never felt something was missing. His adoption was not something he had reflected on much.

“I always knew I was adopted because I had Asian features and [my father] was an Irishman and [my mother] was a Norwegian lady,” said Hollywood, 57. “And they always told me, ‘…We picked you out special. So you’re even more special than everyone else.’”…

Read the entire article here.

My family had never seen a Kenyan: The Chinese making a new life in Africa

BBC News
2018-05-10

Rajeev Gupta
BBC World Service, Nairobi, Kenya

Xu Jing and Henry Rotich fell in love a decade ago

“We fell in love but it was very difficult at first,” Xu Jing explains from the courtyard of the Fairmont Hotel in Nairobi.

“My family didn’t know much about Africa at all. They hadn’t even seen a Kenyan before so they were very worried.”

Henry Rotich – the Kenyan in question – was just as concerned.

The pair had fallen for each other after Henry was sent to China to learn Mandarin as part of his government job.

It took him many weeks to get his language skills good enough to meet Jing’s father over a nerve-filled lunch, at which he asked for his blessing.

“Her father didn’t say much so I was really worried about what he was thinking, whether or not he even liked the food we were serving him,” Henry recalls.

Apparently his mastery of Mandarin was enough: a decade later, the couple are living in the Kenyan capital, proud parents to two children.

Jing now teaches Mandarin at the Confucius Institute based at the University of Nairobi, one of an estimated 10,000 Chinese nationals who have moved to the East African state.

Their family provides one snapshot of the growing links between Chinese and Kenyans – propelled somewhat by China’s massive investment in the country…

Read the entire article here.

American Son: A Novel

W. W. Norton & Company
May 2001
256 pages
5.6 × 8.3 in
Paperback ISBN 978-0-393-32154-8

Brian Ascalon Roley

A powerful novel about ethnically fluid California, and the corrosive relationship between two Filipino brothers.

Told with a hard-edged purity that brings to mind Cormac McCarthy and Denis Johnson, American Son is the story of two Filipino brothers adrift in contemporary California. The older brother, Tomas, fashions himself into a Mexican gangster and breeds pricey attack dogs, which he trains in German and sells to Hollywood celebrities. The narrator is younger brother Gabe, who tries to avoid the tar pit of Tomas’s waywardness, yet moves ever closer to embracing it. Their mother, who moved to America to escape the caste system of Manila and is now divorced from their American father, struggles to keep her sons in line while working two dead-end jobs. When Gabe runs away, he brings shame and unforeseen consequences to the family. Full of the ache of being caught in a violent and alienating world, American Son is a debut novel that captures the underbelly of the modern immigrant experience.

Artist At Work: Mequitta Ahuja Wins A Guggenheim

BmoreArt
Baltimore, Maryland
2018-04-16

Cara Ober, Founding Editor

An Interview with Mequitta Ahuja About Success, Heartbreak, and a Recent Guggenheim Award by Cara Ober

The July 24, 2017 issue of the New Yorker described Mequitta Ahuja‘s work, then on view at the Asia Society Museum, as “whip-smart and languorous.” According to the John Simon Guggenheim Foundation, where she was just named a 2018 Fellow, Mequitta Ahuja’s works have been widely exhibited, including venues such as the Brooklyn Museum, Studio Museum in Harlem, Saatchi Gallery, Minneapolis Institute of Art, Crystal Bridges, Baltimore Museum of Art and Grand Rapids Art Museum. Ahuja, a Baltimore-based artist whose parents hail from Cincinnati and New Delhi, has long employed her own image to challenge historic traditions of portrait painting.

I caught up with the artist to ask about her momentous Guggenheim award, announced April 5, 2018, and to discuss the new opportunities and ideas abounding in her studio…

Read the entire interview here.

Mizuko

Hapa Japan
2018-04-13

Fredrick Cloyd

Featured Image by Edward M. Haugh

During the years of gathering research and thoughts, memory and conversations into some sort of cohesive unit for a book–which would eventually become the forthcoming (Spring 2018 by 2Leaf Press) entitled: Dream of the Water Children: Memory and Mourning in the Black Pacific, I had not thought of a title, or a way to fit all the pieces together for the vast amount of links and connections I wanted to make in relation to world historical archive and a definite anti-colonial stance. Yet another story of a unique person in the world was not my goal, although it would also be taken that way. I wanted to reach those who were concerned with looking at the historical present.

