Scholarly perspectives on the mixed race experience.
Racial and ethnic self-identification have economic consequences because the choice of self-identity is likely to be entwined with the acceptance of and acculturation into dominant social norms. If race or ethnicity is endogenous in certain circumstances, a self-identity may or may not be selected to distance oneself from a subordinate group or to improve one’s standing with or acceptance into the dominant group. In a study of people of Mexican descent, Mason (2001) tests a model in which acculturation is a dominant strategy, and finds that light-complected people of Mexican descent may acculturate more easily. Murguia and Telles (1996) report different educational opportunities for Mexicans of light and dark complexion and argue that these may result from conscious choices. Phenotypic differences, they argue, influence individual strategies. Light-skinned people of Mexican descent learn early in life that by assimilating or acculturating they can defuse negative stereotypes and attain more than their dark-complected counterparts. Later in life, light-skinned Mexicans are able to increase their incomes by adopting a non-Hispanic white identity (Mason 2001). Yet there may also be situations in which members of the subordinate group decide to maintain identities separate from the dominant group.
Dailey brings into sharp relief how white focus on safeguarding purity fueled centuries of brutality and structural racism. Historian Nell Painter looks at the nineteenth and twentieth century south through an intersecting lens. Her book “Southern History Across the Color Line” brings to the surface the many ways in which the lives of southern Blacks and whites were thoroughly entangled. Join these two thinkers as they reflect on the white American psyche, the messy tangles between races in the south, and the throughline that brings us from Emmett Till, to Loving v. Virginia, to the racism that continues today.
Stony Brook University Assistant Professor Zebulon Miletsky holds a photo of his parents, Marc and Veronica Miletsky. Miletsky draws on his own biracial past to delve into conversations about race in America. Newsday/Thomas A. Ferrara
He got to a slide with bullet points on the renowned black historian and activist W.E.B. Du Bois. Miletsky, an assistant professor in Africana Studies and History, went off-script. He shared an anecdote with his students about the time a young Du Bois offered a white girl a valentine and she turned him down flat. Because he was black. It left a mark.
Du Bois went on to become the first African American to earn a Ph.D. at Harvard. “Childhood things shape you,” the professor added.
Rebecca Hall: ‘In any family that has a legacy of passing, you inherit all of the shame and none of the pride.’ Photograph: Taylor Jewell/Invision/AP
The actor has just directed her first film, an adaptation of Nella Larsen’s 1929 novel Passing. She discusses the family story that inspired her, cultural appropriation and class in Hollywood
It would be easy to assume that Rebecca Hall has never had to fight for anything in her life. Now 39, she made her screen debut at the age of 10 in The Camomile Lawn, the 1992 TV series directed by her father, the British theatre grandee Sir Peter Hall. Her stage debut came a decade later, in his production of Mrs Warren’s Profession. There followed 15 hugely successful years as an actor, working with Steven Spielberg (The BFG), Christopher Nolan (The Prestige), Woody Allen (Vicky Cristina Barcelona) and many more. But for more than a decade she has been struggling to build a second career, as the director of a movie that some would say she has no right to make.
That movie is Passing, which Hall has adapted herself from the 1929 novel by the Harlem Renaissance writer Nella Larsen. It is an emotionally resonant study of racial identity, seen through the eyes of two Black women, Irene (played by Tessa Thompson) and Clare (Ruth Negga), both of whom, to varying extents, “pass” as white. Hall remembers first encountering the book in her early 20s and feeling a rush of inspiration: “I was sat there reading and I could just suddenly start seeing it: their two faces, seeing each other in that tea room, and I had that idea of looking from Irene’s perspective and panning through someone staring at you and then coming back. That was really there, and very potent, in black and white in my head.”
The phenomenon of “passing” is, in many ways, historically specific. It made sense only in a time and place when the oppression and segregation of American “negroes” (defined, according to the “one-drop rule”, as anyone with any African ancestry) coincided with the severing of community ties, making it both possible and desirable for people of European appearance to “cross the colour line” into white society. And yet, what Larsen’s book revealed – and Hall’s film further elucidates – is the universality of the passing experience. Nobody fits entirely comfortably into the identity categories assigned them by society; every human is more complex than any label can account for…
This book uses a black/white interracial lens to examine the lives and careers of eight prominent American-born actresses from the silent age through the studio era, New Hollywood, and into the present century: Josephine Baker, Nina Mae McKinney, Fredi Washington, Lena Horne, Dorothy Dandridge, Lonette McKee, Jennifer Beals and Halle Berry. Combining biography with detailed film readings, the author fleshes out the tragic mulatto stereotype, while at the same time exploring concepts and themes such as racial identity, the one-drop rule, passing, skin color, transracial adoption, interracial romance, and more. With a wealth of background information, this study also places these actresses in historical context, providing insight into the construction of race, both onscreen and off.
Table of Contents
Preface
Introduction
1. Josephine Baker: From Exotic Savage to Creole Queen
2. Nina Mae McKinney: Dichotomy of a Hollywood Black Woman
3. Fredi Washington: Paradox of Black Identity
4. Lena Horne: Separate and Unequalled
5. Dorothy Dandridge: Star-Crossed Crossover Star
Winner, Non-Fiction: Multicultural Book Award—International Afro-American Historical & Genealogical Society
In the Netherlands, a small group of biracial citizens has entered its eighth decade of lives that have been often puzzling and difficult, but which offer a unique insight into the history of race relations in America. Though their African American fathers had brought liberation from Nazi tyranny at the end of World War II, they had arrived in a segregated American military that derived from a racially divisive American society.
