Mixed Race Studies

‘Monstress’: Inside The Fantasy Comic About Race, Feminism And The Monster Within

The Hollywood Reporter
2015-11-03

Graeme McMillan

“I didn’t realize how massive it was until I started writing it,” creator Marjorie Liu tells THR.

Monstress, a new comic book series from Image Comics which launches this week, is all about hidden depths. Not only for the title character — a teenager who literally has a monster living inside her — but for the series itself, which uses the fantasy genre to explore real world issues in a new and fascinating way. Writer and series creator Marjorie Liu (Marvel’s Astonishing X-Men, the Hunter Kiss series of novels) talked to The Hollywood Reporter about the origins of the series, and why Monstress is even more than she anticipated.

“I didn’t realize how massive it was until I started writing it, and realized I had totally underestimated both the size of the project, and my own ability to wrap my head around it,” Liu says of the series. “I wanted to write about girls and monsters, which has been a theme of mine from almost the start of my career — girls and giant monsters, and the supernatural. I wanted to tell a story about war, and surviving war — and I wanted to set it all in an alternate Asia.”…

…Monstress was influenced by a number of people, ideas and experiences from Liu’s life, she explained. “For example, growing up with my Chinese grandparents who were always talking about WWII — how they survived, how they fought. It wasn’t just the war they discussed, but what came after: how they had to piece their lives back together. But what’s striking to me are the photos from this time, especially the ones of my grandmother. She’s always beaming. Her smile is amazing. You would never have dreamed she went through hell.”

That pushed Liu into considering inner strength — “What does it take to hold on to one’s humanity when you’re forced to suffer the long, continuous, dehumanizing experience of war? Is it just strength? Is it something in your character? Is it the kinds of friends you surround yourself with?” — which is one of the key themes to the series. “Other questions I’ve wrestled with, both in this book and others [are] what it means to be of mixed race, what it means to straddle the borderlands of two cultures,” she added.

“The world of Monstress is one that has been torn apart by racism, slavery, by the commodification of mixed race bodies that produce a valuable substance that humans require like a drug. Even if you look human, you might not be safe. It’s a familiar story to people of color in this country, and in the last four or five years I’ve found myself deeply immersed in the study of identity and race, especially in the Asian American context.”…

Read the entire article here.

Picturing Frederick Douglass: An Illustrated Biography of the Nineteenth Century’s Most Photographed American

Liveright (an imprint of W. W. Norton & Company)
November 2015
320 pages
9.4 × 12.4 in
Hardcover ISBN: 978-0-87140-468-8

John Stauffer, Professor of English, American studies, and African American Studies
Harvard University

Zoe Trodd, Professor of American Literature
Department of American and Canadian Studies
University of Nottingham

Celeste-Marie Bernier, Professor of African American Studies
Department of American and Canadian Studies
University of Nottingham

A landmark and collectible volume—beautifully produced in duotone—that canonizes Frederick Douglass through historic photography.

Picturing Frederick Douglass is a work that promises to revolutionize our knowledge of race and photography in nineteenth-century America. Teeming with historical detail, it is filled with surprises, chief among them the fact that neither George Custer nor Walt Whitman, and not even Abraham Lincoln, was the most photographed American of that century. In fact, it was Frederick Douglass (1818–1895), the ex-slave turned leading abolitionist, eloquent orator, and seminal writer whose fiery speeches transformed him into one of the most renowned and popular agitators of his age. Now, as a result of the groundbreaking research of John Stauffer, Zoe Trodd, and Celeste-Marie Bernier, Douglass emerges as a leading pioneer in photography, both as a stately subject and as a prescient theorist who believed in the explosive social power of what was then just a nascent art form.

Indeed, Frederick Douglass was in love with photography. During the four years of Civil War, he wrote more extensively on the subject than any other American, even while recognizing that his audiences were “riveted” by the war and wanted a speech only on “this mighty struggle.” He frequented photographers’ studios regularly and sat for his portrait whenever he could. To Douglass, photography was the great “democratic art” that would finally assert black humanity in place of the slave “thing” and at the same time counter the blackface minstrelsy caricatures that had come to define the public perception of what it meant to be black. As a result, his legacy is inseparable from his portrait gallery, which contains 160 separate photographs.