In focusing on my mother and myself, it came one day in a dream. Just as the opening scene in my book presents, I am suddenly woken up in the middle of the night to write:　みずこ　水子　ミズコ (mizuko) on a notepad I pull out from the bedside drawer. It puzzled me because, at least consciously, I did not know what this word meant or what it was. Then, the next day, I looked it up on the internet. The term mizuko, was the postwar euphemism for aborted fetus, or dead fetus. An entire religious ceremonial ritual grew out of this when the U.S. Occupation lifted its ban on religious ceremonies in Japan. Many women flooded to the countless shrines and statues to pray for those babies gone. Some were so ashamed, they did it in secret. But most women, even after given “permission,” could now do prayers in the forest and write their babies names or burn their incense in the name of that baby they let go from their bodies…

Read the entire article here.

A Visit to the 2018 Critical Mixed Race Studies Conference

Pacific Citizen: The National Newspaper of the JACL
Los Angeles, California
2018-03-28

Rob Buscher, Contributor

Ken Tanabe, left, and Jeff Chiba Stearns lead the Community Caucus at CMRS. (Photo: Rob Buscher)

Leaders in the multiracial movement gather to ‘Resist, Reclaim, Reimagine’ – a direct call to action amidst the current political climate faced by historically underrepresented communities in the U.S.

Over the past few decades, the Japanese American community has become increasingly inclusive of multiracial and multiethnic individuals. However, for those of us who appear less phenotypically Japanese, it is sometimes difficult explaining our connection to people who are less familiar with interracial marriage and mixed-race children.

Multiracial Japanese Americans are in many ways the direct result of institutionalized racism that stigmatized Japanese-ness in the 20th century. From the Alien Land Laws to the mass incarceration during World War II, the very existence of our Japanese immigrant ancestors was deemed objectionable. Is it any wonder that so many of our parents and grandparents would choose intermarriage with partners from other ethnic and racial communities?

Yet, despite the growing prevalence of mixed-race Japanese Americans, there are many outside our community who do not acknowledge the legitimacy of our existence within the spectrum of Japanese American identity.

This is why it was so empowering to attend an event like the Critical Mixed Race Studies Conference, where nearly every one of the 200-plus participants were mixed race. While each individual has a totally different experience being mixed race (even within the same mixed community) the fact that multiracial folks were a super majority in this space meant that everyone had at least a basic understanding of the shared complexities surrounding our mixed identities.

Hosted at the University of Maryland on March 1-3, the 2018 conference’s theme was “Resist, Reclaim, Reimagine” — titled with a direct call to action amidst the current political climate faced by historically underrepresented communities in the United States…

Read the entire article here.

Interracial Intimacies Symposium

University of Chicago
5733 South University Avenue
Chicago, Illinois 60637
2018-04-18 through 2018-04-19

Please join us for a two-day symposium examining the history of interracial intimacies in comparative and transnational perspective. This symposium offers emerging and established scholars an opportunity to come together to discuss issues of interracial intimacies broadly construed.

Doris L. Garraway, Associate Professor of French at Northwestern University, and Sarah Kovner, Senior Research Scholar in the Arnold A. Saltzman Institute of War and Peace Studies at Columbia University, will be the keynote speakers.

For more information, click here.

hapa.me: 15 Years of the Hapa Project

Japanese American National Museum
100 North Central Avenue
Los Angeles, California 90012
2018-04-07 through 2018-10-28

The word “hapa” is the Hawaiian transliteration of the English word “half.” Much of its current usage derives from the phrase hapa haole, meaning “half white.” The phrase was originally coined by native Hawaiians to describe the mixed offspring resulting from encounters between islanders and White settlers. In subsequent years, hapa (or Hapa) has come into popular usage away from the islands, most frequently embraced by Asian/Pacific Islander Americans of mixed descent.

Artist Kip Fulbeck created The Hapa Project in 2001, traveling the country to photograph over 1,200 volunteers who identified as Hapa. The Hapa Project’s goal was to promote awareness and recognition of the millions of Hapas in the United States; to give voice to multiracial people and other previously ignored ethnic groups; to dispel myths around exoticism, hybrid superiority, and racial homogeneity; and to foster positive identity formation in multiracial children. In 2006, Fulbeck published the first book and premiered kip fulbeck: part asian, 100% hapa, the first museum exhibition to explicitly explore Hapa identity. That exhibition remains one of the most popular in the history of the Japanese American National Museum, setting attendance records before traveling throughout the US and abroad. The exhibition broke new ground in exploring identity through photographic portraits of mixed-race subjects, paired with the participants’ handwritten responses to the typically posed question, “What are you?”…

Read more here.