Decades later, some of their children could finally know of a father’s identity and the life he had led after the war. Just one would be able to find an embrace in his arms, and just one to visit her father’s American grave after 73 years. But they could now understand their own Dutch lives in the context of their fathers’ lives in America. This book relates their experiences, offering fresh insight into the history of American race relations.
Table of Contents
Preface
One—War Babies
Two—Social Reality, Military Policy
Three—Liberation and Slavery
Four—Aftermath
Five—Margraten
Six—Limited Service
Seven—Liberation Children
Eight—In England
Nine—Out of England
Ten—Occupation Babies
Eleven—Adulthood
Twelve—Settling Lives
Thirteen—International Families
Afterword by Sebastiaan Vonk
About the Authors
Appendix: Relevant World War II Era Law and Custom for International Marriage, Immigration, Birth Status, Adoption and Assistance
Vanessa Riley was intrigued when she encountered the figure of Miss Lambe in Jane Austen’s unfinished final novel, “Sanditon.” Given the dearth of people of color in 18th- and 19th-century British literature, she wanted to know where the wealthy colored debutante had come from. Was she a product of a progressive authorial imagination? Or had real-life Miss Lambes merely been excised from popular culture and public memory?
The quest to “find Miss Lambe” turned into a long and meaningful one for the author — a 10-year journey, which revealed that Austen’s aims may have been progressive but they weren’t born of fantasy. As Riley wrote, “Finding Dorothy Kirwan Thomas, the women of the Entertainment Society, and so many other Black women who had agency and access to all levels of power has restored my soul.”
Riley’s commitment to restoring these unsung women to their rightful place in the popular imagination was a driving force behind her riveting and transformative new novel. Yet her chosen subject bears little resemblance to a pampered heiress like Miss Lambe; the contours of Dorothy Kirwan Thomas’s life have a much harsher bent. Called “Doll” or “Dolly” when she was young, Dorothy was born to an Irish planter and an enslaved woman in 1756 on the island of Montserrat. In her 90 years, she endured bondage, assault and abuse, secured her own freedom against incredible odds, accumulated great wealth and considerable influence, and became the founding matriarch of a prosperous Caribbean clan…
Martha S. Jones, Society of Black Alumni Presidential Professor, Professor of History Johns Hopkins University, Baltimore, Maryland
Through prose and performance, Martha S. Jones examines the cruel, curious, and comical dimensions of the mixed-race experience. With the pathos of the tragic mulatto in mind, she gets beyond simple renderings of the one-drop rule by exploring family history, her ambiguous appearance, and shifting ideas about racial categories. If race is a social construction it is also a lie, one that Jones exposes through reflections on everyday scenes of race-making. Her work is for those for who checking boxes elicits a shudder, while also speaking to anyone who finds themselves in-between and misunderstood by the sociological categories that organize our world.
Tracing an extraordinary journey throughout the Atlantic World, Leibman examines artifacts left behind in Barbados, Suriname, London, Philadelphia, and New York, to show how Sarah and Isaac Moses were able to transform themselves and their lives, becoming free, wealthy, Jewish, and—at times—white. While their affluence made them unusual, their story mirrors that of the largely forgotten population of mixed African and Jewish ancestry that constituted as much as ten percent of the Jewish communities in which the siblings lived.
The ubiquity of racist propaganda in Japan and the U.S. during the Pacific War and the extraordinary cruelty of the fighting have fostered the perception that Japanese and Americans harbored a deep racial hatred for each other. Indeed, historical research convincingly interprets the Pacific War as a “race war” within the contexts of military engagement and state rhetoric. We know little, however, about how resident Westerners lived and interacted with Japanese during the war and whether they became victims of racial hatred. This article explores the impacts of state ideology on Japanese citizens’ racial attitudes by examining the treatment and experiences of mixed-race individuals, and Eurasians particularly, stranded in Japan during the war. In doing so, it contextualizes and corrects harmful allegations of racism among civilian Japanese.
A remarkable, sweeping historical novel based on the incredible true life story of Dorothy Kirwan Thomas, a free woman of color who rose from slavery to become one of the wealthiest and most powerful landowners in the colonial West Indies.
Born into slavery on the tiny Caribbean island of Montserrat, Doll bought her freedom—and that of her sister and her mother—from her Irish planter father and built a legacy of wealth and power as an entrepreneur, merchant, hotelier, and planter that extended from the marketplaces and sugar plantations of Dominica and Barbados to a glittering luxury hotel in Demerara on the South American continent.
Vanessa Riley’s novel brings Doll to vivid life as she rises above the harsh realities of slavery and colonialism by working the system and leveraging the competing attentions of the men in her life: a restless shipping merchant, Joseph Thomas; a wealthy planter hiding a secret, John Coseveldt Cells; and a roguish naval captain who will later become King William IV of England.
From the bustling port cities of the West Indies to the forbidding drawing rooms of London’s elite, Island Queen is a sweeping epic of an adventurer and a survivor who answered to no one but herself as she rose to power and autonomy against all odds, defying rigid eighteenth-century morality and the oppression of women as well as people of color. It is an unforgettable portrait of a true larger-than-life woman who made her mark on history.