At last, all of these photographs have been collected into a single volume, giving us an incomparable visual biography of a man whose prophetic vision and creative genius knew no bounds. Chronologically arranged and generously captioned, from the first picture taken in around 1841 to the last in 1895, each of the images—many published here for the first time—emphasizes Douglass’s evolution as a man, artist, and leader. Also included are other representations of Douglass during his lifetime and after—such as paintings, statues, and satirical cartoons—as well as Douglass’s own writings on visual aesthetics, which have never before been transcribed from his own handwritten drafts.

The comprehensive introduction by the authors, along with headnotes for each section, an essay by Henry Louis Gates, Jr., and an afterword by Kenneth B. Morris, Jr.—a direct Douglass descendent—provide the definitive examination of Douglass’s intellectual, philosophical, and political relationships to aesthetics. Taken together, this landmark work canonizes Frederick Douglass through a form he appreciated the most: photography.

Featuring:

• Contributions from Henry Louis Gates, Jr., and Kenneth B. Morris, Jr. (a direct Douglass descendent)
• 160 separate photographs of Douglass—many of which have never been publicly seen and were long lost to history
• A collection of contemporaneous artwork that shows how powerful Douglass’s photographic legacy remains today, over a century after his death
• All Douglass’s previously unpublished writings and speeches on visual aesthetics

Panel talks multiracial identity in academics

The Michigan Daily
2015-10-27

Alexa St John, Daily Staff Reporter

According to a 2015 Pew Research Center report, 6.9 percent of all Americans 18 and older identify as multiracial. According to the University’s Office of the Registrar, last year, just over 3 percent of students identified as two or more races.

A panel of University faculty met Monday night to discuss how multiracialism influences academic work for the first of their yearlong series dedicated to discussing the multiracial experience.

“We were really hoping to create a sense of community,” said Karen Downing, the University Library’s head of social sciences and the education liaison librarian. “This is a population that is often hidden because we don’t walk around with signs on us saying we’re multiracial. It’s hard to connect sometimes with other multiracial people.”…

Read the entire article here.

B. Iden Payne Awards 2015 Winners and Nominees

B. Iden Payne Awards
Austin, Texas
2015-10-26

Below are the nominees for the 2014-2015 theatrical season.

THEATER FOR YOUTH: 2014 – 2015  Season

Outstanding Production

Winner: Am I White / Salvage Vanguard Theater

Outstanding Direction

Winner: Jenny Larson / Am I White, Salvage Vanguard Theater

Outstanding Lead Actor

Winner: J. Ben Wolfe (Wesley Connor) / Am I White, Salvage Vanguard Theater

Outstanding Featured Actor

Winner: Michael Joplin (Ryan) / Am I White, Salvage Vanguard Theater

Outstanding Original Script

Winner: Adrienne Dawes / Am I White, Salvage Vanguard Theater

Read the entire Winners and Nominees list here.

Brilliant Ideas: Artist Ellen Gallagher

Bloomberg Business
2015-09-14

“Brilliant Ideas” looks at the most exciting and acclaimed artists at work in the world today. On this episode, Ellen Gallagher talks to Bloomberg. (Source: Bloomberg)

Rescuing Discarded Images of Everyday Black Life

The New York Times
2015-10-20

David Gonzalez, Side Street Columnist

Who throws away family photos? How do faded, blurry squares that chronicled weddings, ballgames and goofy moments at home end up abandoned, tossed to the curb or in boxes bought sight unseen at storage auctions?

Zun Lee has been wondering about this ever since he stumbled upon a dozen Polaroids scattered on a Detroit sidewalk. He had gone to Motown as part of his work on “Father Figure,” his book about African-American fatherhood. The sight of those images — children playing in a yard — stopped him. He asked around, but no one knew who was in the pictures. And while someone didn’t want these images, Mr. Lee did: They showed an ordinary beauty. Their fate hinted at hard times. Yet, in a frozen moment, they showed their subjects with love.

Mr. Lee was hooked. He started to haunt flea markets, yard sales and eBay in search of more of these images, to the point that he now has some 3,500 of them, ranging from the 1970s through the 2000s. Taken in a time before Instagram or Everyday Black America, they accomplish the same thing: to show African-American life as it was lived…

…The idea itself is also, for him, a response to how African-American communities have been depicted, something he cares about as the son of a Korean mother and an African-American father. Tired of the conventional wisdom that African-American fathers were absent, he set out to show a contrary reality. Similarly, his interest in collecting family pictures and turning them into a project was a response to “Found Pictures in Detroit,” a project and book by two Italian photographers who also showcased discarded images, with many of them showing crime scenes, suspects and victims…

Read the entire article and view the slide show here.

Defying the Stereotype of the Broken Black Family

The New Yorker
2015-10-12

Lucy McKeon

For his series “Father Figure,” begun in 2011, the photographer Zun Lee created quiet and tender portraits of black fathers with their children: one kisses the tiny hand of his baby while riding the subway; another goofs around at bedtime, his daughter’s feet pressed up against his cheek. The project was, in part, a response to Lee’s own personal history: he grew up, in Frankfurt, Germany, nurtured by African-American military families who were stationed there; in his thirties, he discovered that his biological father was not the Korean dad he’d grown up with but a black man he’d never met. “Father Figure” is an homage to the surrogate black father figures he’d found growing up, and an exploration of alternatives to the stereotype of the black absentee father.

Lee’s latest project, the found-photo series “Fade Resistance,” continues to challenge racist assumptions of black family dysfunction, this time with Lee acting not as a photographer but as a curator…

Read the entire article and view the photographs here.

Photo Gallery Highlights Multiracial Student Experiences

The Havard Crimson
2015-10-26

Aafreen Azmi, Contributing Writer

Brandon J. Dixon, Contributing Writer

Students study the portraits on display at “OTHER: A Multiracial Student Photo Gallery” at the exhibition’s opening on Sunday afternoon. Eliza R. Pugh

Students expressed their desire to define their racial identities on their own terms at “OTHER: A Multiracial Student Photo Gallery,” which opened in the Student Organization Center at Hilles on Sunday.

Amanda Mozea ’17, who organized the exhibit, described it as an attempt to highlight the struggles that many multiracial students at Harvard face.

The exhibit features more than 50 models who identify as multiracial, each of whom posed for a portrait and answered a series of questions displayed in a written transcript. The questions included, “How does the government define your race? How do others define your race? How do you define yourself?”…

Read the entire article here.

New Film Shows Misty Copeland’s Journey as a Black Ballerina

NBC News
2015-09-30

Maya Chung

The 2015 Urbanworld Festival closed out on Saturday night with the highly anticipated documentary “A Ballerina’s Tale,” which details Misty Copeland’s journey to become a principal ballerina.

The film festival, founded in 1997, is a five-day event that showcases narrative features, documentaries, short films, and spotlight screenings with the goal of redefining and advancing the impact of the multicultural community in the film world.

“A Ballerina’s Tale” is one film that is making that impact. The documentary gives an in-depth picture of Copeland’s struggles with being black in a predominantly white Ballet world and it chronicles her experience recovering from a leg fracture – one that could’ve stopped her dream of becoming a principal dancer…

…Copeland, 33, beat the odds and became the American Ballet Theatre’s first black female principal dancer in the company’s 75-year history this past June. But, it wasn’t easy and the film makes that clear. She explained that she struggled being a black dancer when she first began in the professional ballet world.

“I’ve never strayed away from being black. I’m biracial but something that my mom constantly said to me growing up in southern California was ‘Yes, you are Italian, you are German, and you are black, but you are going to be viewed by the world as a black woman’,” Copeland said. “I never felt different growing up but when I came into the ballet world as a professional I immediately felt different.”…

Read the entire interview here.

New ‘Hysterical’ Web Series Explores Single Life for 40-Something Women of Color

Chic Rebellion
2015-10-01

Elayne Fluker, Chief Executive Officer

“You know, marriage is hard. I’m not always happy–the shit gets hard.” So goes a line by Rain Pryor to actress Esther Friedman in Friedman’s new web series, Hysterical Historical Hillary–which screens at the Bushwick Film Festival on Saturday, October 3, 2015 in Brooklyn, New York. Friedman plays Hillary, a 40-something woman longing for love in New York City. Having had a successful web series on FunnyorDie.com in 2008 and a successful Kickstarter campaign in 2014 that raised $8430, the New York native teamed up with her sixteen-year-old brother Sam Friedman, already an award winning filmmaker, to tell stories of what they call “the not-so-hot topics of human experiences.” And as any singleton in New York knows that if dating in the Big Apple is anything it is certainly an experience!

ChicRebellion.TV caught up with Friedman to chat about meaning of the phrase “hysterical historical, her personal connection to Hillary, if web series have helped even the playing field for women of color who have a story to tell, and why she chose the path less traveled when deciding how to distribute her work…

Read the entire interview here.